Louis Davids

Last updated

Louis Davids
Louis Davids 1928.jpg
Portrait photograph by Godfried de Groot, 1928
Born
Simon David

(1883-12-19)19 December 1883
Rotterdam, Netherlands
Died1 July 1939(1939-07-01) (aged 55)
Amsterdam, Netherlands
NationalityDutch
Known for Cabaret, Variety shows
Signature
Louis Davids Signature.png

Louis Davids (born Simon David; 19 December 1883 – 1 July 1939) was a Dutch actor, singer, comedian and revue artist. He is widely considered one of the biggest names in Dutch performing arts.

Contents

Biography

Early years

Davids was born in the Raamstraat in the infamous Rotterdam Zandstraatbuurt [1] as the son of comedian and café owner Levie David (1857-1906) and Francina Terveen (1858-1927) in a poor Jewish family of four children. Louis's teacher, Master Thorn, was a great variety show enthusiast and passed this on to his student. [2] Louis started performing at the age of five singing songs at the Groningen funfair, standing on a pillar dressed in a suit and top hat. He gained the reputation of a child prodigy and soon achieved considerable success. His big break came at seven years old, when he got a contract with theater Tivoli on the Westerstraat, where he performed under the name Louis Davids Jr. His successes regularly led to fights between Louis and his father, who would often refer to him as "the little aristocrat".

Due to the mounting tensions, father Davids decided that it was better if his song no longer worked with him, after which Louis formed a duo with his sister Rika. The two managed to conquer a place in theater Pschorr. They sang songs like Een reisje langs de Rijn (A trip along the Rhine) and Zandvoort bij de zee (Zandvoort by the sea). In Carré, Duo Davids subsequently managed to set up a successful revue program under the direction of theater director Frits van Haarlem. Their performances in Carré provided an important breakthrough in Louis' career, he was now really starting to make a name for himself as an artist.

Revue star

Louis married Rebecca 'Betsy' Kokernoot, in 1906. Shortly before the birth of his daughter, Louis left for England. He was invited by Frits van Haarlem, who wanted to realize a grand revue and had decided to gain inspiration for the project in London. The result of the expedition was the first major Dutch revue, Koning 'Kziezoowat in Amsterdam, which Davids wrote together with Van Haarlem, and in which Rika and himself played the leads. The revue was performed over a hundred times in Carré and was an overwhelming success. After this, Louis and Rika put an end to their collaboration with Van Haarlem and switched to the more prestigious revue of Henri ter Hall.

When Rika married Austrian magician Joachim Lifschütz, the two moved to England and she left the duo. It was a blow to Davids, who was so attuned to his sister, that at first he refused to form a duo again. His younger sister Henriëtte managed to persuade him with great difficulty. Against all odds, the new Duo Davids was even more successful than the old. Their collaboration would last for years, during which they not only regularly performed in Carré, but also toured Germany and England (1910-1911).

He, She and the Piano

Louis Davids and Margie Morris in "He, She and the Piano", 1920 He, she and the piano.jpg
Louis Davids and Margie Morris in "He, She and the Piano", 1920

During a tour of England, Louis became acquainted with English officer's daughter and artist Margareth Whitefoot, better known as Margie Morris; a talented musician, trained at the conservatory. The two started an affair and in 1913 Morris left the United Kingdom and moved in with Louis in Amsterdam. Betty, however, refused to go through with her husband’s requested divorce, leaving them officially married until his death. Until 1922, Margie and Louis formed the duo "He, She and the piano". Margie and Louis had a son in 1915, Louis Jr. In 1919 Morris and Davids went on tour in the Dutch East Indies for eight months. [3] There Davids felt appalled at the suppression of the indigenous population, which prompted him to write the song Rassenhaat (Race hate). In it he was extremely critical of the Dutch colonizers, whom he described as 'The men who mock and abuse, who under the guise of civilization, oppress a nation of millions'.

