|Just interval||5:4, 81:64|
|24 equal temperament||400|
|Just intonation||386, 408|
In classical music from Western culture, a third is a musical interval encompassing three staff positions (see Interval number for more details), and the major third (
The major third may be derived from the harmonic series as the interval between the fourth and fifth harmonics. The major scale is so named because of the presence of this interval between its tonic and mediant (1st and 3rd) scale degrees. The major chord also takes its name from the presence of this interval built on the chord's root (provided that the interval of a perfect fifth from the root is also present or implied).
A major third is slightly different in different musical tunings: in just intonation corresponds to a pitch ratio of 5:4 (
A helpful way to recognize a major third is to hum the first two notes of "Kumbaya" or of "When the Saints Go Marching In". A descending major third is heard at the starts of "Goodnight, Ladies" and "Swing Low, Sweet Chariot".[ citation needed ]
In equal temperament three major thirds in a row are equal to an octave (for example, A♭ to C, C to E, and E to G♯; G♯ and A♭ represent the same note). This is sometimes called the "circle of thirds". In just intonation, however, three 5:4 major thirds are less than an octave. For example, three 5:4 major thirds from C is B♯ (C to E to G♯ to B♯). The difference between this just-tuned B♯ and C, like that between G♯ and A♭, is called a diesis, about 41 cents.
The major third is classed as an imperfect consonance and is considered one of the most consonant intervals after the unison, octave, perfect fifth, and perfect fourth. In the common practice period, thirds were considered interesting and dynamic consonances along with their inverses the sixths, but in medieval times they were considered dissonances unusable in a stable final sonority.
A diminished fourth is enharmonically equivalent to a major third (that is, it spans the same number of semitones). For example, B–D♯ is a major third; but if the same pitches are spelled B and E♭, the interval is instead a diminished fourth. B–E♭ occurs in the C harmonic minor scale.
The major third is used in guitar tunings. For the standard tuning, only the interval between the 3rd and 2nd strings (G to B, respectively) is a major third; each of the intervals between the other pairs of consecutive strings is a perfect fourth. In an alternative tuning, the major-thirds tuning, each of the intervals are major thirds.
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