| Make-Up Artists and Hair Stylists Guild Award for Best Special Make-Up Effects in Television and New Media Series | |
|---|---|
| Country | United States |
| Presented by | Make-Up Artists and Hair Stylists Guild (MUAHS) |
| First awarded | 2014 |
| Currently held by | Daniel Parker, Barrie Gower, Paul Spateri Chernobyl (2019) |
| Website | Make-Up Artists & Hair Stylists Guild |
The Make-Up Artists and Hair Stylists Guild Award for Best Special Make-Up Effects in Television and New Media Series is one of the awards given annually to people working in the television industry by the Make-Up Artists and Hair Stylists Guild (MUAHS). It is presented to makeup artists who work in Special Effects makeup, or "Prosthetic makeup", whose work has been deemed "best" in a given year. The award was first given in 2000, during the first annual awards, and was given when the awards were brought back in 2014. During the 2001 and 2002 ceremonies, as well as ceremonies from 2015 to 2018, the awards made the distinction between regular series and miniseries/television films. This was amended in 2019, when miniseries nominees were placed alongside continuing series, while television films and specials were given their own category.
Best Special Effects Makeup – Television (for a Single Episode of a Regular Series – Sitcom, Drama or Daytime)
| Year | Program | Episode(s) | Nominees | Network |
|---|---|---|---|---|
| (1999) 1st [1] | ||||
| Buffy the Vampire Slayer | "Living Conditions" | Todd McIntosh, Robin Beauchesne, Douglas Noe, Kenny Myers, Brigette A. Myre | The WB | |
| L.A. Doctors | "Just Duet" | Bill Corso, Douglas Noe | CBS | |
| Star Trek: Voyager | "Dark Frontier" | Michael Westmore, Scott Wheeler, James Rohland, Ellis Burman Jr. | UPN |
| Year | Program | Episode(s) | Nominees | Network |
|---|---|---|---|---|
| (2000) 2nd [2] | ||||
| MADtv | "Mad TV Goes to the Movies" | Jennifer Aspinall, Randy Westgate | Fox | |
| Angel | "The Shroud of Rahmon" | Dayne Johnson, David DeLeon, Stephen Prouty | The WB | |
| Buffy the Vampire Slayer | "New Moon Rising" | Todd McIntosh, Robin Beauchesne, Douglas Noe, Brigette A. Myre, Jay Wejebe | ||
| (2001) 3rd [3] | ||||
| MADtv | "Episode #707" | Jennifer Aspinall, Randy Westgate, James Rohland, Stephanie L. Massie | Fox | |
| Buffy the Vampire Slayer | "Bargaining" | Todd McIntosh, Jay Wejebe, Veronica Lorenz, Brigette A. Myre | The WB | |
| Star Trek: Voyager | "The Void" | Michael Westmore | UPN | |
Best Special Makeup Effects – Television Series
| Year | Program | Nominees | Network |
|---|---|---|---|
| (2002) 4th [4] [5] | |||
| Buffy the Vampire Slayer | Peter Montagna, Brigette A. Myre, Carol Schwartz | The WB | |
| MADtv | Jennifer Aspinall, Scott Wheeler, Randy Westgate, Julie Purcell, Nathalie Fratti, David Williams | Fox | |
| Primetime Glick | Kristina Vogel, Kevin Haney, Brian Penikas, Kathleen Crawford | Comedy Central | |
| (2003) 5th [6] | |||
| Nip/Tuck: "Pilot" | James MacKinnon, Thomas R. Burman, Bari Dreiband-Burman | FX | |
| MADtv | Jennifer Aspinall, Scott Wheeler, Randy Westgate | Fox | |
| Nip/Tuck | Eryn Krueger Mekash, Thomas R. Burman, Pinky Babajian | FX |
Best Special Makeup Effects – Television (for a Mini-Series/Motion Picture Made for Television)
| Year | Program | Nominees | Network |
|---|---|---|---|
| (2000) 2nd [2] | |||
| Gepetto | Michael Westmore, Earl Ellis, Mary Kay Morse | ABC | |
| Jackie Bouvier Kennedy Onassis | Leonard Engelman, Nicole Lapierre | CBS | |
| The Corner | Betty Beebe, Jeannee Josefczyk | HBO | |
| (2001) 3rd [3] | |||
| She Creature | Myke Michaels, Richard Wetzel, Shane Mahan, Stephanie Coffey | Cinemax | |
| The Day the World Ended | Myke Michaels, Richard Wetzel, Shane Mahan | Cinemax | |
| How to Make a Monster | |||
Best Special Makeup Effects in Television and New Media Series
| Year | Program | Nominees | Network |
|---|---|---|---|
| (2013) 6th [7] [8] | |||
| The Walking Dead | Greg Nicotero, Jake Garber | AMC | |
| Longmire | Steve La Porte | A&E | |
| Vikings | Tom McInerney | History | |
| (2014) 7th [9] [10] | |||
| The Walking Dead | Greg Nicotero, Jake Garber | AMC | |