Davids and Morris wrote a number of famous songs together; not only for the own repertoire but also for musicals by Herman Bouber, such as Bleeke Bet (1917), Oranje Hein (1918) and De Jantjes (1920).

The Little Big Man

Louis Davids as 'the little man', 1929 Louis Davids Kleine Man.jpg
Louis Davids as 'the little man', 1929

In 1926 Davids participated in various shows under the direction of Frits Stapper. In Lach en Vergeet (Smile and forget, 1929) he sang for the first time what would become his best-known song: De Kleine Man (The Little Man), in which he, as a bourgeois man with a bowler hat, sings of the tribulations of the ordinary citizen. Both the song and the accompanying sketch in which Davids' little man was attacked by political propagandists, received much praise. [4] [5] [6] The song earned him the nickname 'de grote kleine man' (the little big man). His relationship with lyricist Jacques van Tol also dates from this period. Van Tol and Davids concluded a copyright agreement; Van Tol would ghostwrite most songtexts for Davids in his Kurhaus Cabaret period (1931-1938).

Kurhaus period

After the death of Jean-Louis Pisuisse, at whose funeral Davids gave a speech, the Kurhaus at Scheveningen beach, where Pisuisse used to perform, was unsuccessfully in use as a cinema. In 1931, the Zeebad Scheveningen Company contacted Davids. In the years that followed his fame reached a peak and he established his name as the most versatile and appreciated comedian in the Netherlands. In his performances in Scheveningen, as well as his occasional performances in the Amsterdam Leidseplein theater, Davids developed a unique style: songs and conferences interspersed with revue-ish sketches reminiscent of his past in variety entertainment, such as ventriloquism. Of great significance was the fact that Davids gave many gifted Dutch and foreign artists a chance to perform in his shows. Among them were established greats such as Rudolf Nelson and his cabaret from Berlin, but also beginners such as the Cabaret Ping Pong, Martie Verdenius, Wim Kan and Corry Vonk. Wim Sonneveld also started his career at Davids; not yet as an artist, but as a secretary in the office.

In May 1931 Davids went to London to record an album with British bandleader Bert Ambrose at the Queen's Hall for His Master's Voice. [7]

Illness and death

In 1938 Davids had to leave the Kurhaus Cabaret due to asthma; the illness had troubled him greatly since the early 1920s. Severe asthma attacks were indirectly responsible for his unexpected death at the age of 55 in 1939. The funeral was held on 3 July 1939. Several thousand came to Herman Gorterstraat to bring him their final greetings. Davids was cremated in Westerveld crematory.

Filmography

YearTitleRoleNotes
1906 Koning 'Kziezoowat in Amsterdam Film sequences from the stage revue; presumed lost
1915 Fatum Dance partnerPresumed lost
1915 He, She and the Piano HimselfPresumed lost
1915 Loop naar den duivel Presumed lost
1916 Visschersavonturen FishermanPresumed lost
1918 American Girls TinusAlso co-director; presumed lost
1919 The Devil in Amsterdam Presumed lost
1920 Schakels Jan DuifPresumed lost
1920 Liefdesintriges Rene van Straalen
1921 Menschenwee Willy Vermeer
1922 De Jantjes Blauwe Toon
1924 Amsterdam bij nacht Street musician
1934 De Jantjes Himself
1935 Het Nederlandsche Cabaretalbum Himself
1935 Op Stap Janus Fortuin

Honours

Legacy

Louis Davids Ring

In 1948, in memory of Louis Davids, the municipality of Rotterdam introduced the Louis Davids ring, a prestigious cabaret award. As the last surviving member of the Davids family, sister Henriëtte Davids was the first bearer of the ring. Others were Wim Kan, Herman van Veen and Claudia de Breij.

