Marvel Comics Marvel Mystery Comics Marvel Tales | |
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![]() First cover appearance, the Sub-Mariner: Marvel Mystery Comics #4 (Feb. 1940); art by Alex Schomburg | |
Publication information | |
Publisher | Marvel Comics |
Format | Ongoing series |
Genre | Superhero (#1–92) Horror (#93–159) |
Publication date | October 1939 – August 1957 |
No. of issues | 159 |
Marvel Mystery Comics (first issue titled simply Marvel Comics) is an American comic book series published during the 1930s–1940s period known to fans and historians as the Golden Age of Comic Books. It was the first publication of Marvel Comics' predecessor, Timely Comics, a division of Timely Publications.
In 1949, with the popularity of superheroes having waned, the book was converted into the horror anthology Marvel Tales from issue #93–159 (Aug. 1949 – Aug. 1957), when it ceased publication. [1]
In 1939, pulp magazine publisher Martin Goodman expanded into the newly emerging comic book field by buying content from comics packager Funnies, Inc.
On August 31, 1939, his first effort, Marvel Comics #1 (cover-dated Oct. 1939), from his company Timely Publications, was published. [2] This featured the first appearances of writer-artist Carl Burgos' android superhero the Human Torch, Paul Gustavson's costumed detective the Angel, and the first generally available appearance of Bill Everett's mutant anti-hero Namor the Sub-Mariner. [3] The Sub-Mariner was created for the unpublished movie-theater giveaway comic Motion Picture Funnies Weekly earlier that year, with the eight-page original story now expanded by four pages. Also included were Al Anders' Western hero the Masked Raider (Jim Gardley), canceled after appearing in the first twelve issues; the jungle lord feature "The Adventures of Ka-Zar the Great", with Ben Thompson beginning a five-issue adaptation of the story "King of Fang and Claw" by Bob Byrd (pseudonym of Martin Goodman) in Goodman's pulp magazine Ka-Zar #1 (Oct. 1936); [4] the non-continuing-character story "Jungle Terror", featuring an adventurer named Ken Masters and Professor John Roberts, written by the quirkily named Tohm Dixon; [5] "Now I'll Tell One", five single-panel, black-and-white gag cartoons by Fred Schwab, on the inside front cover; and "Burning Rubber", a two-page prose story by Ray Gill about auto racing. [3] A painted cover by veteran science fiction pulp artist Frank R. Paul featured the Human Torch, [3] looking much different than in the interior story.
That initial magazine quickly sold out 80,000 copies, prompting Goodman to produce a second printing, cover-dated November 1939 and identical except for a black bar in the inside-front-cover indicia over the October date and the November date added at the end. That sold approximately 800,000 copies. [6] With a hit on his hands, Goodman began assembling an in-house staff, hiring Funnies, Inc. writer-artist Joe Simon as editor. Simon brought along his collaborator, artist Jack Kirby, followed by artist Syd Shores.
The Human Torch and the Sub-Mariner would continue to star in the long-running title even after receiving their own solo comic-book series shortly afterward. The Angel, who was featured on the covers of issues #2–3, would appear in every issue through #79 (Dec. 1946). [7]
Other characters introduced in the title include the aviator the American Ace (#2, Dec. 1939), with part one of his origin reprinted, like the first part of the Sub-Mariner's, from Motion Picture Funnies Weekly #1; the private detective the Ferret (Leslie Lenrow) by writer Stockbridge Winslow and artist Irwin Hasen (issues 4-9, February 1940-July 1940); and writer-artist Steve Dahlman's robot hero Electro, the Marvel of the Age (appearing in every issue from #4–19, Feb. 1940 – May 1941). Issue #13 saw the first appearance of the Vision, the inspiration for the same-name Marvel Comics superhero created in 1968. The original Vision appeared in solo stories through Marvel Mystery Comics #48. [7] Also featured in the title was Terry Vance, The School Boy Sleuth by Ray Gill and Bob Oksner (debuting in issue #10, August 1940 until #57, July 1944, as well as appearing in the first two issues of the revived Mystic Comics shortly thereafter).
