Leonard-Cushing Fight

Last updated
Leonard-Cushing Fight
Leonard-Cushing Fight Poster.png
An advertisement for the Leonard-Cushing Fight, a 1894 black-and-white silent film, featuring a boxing match.
Produced by William K.L. Dickson
StarringMike Leonard
Jack Cushing
Cinematography William Heise
Distributed by Edison Manufacturing Company
Release date
  • August 4, 1894 (1894-08-04)
Running time
6 minutes
CountryUnited States
Language Silent

The Leonard-Cushing Fight is an 1894 American short black-and-white silent film produced by William K.L. Dickson, starring Mike Leonard and Jack Cushing. Leonard and Cushing participate in a six round boxing match under special conditions that allow for it to be filmed and displayed on a Kinetograph. The film was shot on an uncertain date between May 24 and June 14, 1894, in an specially configurated ring in Edison's Black Maria film studio in West Orange, New Jersey. Premiered on August 4, 1894 in Manhattan, the movie is the first sports film ever released. As of 2023, no full print of the film is known to have survived, making it a partially lost film. A 23 second fragment is available at the Library of Congress.

Contents

Plot

The boxers Mike Leonard and Jake Cushing participate in a six round exhibition boxing bout. According to Terry Ramsaye, the fighters "[...] went six savage, abbreviated rounds of desperate fighting. In the sixth round Cushing, trapped by a feint, dropped his guard and stopped a swift right and left chop to the jaw." The film ends with Leonard knocking out Cushing. [1]

Cast

Background and production

The film was shot in a specially configurated ring in Edison's Black Maria film studio in West Orange, New Jersey. Black Maria.jpg
The film was shot in a specially configurated ring in Edison's Black Maria film studio in West Orange, New Jersey.

In 1888, Thomas Edison became interested in developing a motion-picture device. [2] Edison appointed his company's photographer William K.L. Dickson with the development of such a device. Dickson, alongside his assistant Charles Brown started to work on different concepts the following year. Alongside William Heise, the company experimented with recording boxing bouts in spring 1891. [2] Twelve feet of film were shot either in May or June 1891, featuring two of Edison Manufacturing Company employees, pretending to spar in a boxing ring. [3] In a May 1891 interview with The Sun Edison announced his desire to display prize fights through his Kinetescope; "To the sporting fraternity I can say that before that before long it will be possible to apply this system to prize fights and boxing exhibitions." [4] [5] The Kinetescope had its world premiere on May 9, 1893, in the Brooklyn Institute of Arts and Sciences. Further development of motion picture devices led to the first private Kinetescope parlor opening in April the following year. Edison's business partners, Otway and Grey Latham, Enoch J. Rector, and Samuel J. Tilden Jr., sought to commercialize the popularity of the device. The group chose prizefighting as an easy subject to capture, but the Kinetescope needed further development to properly display a fight.

According to film historian Gordon Hendricks, preparation for filming might have begun as early as May 24, 1894. [6] Heise and Dickson experimented with various New York based boxers, namely Kid Lavigne, Young Griffo and Jack McAuliffe, who all dropped out of the project. [6] Leonard initially rejected the proposal, due to the US$35 (US$1,096 in 2021) payment he deemed low. He later received US$150 (US$4,698 in 2021) and all of his expenses were paid. [7] Filming took place in mid-June to early July 1894 [upper-alpha 1] in a 10 feet (3.0 m) to 12 feet (3.7 m) ring [upper-alpha 2] , in Edison's Black Maria film studio. The team had to wait several days for clear weather, as the studio required natural light. [5] The fight was watched by Edison and six unnamed partners. [7] It is uncertain how many rounds were actually recorded. A June 16 account published in the New York World speaks of six rounds, while The Sun and Ramsaye claim ten recorded rounds. [7] [9] Further disagreement is about how much film was actually recorded. According to the New York World, 46 photos per second, 16,500 photos in total were taken, accounting for 900 feet (270 m), [7] while Ramsaye claims ten rounds and 1,000 feet (300 m). [1] [9] Hendricks calls Ramsaye claim of ten rounds an error. [11] Edison's own March 1900 catalog lists each round at 150 feet (46 m), for a total of 900 feet (270 m). No matter the actual length, the film was the longest ever taken at the time. [5] Cushing told the New York World that fighting in front of a Kinetescope is not a real fight. [12] Leonard told the paper that he: "generally hit 'im in the face, because I felt sorry for his family and thought I would select only place that couldn't be disfigured. It's lucky the rounds lasted only a minute, for while I tried to spare him, of course I couldn't keep all my strength in." [12] Leonard later recounted that Edison treated him right and that he "didn’t want to be too quick for his machine." [5]

