This is a complete list of the operas and operettas of the French composer Charles Lecocq (1832–1918).
Alexandre Charles Lecocq was a French composer, known for his opérettes and opéras comiques. He became the most prominent successor to Jacques Offenbach in this sphere, and enjoyed considerable success in the 1870s and early 1880s, before the changing musical fashions of the late 19th century made his style of composition less popular. His few serious works include the opera Plutus (1886), which was not a success, and the ballet Le cygne (1899). His only piece to survive in the regular modern operatic repertory is his 1872 opéra comique La fille de Madame Angot. Others of his more than forty stage works receive occasional revivals.
Lecocq wrote 21 opéras comiques, 12 opéras bouffes, eight opérettes, two 'opérettes bouffes'. two 'opérettes de salon', two 'saynètes', and one each of the following: 'bluette bouffe', 'comédie-musicale', 'féerie', 'folie parée et masquée', 'opéra monologue', 'pantomime', 'scéne', 'vaudeville' and 'vaudeville-opérette'.
Opéra comique is a genre of French opera that contains spoken dialogue and arias. It emerged from the popular opéras comiques en vaudevilles of the Fair Theatres of St Germain and St Laurent, which combined existing popular tunes with spoken sections. Associated with the Paris theatre of the same name, opéra comique is not always comic or light in nature; Carmen, perhaps the most famous opéra comique, is a tragedy.
Opéra bouffe is a genre of late 19th-century French operetta, closely associated with Jacques Offenbach, who produced many of them at the Théâtre des Bouffes-Parisiens that gave its name to the form.
Operetta is a genre of light opera, light in terms both of music and subject matter.
Title | Genre | Subdivisions | Libretto | Première date | Place, theatre |
---|---|---|---|---|---|
DocteurLe Docteur Miracle | opéra comique | 1 act | Battu Léon Battu and Ludovic Halévy | 1857-04-088 April 1857 | Paris, Bouffes-Parisiens |
Huis-Clos | opérette | 1 act | Guénée Adolphe Guénée and E. Marquet | 1859-01-2929 January 1859 | Paris, Folies-Nouvelles |
presLes prés Saint-Gervais | opéra comique | 3 acts | SardouVictorien Sardou and Philippe Gille | 1862-04-2424 April 1862 | Paris, Théâtre des Variétés [1] |
baiserLe baiser à la porte | opérette de salon | 1 act | GuetteJules de la Guette | 1864-03-2626 March 1864 | Paris, Folies-Marigny |
Liline et Valentin | opérette de salon | 1 act | GuetteJules de la Guette | 1864-05-2525 May 1864? | Paris, Folies-Marigny |
ondinesLes ondines au champagne | opérette | 1 act | LefebvreHippolyte Lefèbvre, Jules Pélissié (Victorien Sardou) and Merle | 1865-09-033 September 1865 or 1866 | Paris, Folies-Marigny |
myosotisLe myosotis | opérette bouffe | 1 act | NoéA. de Noé and William Busnach | 1866-05-022 or 3 May 1866 | Paris, Théâtre du Palais-Royal |
cabaretLe cabaret de Ramponneau | opérette | 1 act | Le SireJules Le Sire and Amédée Boudin | 1867-10-1111 October 1867? | Paris, Folies-Marigny |
amourL'amour et son carquois | opéra bouffe | 2 acts | DelbèsA.J.R. Delbès and E. Marquet | 1868-01-3030 January 1868 | Paris, Athénée |
Fleur-de-thé | opéra bouffe | 3 acts | Chivot Henri Chivot and Alfred Duru | 1868-04-1111 April 1868 | Paris, Athénée |
jumeauxLes jumeaux de Bergame | opéra comique | 1 act | BusnachWilliam Busnach | 1868-11-2020 November 1868 | Paris, Athénée |
