Biography
His first successful film was The Emperor of Capri , featuring Totò. Comencini's 1953 Bread, Love and Dreams , with Vittorio De Sica and Gina Lollobrigida, is considered a primary example of neorealismo rosa (pink neorealism). It was followed by Bread, Love and Jealousy .
After first directing Alberto Sordi in The Belle of Rome (1955), Comencini again worked with Sordi in what is considered his masterwork, Everybody Go Home , a bitter comedy about Italy after the armistice of 1943. The film won the Special Golden Prize at the 2nd Moscow International Film Festival. [3] Also set in World War II, but devoted to the Italian partisans, is Bébo's Girl (1963). This was followed by Misunderstood (1966, based on the English novel by Florence Montgomery).
Comencini obtained an outstanding success with what is ranked amongst the best productions of Italian television, The Adventures of Pinocchio (1972). In the same year, he directed the feature film The Scientific Cardplayer , a dark comedy with Sordi and Silvana Mangano. In 1975, he released the mystery The Sunday Woman , featuring Marcello Mastroianni, Jacqueline Bisset and Jean-Louis Trintignant.
Comencini's subsequent works were characterised by the presence of famous Italian actors of the time: Ugo Tognazzi in The Cat (1977), or Nino Manfredi in his episode of Basta che non si sappia in giro . In the 1980s, Comencini's movies met with less success, but his Cuore television series of 1984 was praised.
He died in Rome after a long illness in 2007.
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