Release and reception

The fragment of the movie.

The Leonard-Cushing Fight premiered on August 4, 1894, in a Kinetescope parlor owned by the Latham's brother Kinetoscope Exhibiting Company in 83 Nassau Street (Manhattan). [13] The film was sold by the round, for five cents each. Accorind to Ramsaye, "throngs packed the place and by the second day two long lines of waiting patrons trailed back into the street on either side of the entrance. The police came to keep order in the queue." [1] Gamache claims that "the relative obscurity of the fighters, both of whom were from Brooklyn, and the fact that viewers could opt to pay for only the knockout round contributed to the lack of success of the Lathams’ parlor." [14] Other screenings were in 457 Fulton Street (Brooklyn). [15] On April 2, 1895, the Continental Commerce Company premiered the film in London's 70 Oxford Street. [16]

As part of a pre-1900 film exhibition, the British National Film Theatre screened the surviving part on three occasions; November 21, 28 and December 12, 1994. [17]

The state of New Jersey outlawed prize fights in 1835. According to an article published in The Sun on June 16, 1894, New Jersey's grand jury investigated a potential prize fight in Edison's studio. [18] However, no record of the investigation exists. [19]

By March 1900, each round of the film was sold by the publisher for US$22.50. [20] [21]

According to the Library of Congress, the film was never copyrighted by Edison. It received the fragment by Louise G. Ernst. [22] The website of the Library Congress lists Hendricks as the source of the 37-second fragment. [23]

See also

Notes

  1. 1 2 3 Ramsaye 1922, p. 113 (490).
  2. 1 2 Gamache 2010, p. 21.
  3. Streible 2008, p. 23-24.
  4. "The Kinetograph". The Sun . New York City. May 28, 1891. pp. 1–2. Retrieved December 26, 2021.
  5. 1 2 3 4 Vogan 2020, p. 10.
  6. 1 2 3 4 Hendricks 1972, p. 91.
  7. 1 2 3 4 Hendricks 1972, p. 92.
  8. Musser 1991, p. 47.
  9. 1 2 3 4 Ramsaye 1964, p. 109.
  10. Hendricks 1972, p. 91-92.
  11. Hendricks 1972, p. 195.
  12. 1 2 Hendricks 1972, p. 94.
  13. Hawley, Samuel (March 27, 2017). "The Birth of the Feature Film – 120 Years Ago: The Corbett-Fitzsimmons Fight (1897)". Bright Lights Film Journal . Retrieved January 16, 2021.
  14. Gamache 2010, p. 27.
  15. "The Kinetescope: The latest invention now on exhibition here". The Standard Union . August 16, 1894. p. 5. Retrieved January 20, 2023.
  16. Brown & Anthony 2017, p. 22.
  17. "Flickering images provide peep show on the past". The Times . November 19, 1994. p. 48. Retrieved January 14, 2023 via Archive.org.
  18. "Kinetographing a Fight". The Sun . New York City. June 16, 1891. p. 7. Retrieved December 29, 2021.
  19. Orbach 2009, p. 257.
  20. Edison Films. March 1900. p. 15. doi:10.7282/T3SN09B0 . Retrieved January 17, 2023 via Rutgers University.
  21. Form 105, July 1901: Complete Catalogue. Edison Manufacturing Company. July 1901. p. 27. doi:10.7282/T3XD122Q . Retrieved January 17, 2023 via Rutgers University.
  22. Spehr, Paul C. (1975). "Some Still Fragments of a Moving Past Edison Films in the Library of Congress". The Quarterly Journal of the Library of Congress . 32 (1): 39. ISSN   0041-7939. JSTOR   29781610 . Retrieved January 14, 2023.
  23. "Leonard-Cushing fight". Library of Congress . Retrieved January 16, 2021.

