Massinger may refer to:
surname Massinger. If an internal link intending to refer to a specific person led you to this page, you may wish to change that link by adding the person's given name(s) to the link. | This page lists people with the
Philip Massinger was an English dramatist. His finely plotted plays, including A New Way to Pay Old Debts, The City Madam and The Roman Actor, are noted for their satire and realism, and their political and social themes.
Rollo Duke of Normandy, also known as The Bloody Brother, is a play written in collaboration by John Fletcher, Philip Massinger, Ben Jonson, and George Chapman. The title character is the historical Viking duke of Normandy, Rollo. Scholars have disputed almost everything about the play; but it was probably written sometime in the 1612–24 era and later revised, perhaps in 1630 or after. In addition to the four writers cited above, the names of Nathan Field and Robert Daborne have been connected with the play by individual scholars.
Beaumont and Fletcher were the English dramatists Francis Beaumont and John Fletcher, who collaborated in their writing during the reign of James I of England.
John Fletcher (1579–1625) was a Jacobean playwright. Following William Shakespeare as house playwright for the King's Men, he was among the most prolific and influential dramatists of his day; during his lifetime and in the early Restoration, his fame rivalled Shakespeare's. Though his reputation has been far eclipsed since, Fletcher remains an important transitional figure between the Elizabethan popular tradition and the popular drama of the Restoration.
The Old Law, or A New Way to Please You is a seventeenth-century tragicomedy written by Thomas Middleton, William Rowley, and Philip Massinger. It was first published in 1656, but is generally thought to have been written about four decades earlier.
John Warburton (1682–1759) was an antiquarian, cartographer, and Somerset Herald of Arms in Ordinary at the College of Arms in the early 18th century.
The Roman Actor is a Caroline era stage play, a tragedy written by Philip Massinger. It was first performed in 1626, and first published in 1629. A number of critics have agreed with its author, and judged it one of Massinger's best plays.
The Duke of Milan is a Jacobean era stage play, a tragedy written by Philip Massinger. First published in 1623, the play is generally considered among the author's finest achievements in drama.
The Renegado, or The Gentleman of Venice is a late Jacobean stage play, a tragicomedy written by Philip Massinger and first published in 1630. The play has attracted critical attention for its treatment of cultural conflict between Christian Europe and Muslim North Africa.
The Emperor of the East is a Caroline era stage play, a tragicomedy written by Philip Massinger and first published in 1632. The play provides an interesting example of the treatment of the Roman Catholic sacrament of confession in English Renaissance theatre.
The Guardian is a Caroline era stage play, a comedy written by Philip Massinger, dating from 1633. "The play in which Massinger comes nearest to urbanity and suavity is The Guardian...."
A Very Woman, or The Prince of Tarent is an early seventeenth-century stage play, a tragicomedy written by Philip Massinger and John Fletcher. It was first published in 1655, fifteen and thirty years after the deaths of its authors.
The Bashful Lover is a Caroline era stage play, a tragicomedy written by Philip Massinger. Dating from 1636, it is the playwright's last known extant work; it appeared four years before his death in 1640.
The Bondman is a later Jacobean era stage play, a tragicomedy written by Philip Massinger, first published in 1624. The play has been called "the finest of the more serious tragicomedies" of Massinger.
The Picture is a Caroline era stage play, a tragicomedy written by Philip Massinger, and first published in 1630.
The Unnatural Combat is a Jacobean era stage play, a tragedy written by Philip Massinger, and first published in 1639.
The Maid of Honour is a Jacobean era stage play, a tragicomedy written by Philip Massinger, first published in 1632. It may be Massinger's earliest extant solo work.
The Lovers' Progress, also known as The Wandering Lovers, or Cleander, or Lisander and Calista, is an early seventeenth-century stage play, a tragicomedy written by John Fletcher and Philip Massinger. As its multiple titles indicate, the play has a complex history and has been a focus of controversy among scholars and critics.
Love's Cure, or The Martial Maid is an early seventeenth-century stage play, a comedy in the canon of John Fletcher and his collaborators. First published in the Beaumont and Fletcher folio of 1647, it is the subject of broad dispute and uncertainty among scholars. In the words of Gerald Eades Bentley, "nearly everything about the play is in a state of confusion...."
John Waterson was a London publisher and bookseller of the Jacobean and Caroline eras; he published significant works in English Renaissance drama, including plays by William Shakespeare, John Fletcher, John Webster, and Philip Massinger.