The following table is a selected list of awards and honors given to the Japanese film director Akira Kurosawa.
The following table is a selected list of awards and honors given to the Japanese film director Akira Kurosawa.
The list represents three categories of film awards or honors:
For reasons of space, two categories of awards have been excluded from the table below:
The information in the table is derived from the IMDb Akira Kurosawa awards page [1] and the IMDb awards pages for the individual films, supplemented by the filmography by Kurosawa’s biographer, Stuart Galbraith IV, [2] unless otherwise noted.
Key: (NK) = Not known; (P) = Posthumous award
| Year of Award or Honor (if known) | Name of Award or Honor | Awarding Organization (if known) | Country of Origin | Given for… | Film Title (if applicable) |
|---|---|---|---|---|---|
| (NK) | Sadao Yamanaka Prize | (NK) | Japan | Film | Sanshiro Sugata (1943) |
| (NK) | The National Incentive Film Prize [Shared with Torii Kyouemon] | (NK) | Japan | Film | Sanshiro Sugata |
| 1948 | Mainichi Film Concours | Mainichi Shimbun (newspaper) | Japan | Directing | One Wonderful Sunday (1947) |
| 1949 | Kinema Jumpo Award (Critics' Award) | Kinema Jumpo magazine | Japan | Film | Drunken Angel (1948) |
| 1949 | Mainichi Film Concours | Mainichi Shimbun | Japan | Film | Drunken Angel |
| (NK) | Geijutsusai (Arts Festival) Grand Prize | Ministry of Education | Japan | Film | Stray Dog (1949) |
| 1951 | Blue Ribbon Award | The Association of Tokyo Film Journalists | Japan | Screenplay (with Shinobu Hashimoto) | Rashomon (1950) |
| 1951 | Golden Lion (First prize) [note 1] | Venice Film Festival | Italy | Film | Rashomon |
| 1951 | NBR Award | National Board of Review | USA | Film, Directing | Rashomon |
| 1952 | Honorary Award - Outstanding Foreign Language Film [note 2] | AMPAS (Academy Award) | USA | Film | Rashomon |
| 1953 | Kinema Jumpo Award | Kinema Jumpo magazine | Japan | Film | Ikiru (1952) |
| 1953 | Mainichi Film Concours | Mainichi Shimbun | Japan | Film, Screenplay (with Shinobu Hashimoto and Hideo Oguni) | Ikiru |
| (NK) | Arts Festival | Ministry of Education | Japan | Film | Ikiru |
| 1954 | Special Prize of the Senate of Berlin | Berlin Film Festival | West Germany | Film | Ikiru |
| 1954 | Silver Lion of St. Mark (Second Prize) | Venice Film Festival | Italy | Film | Seven Samurai (1954) |
| 1959 | Diploma of Merit | Jussi Award | Finland | Directing | Seven Samurai |
| 1959 | Blue Ribbon Award | The Association of Tokyo Film Journalists | Japan | Film | The Hidden Fortress (1958) |
| 1959 | Silver Berlin Bear | Berlin Film Festival | West Germany | Directing | The Hidden Fortress |
| 1959 | FIPRESCI Prize | The International Federation of Film Critics (Berlin Film Festival) | West Germany | Film | The Hidden Fortress |
| 1961 | Golden Laurel Award [3] | David O. Selznick | USA | Film | Ikiru |
| 1964 | Mainichi Film Concours | Mainichi Shimbun | Japan | Film, Screenplay (with Ryuzo Kikushima, Eijiro Hisaita and Hideo Oguni) | High and Low (1963) |
| 1964 | Golden Laurel Award | David O. Selznick | USA | Film | High and Low |
| 1965 | Asahi Culture Prize | Asahi Shimbun | Japan | Film | Red Beard (1965) |
| 1965 | Foreign Honorary Member [4] | American Academy of Arts and Sciences | USA | Career | |
| 1965 | Journalism, Literature and Creative Communication Arts | Ramon Magsaysay Award | Philippines | Career | |
| 1965 | OCIC Award | OCIC (later Signis) (Venice Film Festival) | Italy | Directing | Red Beard |
| (NK) | Soviet Filmmakers' Association Prize [5] | Moscow Film Festival | USSR | Film | Red Beard |
| (NK) | Million Pearl Award | Tokyo Roei | Japan | Film | Red Beard |
| (NK) | NHK Award | NHK (broadcaster) | Japan | Film | Red Beard |
| 1966 | Blue Ribbon Award | The Association of Tokyo Film Journalists | Japan | Film | Red Beard |
| 1966 | Mainichi Film Concours | Mainichi Shimbun | Japan | Film | Red Beard |
| 1966 | Kinema Jumpo Award | Kinema Jumpo magazine | Japan | Film Directing | Red Beard |
| (NK) | Geijutsusai (Arts Festival) Prize for Excellence [5] | Ministry of Education | Japan | Film | Dodesukaden (aka, Dodeskaden) (1970) |
