A masterpiece, magnum opus, or chef-d'œuvre ( French for 'master of work'; PL chefs-d'œuvre; French: [ʃɛ.d‿œvʁ] ) in modern use is a creation that has been given much critical praise, especially one that is considered the greatest work of a person's career or a work of outstanding creativity, skill, profundity, or workmanship.
Historically, a "masterpiece" was a work of a very high standard produced to obtain membership of a guild or academy in various areas of the visual arts and crafts.
The form masterstik is recorded in English or Scots in a set of Aberdeen guild regulations dated to 1579, whereas "masterpiece" is first found in 1605, already outside a guild context, in a Ben Jonson play. [4] "Masterprize" was another early variant in English. [5]
In English, the term rapidly became used in a variety of contexts for an exceptionally good piece of creative work, and was "in early use, often applied to man as the 'masterpiece' of God or Nature". [6]
Originally, the term masterpiece referred to a piece of work produced by an apprentice or journeyman aspiring to become a master craftsman in the old European guild system. His fitness to qualify for guild membership was judged partly by the masterpiece, and if he was successful, the piece was retained by the guild. Great care was therefore taken to produce a fine piece in whatever the craft was, whether confectionery, painting, goldsmithing, knifemaking, leatherworking, or many other trades.
In London, in the 17th century, the Worshipful Company of Goldsmiths, for instance, required an apprentice to produce a masterpiece under their supervision at a "workhouse" in Goldsmiths' Hall. The workhouse had been set up as part of a tightening of standards after the company became concerned that the level of skill of goldsmithing was being diluted. The wardens of the company had complained in 1607 that the "true practise of the Art & Mystery of Goldsmithry is not only grown into great decays but also dispersed into many parts, so as now very few workmen are able to finish & perfect a piece of plate singularly with all the garnishings & parts thereof without the help of many & several hands...". The same goldsmithing organization still requires the production of a masterpiece but it is no longer produced under supervision. [7] [8]
In Nuremberg, Germany, between 1531 and 1572, apprentices who wished to become master goldsmith were required to produce columbine cups, dies for a steel seal, and gold rings set with precious stones before they could be admitted to the goldsmiths' guild. If they failed to be admitted, then they could continue to work for other goldsmiths but not as a master themselves. In some guilds, apprentices were not allowed to marry until they had obtained full membership. [9]
In its original meaning, the term was generally restricted to tangible objects, but in some cases, where guilds covered the creators of intangible products, the same system was used. The best-known example today is Richard Wagner's opera Die Meistersinger von Nürnberg (1868), where much of the plot is concerned with the hero's composition and performance of a "masterpiece" song, to allow him to become a meistersinger in the (non-commercial) Nuremberg guild. This follows the surviving rulebook of the guild.
The practice of producing a masterpiece has continued in some modern academies of art, where the general term for such works is now reception piece. The Royal Academy in London uses the term "diploma work" and it has acquired a fine collection of diploma works received as a condition of membership.
In modern use, a masterpiece is a creation in any area of the arts that has been given much critical praise, especially one that is considered the greatest work of a person's career or to a work of outstanding creativity, skill, profundity, or workmanship. For example, the novel David Copperfield by Charles Dickens is generally considered a literary masterpiece. [10] [11] [12] The term is often used loosely, and some critics, such as Edward Douglas of The Tracking Board, feel it is overused in describing recent films. [13]
A guild is an association of artisans and merchants who oversee the practice of their craft/trade in a particular territory. The earliest types of guild formed as organizations of tradespeople belonging to a professional association. They sometimes depended on grants of letters patent from a monarch or other ruler to enforce the flow of trade to their self-employed members, and to retain ownership of tools and the supply of materials, but most were regulated by the city government. Guild members found guilty of cheating the public would be fined or banned from the guild. A lasting legacy of traditional guilds are the guildhalls constructed and used as guild meeting-places.
Die Meistersinger von Nürnberg, WWV 96, is a music drama, or opera, in three acts, by Richard Wagner. It is the longest opera commonly performed, taking nearly four and a half hours, not counting two breaks between acts, and is traditionally not cut. With Hans von Bülow conducting, it was first performed on 21 June 1868 at the National Theater in Munich, today home of Bavarian State Opera.
Apprenticeship is a system for training a new generation of practitioners of a trade or profession with on-the-job training and often some accompanying study. Apprenticeships can also enable practitioners to gain a license to practice in a regulated occupation. Most of their training is done while working for an employer who helps the apprentices learn their trade or profession, in exchange for their continued labor for an agreed period after they have achieved measurable competencies.
