The Republic of China (Taiwan) has submitted films for the Academy Award for Best Foreign Language Film since 1957, and regularly since 1980. The award is handed out annually by the United States Academy of Motion Picture Arts and Sciences to a feature-length motion picture produced outside the United States that contains primarily non-English dialogue. [1] It was not created until the 1956 Academy Awards, in which a competitive Academy Award of Merit, known as the Best Foreign Language Film Award, was created for non-English speaking films, and has been given annually since. [2]
The United States of America (USA), commonly known as the United States or America, is a country comprising 50 states, a federal district, five major self-governing territories, and various possessions. At 3.8 million square miles, the United States is the world's third or fourth largest country by total area and is slightly smaller than the entire continent of Europe's 3.9 million square miles. With a population of over 327 million people, the U.S. is the third most populous country. The capital is Washington, D.C., and the most populous city is New York City. Most of the country is located contiguously in North America between Canada and Mexico.
The Academy of Motion Picture Arts and Sciences is a professional honorary organization with the stated goal of advancing the arts and sciences of motion pictures. The Academy's corporate management and general policies are overseen by a Board of Governors, which includes representatives from each of the craft branches.
In motion picture terminology, feature length is the length of a feature film. According to the rules of the Academy of Motion Picture Arts and Sciences, a feature-length motion picture must have a running time of more than 40 minutes to be eligible for an Academy Award.
For the purposes of Oscar submissions, AMPAS recognizes Mainland China, Taiwan and Hong Kong as separate entities, and each one regularly submits a film to the competition. Taiwan became the first of the three ethnic Chinese entities to enter the competition in 1957.
Mainland China, also known as the Chinese mainland, is the geopolitical as well as geographical area under the direct jurisdiction of the People's Republic of China (PRC). It includes Hainan island and strictly speaking, politically, does not include the special administrative regions of Hong Kong and Macau, even though both are partially on the geographic mainland.
Taiwan, officially the Republic of China (ROC), is a state in East Asia. Neighbouring states include the People's Republic of China (PRC) to the west, Japan to the north-east, and the Philippines to the south. The island of Taiwan has an area of 35,808 square kilometres (13,826 sq mi), with mountain ranges dominating the eastern two thirds and plains in the western third, where its highly urbanised population is concentrated. Taipei is the capital and largest metropolitan area. Other major cities include Kaohsiung, Taichung, Tainan and Taoyuan. With 23.7 million inhabitants, Taiwan is among the most densely populated states, and is the most populous state and largest economy that is not a member of the United Nations (UN).
Hong Kong, officially the Hong Kong Special Administrative Region of the People's Republic of China, is a special administrative region on the eastern side of the Pearl River estuary in southern China. With over 7.4 million people of various nationalities in a 1,104-square-kilometre (426 sq mi) territory, Hong Kong is one of the most densely populated places in the world.
To date, Taiwan has submitted forty-four films for Oscar consideration. Three Taiwanese films have been nominated for the Academy Award for Best Foreign Language Film, and all three nominated films were directed by Ang Lee: The Wedding Banquet , Eat Drink Man Woman , and Crouching Tiger, Hidden Dragon , which is the only Taiwanese film to have won the Academy Award for Best Foreign Language Film. [3] [4] Taiwan initially selected Ang Lee's Lust, Caution in 2007, but AMPAS did not accept the film saying that was not a majority-Taiwanese production. Directors Chen Kunhou and Hou Hsiao-hsien have each had three films selected to represent Taiwan, but none received an Oscar nomination.
Ang LeeOBS is a Taiwanese film director and screenwriter. Born in the Pingtung County of southern Taiwan, Lee was educated in the United States. His filmmaking career has seen him experience international critical and popular acclaim and a range of accolades.