(in order of appearance)
The Human Torch (October 1939 – June 1949)
The Angel (October 1939 – December 1946)
The Sub-Mariner (October 1939 – April 1949)
The Masked Raider (October 1939 – October 1940)
Ken Masters/Professor John Roberts (October 1939)
The Adventures of Ka-Zar the Great (October 1939 – January 1942)
American Ace (December 1939 – January 1940)
Electro, the Marvel of the Age (February 1940 – May 1941)
Ferret, Mystery Detective (February 1940 – July 1940)
Terry Vance, The School Boy Sleuth (August 1940 – July 1944)
The Vision (November 1940 – October 1943)
The first Marvel Tales was the direct continuation of the superhero anthology Marvel Mystery Comics, published by Marvel Comics' initial iteration, Timely Comics. This series ran through issue #92 (cover-dated June 1949). Beginning with issue #93 (Aug. 1949), it became Marvel Tales, an anthology of horror, fantasy, and science fiction stories. [8] [9] [10] The bulk of this series was published under the company name Atlas Comics.
Marvel Tales included among its contributors writer and editor-in-chief Stan Lee and such comics artists as Golden Age veterans Harry Anderson, Carl Burgos, Bill Everett, Fred Kida, Mike Sekowsky, Syd Shores, and Ogden Whitney, and, early in their careers, Dick Ayers, Gene Colan, Tony DiPreta, Mort Drucker, Russ Heath, Bernard Krigstein, Joe Maneely, Joe Sinnott, and Basil Wolverton, among others. [11] Issue #147 featured one of Steve Ditko's first stories for Marvel, "The Vanishing Martians". [12] The series ran 67 issues under the new title, through #159 (Aug. 1957). [13] It ended because of the collapse of Atlas's distributor, American News Company, and the subsequent restructuring that limited the number of comics the company could publish in a month. [14] [15]
An issue of Marvel Tales was included in a display of covers representative of the "Crime, Horror & Weird Variety" at the April 1954 hearings of the United States Senate Subcommittee on Juvenile Delinquency. [16]
Marvel published a different series of the same name in the 1960s, primarily reprinting Spider-Man stories.
Timely Comics is the common name for the group of corporations that was the earliest comic book arm of American publisher Martin Goodman, and the entity that would evolve by the 1960s to become Marvel Comics.
Iron Man and Sub-Mariner is a one-shot comic book published by Marvel Comics in 1968. It is notable for being the first Marvel title to be intentionally published for only one issue, as it existed to use up two half-length stories left over after Marvel began its expansion and the characters were to be given their own solo titles.
William Blake Everett was an American comic book writer-artist best known for creating Namor the Sub-Mariner as well as co-creating Zombie and Daredevil with writer Stan Lee for Marvel Comics. He was allegedly a descendant of the childless poet William Blake and of Richard Everett, founder of Dedham, Massachusetts.
All Select Comics is a 1943–1945 American comic book series published by Timely Comics, the 1940s predecessor of Marvel Comics, during the period fans and historians call the Golden Age of comic books. An omnibus series with several different superhero and other features each issue, it primarily starred Captain America and the original Human Torch, two of Timely's most popular characters, as well as fellow Timely star the Sub-Mariner in several.
Notable events of 1948 in comics.
Carl Burgos was an American comic book and advertising artist best known for creating the original Human Torch in Marvel Comics #1, during the period historians and fans call the Golden Age of comic books.
Funnies, Inc. was an American comic book packager of the late 1930s to 1940s period collectors and historians call the Golden Age of Comic Books. Founded by Lloyd Jacquet, it supplied the contents of early comics, including that of Marvel Comics #1, the first publication of what would become the multimedia corporation Marvel Comics.