Louis Davids Monument

Louis Davids Monument in Rotterdam Rotterdam monument louis davids.jpg
Louis Davids Monument in Rotterdam

At the initiative of a special commemoration committee, the Louis Davids Monument was erected in 1983 on the Raamplein square behind the Rotterdam City Hall, in the neighborhood where Davids was born and spent the first years of life. The 78 rpm painted steel record, with a portrait of Davids and the quote "I hope that when I'm gone, my songs will always be remembered", was designed by Rotterdam-based artist Mathieu Ficheroux. [8]

Because of the construction of the Timmerhuis building and redevelopment of the square, the monument was put in storage for several years. On 24 March 2016 the work was restored and placed back on the redesigned Raamplein. During the unveiling, the book De Zandstraatbuurt en zijn Joodse inwoners ('The Zandstraatbuurt and its Jewish inhabitants') by Hans Schippers, Chris Buitendijk, Albert Ringer and Rob Snijder was presented. [9]

Musical

On 27 October 1983 the musical De zoon van Louis Davids ('The Son of Louis Davids') premiered, written by Gerben Hellinga and Jacques Klöters on the occasion of David's 100th birthday. Actor Johan Ooms, who had previously played the role of Louis Davids in Hellinga's earlier play Mensch durf te leven about the life of Jean-Louis Pisuisse, returned to the role for the musical. The musical was recorded for Dutch television by director Dimitri Frenkel Frank.

Other

In 2010 the Netherlands Comedy Theater performed a play about Davids titled Liedjes van Louis Davids .

See also

Related Research Articles

<span class="mw-page-title-main">The Hague</span> City and municipality in South Holland, Netherlands

The Hague is a city and municipality of the Netherlands, situated on the west coast facing the North Sea. The Hague is the country's administrative centre and its seat of government, and while the official capital of the Netherlands is Amsterdam, The Hague has been described as the country's de facto capital. The Hague is also the capital of the province of South Holland, and the city hosts both the International Court of Justice and the International Criminal Court.

<span class="mw-page-title-main">Freek de Jonge</span> Dutch cabaret performer and writer (born 1944)

Frederik "Freek" Jan Georg de Jonge is a Dutch cabaret performer and writer.

<span class="mw-page-title-main">Johnny Jordaan</span> Musical artist

Johnny Jordaan was the pseudonym for Johannes Hendricus van Musscher, a Dutch singer of popular music, in particular the genre known as levenslied, a Dutch variety of the French chanson. He was well known for his songs about the city of Amsterdam, especially the Jordaan district, which he sang in a typical "hiccuping Mokum vibrato", "Mokum" being the Hebrew-derived nickname for the Amsterdam inner city area. In the 1950s, Johnny Jordaan rose almost instantly to the level of national celebrity and became the "uncrowned king of the Jordaanlied", and his hit song "Geef mij maar Amsterdam" is one of the songs Amsterdammers identify with most.

<span class="mw-page-title-main">Kurhaus of Scheveningen</span> Hotel in the Netherlands

The Kurhaus of Scheveningen, The Hague in the Netherlands is a hotel which has been called the Grand Hotel Amrâth Kurhaus The Hague since October 2014. It is located in the main seaside resort area, near the beach.

<span class="mw-page-title-main">Wim Sonneveld</span> Dutch musician and comedian

Willem "Wim" Sonneveld was a Dutch cabaret artist and singer. Together with Toon Hermans and Wim Kan, he is considered to be one of the 'Great Three' of Dutch cabaret. Sonneveld is generally viewed as a Dutch cultural icon for his work and legacy in theatre, musicals and music.

<span class="mw-page-title-main">John Kraaijkamp Sr.</span>

Jan Hendrik (John) Kraaijkamp Sr. was a Dutch Golden Calf and Louis d'Or winning actor, comedian and singer. For years, he formed a comedy team with Rijk de Gooyer. One of The Netherlands' most popular comedians, praised for his perfect timing, he also played in more serious plays, including the title role in King Lear (1979) and in the Academy Award-winning WWII drama film The Assault (1986). From 1993 until 2003, he starred in the successful sitcom "Het Zonnetje in Huis" along his son John Kraaijkamp Jr.

