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Magic is a play by G. K. Chesterton presented by Kenelm Foss at The Little Theatre in London, on 7 November 1913. [1] [ full citation needed ] The play went on to influence Ingmar Bergman's film The Face . [2]
Distributism is an economic theory asserting that the world's productive assets should be widely owned rather than concentrated. Developed in the late 19th and early 20th centuries, distributism was based upon Catholic social teaching principles, especially Pope Leo XIII's teachings in his encyclical Rerum novarum (1891) and Pope Pius XI in Quadragesimo anno (1931). It has influenced Anglo Christian Democratic movements, and has been recognized as one of many influences on the social market economy.
Gilbert Keith Chesterton was an English writer, philosopher, Christian apologist, and literary and art critic.
Ernst Ingmar Bergman was a Swedish film and theatre director and screenwriter. Widely considered one of the greatest and most influential film directors of all time, his films have been described as "profoundly personal meditations into the myriad struggles facing the psyche and the soul". Some of his most acclaimed works include The Seventh Seal (1957), Wild Strawberries (1957), Persona (1966) and Fanny and Alexander (1982), which were included in the 2012 edition of Sight & Sound's Greatest Films of All Time. He was also ranked No. 8 on the magazine's 2002 "Greatest Directors of All Time" list.
Wild Strawberries is a 1957 Swedish drama film written and directed by Ingmar Bergman. The original Swedish title is Smultronstället, which literally means "the wild strawberry patch" but idiomatically signifies a hidden gem of a place, often with personal or sentimental value, and not widely known. The cast includes Victor Sjöström in his final screen performance as an old man recalling his past, as well as Bergman regulars Bibi Andersson, Ingrid Thulin, and Gunnar Björnstrand. Max von Sydow also appears in a small role.
Cries and Whispers is a 1972 Swedish period drama film written and directed by Ingmar Bergman and starring Harriet Andersson, Kari Sylwan, Ingrid Thulin and Liv Ullmann. The film, set in a mansion at the end of the 19th century, is about three sisters and a servant who struggle with the terminal cancer of one of the sisters (Andersson). The servant (Sylwan) is close to her, while the other two sisters confront their emotional distance from each other.
The Seventh Seal is a 1957 Swedish historical fantasy film written and directed by Ingmar Bergman. Set in Denmark during the Black Death, it tells of the journey of a medieval knight and a game of chess he plays with the personification of Death, who has come to take his life. Bergman developed the film from his own play Wood Painting. The title refers to a passage from the Book of Revelation, used both at the very start of the film and again towards the end, beginning with the words "And when the Lamb had opened the seventh seal, there was silence in heaven about the space of half an hour." Here, the motif of silence refers to the "silence of God," which is a major theme of the film.
Fanny and Alexander is a 1982 period drama film written and directed by Ingmar Bergman. The plot focuses on two siblings and their large family in Uppsala, Sweden during the first decade of the twentieth century. Following the death of the children's father, their mother remarries a prominent bishop who becomes abusive towards Alexander for his vivid imagination.
Persona is a 1966 Swedish avant-garde psychological drama film written, directed, and produced by Ingmar Bergman and starring Bibi Andersson and Liv Ullmann. The story revolves around a young nurse named Alma (Andersson) and her patient, well-known stage actress Elisabet Vogler (Ullmann), who has suddenly stopped speaking. They move to a cottage, where Alma cares for Elisabet, confides in her, and begins having trouble distinguishing herself from her patient.
The Marconi scandal was a British political scandal that broke in mid-1912. Allegations were made that highly placed members of the Liberal government under the Prime Minister H. H. Asquith had profited by improper use of information about the government's intentions with respect to the Marconi Company. They had known that the government was about to issue a lucrative contract to the British Marconi company for the Imperial Wireless Chain and had bought shares in an American subsidiary.
The Virgin Spring is a 1960 Swedish film directed by Ingmar Bergman. Set in medieval Sweden, it is a tale about a father's merciless response to the rape and murder of his young daughter. The story was adapted by screenwriter Ulla Isaksson from a 13th-century Swedish ballad, "Töres döttrar i Wänge". Bergman researched the legend of Per Töre with an eye to an adaptation, considering an opera before deciding on a film version. Given criticism of the historical accuracy of his 1957 film The Seventh Seal, he also invited Isaksson to write the screenplay. Other influences included the 1950 Japanese film Rashomon. Max von Sydow played Töre.
Hour of the Wolf is a 1968 Swedish psychological horror film directed by Ingmar Bergman and starring Max von Sydow and Liv Ullmann. The story explores the disappearance of fictional painter Johan Borg, who lived on an island with his wife Alma (Ullmann) while plagued with frightening visions and insomnia.
The Touch is a 1971 romantic drama film directed by Ingmar Bergman and starring Max von Sydow, Bibi Andersson, Elliott Gould, and Sheila Reid. The film tells the story of an affair between a married woman and an impetuous foreigner. It contains references to the Virgin Mary and the Holocaust.
Winter Light is a 1963 Swedish drama film written and directed by Ingmar Bergman and starring his regulars, Gunnar Björnstrand, Ingrid Thulin and Max von Sydow. It follows Tomas Ericsson (Björnstrand), pastor of a small rural Swedish church, as he deals with an existential crisis and his Christianity.
Ansiktet, also released as The Magician, is a 1958 Swedish film written and directed by Ingmar Bergman, starring Max von Sydow and Ingrid Thulin. The plot follows a traveling magician named Albert Vogler, whose allegedly supernatural live shows are challenged by the skeptical population of a small village.
Shame is a 1968 Swedish drama film written and directed by Ingmar Bergman, and starring Liv Ullmann and Max von Sydow. Ullmann and von Sydow play Eva and Jan, former violinists, a politically uninvolved couple whose home comes under threat by civil war. They are accused by one side of sympathy for the enemy, and their marriage deteriorates while the couple flees. The story explores themes of shame, moral decline, self-loathing and violence.
The Magic Flute is Ingmar Bergman's 1975 film version of Mozart's opera Die Zauberflöte. It was intended as a television production and was first shown on Swedish television on 1 January 1975, but was followed by a theatrical release later that year. The work is widely viewed as one of the most successful films of an opera ever made, and as an unusual item among the director's works. The film won BAFTA TV Award for Best Foreign Television Programme in 1976 and was nominated for Golden Globe for Best Foreign Language Film.
The Best Intentions is a 1991 Swedish television drama film directed by Bille August and written by Ingmar Bergman. It is semi-autobiographical, telling the story of the complex relationship between Bergman's parents, Erik Bergman and Karin Åkerblom, who are renamed Henrik and Anna in the film but retain their true surnames. The film documents the courtship and the difficult early years of their marriage, until the point when Anna becomes pregnant with their second son, who corresponds to Ingmar himself. Samuel Fröler and Pernilla August played Henrik and Anna, respectively.
Torment is a 1944 Swedish film, directed by Alf Sjöberg from a screenplay by Ingmar Bergman. The film, a tale of sex, passion and murder, was originally released as Frenzy in the United Kingdom, although later releases have used the US title. The film won the Grand Prix at the 1946 Cannes Film Festival.
The Seduction of Ingmar Bergman is the 22nd album by American rock group Sparks, released in August 2009. The duo's first work in the radio musical genre, the album is built around an imaginary visit to Hollywood by Swedish film director Ingmar Bergman in the mid-1950s. Its storyline focuses on the divides between European and American culture, between art and commerce. Unlike other Sparks albums, the work is conceived as a single piece, to be listened to as a whole, rather than a collection of stand-alone songs.
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