The Wedding Banquet is a 1993 romantic comedy film directed by Ang Lee and starring Winston Chao, May Chin, Gua Ah-leh, Sihung Lung, and Mitchell Lichtenstein. The screenplay concerns a gay Taiwanese immigrant man who marries a mainland Chinese woman to placate his parents and get her a green card. His plan backfires when his parents arrive in the United States to plan his wedding banquet and he has to hide the truth of his partner.
Eat Drink Man Woman is a 1994 Taiwanese comedy-drama film directed by Ang Lee and starring Sihung Lung, Yu-wen Wang, Chien-lien Wu, and Kuei-mei Yang. The film was released on 3 August 1994, and it was both a critical and box office success. In 1994, the film received the Asia Pacific Film Festival Award for Best Film, and in 1995 it received an Academy Award Nomination for Best Foreign Language Film.
The Academy of Motion Picture Arts and Sciences has invited the film industries of various countries to submit their best film for the Academy Award for Best Foreign Language Film since 1956. [2] The Foreign Language Film Award Committee oversees the process and reviews all the submitted films. Following this, they vote via secret ballot to determine the five nominees for the award. [1] Below is a list of the films that have been submitted by Taiwan for review by the Academy for the award by year and the respective Academy Awards ceremony.
The secret ballot, also known as Australian ballot, is a voting method in which a voter's choices in an election or a referendum are anonymous, forestalling attempts to influence the voter by intimidation, blackmailing, and potential vote buying. The system is one means of achieving the goal of political privacy.
Year (Ceremony) | Film title used in nomination | Original title | Director | Result |
---|---|---|---|---|
1957 (30th) | Amina | Amina (阿美娜) | Yuan Congmei | Not Nominated |
1964 (37th) | Lovers' Rock | Qíngrén shí (情人石) | Pan Lei | Not Nominated |
1966 (39th) | The Silent Wife | Yǎnǚ qíngxīn (啞女情深) | Lee Hsing | Not Nominated |
1972 (45th) | Execution in Autumn | Qiūjué (秋決) | Lee Hsing | Not Nominated |
1976 (49th) | Eight Hundred Heroes | Bābǎi zhuàngshì (八百壯士) | Ting Shan-hsi | Not Nominated |
1980 (53rd) | The Legend of the Six Dynasty | Liùcháo guàitán (六朝怪談) | Wong Guk-gam | Not Nominated |
1981 (54th) | If I Were for Real | Jiǎrú wǒshì zhēnde (假如我是真的) | Wang Toon | Not Nominated |
1982 (55th) | The Battle for the Republic of China | Xīnhài shuāngshí (辛亥雙十) | Ting Shan-hsi | Not Nominated |
1983 (56th) | Growing Up | Xiǎo Bì de gùshì (小畢的故事) | Chen Kunhou | Not Nominated |
1984 (55th) | Old Mao's Second Spring | Lǎo Mò de dì èr ge chūntiān (老莫的第二個春天) | Lee You-ning | Not Nominated |
1985 (58th) | Kuei-Mei, a Woman | Wǒ zhèyàng guòle yìshēng (我這樣過了一生) | Chang Yi | Not Nominated |
1986 (59th) | The Heroic Pioneers | Tángshān guò Táiwān (唐山過台灣) | Lee Shing | Not Nominated |
1987 (60th) | Osmanthus Alley | Guìhuā xiàng (桂花巷) | Chen Kunhou | Not Nominated |
