Chevalier c. 1930s
Maurice Auguste Chevalier
September 12, 1888
|Died||January 1, 1972 83) (aged|
Maurice Auguste Chevalier (September 12, 1888 – January 1, 1972) was a French actor, cabaret singer and entertainer. He is perhaps best known for his signature songs, including "Livin' In The Sunlight", "Valentine", "Louise", "Mimi", and "Thank Heaven for Little Girls" and for his films, including The Love Parade , The Big Pond , The Smiling Lieutenant , One Hour with You and Love Me Tonight . His trademark attire was a boater hat, which he always wore on stage with a tuxedo.
The music of France reflects a diverse array of styles. In the field of classical music, France has produced several prominent romantic composers, while folk and popular music have seen the rise of the chanson and cabaret style. The earliest known sound recording device in the world, the phonautograph, was patented in France by Édouard-Léon Scott de Martinville in 1857. France is also the 5th largest market by value in the world, and its music industry has produced many internationally renowned artists, especially in the nouvelle chanson and electronic music.
"Livin' in the Sunlight, Lovin' in the Moonlight" is a popular song that was written by Al Sherman and Al Lewis for the 1930 film, The Big Pond starring Maurice Chevalier, who made it famous. On March 22, 1930 Bing Crosby and the Paul Whiteman Orchestra recorded a popular cover of this song as well. This registered in the charts of the day at the No. 16 position.
"Valentine" is a song by French actor, cabaret singer and entertainer Maurice Chevalier. Its first public performance was in 1925. The song was strongly associated with him, and his imitators use it as "an instant identification symbol". Chevalier performed the song, in French, in two American movies, Innocents of Paris (1928) and Folies Bergère de Paris (1935), but to not offend American sensibilities the word tétons (breasts) was replaced with a mysterious piton, which translates as peg or protuberance. "Piton" was needed for the rhyme scheme, but Chevalier always pointed to his nose at that moment in the song, to indicate what part of his lover's anatomy he was supposedly fondling.
Chevalier was born in Paris. He made his name as a star of musical comedy, appearing in public as a singer and dancer at an early age before working in menial jobs as a teenager. In 1909, he became the partner of the biggest female star in France at the time, Fréhel. Although their relationship was brief, she secured him his first major engagement, as a mimic and a singer in l'Alcazar in Marseille, for which he received critical acclaim by French theatre critics. In 1917, he discovered jazz and ragtime and went to London, where he found new success at the Palace Theatre.
Paris is the capital and most populous city of France, with an area of 105 square kilometres and an official estimated population of 2,140,526 residents as of 1 January 2019. Since the 17th century, Paris has been one of Europe's major centres of finance, diplomacy, commerce, fashion, science, and the arts. The City of Paris is the centre and seat of government of the Île-de-France, or Paris Region, which has an estimated official 2019 population of 12,213,364, or about 18 percent of the population of France. The Paris Region had a GDP of €709 billion in 2017. According to the Economist Intelligence Unit Worldwide Cost of Living Survey in 2018, Paris was the second most expensive city in the world, after Singapore, and ahead of Zürich, Hong Kong, Oslo and Geneva. Another source ranked Paris as most expensive, on a par with Singapore and Hong Kong, in 2018.
Fréhel was a French singer and actress.
Marseille is the second largest city in France after Paris. The main city of the historical province of Provence, it is the prefecture of the department of Bouches-du-Rhône and region of Provence-Alpes-Côte d'Azur. It is located on the Mediterranean coast near the mouth of the Rhône. The city covers an area of 241 km2 (93 sq mi) and had a population of 869,815 in 2016. Its metropolitan area, which extends over 3,173 km2 (1,225 sq mi) is the third-largest in France after those of Paris and Lyon, with a population of 1,831,500 as of 2010.
After this, he toured the United States, where he met the American composers George Gershwin and Irving Berlin and brought the operetta Dédé to Broadway in 1922. He developed an interest in acting and had success in Dédé. When talkies arrived, he went to Hollywood in 1928, where he played his first American role in Innocents of Paris . In 1930, he was nominated for the Academy Award for Best Actor for his roles in The Love Parade (1929) and The Big Pond (1930), which secured his first big American hits, "You Brought a New Kind of Love to Me" and "Livin' in the Sunlight, Lovin' in the Moonlight".
