Lola | |
---|---|
Directed by | Richard Donner |
Written by | Norman Thaddeus Vane |
Produced by | Clive Sharp |
Starring | Charles Bronson Orson Bean Honor Blackman Michael Craig Paul Ford Jack Hawkins Trevor Howard Lionel Jeffries Kay Medford Robert Morley Susan George |
Cinematography | Walter Lassally |
Edited by | Norman Wanstall |
Music by | John Scott |
Production companies | World Film Services San Marco P.S.A. |
Distributed by | The Rank Organisation (UK) American International Pictures (USA) |
Release dates |
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Running time | 98 minutes |
Countries | Italy United Kingdom |
Language | English |
Lola (originally released as Twinky and also known as London Affair) is a 1970 British-American romantic comedy drama film directed by Richard Donner and starring Charles Bronson and Susan George. [2]
A 38-year-old writer of pornographic novels named Scott (Charles Bronson) meets and falls in love with a sixteen-year-old school girl (Susan George) whilst living in London.
When Scott is refused a permanent visa to remain in Britain, the couple get married in Scotland and move to America where by state law Twinky must go to school. Tensions arise when Twinky wants to engage in teenage pastimes, while Scott struggles to complete his novels in order to earn a living. She runs away and is found by Scott in the cellar. Twinky then leaves for London the next day after writing Scott a tearful farewell letter.
The idea and script for the film was written by Norman Thaddeus Vane, [3] which author Simon Richter believes was the key force behind the film. [4] Vane's script has been suggested to be somewhat autobiographical, as it mirrors the author's own marriage to 16 year-old model Sarah Caldwell, whom he married in the mid-1960s when he was 38. [5]
The title song and two other original numbers are composed and performed by Jim Dale.
The film had its world premiere at the Metropole Victoria in London on 15 January 1970. It opened in London on 15 February 1970. [1]
The Contemporary North American Film Directors: A Wallflower Critical Guide state that the film exploited "the sexual freedom of its era", describing Susan George's character as a "naive young nymphet". [6]
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