| Mauprat | |
|---|---|
 Film poster | |
| Directed by | Jean Epstein |
| Written by |
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| Produced by | Jean Epstein |
| Starring | |
| Cinematography | Albert Duverger |
Production company | Films Jean Epstein |
Release date |
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Running time | 88 minutes |
| Country | France |
| Languages |
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Mauprat is a 1926 French silent drama film directed by Jean Epstein, based on the eponymous novel by George Sand. Luis Buñuel, who had enrolled in Epstein's acting school, was the production assistant and had a small acting role in the film. [1]
Un Chien Andalou is a 1929 French- Spanish surrealist silent short film directed, produced and edited by Spanish filmmaker Luis Buñuel, who also co-wrote the screenplay with Spanish surrealist painter Salvador Dalí. Buñuel's first film, it was initially released in a limited capacity at Studio des Ursulines in Paris, but became popular and ran for eight months.
Luis Buñuel Portolés was a Spanish and Mexican filmmaker who worked in France, Mexico, and Spain. He has been widely considered by many film critics, historians, and directors to be one of the greatest and most influential filmmakers of all time. Buñuel's works were known for their avant-garde surrealism which were also infused with political commentary.
L'Age d'Or, commonly translated as The Golden Age or Age of Gold, is a 1930 French surrealist satirical comedy film directed by Luis Buñuel about the insanities of modern life, the hypocrisy of the sexual mores of bourgeois society, and the value system of the Catholic Church. Much of the story is told with title cards like a predominantly silent film. The screenplay is by Buñuel and Salvador Dalí. L'Age d'Or was one of the first sound films made in France, along with Miss Europe and Under the Roofs of Paris.
The Discreet Charm of the Bourgeoisie is a 1972 comedy-drama film directed by Luis Buñuel from a screenplay he co-wrote with Jean-Claude Carrière. The narrative concerns a group of bourgeois people attempting—despite continual interruptions—to dine together. The French-language film stars Fernando Rey, Stéphane Audran, Jean-Pierre Cassel, Paul Frankeur, Delphine Seyrig, Bulle Ogier, Julien Bertheau, and Milena Vukotic.
Delphine Claire Beltiane Seyrig was a Lebanese-born French actress and film director. She came to prominence in Alain Resnais's 1961 film Last Year at Marienbad, and later acted in films by Chantal Akerman, Luis Buñuel, Marguerite Duras, Ulrike Ottinger, Francois Truffaut, and Fred Zinneman. She directed three films, including Sois belle et tais-toi (1981).
Pierre Batcheff was a French actor of Russian origin. He became a popular film actor from the mid-1920s until the early 1930s, and among his best-known work was the surrealist short film Un chien andalou (1929), made by Luis Buñuel in collaboration with Salvador Dalí. After appearing in about twenty-five films, he died at an early age from a drug overdose.
Jean Epstein was a French filmmaker, film theorist, literary critic, and novelist. Although he is remembered today primarily for his adaptation of Edgar Allan Poe's The Fall of the House of Usher, he directed three dozen films and was an influential critic of literature and film from the early 1920s through the late 1940s. He is often associated with French Impressionist Cinema and the concept of photogénie.
Serge Silberman was a French film producer known for his collaborations with several major European and Japanese filmmakers, including Luis Buñuel, Akira Kurosawa, Jean-Pierre Melville, René Clément, Jacques Becker, and Nagisa Oshima.
The Phantom of Liberty is a 1974 comedy-drama film by Luis Buñuel, produced by Serge Silberman and starring Adriana Asti, Julien Bertheau and Jean-Claude Brialy. It features a non-linear plot structure that consists of various otherwise unrelated episodes linked only by the movement of certain characters from one situation to another and exhibits Buñuel's typical ribald satirical humor combined with a series of increasingly outlandish and far-fetched incidents intended to challenge the viewer's pre-conceived notions about the stability of social mores and reality. The film was critically acclaimed and is now considered to be one of Buñuel's best movies.
The Fall of the House of Usher is a 1928 French horror film directed by Jean Epstein, one of several films based on the 1839 Gothic short story The Fall of the House of Usher by Edgar Allan Poe.
Michèle Girardon, sometimes credited as Michele Girardon, was a French actress.
The Milky Way is a 1969 comedy-drama film directed by Luis Buñuel. It stars Paul Frankeur, Laurent Terzieff, Denis Manuel, and Daniel Pilon, and features the likes of Alain Cuny, Michel Piccoli, and Delphine Seyrig in its ensemble cast. Buñuel later called The Milky Way the first in a trilogy about "the search for truth."
Surrealist cinema is a modernist approach to film theory, criticism, and production, with origins in Paris in the 1920s. The Surrealist movement used shocking, irrational, or absurd imagery and Freudian dream symbolism to challenge the traditional function of art to represent reality. Related to Dada cinema, Surrealist cinema is characterized by juxtapositions, the rejection of dramatic psychology, and a frequent use of shocking imagery. Philippe Soupault and André Breton’s 1920 book collaboration Les Champs magnétiques is often considered to be the first Surrealist work, but it was only once Breton had completed his Surrealist Manifesto in 1924 that ‘Surrealism drafted itself an official birth certificate.’
Richelieu is a 1914 American silent historical drama film written and directed by Allan Dwan, based on the play Richelieu written by Edward Bulwer-Lytton. It featured Lon Chaney, Murdock MacQuarrie and Pauline Bush. This was Allan Dwan's last film for Universal, as he moved to New York afterward to work at the Famous Players Company and married his lead actress Pauline Bush in 1915.
The 28th annual Venice International Film Festival was held from 26 August to 8 September 1967.
René Ferté (1903–1958) was a Swiss actor who worked principally in the French cinema, from 1923 onwards. He is mostly known for performances in a series of silent films directed by Jean Epstein. His roles in sound films were generally less notable, though he appeared in Fritz Lang's Le Testament du docteur Mabuse, and he took the title role in the 1934 sound remake of Judex. After the outbreak of the Second World War he ceased working in films.
The 1926 film Carmen is a French silent drama based on Prosper Mérimée's 1845 novel Carmen, directed by Jacques Feyder and starring Raquel Meller, Fred Louis Lerch and Gaston Modot. The film's art direction was by Lazare Meerson. Luis Buñuel, later famous as a director, had a small role.
Sandra Milovanoff, also known as Sandra Milovanov, was a Russian-French actress known for her roles in French cinema during the silent era.
Luis Buñuel Portolés was a Spanish filmmaker who worked in Spain, Mexico and France. Buñuel is noted for his distinctive use of mise-en scene, distinctive sound editing, and original use of music in his films. Often Buñuel applies the techniques of mise-en-scène to combine multiple single scenes within a film directed by him to represent more encompassing aspects of the film when viewed as a whole.
Claude Jaeger was a Swiss-born French film producer and actor.
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