| Boardwalk Empire | Michele Paris, Joseph Farulla | HBO | |
| Grimm | Barney Burman, Mike Smithson | NBC | |
| Sleepy Hollow | Leo Corey Castellano, Mark Nieman | Fox | |
| Sons of Anarchy | Tracey Anderson, Carlton Coleman, Margie Kaklamanos | FX | |
| (2015) 8th [11] [12] | |||
| The Walking Dead | Greg Nicotero, Garrett Immel | AMC | |
| The Knick | Justin Raleigh, Kevin Kirkpatrick, Kelly Golden | Cinemax | |
| Penny Dreadful | Nick Dudman, Sarita Allison | Showtime | |
| Saturday Night Live | Louie Zakarian, Jason Milani | NBC | |
| Vikings | Tom McInerney | History | |
| (2016) 9th [13] [14] | |||
| Westworld | Christien Tinsley, Georgia Allen, Hiro Yada | HBO | |
| Game of Thrones | Barrie Gower, Sarah Gower | HBO | |
| Penny Dreadful | Nick Dudman, Sarita Allison | Showtime | |
| Saturday Night Live | Louie Zakarian, Jason Milani, Tom Denier Jr. | NBC | |
| The Walking Dead | Greg Nicotero, Jake Garber | AMC | |
| (2017) 10th [15] [16] | |||
| Game of Thrones | Barrie Gower, Sarah Gower | HBO | |
| The Orville | Howard Berger, Tami Lane, Garrett Immel | Fox | |
| Saturday Night Live | Louie Zakarian, Jason Milani, Tom Denier Jr. | NBC | |
| Stranger Things | Amy L. Forsythe, Jillian Erickson | Netflix | |
| The Walking Dead | Greg Nicotero | AMC | |
| (2018) 11th [17] [18] | |||
| Westworld | Justin Raleigh, Kevin Kirkpatrick, Thomas Floutz | HBO | |
| American Horror Story: Apocalypse | Eryn Krueger Mekash, Michael Mekash, David LeRoy Anderson | FX | |
| The Assassination of Gianni Versace: American Crime Story | Michael Mekash, Silvina Knight, David LeRoy Anderson | ||
| Genius: Picasso | Davina Lamont, Göran Lundström, Natasha Lees | Nat Geo | |
| Saturday Night Live | Louie Zakarian, Jason Milani, Tom Denier Jr. | NBC | |
| (2019) 12th [19] | |||
| Chernobyl | Daniel Parker, Barrie Gower, Paul Spateri | HBO | |
| American Horror Story: 1984 | Michael Mekash, Vincent Van Dyke, Carleigh Herbert | FX | |
| Fosse/Verdon | Audrey Futterman-Stern | FX | |
| Game of Thrones | Debbie Zoller, Vincent Van Dyke, David Presto | HBO | |
| Star Trek: Discovery | Glenn Hetrick, James MacKinnon, Rocky Faulkner | CBS All Access |
Best Special Makeup Effects in a Television Mini-Series or Motion Picture Made for Television
| Year | Program | Nominees | Network |
|---|---|---|---|
| (2014) 7th [9] [10] | |||
| American Horror Story: Freak Show | Eryn Krueger Mekash, Michael Mekash, Christopher Nelson | FX | |
| Fargo | Gail Kennedy, David Trainor, Gunther Schetterer | FX | |
| Houdini | Gregor Eckstein | History | |
| The Knick | Justin Raleigh | Cinemax | |
| Olive Kitteridge | Christien Tinsley, Gerald Quist, Hiro Yada | HBO | |
| (2015) 8th [11] [12] | |||
| American Horror Story: Hotel | Eryn Krueger Mekash, Michael Mekash, David LeRoy Anderson | FX | |
| Fargo | Gail Kennedy, David Trainor, Christina Scott | FX | |
| Killing Jesus | Clare Ramsey, Jo Grover | Nat Geo | |
| Sons of Liberty | Davina Lamont, Simon Rose | History | |
| (2016) 9th [13] [14] | |||
| American Horror Story: Roanoke | Eryn Krueger Mekash, Michael Mekash, David LeRoy Anderson | FX | |
| All the Way | Bill Corso, Andy Clement | HBO | |
| The American West | Amy Wadford, Fiona Mifsud | AMC | |
| Black Mirror: Men Against Fire | Kristyan Mallett, Tanya Lodge | Netflix | |
| Roots | Elvis Jones, Adam Walls, Bailey Domke | History | |
| (2017) 10th [15] [16] | |||
| American Horror Story: Cult | Eryn Krueger Mekash, Michael Mekash, David LeRoy Anderson | FX | |
| Black Mirror: USS Callister | Tanya Lodge | Netflix | |
| Fargo | Gail Kennedy, David Trainor, Christina Scott | FX | |
| Genius: Einstein | Davina Lamont, Göran Lundström | Nat Geo | |
| Twin Peaks | Debbie Zoller, Richard Redlefsen, Jamie Kelman | Showtime | |
The Academy Award for Best Makeup and Hairstyling is the Academy Award given to the best achievement in makeup and hairstyling for film. Traditionally, three films have been nominated each year with exceptions in the early 1980s and 2002 when there were only two nominees; in 1999, when there were four nominees. Beginning with the 92nd Academy Awards, five films were nominated.
