Manolescu, Prince of Thieves | |
---|---|
Directed by | Georg C. Klaren Willi Wolff |
Written by | Georg C. Klaren Hans Rameau |
Produced by | Ellen Richter |
Starring | Iván Petrovich Alfred Abel Ellen Richter Mady Christians |
Cinematography | Emil Schünemann |
Edited by | Roger von Norman |
Music by | Willy Rosen |
Production company | Hisa-Film |
Distributed by | Europa Film |
Release date |
|
Running time | 82 minutes |
Country | Germany |
Language | German |
Manolescu, Prince of Thieves (German: Manolescu, der Fürst der Diebe) is a 1933 German comedy crime film directed by Georg C. Klaren and Willi Wolff and starring Iván Petrovich, Alfred Abel, Ellen Richter and Mady Christians. [1] [2] It was shot at the Johannisthal Studios in Berlin and on location in St. Moritz. The film's sets were designed by the art director Hans Jacoby. It was produced and released just as the Weimar Republic was giving way to Nazi Germany.
An elegant man-about-town leads a secret life as a jewel thief. An insurance company hires a female investigator to try and track down the man behind the robberies that have led to large payouts, but in Paris he quickly sees through her scheme. Eventually he is caught and sentenced to prison in Germany, but manages to escape.
Marguerita Maria Christians, known as Mady Christians, was an Austrian-born German-American actress who had a successful acting career in theatre and film in the United States until she was blacklisted during the McCarthy period.
Iván Petrovich was a Serbian film actor and singer.
Alfred Peter Abel was a German film actor, director, and producer. He appeared in more than 140 silent and sound films between 1913 and 1938. His best-known performance was as Joh Fredersen in Fritz Lang's 1927 film Metropolis.
Hans Richter was a German film actor. He appeared in more than 130 films between 1931 and 1984, mostly in supporting roles. He was born in Brandenburg, Germany and died in Heppenheim, Germany.
Ellen Richter was an Austrian-Jewish film actress of the silent era. She was married to Willi Wolff, who directed many of her films. Ellen Richter composed her own production company to create her films. She worked primarily in Germany and was one of the foremost actresses of Weimar cinema.
Willi Wolff was a German screenwriter, film producer, and director. He was married to the silent film star Ellen Richter, whose films he often worked on.
Karl Ritter was a German film producer and director responsible for many Nazi propaganda films. He had previously been one of the first German military pilots. He spent most of his later life in Argentina.
The House of Dora Green is a 1933 German thriller film directed by Henrik Galeen and starring Mady Christians, Paul Hartmann, and Leonard Steckel. It was based on the novel Diplomatische Unterwelt by Hans Rudolf Berndorff. It was the final German film made by Galeen, before being forced into exile following the Nazi Party's takeover of power. The film's sets were designed by the art director Gustav A. Knauer. In 1937 it was released in the United States.
Georg C. Klaren (1900–1962) was an Austrian screenwriter and film director. He worked on a number of screenplays with Herbert Juttke during the silent and early sound eras including Alfred Hitchcock's 1931 film Mary. After the Second World War, Klaren became the head dramaturge at the East German state-owned studio DEFA.
Maria Matray was a German screenwriter and film actress. Matray became a star of late Weimar cinema.
The Burning Secret is a 1933 Austrian-German drama film directed by Robert Siodmak and starring Alfred Abel, Hilde Wagener and Hans Joachim Schaufuß. It was based on the 1913 novella of the same title by Stefan Zweig. It was released by the German branch of Universal Pictures. It was shot at the EFA Studios in Berlin and on location around Ascona in Switzerland. The film's sets were designed by the art director Robert A. Dietrich.
Man Against Man is a 1924 German silent drama film directed by Hans Steinhoff and starring Alfred Abel, Mady Christians and Tullio Carminati. It is based on the novel with the same title by Norbert Jacques. The film's sets were designed by the art directors Alfred Junge and Oscar Friedrich Werndorff.
Manolescu's Memoirs is a 1920 German silent film directed by Richard Oswald and starring Conrad Veidt, Erna Morena and Lilli Lohrer.
The Sacrifice of Ellen Larsen is a 1921 German silent film directed by Paul L. Stein and starring Alfred Abel and Marija Leiko.
Manolescu is a 1929 German silent film directed by Viktor Tourjansky and starring Ivan Mozzhukhin, Brigitte Helm and Heinrich George. It was shot at the Babelsberg Studios in Berlin and on location in St. Moritz and Monte Carlo. The film's sets were designed by the art directors Robert Herlth and Walter Röhrig.
The Big Bluff is a 1933 German comedy film directed by Georg Jacoby and starring Lee Parry, Betty Amann, and Harald Paulsen. It was shot at the EFA Studios in Berlin. The film's sets were designed by the art director Erich Czerwonski.
The Little Czar is a 1954 French-German historical drama film directed by Arthur Maria Rabenalt and starring Luis Mariano, Sonja Ziemann and Iván Petrovich. It is based on the operetta Der Zarewitsch by Franz Lehár. It was shot in Eastmancolor.
Counterfeiters is a 1940 German crime film directed by Hermann Pfeiffer and starring Kirsten Heiberg, Rudolf Fernau and Karin Himboldt.
The Chief Witness is a 1937 German crime drama film directed by Georg Jacoby and starring Iván Petrovich, Sybille Schmitz and Sabine Peters. It was shot at the Babelsberg Studios in Berlin. The film's sets were designed by the art directors Otto Hunte and Willy Schiller. Location shooting took place in the Krkonose Mountains in Czechoslovakia and Zugspitze in Bavaria.
Hans Jacoby (1898–1967) was a German art director who designed the film sets for many German productions. He worked for a number of companies during the Weimar Era, notably Bavaria Film, Terra Film and Universum Film AG. Of Jewish background, he emigrated to Austria following the Nazi takeover in Germany, where he worked on The Eternal Mask (1935). He later emigrated to Argentina where he worked under the name Juan Jacoby Renard and also directed one film Sombras en el río in 1939. He was employed by the Argentina Sono Film company.