This is a complete list of operas by the French composer Jules Massenet (1842–1912). Several of Massenet's operas were premiered by the Opéra-Comique in Paris, first at the second Salle Favart (Favart 2), followed by the Théâtre Lyrique on the Place du Châtelet (Lyrique), and then the third Salle Favart (Favart 3).
Jules Émile Frédéric Massenet was a French composer of the Romantic era best known for his operas, of which he wrote more than thirty. The two most frequently staged are Manon (1884) and Werther (1892). He also composed oratorios, ballets, orchestral works, incidental music, piano pieces, songs and other music.
The Opéra-Comique is a Parisian opera company, which was founded around 1714 by some of the popular theatres of the Parisian fairs. In 1762 the company was merged with, and for a time took the name of its chief rival the Comédie-Italienne at the Hôtel de Bourgogne, and was also called the Théâtre-Italien up to about 1793, when it again became most commonly known as the Opéra-Comique. Today the company's official name is Théâtre national de l'Opéra-Comique, and its theatre, with a capacity of around 1,248 seats, sometimes referred to as the Salle Favart, is located in Place Boïeldieu, in the 2nd arrondissement of Paris, not far from the Palais Garnier, one of the theatres of the Paris Opéra. The musicians and others associated with the Opéra-Comique have made important contributions to operatic history and tradition in France, and to French opera. Its current mission is to reconnect with its history, and discover its unique repertoire, to ensure production and dissemination of operas for the wider public. Mainstays of the repertory at the Opéra-Comique during its history have included the following works which have each been performed more than 1,000 times by the company: Cavalleria Rusticana, Le chalet, La dame blanche, Le domino noir, La fille du régiment, Lakmé, Manon, Mignon, Les noces de Jeannette, Le pré aux clercs, Tosca, La bohème, Werther and Carmen, the last having been performed more than 2,500 times.
The Théâtre de la Ville is one of the two theatres built in the 19th century by Baron Haussmann at Place du Châtelet, Paris, the other being the Théâtre du Châtelet. It is located at 2, place du Châtelet in the 4th arrondissement.
Title | Genre | Subdivisions | Libretto | Première date | Place, theatre |
---|---|---|---|---|---|
Esméralda | opéra | after Victor Hugo, Notre-Dame de Paris | composed c. 1865, but unfinished | ||
La coupe du roi de Thulé | opéra | 3 acts | Édouard Blau and Louis Gallet, based on Goethe's 1774 poem "Der König in Thule" | composed c. 1866, but unperformed | |
La grand'tante | opéra comique | 1 act | Jules Adenis and Charles Granvallet | 3 April 1867 | Paris, Opéra-Comique (Favart 2) |
Manfred | opéra | Jules Ruelle, after Byron's Manfred | composed c. 1869, but unfinished | ||
Méduse | 3 acts | Michel Carré | composed 1870 | ||
Don César de Bazan | opéra comique | 3 acts | Adolphe d'Ennery, Philippe François Pinel Dumanoir and Jules Chantepie, after Victor Hugo, Ruy Blas | 30 November 1872, revised 20 January 1888 | Paris, Opéra-Comique (Favart 2); revision Geneva |
L'adorable Bel'-Boul | opérette | 1 act | Louis Gallet | 17 April 1874 | Paris, Cercle des Mirlitons |
Les templiers | composed c. 1875, but lost | ||||
Bérangère et Anatole | sainete | 1 act | Henri Meilhac and Paul Poirson | February 1876 | Paris, Cercle de l'Union artistique |
Le roi de Lahore | opéra | 5 acts | Louis Gallet | 27 April 1877 | Paris, Opéra Garnier |
Robert de France | drame lyrique | composed c. 1880, but unperformed, lost | |||