The Make-Up Artists and Hair Stylists Guild is an American labor union representing make-up artists and hair stylists in feature films, television programs, commercials, live network events and theatrical productions in the United States. The members of the union have been acknowledged by various honorary organizations dedicated to the arts, and have won numerous Academy Awards, Emmy Awards, BAFTAs, and Saturn Awards. Make-Up Artists and Hair Stylists Guild is Local 706 of the International Alliance of Theatrical Stage Employees.
The Make-Up Artists and Hair Stylists Guild Award for Best Contemporary Make-Up for a Feature Film is one of the awards given annually to people working in the motion picture industry by the Make-Up Artists and Hair Stylists Guild (MUAHS). It is presented to the makeup artists whose work has been deemed "best" in a given year, within a contemporary-set film. The award was first given in 2000, during the first annual awards, and was given when the awards were brought back in 2014.
The Make-Up Artists and Hair Stylists Guild Award for Best Contemporary Hair Styling in a Feature-Length Motion Picture is one of the awards given annually to people working in the motion picture industry by the Make-Up Artists and Hair Stylists Guild (MUAHS). It is presented to the hair stylists whose work has been deemed "best" in a given year, within a contemporary-set film. The award was first given in 2000, during the first annual awards, and was given when the awards were brought back in 2014.
The Make-Up Artists and Hair Stylists Guild Award for Best Special Make-Up Effects in a Feature-Length Motion Picture is one of the awards given annually to people working in the motion picture industry by the Make-Up Artists and Hair Stylists Guild (MUAHS). It is presented to makeup artists who work in Special Effects makeup, or "Prosthetic makeup", whose work has been deemed "best" in a given year. The award was first given in 2000, during the first annual awards, and was given when the awards were brought back in 2014.
The Make-Up Artists and Hair Stylists Guild Award for Best Period and/or Character Make-Up in a Feature-Length Motion Picture is one of the awards given annually to people working in the motion picture industry by the Make-Up Artists and Hair Stylists Guild (MUAHS). It is presented to the makeup artists whose work has been deemed "best" in a given year, within a period-set film, and/or for specific character makeup. The award was first given in 2014, during the sixth annual awards. For the first five ceremonies, the period and character aspects of the category were separated, and awarded individually.
The Make-Up Artists and Hair Stylists Guild Award for Best Period and/or Character Hair Styling in a Feature-Length Motion Picture is one of the awards given annually to people working in the motion picture industry by the Make-Up Artists and Hair Stylists Guild (MUAHS). It is presented to the hair stylists whose work has been deemed "best" in a given year, within a period-set film, and/or for specific character hair styling. The award was first given in 2014, during the sixth annual awards. For the first five ceremonies, the period and character aspects of the category were separated, and awarded individually.
The Make-Up Artists and Hair Stylists Guild Award for Best Contemporary Hair Styling in Television and New Media Series is one of the awards given annually to people working in the television industry by the Make-Up Artists and Hair Stylists Guild (MUAHS). It is presented to hair stylists who work in television, whose work has been deemed "best" in a given year. The award was first given in 2000, during the first annual awards, and was given when the awards were brought back in 2014. During the 2001 and 2002 ceremonies, as well as ceremonies from 2015 to 2018, the awards made the distinction between regular series and miniseries/television films. This was amended in 2019, when miniseries nominees were placed alongside continuing series, while television films and specials were given their own category.