Journeyman is a worker, skilled in a given building trade or craft, who has successfully completed an official apprenticeship qualification. Journeymen are considered competent and authorized to work in that field as a fully qualified employee. They earn their license by education, supervised experience and examination. Although journeymen have completed a trade certificate and are allowed to work as employees, they may not yet work as self-employed master craftsmen.
Hat-making or millinery is the design, manufacture and sale of hats and other headwear. A person engaged in this trade is called a milliner or hatter.
A goldsmith is a metalworker who specializes in working with gold and other precious metals. Nowadays they mainly specialize in jewelry-making but historically, goldsmiths have also made silverware, platters, goblets, decorative and serviceable utensils, and ceremonial or religious items.
There are 110 livery companies, comprising London's ancient and modern trade associations and guilds, almost all of which are styled the 'Worshipful Company of' their respective craft, trade or profession. These livery companies play a significant part in the life of the City of London, not least by providing charitable-giving and networking opportunities. Liverymen retain voting rights for the senior civic offices, such as the Lord Mayor, Sheriffs and Corporation, its ancient municipal authority with extensive local government powers.
A cordwainer is a shoemaker who makes new shoes from new leather. The cordwainer's trade can be contrasted with the cobbler's trade, according to a tradition in Britain that restricted cobblers to repairing shoes. This usage distinction is not universally observed, as the word cobbler is widely used for tradespersons who make or repair shoes.
Historically, a master craftsman or master tradesman was a member of a guild. The title survives as the highest professional qualification in craft industries.
Upholstery is the work of providing furniture, especially seats, with padding, springs, webbing, and fabric or leather covers. The word also refers to the materials used to upholster something.
Woodturning is the craft of using a wood lathe with hand-held tools to cut a shape that is symmetrical around the axis of rotation. Like the potter's wheel, the wood lathe is a mechanism that can generate a variety of forms. The operator is known as a turner, and the skills needed to use the tools were traditionally known as turnery. In pre-industrial England, these skills were sufficiently difficult to be known as 'the mysteries of the turners guild. The skills to use the tools by hand, without a fixed point of contact with the wood, distinguish woodturning and the wood lathe from the machinist's lathe, or metal-working lathe.
Oliver Twist is a 2005 drama film directed by Roman Polanski. The screenplay by Ronald Harwood adapts Charles Dickens's 1838 novel of the same name. It is an international co-production of the United Kingdom, the Czech Republic, France and the United States.
Events from the year 1503 in art.
The Guild of Saint Luke was the most common name for a city guild for painters and other artists in early modern Europe, especially in the Low Countries. They were named in honor of the Evangelist Luke, the patron saint of artists, who was identified by John of Damascus as having painted the Virgin's portrait.
Oliver Twist is a 1982 Australian 72-minute made-for-television animated film from Burbank Films Australia; a part of the studio's series of adaptations of Charles Dickens' works made from 1982 through 1985.
Peter Archambo I (1699–1759), in his time Peter Archambo, was a Huguenot silver- and goldsmith. He was the English-born son of the Huguenot refugee Archambault family from France. In 1710 he was apprenticed to the notable Huguenot goldsmith Jacob Margas.
Leonardo da Vinci's Mona Lisa is one of the most recognizable and famous works of art in the world, and also one of the most replicated and reinterpreted. Mona Lisa replicas were already being painted during Leonardo's lifetime by his own students and contemporaries. Some are claimed to be the work of Leonardo himself, and remain disputed by scholars. Prominent 20th-century artists such as Marcel Duchamp and Salvador Dalí have also produced derivative works, manipulating Mona Lisa's image to suit their own aesthetic. Replicating Renaissance masterpieces continues to be a way for aspiring artists to perfect their painting techniques and prove their skills.
In art, a reception piece is a work submitted by an artist to an academy for approval as part of the requirements for admission to membership.
A Goldsmith in His Shop is a 1449 painting by Petrus Christus, a leading painter in Bruges. It is now in the Metropolitan Museum of Art. This is an oil painting on an oak panel that measures 100.1 x 85.8 cm overall and the painted surface is 98 x 85.2 cm. An inscription at the bottom of the painting states "m petr[vs] xpi me· ·fecit·ao 1449· ". In addition, the inscription has an emblem of a clock with a mechanical linkage to a heart, Christus's emblem.
A columbine cup is a silver goblet in the shape of a columbine flower. They were produced in Nuremberg, Germany, in the sixteenth century, often as masterpieces to demonstrate that a craftsman had the skills necessary to enter a craft guild.
the best known, the most visited, the most written about, the most sung about, the most parodied work of art in the world