Les Girondins | opéra | composed 1881, lost | |||
Hérodiade ; rev. as: Erodiade | opéra | 3 acts; rev.: 4 acts | Paul Milliet and Georges Hartmann, after Gustave Flaubert, Hérodias, Nr. 3 der Trois Contes | 19 December 1881, revised 1 February 1884, | Brussels, Théâtre de la Monnaie, revision Paris, Théâtre Italien |
Manon | opéra comique | 5 acts | Henri Meilhac and Philippe Gille, after Antoine François Prévost, L'histoire du chevalier Des Grieux et de Manon Lescaut | 19 January 1884 | Paris, Opéra-Comique (Favart 2) |
Le Cid | opéra | 4 acts | Adolphe d'Ennery, Louis Gallet and Édouard Blau, after Pierre Corneille | 30 November 1885 | Paris, Opéra Garnier |
Esclarmonde | opéra romanesque | 4 acts | Alfred Blau and Louis-Ferdinand de Gramont | 15 May 1889 | Paris, Opéra Comique (Lyrique) |
Le mage | opéra | 5 acts | Jean Richepin | 16 March 1891 | Paris, Opéra Garnier |
Werther | drame lyrique | 4 acts | Édouard Blau, Paul Milliet and Georges Hartmann, after Johann Wolfgang von Goethe, Die Leiden des jungen Werther (German translation for Vienna: Max Kalbeck) | 16 February 1892 (in German), 16 January 1893 (in French) | Vienna, Hofopera; Paris, Opéra-Comique (Lyrique) |
Thaïs | opéra | 3 acts | Louis Gallet, after the novel of the same name by Anatole France | 16 March 1894, revised 13 April 1898 | Paris, Opéra Garnier (and revised) |
Le portrait de Manon | opéra comique | 1 act | Georges Boyer | 8 May 1894 | Paris, Opéra-Comique (Lyrique) |
La Navarraise | épisode lyrique | 2 acts | Jules Claretie and Henri Cain, after Claretie, La cigarette | 20 June 1894 | London, Royal Opera House Covent Garden |
Sapho | pièce lyrique | 5 acts | Henri Cain and Arthur Bernède, after Alphonse Daudet | 7 November 1897, revised 22 January 1909 | Paris, Opéra-Comique (Lyrique); revised Opéra-Comique (Favart 3); |
Cendrillon | conte de fées | 4 acts | Henri Cain, after Charles Perrault, Cendrillon ou La Petite Pantoufle | 24 May 1899 | Paris, Opéra-Comique (Favart 3) |
Grisélidis | conte lyrique | prologue and 3 acts | Armand Silvestre and Eugène Morand | 20 November 1901 | Paris, Opéra-Comique (Favart 3) |
Le jongleur de Notre-Dame | miracle | 3 acts | Maurice Léna, after Anatole France, L'etui de nacre | 18 February 1902 | Monte Carlo, Opéra |
Chérubin | comédie chantée | 3 acts | François de Croisset and Henri Cain | 14 February 1905 | Monte Carlo, Opéra |
Ariane | opéra | 5 acts | Catulle Mendès | 31 October 1906 | Paris, Opéra Garnier |
Thérèse | drame musical | 2 acts | Jules Claretie | 7 February 1907 | Monte Carlo, Opéra |
Bacchus | opéra | 4 acts | Catulle Mendès | 5 May 1909 | Paris, Opéra Garnier |
Don Quichotte | comédie héroïque | 5 acts | Henri Cain, after Jacques Le Lorrain, Le chevalier de la longue figure | 19 February 1910 | Monte Carlo, Opéra |
Roma | opéra tragique | 5 acts | Henri Cain, after A. Parodi, Roma vaincue | 17 February 1912 | Monte Carlo, Opéra |
Panurge | haulte farce musical | 3 acts | Maurice Boukay and Georges Spitzmüller, after François Rabelais, La vie inestimable de Gargantua and Faits et dits héroïques du grand Pantagruel | 25 April 1913 | Paris, Théâtre de la Gaîté |
Cléopâtre | opéra | 4 acts | Louis Payen (A. Liénard) | 23 February 1914 | Monte Carlo, Opéra composed c. 1895 |
Amadis | opéra légendaire | 4 acts | Jules Claretie | 1 April 1922 (composed c. 1895) | Monte Carlo, Opéra |
Jacques Marie Boutet was a French actor and comic playwright from Lunéville. His pseudonym was Monvel. He was a small, thin man without good looks or voice, and yet he became one of the greatest comedians of his time.
