Mécène Marié de l'Isle

Last updated
Marie Le tenor Marie, pere de Galli-Marie, premier interprete du role de Max a l'Opera - Gallica 2010 (adjusted).jpg
Marié

Mécène Marié de l'Isle (22 May 1811 – 14 August 1879) was a French musician and opera singer, who used the stage name Marié.

Contents

Early training and career

Born Claude-Marie-Mécène Marié de l'Isle in Château-Chinon, he went to Paris to study music at the Conservatoire, where he won first prize for double-bass in 1830. [1] He began his career as a tenor in the opera chorus of the Opéra-Comique in Paris and made his professional opera début at the opera house in Metz as Raoul in Meyerbeer's Les Huguenots in 1838. The following year he portrayed his first role at the Opéra-Comique, singing Albert in Louis Clapisson’s La symphonie. In 1840 he had the distinction of portraying Tonio in the world premiere of Donizetti’s La fille du régiment . [2]

Château-Chinon is the name of two communes of the Nièvre département, in France:

Conservatoire de Paris music school

The Conservatoire de Paris is a college of music and dance founded in 1795 associated with PSL Research University. It is situated in the avenue Jean Jaurès in the 19th arrondissement of Paris, France. The Conservatoire offers instruction in music, dance, and drama, drawing on the traditions of the "French School".

Tenor is a male voice type in classical music whose vocal range lies between the countertenor and baritone. The tenor's vocal range extends up to C5. The low extreme for tenors is roughly A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the leggero tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or spieltenor.

Paris Opera

Marié left the Opéra-Comique in 1841 to join the roster of principal tenors at the Paris Opera. He remained there through 1844, singing such roles as Eléazar in La Juive , Max in Der Freischütz , Arnold in Guillaume Tell , Raoul, Fernand in La favorite , and the title role in Robert le diable . He began to experience vocal difficulties in his upper register in the mid-1840s and decided to retrain his voice as a baritone. In 1845-1848 he sang his first baritone roles at La Monnaie and in opera houses in Italy. [2]

Paris Opera the primary opera company of France

The Paris Opera is the primary opera and ballet company of France. It was founded in 1669 by Louis XIV as the Académie d'Opéra, and shortly thereafter was placed under the leadership of Jean-Baptiste Lully and officially renamed the Académie Royale de Musique, but continued to be known more simply as the Opéra. Classical ballet as it is known today arose within the Paris Opera as the Paris Opera Ballet and has remained an integral and important part of the company. Currently called the Opéra National de Paris, it mainly produces operas at its modern 2700-seat theatre Opéra Bastille which opened in 1989, and ballets and some classical operas at the older 1970-seat Palais Garnier which opened in 1875. Small scale and contemporary works are also staged in the 500-seat Amphitheatre under the Opéra Bastille.

<i>La Juive</i> opera by Fromental Halévy

La Juive is a grand opera in five acts by Fromental Halévy to an original French libretto by Eugène Scribe; it was first performed at the Opéra, Paris, on 23 February 1835.

<i>Der Freischütz</i> German opera

Der Freischütz, Op. 77, J. 277, is a German opera with spoken dialogue in three acts by Carl Maria von Weber with a libretto by Friedrich Kind. It premiered on 18 June 1821 at the Schauspielhaus Berlin. It is considered the first important German Romantic opera, especially in its national identity and stark emotionality.

In 1848 Marié returned to the Opera where he remained for the rest of his career. While there he sang the title role of Guillaume Tell, Nevers in Les Huguenots, Alphonse in La favorite, and Raimbaud in Le comte Ory . In 1851 he portrayed the role of Alcée in the premiere of Gounod's Sapho . In 1855 he performed the role of Robert in the premiere of Verdi's Les vêpres siciliennes . In 1862 he sang Phanor in the premiere of Gounod's La reine de Saba . [2]

<i>Le comte Ory</i> opera by Gioachino Rossini

Le comte Ory is a comic opera written by Gioachino Rossini in 1828. Some of the music originates from his opera Il viaggio a Reims written three years earlier for the coronation of Charles X. The French libretto was by Eugène Scribe and Charles-Gaspard Delestre-Poirson adapted from a comedy they had first written in 1817.

Charles Gounod French composer

Charles-François Gounod was a French composer, best known for his Ave Maria, based on a work by Bach, as well as his opera Faust. Another opera by Gounod still performed is Roméo et Juliette.

<i>Sapho</i> (Gounod) opera by Charles Gounod

Sapho is a 3-act opera by Charles Gounod to a libretto by Émile Augier which was premiered by the Paris Opera at the Salle Le Peletier on 16 April 1851. It was presented only 9 times in its initial production, but was a succès d'estime for the young composer, with the critics praising Act 3 in particular. It was later revived in 2-act (1858) and 4-act (1884) versions, achieving a total of 48 performances.

Late career

Around 1860 he was the conductor of the orchestra at the Café Charles in Paris. [1] Marié semi-retired from the stage in 1864, but occasionally returned to the stage for performances as late as 1879. He was active as a voice teacher from 1864 up until his death. His pupils included his three daughters, notably Célestine Galli-Marié, who created the title role in the premiere of Bizet's Carmen . [2]

Célestine Galli-Marié French mezzo-soprano most famous for creating the title role in the opera Carmen

Célestine Galli-Marié was a French mezzo-soprano who is most famous for creating the title role in the opera Carmen.

