Cecil Blount DeMille was an American film director, producer, and actor. Between 1914 and 1958, he made 70 features, both silent and sound films. He is acknowledged as a founding father of American cinema and the most commercially successful producer-director in film history. His films were distinguished by their epic scale and by his cinematic showmanship. His silent films included social dramas, comedies, Westerns, farces, morality plays, and historical pageants. He was an active Freemason and member of Prince of Orange Lodge #16 in New York City.
Lou Tellegen was a Dutch-born stage and film actor, film director and screenwriter.
Alice Geraldine Farrar was an American lyric soprano who could also sing dramatic roles. She was noted for her beauty, acting ability, and "the intimate timbre of her voice." She had a large following among young women, who were nicknamed "Gerry-flappers".
Pedro de Cordoba was an American actor.
The Squaw Man is a 1914 American silent Western film directed by Cecil B. DeMille and Oscar C. Apfel, and starring Dustin Farnum. It was DeMille's directorial debut and one of the first feature films to be shot in what is now Hollywood.
William Churchill deMille, also spelled de Mille or De Mille, was an American screenwriter and film director from the silent film era through the early 1930s. He was also a noted playwright prior to moving into film. Once he was established in film he specialized in adapting Broadway plays into silent films.
A Burlesque on Carmen is Charlie Chaplin's thirteenth film for Essanay Studios, originally released as Carmen on December 18, 1915. Chaplin played the leading man and Edna Purviance played Carmen. The film is a parody of Cecil B. DeMille's Carmen 1915, which was itself an interpretation of the popular novella Carmen by Prosper Mérimée.
Maude Fealy was an American stage and silent film actress whose career survived into the sound era.
Theodore Kosloff was a Russian-born ballet dancer, choreographer, and film and stage actor. He was occasionally credited as Theodor Kosloff.
Abbie Jean MacPherson was an American silent actress, writer and director. She is known for her collaborations with directors D. W. Griffith and Cecil B. DeMille, and was a founding member of the Academy of Motion Picture Arts and Sciences.
One Exciting Night is a 1922 American Gothic silent mystery film directed by D. W. Griffith.
The Call of the North is a 1914 American silent adventure-drama film directed by Oscar Apfel and Cecil B. DeMille. It is based on the 1903 novel, The Conjuror's House; a Romance of the Free Forest by Stewart Edward White and its 1908 play adaptation The Call of the North by George Broadhurst. Robert Edeson starred in the play and reprises his role in this film. He played a dual role of both Ned Stewart and his own father, Graehme Stewart.
The Man from Home is a 1914 American drama film based on a play written by Booth Tarkington and Harry Leon Wilson. It was directed by Cecil B. DeMille. In 1922, the story was remade in the UK by George Fitzmaurice as The Man From Home, and released by Famous Players-Lasky. The stage play was a big hit for actor William Hodge in the role of Pike in the 1908 Broadway season.
Carmen is a 1915 American silent drama film directed by Cecil B. DeMille. The film is based on the novella Carmen by Prosper Mérimée. The existing versions of this film appear to be from the re-edited 1918 re-release.
Temptation is a 1915 American silent romantic drama film directed and produced by Cecil B. DeMille. The film starred Geraldine Farrar and Theodore Roberts and was written by and based on an original story by Hector Turnbull. Additional writing was done by DeMille and Jeanie MacPherson, who did not receive screen credit. Temptation is now considered a lost film.
Joan the Woman is a 1916 American epic silent drama film directed by Cecil B. DeMille and starring Geraldine Farrar as Joan of Arc. The film premiered on Christmas Day in 1916. This was DeMille's first historical drama. The screenplay is based on Friedrich Schiller's 1801 play Die Jungfrau von Orleans. This film was considered to be the "first cinematic spectacle about Joan of Arc."
The Woman God Forgot is a 1917 American silent romance film directed by Cecil B. DeMille. A copy of the film is in the George Eastman House Motion Picture Collection.
The Devil-Stone is a 1917 American silent romance film directed by Cecil B. DeMille, co-written by his mother Beatrice deMille and Jeanie MacPherson, and starring Geraldine Farrar. The film had sequences filmed in the Handschiegl Color Process. Only two of six reels are known to survive, in the American Film Institute Collection at the Library of Congress. This was the last of Farrar's films for Paramount Pictures.
The Sign of the Cross is an 1895 four-act historical tragedy, by Wilson Barrett and popular for several decades. Barrett said its Christian theme was his attempt to bridge the gap between Church and stage. The plot resembles that of Henryk Sienkiewicz's historical novel Quo Vadis, which was first published between 26 March 1895 and 29 February 1896 in the Gazeta Polska, 11 months after the play's first production.
The Rejuvenation of Aunt Mary is a lost 1927 American silent comedy film starring veteran actress May Robson and released by Cecil B. DeMille's Producers Distributing Corporation (PDC).