Footnotes

  1. There is disagreement on the recording date of the film. Hendricks concludes that the recording date was June 14, based on accounts by the New York World and The Orange Journal. [6] Ramsaye claimed in 1922 that the film was recorded in early July, which Hendricks refutes. The New York World account from June 16, 1984, says that "Yesterday morning [...]", pointing at a June 15 recording date. [8] [9] [6]
  2. The June 16 account from The Sun and New York World says that the previous boxers didn't want to fight in a 12 feet (3.7 m) ring, [10] while Ramsaye claims 10 feet (3.0 m). [9]

Related Research Articles

<span class="mw-page-title-main">William Kennedy Dickson</span> British inventor (1860–1935)

William Kennedy Laurie Dickson was a British inventor who devised an early motion picture camera under the employment of Thomas Edison.

<i>Blacksmith Scene</i> 1893 American film

Blacksmith Scene is an 1893 American short black-and-white silent film directed by William K.L. Dickson, the Scottish-French inventor who, while under the employ of Thomas Edison, developed one of the first fully functional motion picture cameras. It is historically significant as the first Kinetoscope film shown in public exhibition on May 9, 1893, and is the earliest known example of actors performing a role in a film. 102 years later, in 1995, Blacksmithing Scene was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". It is the second-oldest film included in the Registry, after Newark Athlete (1891).

The following is an overview of the events of 1895 in film, including a list of films released and notable births.

The following is an overview of the events of 1894 in film, including a list of films released and notable births.

<span class="mw-page-title-main">Kinetoscope</span> Motion picture exhibition device

The Kinetoscope is an early motion picture exhibition device, designed for films to be viewed by one person at a time through a peephole viewer window. The Kinetoscope was not a movie projector, but it introduced the basic approach that would become the standard for all cinematic projection before the advent of video: it created the illusion of movement by conveying a strip of perforated film bearing sequential images over a light source with a high-speed shutter. First described in conceptual terms by U.S. inventor Thomas Edison in 1888, it was largely developed by his employee William Kennedy Laurie Dickson between 1889 and 1892. Dickson and his team at the Edison lab in New Jersey also devised the Kinetograph, an innovative motion picture camera with rapid intermittent, or stop-and-go, film movement, to photograph movies for in-house experiments and, eventually, commercial Kinetoscope presentations.

The following is an overview of the events of 1891 in film, including a list of films released and notable births.

<i>Dickson Greeting</i> 1891 American film

Dickson Greeting is an 1891 American short silent film. Directed, produced by, and starring motion-picture pioneer William K. L. Dickson, it displays a 3-second clip of him passing a hat in front of himself, and reaching for it with his other hand. It was filmed on May 20, 1891 in the Photographic Building at Edison's Black Maria studio, West Orange, New Jersey, in collaboration with Thomas Edison using his kinetograph. The film was played for viewers at the National Federation of Women's Clubs, one of the first public presentations of a motion picture.

<i>The Dickson Experimental Sound Film</i> American film

The Dickson Experimental Sound Film is a film made by William Dickson in late 1894 or early 1895. It is the first known film with live-recorded sound and appears to be the first motion picture made for the Kinetophone, the proto-sound-film system developed by Dickson and Thomas Edison. The film was produced at the "Black Maria", Edison's New Jersey film studio. There is no evidence that it was ever exhibited in its original format.

<span class="mw-page-title-main">Edison's Black Maria</span> Film production company

<span class="mw-page-title-main">Edison Studios</span> Defunct American film production organization (1894–1918)

Edison Studios was an American film production organization, owned by companies controlled by inventor and entrepreneur, Thomas Edison. The studio made close to 1,200 films, as part of the Edison Manufacturing Company (1894–1911) and then Thomas A. Edison, Inc. (1911–1918), until the studio's closing in 1918. Of that number, 54 were feature length, and the remainder were shorts. All of the company's films have fallen into the public domain because they were released before 1928.