carnavalLe carnaval d'un merle blanc | folie parée et masquée | 3 acts | ChivotHenri Chivot and Alfred Duru | 1868-12-1010 December 1868 | Paris, Théâtre du Palais-Royal |
Gandolfo | opérette | 1 act | ChivotHenri Chivot and Alfred Duru | 1869-01-1616 January 1869 | Paris, Bouffes-Parisiens |
Deux portières pour un cordon | scène | 1 act | LefebvreLucian and Hippolyte Lefèbvre | 1869-03-1919 March 1869 | Paris, Théâtre du Palais-Royal |
rajahLe rajah de Mysore | opérette bouffe | 1 act | ChivotHenri Chivot and Alfred Duru | 1869-09-2121 September 1869 | Paris, Bouffes-Parisiens |
beauLe beau Dunois | opéra bouffe | 1 act | ChivotHenri Chivot and Alfred Duru | 1870-04-1313 April 1870 | Paris, Théâtre des Variétés |
testamentLe testament de M. de Crac | opéra bouffe | 1 act | Moinaux Jules Moinaux | 1871-10-2323 October 1871 | Paris, Bouffes-Parisiens |
barbierLe barbier de Trouville | bluette bouffe | 1 act | Jaime Adolphe Jaime and Jules Noriac | 1871-11-1919 November 1871 | Paris, Bouffes-Parisiens |
Sauvons la caisse | opérette | 1 act | GuetteJules de la Guette | 1871-99-991871 | Paris, Tertulia |
centLes cent vierges | opéra bouffe | 3 acts | Clairville, Henri Chivot and Alfred Duru | 1872-03-1616 or 17 March 1872 | Brussels, Théâtre des Fantaisies-Parisiennes |
fille La fille de Madame Angot | opéra comique | 3 acts | ClairvilleLouis-François Clairville, Victor Koning and Paul Siraudin | 1872-12-044 December 1872 | Brussels, Théâtre des Fantaisies-Parisiennes |
filsLe fils de Madame Angot | opérette | 1 act | DorfeuilG. Dorfeuil | 1873-09-2525 September 1873 | Paris, Théâtre de la Gaîté-Montparnasse |
resurrectionLa résurrection de la mère Angot | saynète | 1 act | ClairvilleLouis-François Clairville | 1874-02-2424 February 1874 | Paris, Théâtre des Folies-Dramatiques |
Giroflé-Girofla | opéra bouffe | 3 acts | Leterrier Eugène Leterrier and Albert Vanloo | 1874-03-2121 March 1874 | Brussels, Théâtre des Fantaisies-Parisiennes |
petite marLa petite mariée | opéra bouffe | 3 acts | LeterrierEugène Leterrier and Albert Vanloo | 1875-12-2121 December 1875 | Paris, Renaissance |
pomponLe pompon | opéra comique | 3 acts | Chivot Henri Chivot and Alfred Duru | 1875-11-1010 November 1875 | Paris, Folies-Dramatiques |
Kosiki | opéra comique | 3 acts | Busnach William Busnach and Armand Liorat | 1876-10-1818 October 1876 | Paris, Théâtre de la Renaissance |
marjolaineLa marjolaine | opéra bouffe | 3 acts | LeterrierEugène Leterrier and Albert Vanloo | 1877-02-033 February 1877 | Paris, Théâtre de la Renaissance |
petit Le petit duc | opéra comique | 3 acts | Meilhac Henri Meilhac and Ludovic Halévy | 1878-01-2525 January 1878 | Paris, Théâtre de la Renaissance |
CamargoLa Camargo | opéra comique | 3 acts | LeterrierEugène Leterrier and Albert Vanloo | 1878-11-2020 November 1878 | Paris, Théâtre de la Renaissance |
grandLe grand Casimir | opérette | 3 acts | Prével Jules Prével and Albert de Saint-Albin | 1879-01-1111 January 1879 | Paris, Variétés |
petite madLa petite mademoiselle | opéra comique | 3 acts | MeilhacHenri Meilhac and Ludovic Halévy | 1879-04-1212 April 1879 | Paris, Théâtre de la Renaissance |
jolieLa jolie Persane | opéra comique | 3 acts | LeterrierEugène Leterrier and Albert Vanloo | 1879-10-2828 October 1879 | Paris, Théâtre de la Renaissance |
arbreL'arbre de Noël (with Georges Jacobi) | 'féerie' | 30 tableaux | Mortier Arnold Mortier, Eugène Leterrier and Albert Vanloo | 18801880 | Paris, Théâtre de la Porte Saint-Martin |
