Marcel Landowski | |
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| Alma mater | Paris Conservatoire |
Marcel François Paul Landowski (18 February 1915 – 23 December 1999) was a French composer, biographer and arts administrator.
Marcel Landowski | |
|---|---|
| | |
| Alma mater | Paris Conservatoire |
Marcel François Paul Landowski (18 February 1915 – 23 December 1999) was a French composer, biographer and arts administrator.
Born at Pont-l'Abbé, Finistère, Brittany, he was the son of French sculptor Paul Landowski and great-grandson of the composer Henri Vieuxtemps. He was father of a son and two daughters. The younger, Manon Landowski is singer-songwriter, performer, author and composer of musical shows. [1]
As an infant he showed early musical promise, and studied piano under Marguerite Long. He entered the Paris Conservatoire in 1935; in addition one of his teachers was Pierre Monteux.
In 1966, France's Cultural Affairs minister André Malraux appointed Landowski as the ministry's director of music, a controversial appointment made in the teeth of opposition from the then ascendant modernists, led by Pierre Boulez. [2]
One of his first acts was the establishment, in 1967, of the Orchestre de Paris, appointing Charles Munch as its first director. He also championed the establishment of regional orchestras at a time when interest in them appeared to be waning. [3] This was part of a so-called "ten-year plan for music", instituted with the intention of establishing an opera company and conservatoire in each of the Regions of France. The new Orchestre de Paris was also built on the model intended to be followed by planned regional orchestras. In this endeavour Landowski worked with local authorities, especially those in the regional centres such as Bordeaux, Lille, Lyon, Strasbourg and Toulouse, who signed agreements under which the French State would finance a third of each company or ensemble's operating budget. Landowski also oversaw modernisation of regional concert halls and theatres.
In 1975 Landowski was appointed Inspector General of Music, and was Director of Cultural Affairs of the City of Paris from 1977 to 1979. He succeeded Emmanuel Bondeville as President of the Maurice Ravel Foundation and was in turn succeeded by Manuel Rosenthal.
He died in hospital in Paris in 1999, aged 84.
Landowski eschewed the avant-garde approaches to music of his contemporaries, preferring a more conservative style. His greatest musical influence was Arthur Honegger. His entire output includes five symphonies, several concertos (notably two for piano and one each for bassoon, for cello, for flute, for trumpet, for trombone, for violin), operas as well as a Mass and bears testimony to Honegger's impact. Landowski went on to write a biography of his mentor.
Many of his works were recorded by Erato Records who issued a retrospective of his recordings in 2010.
Between the 1940s and the 1960s, Landowski composed the scores for several dozen films, most notably Gigi (1949).
Arthur Honegger was a Swiss composer who was born in France and lived a large part of his life in Paris. A member of Les Six, his best known work is probably Antigone, composed between 1924 and 1927 to the French libretto by Jean Cocteau based on the tragedy Antigone by Sophocles. It premiered on 28 December 1927 at the Théâtre Royal de la Monnaie with sets designed by Pablo Picasso and costumes by Coco Chanel. However, his most frequently performed work is probably the orchestral work Pacific 231, which was inspired by the sound of a steam locomotive.
Charles Munch was an Alsatian French symphonic conductor and violinist. Noted for his mastery of the French orchestral repertoire, he was best known as music director of the Boston Symphony Orchestra.
Jacques François Antoine Marie Ibert was a French composer of classical music. Having studied music from an early age, he studied at the Paris Conservatoire and won its top prize, the Prix de Rome at his first attempt, despite studies interrupted by his service in World War I.
Albert Charles Paul Marie Roussel was a French composer. He spent seven years as a midshipman, turned to music as an adult, and became one of the most prominent French composers of the interwar period. His early works were strongly influenced by the Impressionism of Debussy and Ravel, while he later turned toward neoclassicism.
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Valérie SoudèresnéeBriggs, also known in her early days as Valerie Hamilton, was a French pianist, composer, and pedagogue.
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Manon Landowski is a French singer-songwriter who sings chansons and pop music. She is the author, composer and performer of the musical show Le Manège.
Pierre Bleuse is a French violinist and conductor.
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