 | This article includes a list of general references, but it lacks sufficient corresponding inline citations .(April 2009) |
Mary Brian | |
|---|---|
 Brian in 1931 | |
| Born | Louise Byrdie Dantzler February 17, 1906 Corsicana, Texas, U.S. |
| Died | December 30, 2002 (aged 96) Del Mar, California, U.S. |
| Occupation | Actress |
| Years active | 1924–1954 |
| Spouses | |
Mary Brian (born Louise Byrdie Dantzler, [1] February 17, 1906 – December 30, 2002) was an American actress who made the transition from silent films to sound films. [2]
Brian was born in Corsicana, Texas, [3] the daughter of Taurrence J. Dantzler and Louise B. Her brother was Taurrence J. Dantzler, Jr.
Her father died when she was one month old and the family later moved to Dallas, Texas. [3] In the early 1920s, they moved to Long Beach, California. She had intended becoming an illustrator but that was laid aside when at age 16 she was discovered in a local bathing beauty contest. One of the judges was actress Esther Ralston (who was to play her mother in the upcoming Peter Pan and who became a lifelong friend).
She didn't win the $25 prize in the contest, but Ralston said "you've got to give the little girl something." So, her prize was to be interviewed by director Herbert Brenon for a role in Peter Pan. Brenon was recovering from eye surgery, and she spoke with him in a dimly lit room. "He asked me a few questions, Is that your hair? Out of the blue, he said I would like to make a test. Even to this day, I will never know why I was that lucky. They had made tests of every ingénue in the business for Wendy. He had decided he would go with an unknown. It would seem more like a fairy tale. It wouldn't seem right if the roles were to be taken by someone they (the audience) knew or was divorced. I got the part. They put me under contract."[ citation needed ] The studio renamed her Mary Brian.
After her showing in the beauty contest, she was given an audition by Paramount Pictures and cast by director Herbert Brenon as Wendy Darling in his silent movie version of J.M. Barrie's Peter Pan (1924). [4] There she starred with Betty Bronson and Esther Ralston, and the three of them stayed close for the rest of their lives. Ralston described both Bronson and Brian as 'very charming people'.
The movie studio, who created her stage name for the movie and said she was age 16 instead of 18 because the latter sounded too old for the role, then signed her to a long-term contract. Brian played Fancy Vanhern, daughter of Percy Marmont, in Brenon's The Street of Forgotten Men (1925), which had newcomer Louise Brooks in an uncredited role as a moll.
Brian was dubbed "The Sweetest Girl in Pictures." On loan-out to MGM, she played a college belle, Mary Abbott, opposite William Haines and Jack Pickford in Brown of Harvard (1926). She was named one of the WAMPAS Baby Stars in 1926, along with Mary Astor, Dolores Costello, Joan Crawford, Dolores del Río, Janet Gaynor, and Fay Wray.
During her years at Paramount, Brian appeared in more than 40 movies as the lead, the ingenue or co-star. She worked with Brenon again in 1926 when she played Isabel in P.C. Wren's Beau Geste starring Ronald Colman. The same year, she made Behind the Front and Harold Teen . In 1928, she played ingenue Alice Deane in Forgotten Faces opposite Clive Brook, her sacrificing father, with Olga Baclanova as her vixen mother and William Powell as Froggy. Forgotten Faces is preserved in the Library of Congress. [5]
Her first sound film was Varsity (1928), which was filmed with part-sound and talking sequences, opposite Buddy Rogers. After successfully making the transition to sound, she co-starred with Gary Cooper, Walter Huston and Richard Arlen in The Virginian (1929), her first all-sound movie. In it, she played a spirited frontier heroine, schoolmarm Molly Stark Wood, who was the love interest of the Virginian (Cooper).
Brian co-starred in several hits during the 1930s, including her role as Gwen Cavendish in George Cukor’s comedy The Royal Family of Broadway (1930) with Ina Claire and Fredric March, as herself in Paramount's all-star revue Paramount on Parade (1930), as Peggy Grant in Lewis Milestone’s comedy The Front Page (1931) with Adolphe Menjou and Pat O'Brien.
After her contract with Paramount ended in 1932, Brian decided to freelance, which was unusual in a period when multi-year contracts with one studio were common. The same year, she appeared on the vaudeville stage at New York City's Palace Theatre. Also in the same year, she starred in Manhattan Tower .
Other movie roles include Murial Ross, aka Murial Rossi, in Shadows of Sing Sing (1933), in which she received top billing; Gloria Van Dayham in College Rhythm (1934); Yvette Lamartine in Charlie Chan in Paris (1935); Hope Wolfinger, W.C. Fields’s daughter, in Man on the Flying Trapeze (1935); Sally Barnaby in Spendthrift (1936); and Doris in Navy Blues (1937), in which she received top billing.
