Luis Mariano

Last updated

Luis Mariano
Born
Luis Mariano Eusebio González García

(1914-08-13)13 August 1914
Died14 July 1970(1970-07-14) (aged 55)

Luis Mariano Eusebio González García (13 August 1914 – 14 July 1970), also known as Luis Mariano, was a popular tenor of Spanish origin who achieved celebrity in 1946 with "La belle de Cadix" ("The Beautiful Lady of Cadix") an operetta by Francis Lopez. He appeared in the 1954 film Adventures of the Barber of Seville and Le Chanteur de Mexico (1957) and became popular in France as well as his native Spain.

Contents

Biography

Luis Mariano was born in Irun, Spain on 13 August 1914, the son of a garagiste and taxi-driver and showed interest in singing as a child. His family moved to France at the start of the Spanish Civil War and settled in Bordeaux where he studied at the Conservatoire, and also sang in cabarets. [1]

Jeanne Lagiscarde, who was in charge of the classical department of a record store in Bordeaux, took Mariano under her wing, and gave up her job to nurture his talent in Paris. [1] To earn a living, he sang in stage shows and appeared in films, starting with 'L'escalier sans fin' in 1943. That year he auditioned for the role of Ernesto in Don Pasquale , and sang in the opera at the Palais de Chaillot and later at the Théâtre des Variétés, with Vina Bovy, recording excerpts from the opera. He also left many recordings of popular song and operetta.

He continued to appear in other films from 1946, including a singing role in Napoléon and a film adaptation of Lehar's Der Zarewitsch .

In his encyclopedia Gänzl describes Mariano as a "svelte singing idol of French operetta of the post-war stage and screen". [1] Mariano died in Paris in 1970.

His music is featured prominently in the 1996 Belgian film Le huitième jour in which he is played by Laszlo Harmati during scenes employing magical realism.

In 2014, French baritone David Serero recorded an album with Mariano classics performed in a Jazz version for the 100th anniversary of his birth: David Serero chante Luis Mariano – jazz version.

Filmography

Grave in Arcangues Tomb of luis mariano.jpg
Grave in Arcangues
YearTitleRoleNotes
1938 Ramuntcho
1943Le Chant de l'exiléUn jeune basque
1943 The Stairs Without End Le chanteur
1947Histoire de chanterGino Fabretti
1947 Secret Cargo José
1948 Fandango José
1949 I Like Only You Don Renaldo
1950 Not Any Weekend for Our Love Franck Reno
1951 The Dream of Andalusia Juanito Var
1951 Rendezvous in Grenada Marco Da Costa
1951 Paris Still Sings Luis Mariano
1952 Imperial Violets Juan de Ayala
1953 Saluti e baci Luis Mariano
1953 The Beauty of Cadiz Carlos
1954 Adventures of the Barber of Seville Fígaro
1954 The Little Czar Luis Mariano / Aljoscha
1955 Napoléon Le chanteur Garat
1955 Four Days in Paris Mario
1956 The Singer from Mexico Miguel Morano / Vincent Etchebar
1957Printemps à ParisUncredited
1957 Love in Jamaica Manoël Martinez
1958 Serenade of Texas Jacques Gardel
1960 Candide ou l'optimisme au XXe siècle Un dictateur sud américain / South American Dictator
1965Les pieds dans le plâtreL'agriculteur
1967Le Prince de MadridFrancisco Goya(final film role)

Related Research Articles

<span class="mw-page-title-main">Operetta</span> Form of theatre and a genre of light opera

Operetta is a form of theatre and a genre of light opera. It includes spoken dialogue, songs, and dances. It is lighter than opera in terms of its music, orchestral size, length of the work, and at face value, subject matter. Apart from its shorter length, the operetta is usually of a light and amusing character. It sometimes also includes satirical commentaries.

<i>Les deux aveugles</i>

Les deux aveugles is an 1855 one-act French bouffonerie musicale (operetta) by Jacques Offenbach. The libretto was written by Jules Moinaux and was a condensation of his 3-act Les musiciens ambulants.

Alain Vanzo was a French opera singer and composer, one of few French tenors of international standing in the postwar era. He, along with such singers as Henri Legay and the Canadian Léopold Simoneau, represented a traditional French lyric style during a period when larger Italian and German vocal styles had become popular.

<i>Chilpéric</i> (operetta)

Chilpéric is an opéra bouffe with libretto and music by Hervé, first produced in Paris on 24 October 1868 at the Théâtre des Folies-Dramatiques. A burlesque of the medieval, Chilpéric starred Hervé in the title role.

<span class="mw-page-title-main">Lucien Fugère</span> French opera singer

Lucien Fugère was a French baritone, particularly associated with the French repertory and Mozart roles. He enjoyed an exceptionally long career, singing into his 80s.

<span class="mw-page-title-main">Jean Périer</span> French opera singer

Jean (Alexis) Périer was a French operatic baryton-martin and actor. Although he sang principally within the operetta repertoire, Périer did portray a number of opera roles; mostly within operas by Wolfgang Amadeus Mozart and Giacomo Puccini. His career was almost entirely centered in Paris and he had a long association with the Opéra-Comique. He sang in a large number of world premieres, most notably originating the role of Pelléas in Debussy's Pelléas et Mélisande in 1902. In addition to his opera career, Périer appeared in several films between 1900 and 1938.