Janot | opéra comique | 3 acts | MeilhacHenri Meilhac and Ludovic Halévy | 1881-01-2121 January 1881 | Paris, Théâtre de la Renaissance |
roussotteLa roussotte (with Hervé and Marius Boulard) | vaudeville-opérette | 3 acts | Millaud Albert Millaud, Henri Meilhac and Ludovic Halévy | 1881-01-2626 or 28 January 1881 | Paris, Variétés |
jourLe jour et la nuit | opéra bouffe | 3 acts | LeterrierEugène Leterrier and Albert Vanloo | 1881-11-055 November 1881 | Paris, Théâtre des Nouveautés |
coeurLe cœur et la main | opéra comique | 3 acts | Nuitter Charles Nuitter and Alexandre Beaume | 1882-10-1919 October 1882 | Paris, Nouveautés |
princesseLa princesse des Canaries | opéra bouffe | 3 acts | ChivotHenri Chivot and Alfred Duru | 1883-02-099 February 1883 | Paris, Folies-Dramatiques |
oiseauL'oiseau bleu | opéra comique | 3 acts | ChivotHenri Chivot and Alfred Duru | 1884-01-1616 January 1884 | Paris, Nouveautés |
vieLa vie mondaine | opéra bouffe | 3 acts | NajacÉmile de Najac and Paul Ferrier | 1885-02-1313 February 1885 | Paris, Nouveautés |
Plutus | opéra comique | 3 acts | Millaud Albert Millaud and Gaston Jollivet | 1886-03-3131 March or May 1886 | Paris, Opéra-Comique |
grenadiersLes grenadiers de Mont-Cornette | opéra bouffe | 3 acts | Péricaud Louis Péricaud, Lucien Delormel and Édouard Philippe | 1887-01-044 January 1887 | Paris, Bouffes-Parisiens |
Ali-Baba | opéra comique | 4 acts | VanlooAlbert Vanloo and William Busnach | 1887-11-1111 November 1887 | Brussels, Alhambra |
voliereLa volière | opéra comique | 3 acts | NuitterCharles Nuitter and Alexandre Beaume | 1888-02-1111 or 12 February 1888 | Paris, Nouveautés |
egyptienne L'égyptienne | opéra comique | 3 acts | Chivot Henri Chivot, Charles Nuitter and Alexandre Beaume | 1890-11-088 November 1890 | Paris, Folies-Dramatiques |
Nos bons chasseurs | vaudeville | 3 acts | Bilhaud Paul Bilhaud and Michel Carré | 1894-04-1010 April 1894 | Paris, Nouveau-Théâtre |
Ninette | opéra comique | 3 acts | ClairvilleCharles Clairville fils, Ch. Hubert, G. Lebeaut and Ch. de Trogoff | 1896-02-2828 February 1896 | Paris, Bouffes-Parisiens |
Ruse d'amour | saynète | 1 act | BordèseStéphane Bordèse | 1897-06-2626 June 1897 | Paris, Bodinière |
Barbe-Bleue | pantomime | Saint-GenièsR. de Saint-Geniès | 18981898 | Paris, Olympia (Paris) | |
La belle au bois dormant | opéra comique | 3 acts | DuvalGeorges Duval and Albert Vanloo | 1900-02-1919 February 1900 | Paris, Bouffes-Parisiens |
Yetta | opéra comique | 3 acts | BeissierFernand Beissier | 1903-03-077 or 8 March 1903 | Brussels, Galeries Saint-Hubert |
Rose Mousse | comédie musicale | 1 act | AlexandreAndré Alexandre and Peter Carin | 1904-01-2828 January 1904 | Paris, Théâtre des Capucines |
salutisteLa salutiste | opéra monologue | 1 act | BeissierFernand Beissier | 1905-01-1414 January 1905 | Paris, Théâtre des Capucines |
trahisonLa trahison de Pan | opéra comique | 1 act | BordèseStéphane Bordèse | 1911-09-1313 September 1911 | Aix-les-Bains, Théâtre du Cercle |
Miousic (with Rodolphe Berger, Charles Cuvillier, Jules Erlanger, Reynaldo Hahn, Henri Hirchmann, Louis Lecombe, Xavier Leroux, André Messager, Willy Redstone and Paul Vidal) | opérette | 3 acts | Ferrier Paul Ferrier | 1914-03-2222 March 1914 | Paris, Olympia |
Henri Meilhac was a French dramatist and opera librettist.
Paul Ferrier was a French dramatist, who also provided libretti for several composers, especially Varney and Serpette.