1988 (61st) | My Mother's Teahouse | Chūnqiū cháshì (春秋茶室) | Chen Kunhou | Not Nominated |
1989 (62nd) | A City of Sadness | Bēiqíng chéngshì (悲情城市) | Hou Hsiao-hsien | Not Nominated |
1990 (63rd) | Song of the Exile | Kètú qiūhèn (客途秋恨) | Ann Hui | Not Nominated |
1991 (64th) | A Brighter Summer Day | Gúlǐngjiē shàonián shārén shìjiàn (牯嶺街少年殺人事件) | Edward Yang | Not Nominated |
1992 (65th) | Peach Blossom Land | Ànliàn táohuāyuán (暗戀桃花源) | Stan Lai | Not Nominated |
1993 (66th) | The Wedding Banquet | Xǐyàn (喜宴) | Ang Lee | Nominated |
1994 (67th) | Eat Drink Man Woman | Yǐnshí nánnǚ (飲食男女) | Ang Lee | Nominated |
1995 (68th) | Super Citizen Ko | Chāojí dàguómín (超級大國民) | Wan Jen | Not Nominated |
1996 (69th) | Tonight Nobody Goes Home | Jīntiān bùhuíjiā (今天不回家) | Sylvia Chang | Not Nominated |
1997 (70th) | Yours and Mine | Wǒde shénjīngbìng (我的神經病) | Wang Siu-di | Not Nominated |
1998 (71st) | Flowers of Shanghai | Hāi shàng huā (海上花) | Hou Hsiao-hsien | Not Nominated |
1999 (72nd) | March of Happiness | Tiānmǎ cháfáng (天馬茶房) | Lin Cheng-sheng | Not Nominated |
2000 (73rd) | Crouching Tiger, Hidden Dragon | Wòhǔ cánglóng (臥虎藏龍) | Ang Lee | Won Academy Award |
2001 (74th) | The Cabbie | Yùnzhuǎnshǒu zhī liàn (運轉手之戀) | Chen Yiwen, Huakun Zhang | Not Nominated |
2002 (75th) | The Best of Times | Měilì shíguāng (美麗時光) | Chang Tso-chi | Not Nominated |
2003 (76th) | Goodbye, Dragon Inn | Búsàn (不散) | Tsai Ming-Liang | Not Nominated |
2004 (77th) | 20 30 40 | 20 30 40 | Sylvia Chang | Not Nominated |
2005 (78th) | The Wayward Cloud | Tiānbiān yìduǒyún (天邊一朵雲) | Tsai Ming-Liang | Not Nominated |
2006 (79th) | Blue Cha Cha | Shēnhǎi (深海) | Chen Wen-Tang | Not Nominated |
2007 (80th) | Island Etude [5] | Liànxíqǔ (練習曲) | Chen Hwai-en | Not Nominated |
2008 (81st) | Cape No. 7 | Háijiǎo qīhào (海角七號) | Wei Te-sheng | Not Nominated |
2009 (82nd) | No Puedo Vivir Sin Ti | Bùnéng méiyǒu nǐ (不能沒有你) | Leon Dai | Not Nominated |
2010 (83rd) | Monga | Báng-kah (艋舺) | Doze Niu | Not Nominated [6] |
2011 (84th) | Seediq Bale | Sài Dé Kè.Ba Lái (賽德克‧巴萊) | Wei Te-sheng | Made January Shortlist [7] |
2012 (85th) | Touch of the Light [8] | 逆光飛翔 | Chang Rong-ji | Not Nominated |
2013 (86th) | Soul [9] | 失魂 | Chung Mong-Hong | Not Nominated |
2014 (87th) | Ice Poison [10] | 冰毒 | Midi Z | Not Nominated |
2015 (88th) | The Assassin [11] | 刺客聶隱娘 | Hou Hsiao-hsien | Not Nominated |
2016 (89th) | Hang in There, Kids! [12] | 只要我長大 | Laha Mebow | Not Nominated |
2017 (90th) | Small Talk [13] | 日常對話 | Huang Hui-chen | Not Nominated |
2018 (91st) | The Great Buddha+ [14] | 大佛普拉斯 | Huang Hsin-yao | Not Nominated |
The cinema of Taiwan is deeply rooted in the island's unique history. Since its introduction to Taiwan in 1901 under Japanese rule, cinema has developed in Taiwan under ROC rule through several distinct stages. It has also developed outside the Hong Kong mainstream and the censorship of the People's Republic of China in the mainland.