Georges Bizet French composer

Georges Bizet, registered at birth as Alexandre César Léopold Bizet, was a French composer of the Romantic era. Best known for his operas in a career cut short by his early death, Bizet achieved few successes before his final work, Carmen, which has become one of the most popular and frequently performed works in the entire opera repertoire.

<i>Carmen</i> opera in four acts by French composer Georges Bizet

Carmen is an opera in four acts by French composer Georges Bizet. The libretto was written by Henri Meilhac and Ludovic Halévy, based on a novella of the same title by Prosper Mérimée. The opera was first performed by the Opéra-Comique in Paris on 3 March 1875, where its breaking of conventions shocked and scandalized its first audiences.

Marié died in Compiègne.

Related Research Articles

Raoul Jobin, was a French-Canadian operatic tenor, particularly associated with the French repertory.

Jean de Reszke Polish singer

Jean de Reszke was a Polish tenor who was a major male opera star of the late 19th century.

Jean-François Lapointe Canadian baritone opera singer

Jean-François Lapointe is a Canadian baritone opera singer.

Hector Dufranne Belgian singer

Hector Dufranne was a Belgian operatic bass-baritone who enjoyed a long career that took him to opera houses throughout Europe and the United States for more than four decades. Admired for both his singing and his acting, Dufranne appeared in a large number of world premieres, most notably the role Golaud in the original production of Claude Debussy's Pelléas et Mélisande in 1902, which he went on to sing 120 times at that house. He had an excellent singing technique which maintained the quality of his voice even into the latter part of his career. His wide vocal range and rich resonant voice enabled him to sing a variety of roles which encompassed French, German, and Italian opera.

Edmond-Alphonse Vergnet was a French operatic tenor.

Hector Dupeyron (1861–1911) was a French operatic tenor who had a prolific opera career in Europe from 1887 through 1906. Possessing a powerful and dramatic voice, he particularly excelled in the works of Richard Wagner and Giacomo Meyerbeer.

Barnolt was the stage name of Paul Fleuret, a French operatic tenor associated with the Opéra-Comique in Paris.

Victor Capoul French opera singer

Joseph Victor Amédée Capoul was a French operatic tenor with a lyric voice and a graceful singing style.

Victor Warot Belgian opera singer

Victor Alexandre Warot was a Belgian opera singer. He began his career as a lyric tenor but later grew into a fine dramatic singer. He was particularly known for his portrayal of Wagner and Meyerbeer heroes.

Delphine Ugalde Singer, composer

(Gabrielle) Delphine (Elisabeth) Ugalde, née Beaucé, was a French soprano and composer. She was the mother of Marguerite Ugalde.

William Martin was an American classical tenor. Born in Massachusetts, he studied singing with Leveret Merrill, A Sujol, and Florence Holtzman. A graduate of Harvard University, he was for many years a member of the Harvard Glee Club. He made his professional opera debut in 1923 in the title role of Jules Massenet's Werther. He was committed to the Opéra-Comique in Paris from 1925-1929 where he notably sang the role of Philipp in the world premiere of Lucien Chevaillier's Le poème du soir. In 1927 he and Mary McCormic became the first two Americans to appear in leading roles at the Opéra National de Paris, respectively portraying the title role and the role of Marguerite in Charles Gounod's Faust. In 1929 he had a major success at the Palais Garnier as the Duke of Mantua in Giuseppe Verdi's Rigoletto. In 1930 he sang Romeo to Grace Moore's Juliette in Gounod's Roméo et Juliette at the Opéra Royal de Wallonie. Martin is best remembered today for creating the role of Amelia's lover in the world premiere of Gian Carlo Menotti's Amelia Goes to the Ball on 1 April 1937 at the Philadelphia Academy of Music.

Eugène Dufriche was a French baritone, who had a career on the operatic stage from the 1870s in Paris through to the 1900s in New York.

Jean-Étienne-Auguste Massol French opera singer

Jean-Étienne-Auguste Massol was a French operatic tenor and later baritone who sang in the world premieres of many French operas.

The Devriès family were operatic singers over three generations, of Dutch descent. They were mainly active in France, Belgium and the USA in the second half of the 19th and the early 20th centuries.

Jean-Vital Jammes French opera singer

Jean-Vital Jammes was a French opera singer. During a stage career spanning 40 years, he created many leading baritone roles, including Zurga in Bizet's Les pêcheurs de perles and Ourrias in Gounod's Mireille. Born in Le Passage d'Agen near the town of Agen, he was largely self-taught and made his stage debut in 1841 at the age of 16. After singing in a several provincial theatres, he was engaged by the Théâtre Lyrique in Paris and later by the Opéra-Comique. Following his retirement from the stage, Ismaël lived in Marseille where he died at the age of 68.

Molinier (baritone) French baritone

Molinier was the stage name of François Gély (1807–1859), a French operatic baritone who mostly performed minor roles at the Paris Opéra.

Joseph-Antoine-Charles Couderc

Joseph-Antoine-Charles Couderc was a French operatic tenor prominent on the stages of the Opéra Comique in Paris where he created numerous roles.

Guillaume Ibos was a French opera singer.

Michael Spyres is an American operatic tenor. He is particularly associated with the bel canto repertoire, especially the works of Rossini, and heroic roles in French grand opera.

References

  1. 1 2 Irvine D. Massenet: a chronicle of his life and times. Amadeus Press, Portland, 1997.
  2. 1 2 3 4 Marié de l'Isle Biography at operissimo.com (in German)