| 1975 | Golden Prize [6] | 9th Moscow International Film Festival | USSR | Film | Dersu Uzala (1975) |
| 1975 | FIPRESCI Prize | The International Federation of Film Critics (Moscow Film Festival) | USSR | Film | Dersu Uzala |
| 1976 | Best Foreign Language Film | AMPAS (Academy Awards) | USA | Film | Dersu Uzala |
| 1977 | David | David di Donatello Awards | Italy | Directing | Dersu Uzala |
| 1977 | Silver Ribbon | Italian National Syndicate of Film Journalists | Italy | Film | Dersu Uzala |
| 1978 | Prix Léon Moussinac | Syndicate of French Film Critics | France | Film | Dersu Uzala |
| 1978 | Golden Halo | Southern California Motion Picture Council | USA | Film | Dersu Uzala |
| 1979 | Honorary Prize | 11th Moscow International Film Festival | USSR | Career [7] | - |
| 1980 | Palme d'Or (First Prize) | Cannes Film Festival | France | Film | Kagemusha (1980) |
| 1980 | Hochi Film Award | Hochi Shimbun (newspaper) | Japan | Film | Kagemusha |
| 1981 | Blue Ribbon Award | The Association of Tokyo Film Journalists | Japan | Film | Kagemusha |
| 1981 | Mainichi Film Concours | Mainichi Shimbun | Japan | Film, Directing | Kagemusha |
| 1981 | Reader's Choice Award | Mainichi Shimbun | Japan | Film | Kagemusha |
| 1981 | César | César Awards | France | Film | Kagemusha |
| 1981 | David | David di Donatello Awards | Italy | Directing | Kagemusha |
| 1981 | BAFTA Film Award | BAFTA | UK | Directing | Kagemusha |
| 1981 | Silver Ribbon | Italian National Syndicate of Film Journalists | Italy | Directing | Kagemusha |
| 1982 | Career Golden Lion | Venice Film Festival | Italy | Career | - |
| 1985 | LAFCA Award | Los Angeles Film Critics Association | USA | Film, Career | Ran (1985) |
| 1985 | NBR Award | National Board of Review | USA | Film, Directing | Ran |
| 1985 | OCIC Award | OCIC (later Signis) (San Sebastián Film Festival) | Spain | Film | Ran |
| 1985 | BSFC Award | Boston Society of Film Critics | USA | Film | Ran |
| 1985 | NFCC Award | New York Film Critics Circle | USA | Film | Ran |
| 1986 | NSFC Award | National Society of Film Critics | USA | Film | Ran |
| 1986 | Amanda Award | Norwegian International Film Festival | Norway | Film | Ran |
| 1986 | Blue Ribbon Award | The Association of Tokyo Film Journalists | Japan | Film | Ran |
| 1986 | Bodil | Bodil Awards | Denmark | Film | Ran |
| 1986 | David | David di Donatello Awards | Italy | directing | Ran |
| 1986 | Mainichi Film Concours | Mainichi Shimbun | Japan | Film, Directing | Ran |
| 1986 | Golden Jubilee Award | Directors Guild of America | USA | Career | - |
| 1986 | Akira Kurosawa Award | San Francisco International Film Festival | USA | Career | - |
| 1987 | BAFTA Film Award | BAFTA | UK | Film | Ran |
| 1987 | ALFS Award | London Film Critics' Circle | UK | Film, Directing | Ran |
| 1989 | Lifetime Achievement Award | AMPAS (Academy Awards) | USA | Career | |
| 1990 | Special Prize | Fukuoka Asian Culture Prize | Japan | Career | |
| 1992 | theatre/film | Praemium Imperiale | Japan | Career | |
| 1992 | Lifetime Achievement Award | Directors Guild of America | USA | Career | |
| 1994 | Kyoto Prize in Arts and Philosophy | Inamori Foundation | Japan | Career | |
| 1998 | Special Award (for his work) (P) | Nikkan Sports Film Award | Japan | Career | - |
| 1999 | Lifetime Achievement Award (P) | Awards of the Japanese Academy | Japan | Career | - |
| 1999 | Blue Ribbon Award Special Award (for his work) (P) | The Association of Tokyo Film Journalists | Japan | Career | - |
| 1999 | Mainichi Film Concours Special Award (for his work) (P) | Mainichi Shimbun | Japan | Career | - |
| 1999 | Asian of the Century Award (Arts, Literature and Culture) (P) | CNN AsianWeek (US) | USA | Career | - |
Akira Kurosawa was a Japanese filmmaker and painter who directed 30 films in a career spanning 57 years. He is regarded as one of the most important and influential film-makers in the history of cinema.
Ran is a 1985 epic action drama film directed, edited and co-written by Akira Kurosawa. The plot derives from William Shakespeare's King Lear and includes segments based on legends of the daimyō Mōri Motonari. The film stars Tatsuya Nakadai as Hidetora Ichimonji, an aging Sengoku-period warlord who decides to abdicate as ruler in favor of his three sons.