Ernest Guiraud was a French composer and music teacher born in New Orleans, Louisiana. He is best known for writing the traditional orchestral recitatives used for Bizet's opera Carmen and for Offenbach's opera Les contes d'Hoffmann.
Manon Lescaut is an opera or opéra comique in 3 acts by Daniel Auber to a libretto by Eugène Scribe, and, like Puccini's Manon Lescaut and Massenet's Manon, is based on the Abbé Prévost's novel Manon Lescaut (1731). Auber's version is nowadays the least-performed of the three.
Don César de Bazan is an opéra comique in four acts by Jules Massenet to a French libretto by Adolphe d'Ennery, Philippe-François Pinel "Dumanoir" and Jules Chantepie, based on the drama Ruy Blas by Victor Hugo. It was first performed at the Opéra-Comique in Paris on 30 November 1872.
Cendrillon (Cinderella) is an opera—described as a "fairy tale"—in four acts by Jules Massenet to a French libretto by Henri Caïn based on Perrault's 1698 version of the Cinderella fairy tale.
Jules Adenis was a 19th-century French playwright and opera librettist. Some of his works include Un postillon en gage (1856) Sylvie (1864), and La grand'tante (1867).
Paul Milliet was a French playwright and librettist of the Parisian Belle Époque.
L’épreuve villageoise is an opéra bouffon in two acts by André Grétry to a French libretto by Pierre Desforges.
Auguste Charles Paul Friant, was a French tenor.
Lucien Fugère was a French baritone, particularly associated with the French repertory and Mozart roles. He enjoyed an exceptionally long career, singing into his 80s.
Jules Danbé was a French violinist, composer and conductor, mainly of opera.
Émile-Alexandre Taskin, born in Paris on 18 March 1853, and died there on 5 October 1897, was a French operatic baritone mainly active at the Paris Opéra-Comique. He was a descendant of the harpsichord maker Pascal Taskin (1723–1793).
The Salle Favart, officially the Théâtre de l'Opéra-Comique, is a Parisian opera house and theatre, the current home of the Opéra-Comique. It was built from 1893 to 1898 in a neo-Baroque style to the designs of the French architect Louis Bernier and is located on the Place Boïeldieu just south of the Boulevard des Italiens.
Georges-Eugène Marty was a French conductor and composer associated with both major opera houses in Paris.
Paul Adrien Bastide was a French conductor and composer.
Jean-Pierre Solié was a French cellist and operatic singer. He began as a tenor, but switched and became well known as a baritone. He sang most often at the Paris Opéra-Comique. He also became a prolific composer, writing primarily one-act comic operas.
Benoît-Joseph Marsollier (also known as Benoît-Joseph Marsollier des Vivetières, was a French playwright and librettist. He is particularly noted for his work in opéra comique. In 1780 he also led the first exploration of the Grotte des Demoiselles.
Théodore Lajarte was a French musicologist, librarian, and composer.
Sources
The New Grove Dictionary of Opera is an encyclopedia of opera, considered to be one of the best general reference sources on the subject. It is the largest work on opera in English, and in its printed form, amounts to 5,448 pages in four volumes.
Stanley John Sadie was an influential and prolific British musicologist, music critic, and editor. He was editor of the sixth edition of the Grove Dictionary of Music and Musicians (1980), which was published as the first edition of The New Grove Dictionary of Music and Musicians.
The International Standard Book Number (ISBN) is a numeric commercial book identifier which is intended to be unique. Publishers purchase ISBNs from an affiliate of the International ISBN Agency.