<span class="mw-page-title-main">Royal Theater Carré</span> Theatre in Amsterdam, located near the river Amstel

The Royal Theater Carré is a Neo-Renaissance theatre in Amsterdam, located near the river Amstel. When the theatre was founded in 1887, it was originally meant as a permanent circus building. Currently, it is mainly used for musicals, cabaret performances and pop concerts. Carré is located next to the Amstel, close to Waterlooplein. Its address is Amstel 115.

<span class="mw-page-title-main">Lucas Van den Eynde</span> Belgian actor

Lucas Van den Eynde is a Belgian actor. He has acted in theater films and television programs and also dubbed animated films in Belgian Dutch.

<span class="mw-page-title-main">Jan Mesdag</span> Dutch singer and cabaret artist

Jan Mesdag was a Dutch singer and cabaret artist.

<span class="mw-page-title-main">Jeroen Willems</span> Dutch actor (1962–2012)

Jeroen Willems was a Dutch Golden Calf and Louis d'Or winning film, TV, and stage actor and singer.

<span class="mw-page-title-main">Snip en Snap</span>

Snip en Snap were a Dutch cabaret act, consisting of Willy Walden and Piet Muijselaar, who performed songs and skits in drag and were active from 1937 to 1977. The act was conceived by Jacques van Tol, who borrowed the concept from Solser en Hesse. Walden and Muijselaar first appeared as the duo in 1937, on the AVRO radio show De bonte dinsdagavondtrein. Initially planned as a one-time act – for Walden and Muijselaar had no interest in dressing up in women's clothing for the stage, but made an exception for radio – the show was so popular that AVRO engaged them through their agent/producer, Rene Sleeswijk, for a theater tour in which they were the main attraction; after a year the tour, which had become more an act showcasing the duo, gained great popularity, and ran for forty years. They continued to perform on De bonte dinsdagavondtrein, which was an immensely popular program; they traveled by train to Hilversum every Tuesday where they were received by a crowd of fans and an orchestra, who accompanied them to the AVRO studio.

"De Voetbalmatch" is a song by Louis Davids. It was released on 10" on His Master's Voice in 1929. The B-side to the single is "De Olieman Heeft Een Fordje Opgedaan".

<span class="mw-page-title-main">Cilli Wang</span> Austrian-Dutch dancer, performer and theatre maker

Zäzilie Wang, stage name Cilli Wang, was an Austrian-born Dutch dancer, performer and theatre maker. Wang initially was known as a dancer and later as a comedienne in Austria and Germany. When Austria merged into the Greater German Reich, she fled to the Netherlands and asked for asylum. After World War II she played in several Dutch cabaret groups and made solo performances into the 1970s.

<span class="mw-page-title-main">Chaja Goldstein</span>

Chaja Ruchel Goldstein was a Polish-born Dutch dancer and singer.

"De Kleine Man" is a 1929 Dutch-language protest song, written by Jacques van Tol and first recorded by Louis Davids. During Davids' lifetime it was considered his signature song.

<span class="mw-page-title-main">Margie Morris</span> British-born Dutch performer (1892–1983)

Margie Morris was an English stage and silent film actress, revue artist, musician, dancer and singer who worked in the Netherlands during the 1910s and 1920s.

<span class="mw-page-title-main">Jan Broekhuis</span> Dutch composer

Johannes Franciscus (Jan) Broekhuis was a Dutch composer, better known by his artistic name John Brookhouse McCarthy.

<span class="mw-page-title-main">Cor Ruys</span> Dutch stage actor

Cor Ruys was a Dutch actor, stage director and comedian. He is best known for playing the character of 'Potasch' in Potash and Perlmutter by Montague Glass several times and his lead performance in Henry Koster’s 1935 film The Cross-Patch.

References