Lorenzetto

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Jonah by Lorenzetto, Chigi Chapel, Santa Maria del Popolo. Jonah Antinous Santa Maria del Popolo n1.jpg
Jonah by Lorenzetto, Chigi Chapel, Santa Maria del Popolo.

Lorenzo Lotti, also known as Lorenzetto, (1490–1541), born Lorenzo di Lodovico di Guglielmo, was an Italian Renaissance sculptor and architect in the circle of Raphael.

Raphael 16th-century Italian painter and architect

Raffaello Sanzio da Urbino, known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period.

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He was born in Florence and married the sister of Giulio Romano, another painter, sculptor and pupil of Raphael. He is profiled in Vasari's Le Vite delle più eccellenti pittori, scultori, ed architettori (or, in English, Lives of the Most Excellent Painters, Sculptors, and Architects).

Florence Comune in Tuscany, Italy

Florence is the capital city of the Italian region of Tuscany. It is the most populous city in Tuscany, with 383,084 inhabitants in 2013, and over 1,520,000 in its metropolitan area.

Giulio Romano Italian painter and architect

Giulio Romano, also known as Giulio Pippi, was an Italian painter and architect. A pupil of Raphael, his stylistic deviations from high Renaissance classicism help define the 16th-century style known as Mannerism. Giulio's drawings have long been treasured by collectors; contemporary prints of them engraved by Marcantonio Raimondi were a significant contribution to the spread of 16th-century Italian style throughout Europe.

Sculptural works

Madonna del Sasso, above the Tomb of Raphael, Pantheon, Rome LorenzettoMadonna.jpg
Madonna del Sasso, above the Tomb of Raphael, Pantheon, Rome

According to Vasari, as a young sculptor Lorenzetto completed the tomb of Cardinal Niccolò Forteguerri, begun by Andrea Verrocchio in 1477, in San Jacopo at Pistoia. Then in Rome, he made "many works" of which, according to Vasari, "there is no need to make any further record." [1]

At the urging of Raphael, Lorenzetto received a commission from Agostino Chigi to create his tomb in Santa Maria del Popolo, where Agostino had built a chapel (Chigi Chapel). According to Vasari, Lorenzetto worked very hard on the project, both to impress Chigi and reflect well on Raphael. With assistance of the young sculptor Raffaello da Montelupo, and using designs by Raphael (according to Vasari), Lorenzetto created a statue of Elijah, living by the grace of God in the desert, and a nude Jonah delivered from the belly of the whale as a symbol of the resurrection from the dead. [1] Lorenzetto was also assigned by Raphael to execute bronze reliefs for Agostino's tomb. The relief of Christ and the Women of Samaria was moved to the base of the altar by Bernini during later work on the Chapel. [2]

Agostino Chigi Italian banker

Agostino Andrea Chigi was an Italian banker and patron of the Renaissance.

Chigi Chapel church

The Chigi Chapel or Chapel of the Madonna of Loreto is the second chapel on the left-hand side of the nave in the Church of Santa Maria del Popolo in Rome. It is the only religious building of Raphael which has been preserved in its near original form. The chapel is a treasure trove of Italian Renaissance and Baroque art and is ranked among the most important monuments in the basilica.

Raffaello da Montelupo, born Raffaele Sinibaldi, was a sculptor and architect of the Italian Renaissance, and an apprentice of Michelangelo. He was the son of another Italian sculptor, Baccio da Montelupo. Both father and son are profiled in Vasari's Le Vite delle più eccellenti pittori, scultori, ed architettori.

According to Vasari, the almost simultaneous death of Chigi and Raphael (both within four days of the other in 1520) heralded a decline in Lorenzetto's fortunes. Chigi's heirs left Lorenzetto's statues for the Chigi Chapel sit in Lorenzetto's workshop "for many years" and Lorenzetto "robbed for those reasons of all hope, found for the present that he had thrown away his time and labor." [1]

Lorenzetto did, however, find work creating a statue for Raphael's tomb in the Pantheon, assisted by Raffaello da Montelupo. Called the Madonna del Sasso (Madonna of the Rock), it is so named because Mary rests one foot on a boulder.

Pantheon, Rome Roman temple in Rome

The Pantheon is a former Roman temple, now a church, in Rome, Italy, on the site of an earlier temple commissioned by Marcus Agrippa during the reign of Augustus. It was completed by the emperor Hadrian and probably dedicated about 126 AD. Its date of construction is uncertain, because Hadrian chose not to inscribe the new temple but rather to retain the inscription of Agrippa's older temple, which had burned down.

In 1524, Lorenzetto completed the tomb of poet Bernardino Cappella in Santo Stefano Rotondo (again with Raffaello da Montelupo).

By the time he worked on the tombs of the Medici popes (Clement VII and Leo X) in Santa Maria sopra Minerva (c. 1536) he apparently contented himself with a subordinate role, the primary statuary having been entrusted to Baccio Bandinelli. [1]

Work on St. Peter's

In his later years, Lorenzetto also assisted Antonio da Sangallo the Younger as an architect and surveyor for the never-ending work on St. Peter's Basilica under Pope Paul III. According to Vasari, this proved to be the most lucrative engagement of Lorenzetto's career because:

the walls were being built at a fixed price of so much for every four braccia. Thereupon Lorenzo, without exerting himself, in a few years became more famous and prosperous than he had been after many years of endless labor, through having found God, mankind, and Fortune all propitious at that one moment. And if he had lived longer, he would have done even more towards wiping out those injuries that a cruel fate had unjustly brought upon him during his best period of work. [1]

Lorenzetto died in Rome in 1541 at age 47.

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<i>Jonah</i> (Lorenzetto)

The statue of Jonah and the whale is a marble sculpture by Lorenzetto in the niche to the left of the altar in the Chigi Chapel, the Basilica of Santa Maria del Popolo, Rome. The sculptor followed the original designs of his mentor, Raphael, who was the architect of the chapel. This is the only sculpture that Raphael himself designed and was executed according to his intentions.

<i>Elijah</i> (Lorenzetto)

The statue of Elijah is a marble sculpture by Lorenzetto in the niche to the right of the entrance in the Chigi Chapel, the Basilica of Santa Maria del Popolo, Rome. The sculptor followed the original designs of his mentor, Raphael, who was the architect of the chapel. The statue was finished by his pupil, Raffaello da Montelupo.

<i>Daniel and the Lion</i> (Bernini)

Daniel and the Lion is a sculpture created by Gian Lorenzo Bernini c. 1655-57. Standing in a niche in the Chigi Chapel in the Basilica of Santa Maria del Popolo in Rome, it shows the Prophet Daniel in the lions' den. It forms a part of a larger composition with the sculpture of Habakkuk and the Angel diagonally opposite.

<i>Habakkuk and the Angel</i> (Bernini) sculpture in Rome by Bernini

Habakkuk and the Angel is a sculpture created by Gian Lorenzo Bernini c. 1656-61. Standing in a niche in the Chigi Chapel in the Basilica of Santa Maria del Popolo in Rome, it shows the Prophet Habakkuk with the angel of God. It forms a part of a larger composition with the sculpture of Daniel and the Lion diagonally opposite.

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References

  1. 1 2 3 4 5 Link to on-line biography of Lorenzetto from Vasari's Vite
  2. Blue Guide, Rome and environs, (1994) at p.162.