Willy Clément was a French baritone who was noted in light baritone roles and operetta.

Achille-Félix Montaubry was a French musician and operatic tenor, active in Paris; later a theatre director. His brother was the conductor and composer Édouard Montaubry (1824–1883).

Fanély Revoil, born Marseille 25 September 1906, died Annonay 31 January 1999, was a French singer who had a major career in opera and operetta between the 1930s and 1989. She was married to theater director Robert Ancelin from 1937 to 1942.

<span class="mw-page-title-main">Léonce (actor)</span> French actor and singer

Édouard-Théodore Nicole, known as Léonce, was a 19th-century French actor and singer.

André Gaston Baugé was a French baritone, active in opera and operetta, who also appeared in films in the 1930s.

<span class="mw-page-title-main">Edmée Favart</span> French soprano

Edmée Favart was a French soprano who had a varied and major career in opera and opéra comique and left many recordings of songs from roles she performed on stage.

<span class="mw-page-title-main">Francis Chassaigne</span> French composer

Francis Chassaigne was a Belgian-born French composer of operettas, songs, and numerous pieces of dance music for piano. The English-language versions of his operettas, Le droit d'aînesse (1883) and Les noces improvisées (1886) became very popular in Britain and the United States. Chassaigne was married to the Swiss-born operetta singer Louise Roland.

<span class="mw-page-title-main">Théâtre de la Gaîté (rue Papin)</span> Former theatre in Paris, France

In 1862 during Haussmann's modernization of Paris, the Théâtre de la Gaîté of the boulevard du Temple was relocated to the rue Papin across from the Square des Arts et Métiers. The new theatre, built in an Italian style to designs of the architects Jacques-Ignace Hittorff and Alphonse Cusin, opened on 3 September.

<span class="mw-page-title-main">Jean-Vital Jammes</span> French opera singer

Jean-Vital Jammes was a French opera singer. During a stage career spanning 40 years, he created many leading baritone roles, including Zurga in Bizet's Les pêcheurs de perles and Ourrias in Gounod's Mireille. Born in Le Passage d'Agen near the town of Agen, he was largely self-taught and made his stage debut in 1841 at the age of 16. After singing in several provincial theatres, he was engaged by the Théâtre Lyrique in Paris and later by the Opéra-Comique. Following his retirement from the stage, Ismaël lived in Marseille where he died at the age of 68.

<span class="mw-page-title-main">David Serero (singer)</span> Moroccan-French opera singer (born 1981)

David Serero is a Moroccan-French baritone opera singer. He has played more than 1,500 concerts worldwide, and lead roles in opera, theater and musicals such as Cyrano (Cyrano de Bergerac), Shylock, Othello (Othello), Nabucco (Nabucco), Don Quixote, Richard III, Napoleon Bonaparte, Escamillo (Carmen), Enrico, Amonasro (Aida), the title roles of Don Giovanni and Rigoletto and starred in more than 100 films and TV series. He has toured in America, Europe, Middle East, Asia and Russia. In 2017, David Serero was honored in Marquis Who's Who for outstanding achievement in the entertainment world and for his contribution for the betterment of contemporary society. He is a member of the Recording Academy (Grammys) and the Television Academy of Arts & Sciences (Emmys), for which he is both a voting member. In 2019, he is named one of the top most influential Moroccans by airline Royal Air Maroc, and received the 2019 Albert Nelson Marquis Lifetime Achievement Award. In 2020, he receives the Award for Diversity by the Unesco. He wins the 2020 BroadwayWorld Awards for Best Performer of the decade, Best Producer of a Musical of the decade, Best Producer of a Play of the decade. The Mayor of New York, Bill de Blasio, awards him with the Certificate of Recognition for his contributions to the City of New York.

<i>The Beauty of Cadiz</i> 1953 film by Raymond Bernard

The Beauty of Cadiz is a 1953 French-Spanish musical comedy film directed by Raymond Bernard and Eusebio Fernández Ardavín and starring Luis Mariano, Carmen Sevilla and Jean Tissier. It is an operetta film, based on the 1945 operetta of the same title.

<span class="mw-page-title-main">Sim Viva</span> Belgian soprano singer and actress

Sim Viva was a Belgian soprano singer and actress prominent in operetta and film in the 1920s and 1930s. She made several recordings on the Ultraphone, Pathé, and Odeon labels..

Lina Dachary was a French soprano born in 1922 and died in 1999. She was particularly noted for her prolific radio appearances in operetta.

<span class="mw-page-title-main">Anna Tariol-Baugé</span>

Anna Tariol-Baugé was a French operetta singer and theatre actress. She is known for her performances in Offenbach's operettas.

References

  1. 1 2 3 Gänzl K. The Encyclopedia of the Musical Theatre. Blackwell, Oxford, 1994.