In 1936, she went to England and made three movies, including The Amazing Quest of Ernest Bliss , in which she starred opposite Cary Grant, with whom she became engaged at one stage.
Her final film of the 1930s was Affairs of Cappy Ricks , but she auditioned unsuccessfully for the part that went to Janet Gaynor in A Star is Born . [6]
When World War II occurred in 1941, Brian began traveling to entertain the troops, spending most of the war years traveling the world with the U.S.O., and entertaining servicemen from the South Pacific to Europe, including Italy and North Africa. Commenting on those events, she said in 1996,
I was with Charlie Ruggles in Okinawa. And I was on the island of Tinian when they dropped the atomic bomb. Colonel Paul Tibbets, who was the pilot and the officer in charge [of dropping the bomb] took Charlie and me on the plane the next day, and nobody had been allowed in that encampment. So I was on the Enola Gay. [7]
Flying to England on a troop shoot, Mary was caught in the Battle of the Bulge and spent the Christmas of 1944 with the soldiers fighting that battle.
She appeared in only a handful of films thereafter. Her last performance in movies was in Dragnet (1947). Over the course of 22 years, Brian had appeared in more than 79 movies.
She played in the stage comedy Mary Had a Little... in 1951 in Melbourne, Australia, co-starring with John Hubbard.
Like many "older" actresses, during the 1950s Brian created a career in television. Perhaps her most notable role was playing the title character's mother in Meet Corliss Archer in 1954.
She also dedicated much time to portrait painting after her acting years.
Although she was engaged numerous times and was linked romantically to numerous Hollywood men, including Cary Grant and silent film actor Jack Pickford, Brian had only two husbands: magazine illustrator Jon Whitcomb (for six weeks, beginning May 4, 1941) and film editor George Tomasini (from 1947 until his death in 1964). After retiring from movies for good, she devoted herself to her husband's career; Tomasini worked as film editor for Hitchcock on Rear Window (1954) and Psycho (1960). [7]
She died of natural causes on December 30, 2002, at a retirement home in Del Mar, California at the age of 96. [8]
In 1960, Brian was inducted into the Hollywood Walk of Fame with a motion pictures star at 1559 Vine Street. [9]
George Bancroft was an American film actor, whose career spanned seventeen years from 1925 to 1942. He was cast in many notable films alongside major film stars throughout his Hollywood years.
Leila Hyams was an American film and stage actress, model, and vaudevillian, who came from a show business family. Her relatively short film career began in 1924 during the era of silent films and ended in 1936. The blonde blue-eyed ingenue and leading lady appeared in more than 50 film roles and remained a press favourite, with numerous magazine covers.
Herbert Brenon was an Irish-born U.S. film director, actor and screenwriter during the era of silent films through the 1930s.
Jobyna Ralston was an American stage and film actress. She had a featured role in Wings in 1927, and is remembered for her on-screen chemistry with Harold Lloyd, with whom she appeared in seven films.
Arthur Hoyt was an American film character actor who appeared in more than 275 films in his 34-year film career, about a third of them silent films.
B. P. Schulberg was an American pioneer film producer and film studio executive.
Lois Wilson was an American actress who worked during the silent film era. She also directed two short films and was a scenario writer.
Natalie Kingston was an American actress.
Adele Sandrock was a German-Dutch actress. After a successful theatrical career, she became one of the first German movie stars.
Louise Fazenda was an American film actress, appearing chiefly in silent comedy films.
Carmelita Geraghty was an American silent-film actress and painter.
Sally O'Neil was an American film actress of the 1920s. She appeared in more than 40 films, often with her name above the title.
Doris Margaret Kenyon was an American actress of motion pictures and television.
Arthur George Brest, known professionally as George K. Arthur, was an English actor and producer, born in Aberdeen, Scotland,. He appeared in more than 50 films between 1919 and 1935, and is best known as the diminutive half of the comedy team of Dane & Arthur.
Mary Josephine Dunn was an American stage and film actress of the 1920s and 1930s.
Edna Murphy was an American actress of the silent era. She appeared in 80 films between 1918 and 1933. Murphy was voted "Most Photographed Movie Star of 1925" by ScreenLand Magazine.
Elisabeth Margarete Biermann, known professionally as Elga Brink, was a German film actress. Brink rose to prominence in the early 1920s, when she starred in many silent films. Her last silent film was Marriage in Trouble in 1928. After silent films, Brink continued acting in sound films until her retirement in 1951. Her last role was in the 1951 movie Das fremde Leben. After her retirement, Brink remarried and worked as a clerk in Hamburg until her death in 1985.
Margot Walter, also known as Margot Landa, was a German actress.
Jane Keckley was an American actress of the silent and sound film eras.
| International | |
|---|---|
| National | |
| People | |
| Other | |