The Make-Up Artists and Hair Stylists Guild Award for Best Contemporary Hair Styling in a Motion Picture Made for Television or Special is one of the awards given annually to people working in the television industry by the Make-Up Artists and Hair Stylists Guild (MUAHS). It is presented to hair stylists who work in television, whose work has been deemed "best" in a given year. The award was first given in 2019. Before being singled out, television films and specials were nominated alongside miniseries in the category Best Contemporary Hair Styling in a Television Mini-Series or Motion Picture Made for Television.
The Make-Up Artists and Hair Stylists Guild Award for Best Special Make-Up Effects in a Motion Picture Made for Television or Special is one of the awards given annually to people working in the television industry by the Make-Up Artists and Hair Stylists Guild (MUAHS). It is presented to makeup artists who work in Special Effects makeup, or "Prosthetic makeup", whose work has been deemed "best" in a given year. In previous ceremonies, television films and specials were placed alongside miniseries, but this was changed in 2019, when miniseries nominees were placed alongside continuing series, while television films and specials were given this category.
The Make-Up Artists and Hair Stylists Guild Award for Best Contemporary Makeup in Television and New Media Series is one of the awards given annually to people working in the television industry by the Make-Up Artists and Hair Stylists Guild (MUAHS). It is presented to makeup artists who work in television, whose work has been deemed "best" in a given year. The award was first given in 2000, during the first annual awards, and was given when the awards were brought back in 2014. During the 2001 and 2002 ceremonies, as well as ceremonies from 2015 to 2018, the awards made the distinction between regular series and miniseries/television films. This was amended in 2019, when miniseries nominees were placed alongside continuing series, while television films and specials were given their own category.
The Make-Up Artists and Hair Stylists Guild Award for Best Contemporary Makeup in a Motion Picture Made for Television or Special is one of the awards given annually to people working in the television industry by the Make-Up Artists and Hair Stylists Guild (MUAHS). It is presented to makeup artists who work in television, whose work has been deemed "best" in a given year. The award was first given in 2000, during the first annual awards, and was given when the awards were brought back in 2014. During the 2001 and 2002 ceremonies, as well as ceremonies from 2015 to 2018, the awards made the distinction between regular series and miniseries/television films. This was amended in 2019, when miniseries nominees were placed alongside continuing series, while television films and specials were given their own category.
The Make-Up Artists and Hair Stylists Guild Award for Best Makeup in Children and Teen Programming is one of the awards given annually to people working in the television industry by the Make-Up Artists and Hair Stylists Guild (MUAHS). It is presented to makeup artists who work in television, whose work has been deemed "best" in a given year. It was first given in 2015.
The Make-Up Artists and Hair Stylists Guild Award for Best Hair Styling in Children and Teen Programming is one of the awards given annually to people working in the television industry by the Make-Up Artists and Hair Stylists Guild (MUAHS). It is presented to hair stylists who work in television, whose work has been deemed "best" in a given year. It was first given in 2015.
The Visual Effects Society Award for Outstanding Virtual Cinematography in a CG Project is one of the annual awards given by the Visual Effects Society. The award goes to artists whose work in virtual cinematography. It was first awarded in 2003 and 2004 for, under the title "Best Visual Effects Photography in a Motion Picture", before being scrapped from the ceremony. The award was given separately to artists in live-action film, animated film, and commercials/television. These categories were first awarded in 2012. The following year, the category specifically awarding animated film was dropped, with only live-action film and commercial/television being awarded. In 2015, only live-action films were awarded. The following year, the category's title changed to "Outstanding Virtual Cinematography in a Photoreal Project". It has held its current title since 2020.
The Visual Effects Society Award for Outstanding Visual Effects in a Photoreal Episode is one of the annual awards given by the Visual Effects Society starting in 2002. While the award's title has changed several time within this period, the recipient has always been a visual effects-heavy television episode. Episodes with more background effects work have their own category, the Outstanding Supporting Visual Effects in a Photoreal Episode. Until 2012, miniseries and television movies had their own category.
The Visual Effects Society Award for Outstanding Supporting Visual Effects in a Photoreal Episode is one of the annual awards given by the Visual Effects Society, starting in 2004. While the award's title has changed several time within this period, the recipients have been television episodes and/or movies or specials with less prominent, more subtle visual effects work.
The Visual Effects Society Award for Outstanding Compositing in a Photoreal Episode is one of the annual awards given by the Visual Effects Society, starting in 2003. It is awarded to visual effects artists for their work in compositing. It has gone through several title changes over the years; from 2003 to 2012, the category included commercials in the category, before refocusing in 2013, specifically nominating television programs.
The Visual Effects Society Award for Outstanding Effects Simulations in an Episode, Commercial, or Real-Time Project is one of the annual awards given by the Visual Effects Society, starting in 2012. It is awarded to visual effects artists for their work in effects simulations.