Maria Murano, the stage name of Suzanne Chauvelot (July 4, 1918 in Nogent-sur-Marne – January 10, 2009 in Limoges [1] ) was a French lyric mezzo-soprano. She was most active postwar in the years between 1950 and 1970.
She started at the Paris Opera shortly after the end of World War II, then joined the Grand Théâtre of Bordeaux, where she became famous as Madame Alexandra in Jean-Michel Damase and Jean Anouilh's lyrical comedy Colombe in 1961.
Later, she played opposite Luis Mariano in Le Prince de Madrid, and Ivan Rebroff in Fiddler on the Roof .
Her partner was politician Roland Dumas. [2]
Jacques Offenbach was a German-born French composer, cellist and impresario. He is remembered for his nearly 100 operettas of the 1850s to the 1870s, and his uncompleted opera The Tales of Hoffmann. He was a powerful influence on later composers of the operetta genre, particularly Franz von Suppé, Johann Strauss II and Arthur Sullivan. His best-known works were continually revived during the 20th century, and many of his operettas continue to be staged in the 21st. The Tales of Hoffmann remains part of the standard opera repertory.
Henri Meilhac was a French dramatist and opera librettist, best known for his collaborations with Ludovic Halévy on Georges Bizet's Carmen and on the works of Jacques Offenbach, as well as Jules Massenet's Manon.
Paul Bonneau was a French conductor, composer and arranger, whose career was mainly in the field of light music and films.
La Périchole is an opéra bouffe in three acts with music by Jacques Offenbach and words by Henri Meilhac and Ludovic Halévy. The opera depicts the mutual love of two impoverished Peruvian street singers – too poor to afford a marriage licence – and a lecherous viceroy, Don Andrès de Ribeira, who wishes to make La Périchole his mistress. Love eventually triumphs. The story is based loosely on the play Le carrosse du Saint-Sacrement by Prosper Mérimée (1828), and the title character is based on the Peruvian entertainer Micaela Villegas.
Hortense Catherine Schneider, La Snédèr, was a French soprano, one of the greatest operetta stars of the 19th century, particularly associated with the works of composer Jacques Offenbach.
Laurent Pelly is a French opera and theatre director. He is sought after by the world's most prestigious houses. With a natural affinity for Italian and French repertoire, his creative curiosity has also led him towards other composers, including Russian and Czech. He brings theatrical insight to his work with singers and his concepts often contain surreal invention and a dark sense of humour. A master of detail, he underlines his interpretation of characters through skilful and inspired costume designs.
Gabriel Bacquier was a French operatic baritone. One of the leading baritones of the 20th century and particularly associated with the French and Italian repertoires, he was considered a fine singing actor equally at home in dramatic or comic roles and gave regular song recitals. He was a long-term member of the Opéra-Comique and the Paris Opera, but forged a long career internationally at leading opera houses in Europe and the U.S. His large discography spans five decades, and he was considered as “the ambassador of French song”.
The Théâtre des Variétés is a theatre and "salle de spectacles" at 7–8, boulevard Montmartre, 2nd arrondissement, in Paris. It was declared a monument historique in 1974.
Charles Burles was a French lyric tenor, primarily associated with the French repertory, both opera and operetta.

Anne Marie-Louise Damiens, stage name Anna Judic was a French comic actress.

The Paris Waltz is a 1950 French-Italian historical musical film directed by Marcel Achard and starring Yvonne Printemps, Pierre Fresnay and Jacques Charon. It portrays the life of the nineteenth century composer Jacques Offenbach.
Juliette-Joséphine Simon-Girard was a French soprano, principally in operetta. Her father, Philippe Lockroy, was an actor at the Comédie Française, and her mother was Caroline Girard, of the Opéra-Comique.

Édouard-Théodore Nicole, known as Léonce, was a 19th-century French actor and singer.
Colombe is a play in four acts by French dramatist Jean Anouilh, written in 1950, created at the Théâtre de l'Atelier on February 10, 1951, in a mise-en-scène, set and costumes by André Barsacq and published in 1951 at Éditions de la Table ronde in Pièces brillantes.
Michel Trempont was a Belgian operatic baritone whose repertoire extended from the 18th century to the creation of contemporary works. His brother was Pol Trempont (1923–2007), operatic tenor and one time director of the Théâtre de Mons.
Jean Giraudeau, was an artist and French tenor, and later theatre director, particularly associated with the Opéra-Comique in Paris, and described in Grove as having a “lyrical voice” as well as being “a superb character actor”. He left a wide selection of recordings from both his operatic and concert repertoire, and created roles in several contemporary operas.
Jean-Christophe Keck is a French musicologist and conductor, born in Briançon, in 1964. He is particularly noted as a specialist in the works of Jacques Offenbach, and is the director of the complete critical edition in progress, named after both, Offenbach Edition Keck (OEK).
Jules Gressier, (24 June 1897, in Roubaix – 27 June 1960, in Aix-les-Bains was a French conductor, particularly associated with lyric repertoire and with operetta.
André Theophile Joseph Dran was a French tenor, whose career was mainly restricted to France and who left several complete opera recordings.

Offenbach Arias and Overtures is a 65-minute studio album of excerpts from operettas by Jacques Offenbach performed by the American mezzo-soprano Frederica von Stade and the Scottish Chamber Orchestra under the direction of Antonio de Almeida. It was released in 1995.