<span class="mw-page-title-main">Actuality film</span> Non-fiction film genre that uses footage of real events

Actuality film is a non-fiction film genre that, like documentary film, uses footage of real events, places, and things. Unlike documentaries, actuality films are not structured into a larger narrative or coherent whole. In practice, actuality films preceded the emergence of the documentary. During the era of early cinema, actualities—usually lasting no more than a minute or two and usually assembled together into a program by an exhibitor—were just as popular and prominent as their fictional counterparts. The line between "fact" and "fiction" was not as sharply drawn in early cinema as it would be after documentaries came to serve as the predominant non-fiction filmmaking form. Actuality is a film genre that remains related to still photography.

The Eidoloscope was an early motion picture system created by Eugene Augustin Lauste, Woodville Latham and his two sons through their business, the Lambda Company, in New York City in 1894 and 1895. The Eidoloscope was demonstrated for members of the press on April 21, 1895, and opened to the paying public on Broadway on May 20.

<i>Carmencita</i> (film) 1894 film

Carmencita is an 1894 American short black-and-white silent documentary film directed and produced by William K.L. Dickson, the Scottish inventor credited with the invention of the motion picture camera under the employ of Thomas Edison. The film is titled after the dancer who features in it.

The decade of the 1890s in film involved some significant events.

<i>Corbett and Courtney Before the Kinetograph</i> 1894 American film

Corbett and Courtney Before the Kinetograph is an 1894 American short black-and-white silent film produced by William K.L. Dickson and starring James J. Corbett. It was only the second boxing match to be filmed following The Leonard-Cushing Fight which had been filmed by Dickson on June 14, 1894.

<i>The Corbett-Fitzsimmons Fight</i> 1897 film by Enoch J. Rector

The Corbett-Fitzsimmons Fight is an 1897 documentary film directed by Enoch J. Rector depicting the 1897 boxing match between James J. Corbett and Bob Fitzsimmons in Carson City, Nevada on St. Patrick's Day. Originally running for more than 100 minutes, it was the longest film released to date; as such, it was the world's first feature film.

<i>Men Boxing</i> 1891 American film

Men Boxing is an 1891 American short silent film, produced and directed by William K. L. Dickson and William Heise for the Edison Manufacturing Company, featuring two Edison employees with boxing gloves, pretending to spar in a boxing ring. The 12 feet of film was shot between May and June 1891 at the Edison Laboratory Photographic Building in West Orange, New Jersey, on the Edison-Dickson-Heise experimental horizontal-feed kinetograph camera and viewer, through a round aperture on 3/4 inch (19mm) wide film with a single edge row of sprocket perforations, as an experimental demonstration and was never publicly shown. A print has been preserved in the US Library of Congress film archive as part of the Gordon Hendricks collection.

<i>History of the Kinetograph, Kinetoscope, and Kinetophonograph</i> Book about the history of film

History of the Kinetograph, Kinetoscope, and Kinetophonograph is a book written by siblings William Kennedy Dickson and Antonia Dickson about the history of film. The brother Dickson wrote from his experiences working for Thomas Edison at his "Black Maria" studio in West Orange, New Jersey; Edison himself prefaced the book. Emphasis is placed on the eponymous devices: the kinetograph, the kinetoscope, and the kinetophonograph. Dickson helped to develop these devices, which facilitate the capturing and exhibition of motion pictures.

<span class="mw-page-title-main">Antonia Dickson</span> British writer, lecturer, concert pianist

Antonia Isabella Eugénie Dickson was a writer, lecturer, music composer, and concert pianist. With her brother, William Kennedy Dickson, she authored the History of the Kinetograph, Kinetoscope, and Kinetophonograph, considered the first book on the history of film, and a biography of Thomas Edison.

References

Articles

Books

Journals