Jules Adenis was a 19th-century French playwright and opera librettist. Some of his works include Un postillon en gage (1856) Sylvie (1864), and La grand'tante (1867).
Étienne Victor Tréfeu , was a French librettist, song writer and theatre manager. He is best known for his work with Jacques Offenbach. He originally came to prominence as a writer of popular songs. In 1873 he became the administrator of the Théâtre de la Gaîté in Paris.
The Théâtre des Variétés is a theatre and "salle de spectacles" at 7-8, boulevard Montmartre, 2nd arrondissement, in Paris. It was declared a monument historique in 1975.
La fille de Madame Angot is an opéra comique in three acts by Charles Lecocq with words by Clairville, Paul Siraudin and Victor Koning. It was premiered in Brussels in December 1872 and soon became a success in Paris, London, New York and across continental Europe. Along with Robert Planquette's Les cloches de Corneville, La fille de Madame Angot was the most successful work of the French-language musical theatre in the last three decades of the 19th century, and outperformed other noted international hits such as H.M.S. Pinafore and Die Fledermaus.
Léon Battu was a French dramatist, born 1829 in Paris, where he died on 22 November 1857.
Théâtre de l'Athénée or Salle de l'Athénée was the name of a theatre in the basement of a building built in 1865 by the banker Bischoffsheim at 17 rue Scribe in the 9th arrondissement of Paris. The Athénée was initially small, with a capacity of 760 spectators, but was enlarged to 900 places by the addition of a top gallery in 1867. The interior was decorated by Charles Cambon. The venue was used by a variety of companies, including the Théâtre des Fantaisies-Parisiennes (1869), the Théâtre Lyrique (1871–1872), the Théâtre Scribe (1874–1875), and the Athénée-Comique (1876–1883). It closed permanently in 1883.
Maurice Ordonneau was a French dramatist and composer. The son of a merchant of eau de vie, Maurice Ordonneau was a prolific author in creating theatrical works. He composed, often with the collaboration of other playwrights, composers and musicians, a great number of operettas, opéra-bouffes, comedies and vaudevilles.
Adolphe Jaime, called Jaime fils, was a 19th-century French vaudevillist and librettist. He was the son of Ernest Jaime (1804-1884), also a playwright.
Albert Millaud was a French journalist, writer and stage author, born in Paris, 13 January 1844, and died in the same city on 23 October 1892.
Alfred Duru was a 19th-century French playwright and operetta librettist who collaborated on more than 40 librettos for the leading French composers of operetta: Hervé, Offenbach, Lecocq and Audran.
Fabrice Carré or Carré-Labrousse, real name Jules Fabrice, was a 19th-century French playwright, and librettist. The dramatist Fabrice Labrousse (1806-1876) was his grandson.
Albert de Saint-Albin was a 19th-century French playwright, journalist, chansonnier and librettist.
Frédéric Barbier was a 19th-century French composer.
Edme Jules called Jules Costé, was a 19th-century French lawyer and composer of operettas and opéras-comiques.
Eugène Bercioux was a 19th-century French playwright and poet.
Le petite mariée is a three-act opéra-bouffe, with music by Charles Lecocq and libretto by Eugène Leterrier and Albert Vanloo. It was first performed at the Théâtre de la Renaissance, Paris on 21 December 1875. The opera, set in 16th-century Italy, depicts the farcical complications after the hero is caught in flagrante with the local grandee's wife.
La belle au bois dormant is an opéra comique in three acts with music by Charles Lecocq and words by Albert Vanloo and Georges Duval. It is a retelling, with modifications, of the fairy tale Sleeping Beauty. The princess wakes from her long sleep and falls in love not with Prince Charming but with his companion, but all is well in the end.
Andrew Martin Lamb is an English writer, music historian, lecturer and broadcaster, known for his expertise in light music and musical theatre. In addition to his musical work, Lamb maintained a full-time career as an actuary and investment manager.
The New Grove Dictionary of Opera is an encyclopedia of opera, considered to be one of the best general reference sources on the subject. It is the largest work on opera in English, and in its printed form, amounts to 5,448 pages in four volumes.
Stanley John Sadie was an influential and prolific British musicologist, music critic, and editor. He was editor of the sixth edition of the Grove Dictionary of Music and Musicians (1980), which was published as the first edition of The New Grove Dictionary of Music and Musicians.