Toshiro Mifune was a Japanese actor who appeared in over 150 feature films. He is best known for his 16-film collaboration (1948–1965) with Akira Kurosawa in such works as Rashomon, Seven Samurai, The Hidden Fortress, Throne of Blood, and Yojimbo. He also portrayed Miyamoto Musashi in Hiroshi Inagaki's Samurai Trilogy and one earlier Inagaki film, Lord Toranaga in the NBC television miniseries Shōgun, and Admiral Isoroku Yamamoto in three different films.
Rashomon is a 1950 Jidaigeki psychological thriller/crime film directed by Akira Kurosawa, working in close collaboration with cinematographer Kazuo Miyagawa. Starring Toshiro Mifune, Machiko Kyō, Masayuki Mori, and Takashi Shimura as various people who describe how a samurai was murdered in a forest, the plot and characters are based upon Ryunosuke Akutagawa’s short story "In a Grove", with the title and framing story being based on "Rashōmon", another short story by Akutagawa. Every element is largely identical, from the murdered samurai speaking through a Shinto psychic to the bandit in the forest, the monk, the rape of the wife, and the dishonest retelling of the events in which everyone shows his or her ideal self by lying.
Red Beard is a 1965 Japanese film directed by Akira Kurosawa about the relationship between a town doctor and his new trainee. It takes place in Koishikawa, a district of Edo, towards the end of the Tokugawa period. The film was based on Shūgorō Yamamoto's 1959 short story collection, Akahige Shinryōtan (赤ひげ診療譚). Fyodor Dostoevsky's novel Humiliated and Insulted provided the source for a subplot about a young girl, Otoyo, who is rescued from a brothel.
Yojimbo is a 1961 Japanese samurai film directed by Akira Kurosawa, who produced the film with Tomoyuki Tanaka and Ryūzō Kikushima. Kurosawa wrote the screenplay with Kikushima and Hideo Oguni based on Kurosawa's story. Kurosawa also edited the film. It tells the story of a rōnin, portrayed by Toshiro Mifune, who arrives in a small town where competing crime lords vie for supremacy. The two bosses each try to hire the newcomer as a bodyguard.
Shunya Itō is a Japanese film director known for starting the Sasori / Female Prisoner Scorpion series of 1970s exploitation films starring Meiko Kaji. Itō worked for Toei Company for most of his career. In 1972, he won a Directors Guild of Japan New Directors Citation for his first film, Female Prisoner #701: Scorpion.
Stray Dog is a 1949 Japanese film noir crime drama directed by Akira Kurosawa and starring Toshiro Mifune and Takashi Shimura. It was Kurosawa's second film of 1949 produced by the Film Art Association and released by Shintoho. It is also considered a detective movie that explores the mood of Japan during its painful postwar recovery. The film is also considered a precursor to the contemporary police procedural and buddy cop film genres, based on its premise of pairing two cops with different personalities and motivations together on a difficult case.
High and Low is a 1963 police procedural crime film directed by Akira Kurosawa, starring Toshiro Mifune, Tatsuya Nakadai and Kyōko Kagawa. The film is loosely based on the 1959 novel King's Ransom by Ed McBain.
Tatsuya Nakadai is a Japanese film actor famous for the wide variety of characters he has portrayed and many collaborations with famous Japanese film directors.
I Live In Fear is a 1955 Japanese drama film directed by Akira Kurosawa, produced by Sōjirō Motoki, and written by Kurosawa with Shinobu Hashimoto, Fumio Hayasaka, and Hideo Oguni. The film stars Toshiro Mifune as an elderly factory owner so terrified of the prospect of a nuclear attack that he becomes determined to move his entire extended family to what he imagines is the safety of a farm in Brazil.
After the Rain is a 1999 Japanese and French film. The story is based on the last script written by Akira Kurosawa and is directed by his former assistant director of 28 years, Takashi Koizumi. It was awarded a Japanese Academy Award in 1999. It was chosen as Best Film at the Japan Academy Prize ceremony.
Fumio Hayasaka was a Japanese composer of classical music and film scores.
Kei Kumai was a Japanese film director from Azumino, Nagano prefecture. After his studies in literature at Shinshu University, he began work as a director's assistant.
Stuart Eugene Galbraith IV is an American film historian, film critic, essayist, and audio commentator.
A number of Akira Kurosawa's films have been remade.
Iwao Ōtani was a Japanese recording engineer who worked with influential film directors Akira Kurosawa and Kenji Mizoguchi.
The legacy of filmmaking technique left by Akira Kurosawa for subsequent generations of filmmakers has been diverse and of international influence. The legacy of influence has ranged from working methods, influence on style, and selection and adaptation of themes in cinema. Kurosawa's working method was oriented toward extensive involvement with numerous aspects of film production. He was also an effective screenwriter who would work in close contact with his writers very early in the production cycle to ensure high quality in the scripts which would be used for his films.
Mifune: The Last Samurai, also known as Mifune, is a 2015 biographical documentary directed by Steven Okazaki. It chronicles the life of Toshiro Mifune, a Japanese actor and international star most noted for playing samurai characters in films by Akira Kurosawa.