| Marriage A-la-Mode: 3. The Inspection | |
|---|---|
 | |
| Artist | William Hogarth |
| Year | 1743 |
| Medium | Oil on canvas |
| Dimensions | 69.9 cm× 90.8 cm(27.5 in× 35.7 in) |
| Location | National Gallery, London |
The Inspection is the third canvas in the series of six satirical paintings known as Marriage à-la-mode by William Hogarth.
The viscount, suffering from syphilis, makes a visit to a French doctor.
William Hogarth was an English painter, engraver, pictorial satirist, social critic, editorial cartoonist and occasional writer on art. His work ranges from realistic portraiture to comic strip-like series of pictures called "modern moral subjects", and he is perhaps best known for his series A Harlot's Progress, A Rake's Progress and Marriage A-la-Mode. Knowledge of his work is so pervasive that satirical political illustrations in this style are often referred to as "Hogarthian".
Georg Christoph Lichtenberg was a German physicist, satirist, and Anglophile. As a scientist, he was the first to hold a professorship explicitly dedicated to experimental physics in Germany. He is remembered for his posthumously published notebooks, which he himself called Sudelbücher, a description modelled on the English bookkeeping term "waste books" or "scrapbooks", and for his discovery of tree-like electrical discharge patterns now called Lichtenberg figures.
Claude of France was the ruling Duchess of Brittany from 1514 until her death in 1524 and Queen of France by marriage to King Francis I, which was also in 1514, shortly before he became king on the death of her father. She was a daughter of King Louis XII of France and his second wife, the duchess regnant Anne of Brittany.
Marriage A-la-Mode is a series of six pictures painted by William Hogarth between 1743 and 1745, intended as a pointed skewering of 18th-century society. They show the disastrous results of an ill-considered marriage for money or social status, and satirize patronage and aesthetics. The pictures are held in the National Gallery in London.
A Harlot's Progress is a series of six paintings and engravings (1732) by the English artist William Hogarth. The series shows the story of a young woman, M. Hackabout, who arrives in London from the country and becomes a prostitute. The series was developed from the third image. After painting a prostitute in her boudoir in a garret on Drury Lane, Hogarth struck upon the idea of creating scenes from her earlier and later life. The title and allegory are reminiscent of John Bunyan's Pilgrim's Progress.
John (Jean) Misaubin was an 18th-century Huguenot French and British physician and "quack."
The Tête à Tête is the second canvas in the series of six satirical paintings known as Marriage A-la-Mode, painted by William Hogarth.
Frédéric Prinz von Anhalt is a German-American businessman best known as the last husband and widower of Zsa Zsa Gabor. He took on his new name in 1980, after Princess Marie-Auguste of Anhalt adopted him as an adult.
Industry and Idleness is the title of a series of 12 plot-linked engravings created by William Hogarth in 1747, intending to illustrate to working children the possible rewards of hard work and diligent application and the sure disasters attending a lack of both. Unlike his earlier works, such as A Harlot's Progress (1731) and Marriage à-la-mode (1743), which were painted first and subsequently converted to engravings, Industry and Idleness was created solely as a set of engravings. Each of the prints was sold for 1/– each so 12/– for the entire set, which is equivalent in purchasing power to approximately £80 STG as of 2005. It may be assumed that these prints were aimed for a wider and less wealthy market than his earlier works. The originals currently reside at the British Museum.
Four Times of the Day is a series of four oil paintings by English artist William Hogarth. They were completed in 1736 and in 1738 were reproduced and published as a series of four engravings. They are humorous depictions of life in the streets of London, the vagaries of fashion, and the interactions between the rich and poor. Unlike many of Hogarth's other series, such as A Harlot's Progress, A Rake's Progress, Industry and Idleness, and The Four Stages of Cruelty, it does not depict the story of an individual, but instead focuses on the society of the city in a humorous manner. Hogarth does not offer a judgment on whether the rich or poor are more deserving of the viewer's sympathies. In each scene, while the upper and middle classes tend to provide the focus, there are fewer moral comparisons than seen in some of his other works. Their dimensions are about 74 cm (29 in) by 61 cm (24 in) each.
The Marriage Settlement is the first in the series of six satirical paintings known as Marriage A-la-Mode painted by William Hogarth.
The Toilette, called The countess's morning levee on the frame, is the fourth canvas in the series of six satirical paintings known as Marriage A-la-Mode painted by William Hogarth.
The Bagnio is the fifth canvas in the series of six satirical paintings known as Marriage A-la-Mode painted by William Hogarth.
The Lady's Death is the sixth and final canvas in the series of satirical paintings known as Marriage A-la-Mode painted by William Hogarth.
Characters and Caricaturas is an engraving by English artist William Hogarth that he produced as the subscription ticket for his 1743 series of prints, Marriage à-la-mode, and which was eventually issued as a print in its own right. Critics had sometimes dismissed the exaggerated features of Hogarth's characters as caricature and, by way of an answer, he produced this picture filled with characterisations accompanied by a simple illustration of the difference between characterisation and caricature.
The Bench is the title of both a 1758 oil-on-canvas painting by the English artist William Hogarth, and a print issued by him in the same year. Unlike many of Hogarth's engravings produced from painted originals, the print differs considerably from the painting. It was intended as a demonstration of the differences between character painting, caricature and outré—developing on the theme he had begun to address in Characters and Caricaturas —but Hogarth was unhappy with the result as it showed only "characters", and he continued to work on the piece until his death.
The Enraged Musician is a 1741 etching and engraving by English artist William Hogarth which depicts a comic scene of a violinist driven to distraction by the cacophony outside his window. It was issued as companion piece to the third state of his print of The Distrest Poet.
Tête à Tête is an opera company based in Cornwall that currently operates in Cornwall, London and North-East England. Its primary mission is to reach new audiences, support artists' development, and to extend the boundaries of traditional opera.
A Consultation of Physicians, or The Company of Undertakers is a 1736 engraving by William Hogarth that satirizes the medical profession. It depicts a coat of arms with three notorious quacks of the time―John Taylor, Sarah Mapp, and Joshua Ward—seated at the top of the shield and twelve physicians below, implying that the quacks and the physicians are one and the same. The blazon at the bottom of the print reads:
The company of undertakers beareth, sable, a urinal, proper, between twelve quack-heads of the second, and twelve cane-heads, or consultant. On a chief, nebulae, ermine, one complete doctor, issuant, checkie, sustaining, in his right hand, a baton of the second. On his dexter and sinister sides two demi-doctors, issuant, of the second, and two cane-heads, issuant of the third; the first having one eye, couchant, towards the dexter side of the escutcheon; the second, faced, per pale, proper, and gules guardant. With this motto—Et plurima mortis imago.
The Doctor's collection, commenting as it does both historically and prophetically on his career, might be interpreted as follows: he began as a beard trimmer; graduated to piss-analyst; barely skirting the gallows (by virtue of his curative powers) he grabbed for himself a doctor's hat; and is now counting on a knighthood, if he has not one already
Media related to Marriage à-la-mode: 3. The Inspection at Wikimedia Commons