Atlas Comics was the 1950s comic-book publishing label that evolved into Marvel Comics. Magazine and paperback novel publisher Martin Goodman, whose business strategy involved having a multitude of corporate entities, used Atlas as the umbrella name for his comic-book division during this time. Atlas evolved out of Goodman's 1940s comic-book division, Timely Comics, and was located on the 14th floor of the Empire State Building. This company is distinct from the 1970s comic-book company, also founded by Goodman, that is known as Atlas/Seaboard Comics.
Martin Goodman was an American publisher of pulp magazines, digest sized magazines, paperback books, men's adventure magazines, and comic books, who founded the comics magazine company Timely Comics in 1939. Timely Comics would go on to become Marvel Comics, one of the United States' two largest comic book publishers along with rival DC Comics.
Notable events of 1949 in comics.
Motion Picture Funnies Weekly is a 36-page American comic book created in 1939, and designed to be a promotional giveaway in movie theaters. While the idea proved unsuccessful, and only a handful of sample copies of issue #1 were printed, the periodical is historically important for introducing the enduring Marvel Comics character Namor the Sub-Mariner, created by writer-artist Bill Everett.
Blue Diamond is a fictional superhero appearing in American comic books published by Marvel Comics, debuting under the company's 1940s forerunner, Timely Comics. The character was created in 1941 by Ben Thompson, who also drew the first comic book adventures of Ka-Zar the Great and Citizen V for Timely, as well as the Masked Marvel for Centaur Publications and Dr. Frost for Prize Comics.
All Winners Comics was the name of two American comic book series of the 1940s, both published by Marvel Comics' predecessor, Timely Comics, during the period fans and historians call the Golden Age of Comic Books. A superhero anthology comic in both cases, they variously featured such star characters as Captain America, the original Human Torch, and the Sub-Mariner. All Winners Comics was also the venue for two full-length stories of Marvel's first superhero team, the (hyphenated) All-Winners Squad.
Daring Mystery Comics is an American comic-book series published by Timely Comics, a predecessor of Marvel Comics, during the 1930–40s period fans and historians call the Golden Age of Comic Books. Primarily a superhero anthology, it ran eight issues from 1940 to 1942, and is notable for work by Carl Burgos, Bill Everett, Alex Schomburg, and the team of Joe Simon & Jack Kirby.
Alfred J. Gabriele was an American comic book artist during the 1940s period fans and historians call the Golden Age of comic books. He was known for his work on some of Marvel Comics' earliest Captain America and Sub-Mariner stories, and for co-creating the company's superheroes Black Marvel, Miss America, and possibly, the Whizzer.
Mystic Comics is the name of three comic book series published by the company that eventually became Marvel Comics. The first two series were superhero anthologies published by Marvel's 1930-1940s predecessor, Timely Comics, during what fans and historians call the Golden Age of comic books. The third, simply titled Mystic, was a horror fiction-suspense anthology from Marvel's 1950s forerunner, Atlas Comics.
Harry Frank Sahle was an American comic book artist who drew for such publishers as Archie Comics—helping create the defined look of Archie Comics' breakout character, Archie Andrews—Quality Comics and the Marvel Comics precursor company Timely Comics during the 1930s-1940s period historians and fans call the Golden Age of Comic Books.
Fred Schwab was an American cartoonist whose humor panels and short features were published in a wide variety of comic books from at least 1938 to 1950, during a period fans and historians call the Golden Age of Comic Books. His notable comic-book appearances include Timely Comics' Marvel Comics #1, the first publication of the company that would become Marvel Comics; and some of the earliest publications of the companies that would become DC Comics.
Carl T. Pfeufer was an American comic-book artist, magazine illustrator, painter, and sculptor. He was an early contributor to American comic books; one of the primary early artists of the Marvel Comics superhero the Sub-Mariner; and the longtime artist of Western hero Tom Mix's comic books.