The United States of America (USA), commonly known as the United States or America, is a country comprising 50 states, a federal district, five major self-governing territories, and various possessions. At 3.8 million square miles, the United States is the world's third or fourth largest country by total area and is slightly smaller than the entire continent of Europe's 3.9 million square miles. With a population of over 327 million people, the U.S. is the third most populous country. The capital is Washington, D.C., and the most populous city is New York City. Most of the country is located contiguously in North America between Canada and Mexico.
George Gershwin was an American composer and pianist whose compositions spanned both popular and classical genres. Among his best-known works are the orchestral compositions Rhapsody in Blue (1924) and An American in Paris (1928), the songs Swanee (1919) and Fascinating Rhythm (1924), the jazz standard I Got Rhythm (1930), and the opera Porgy and Bess (1935) which spawned the hit Summertime.
Irving Berlin was an American composer and lyricist, widely considered one of the greatest songwriters in American history. His music forms a great part of the Great American Songbook. Born in Imperial Russia, Berlin arrived in the United States at the age of five. He published his first song, "Marie from Sunny Italy", in 1907, receiving 33 cents for the publishing rights, and had his first major international hit, "Alexander's Ragtime Band" in 1911. He also was an owner of the Music Box Theatre on Broadway. It is commonly believed that Berlin could not read sheet music, and was such a limited piano player that he could only play in the key of F-sharp unless using his custom piano equipped with a transposing lever.
In 1957, he appeared in Love in the Afternoon , which was his first Hollywood film in more than 20 years. In 1958, he starred with Leslie Caron and Louis Jourdan in Gigi . In the early 1960s, he made eight films, including Can-Can in 1960 and Fanny the following year. In 1970, he made his final contribution to the film industry where he sang the title song of the Disney film The Aristocats . He died in Paris, on January 1, 1972, aged 83.
Love in the Afternoon is a 1957 American romantic comedy film produced and directed by Billy Wilder which stars Audrey Hepburn and Gary Cooper. The screenplay by Wilder and I.A.L. Diamond is based on the Claude Anet novel Ariane, jeune fille russe, which had been filmed as Scampolo in 1928 and Scampolo, ein Kind der Strasse in 1932, the latter with a script co-written by Wilder. Wilder was inspired by a 1931 German adaptation of the novel Ariane directed by Paul Czinner. None of these works is related to the last of Éric Rohmer's "Six Moral Tales," the 1972 film L'Amour l'après-midi.
Leslie Claire Margaret Caron is a French-American actress and dancer who appeared in 45 films between 1951 and 2003. Her autobiography, Thank Heaven, was published in 2010 in the UK and US, and in 2011 in a French version. Veteran documentarian Larry Weinstein's Leslie Caron: The Reluctant Star premiered at the Toronto International Film Festival on 28 June 2016.
Louis Jourdan was a French film and television actor. He was known for his suave roles in several Hollywood films, including Alfred Hitchcock's The Paradine Case (1947), Letter from an Unknown Woman (1948), Gigi (1958), The Best of Everything (1959), The V.I.P.s (1963) and Octopussy (1983). He played Dracula in the 1977 BBC television production Count Dracula.
Chevalier was born on September 12, 1888 in Paris. His father was a French house painter. His mother, Joséphine van den Bosch, was French of Belgian descent.
He worked a number of jobs: a carpenter's apprentice, electrician, printer, and even as a doll painter. He started in show business in 1901. He was singing, unpaid, at a café when a member of the theatre saw him and suggested he try for a local musical. He got the part. Chevalier made a name as a mimic and a singer. His act in l'Alcazar in Marseille was so successful, he made a triumphant rearrival in Paris.
In 1909, he became the partner of the biggest female star in France, Fréhel. However, due to her alcoholism and drug addiction, their liaison ended in 1911. Chevalier then started a relationship with 36-year-old Mistinguett at the Folies Bergère, where he was her 23-year-old dance partner; they eventually played out a public romance.
When World War I broke out, Chevalier was in the middle of his national service, already in the front line, where he was wounded by shrapnel in the back in the first weeks of combat and was taken as a prisoner of war in Germany for two years. While imprisoned he learned English, but with a Leeds accent from his fellow British prisoners. In 1916, he was released through the secret intervention of Mistinguett's admirer, King Alfonso XIII of Spain, the only king of a neutral country who was related to both the British and German royal families.
In 1917, Chevalier became a star in le Casino de Paris and played before British soldiers and Americans. He discovered jazz and ragtime and started thinking about touring the United States. In the prison camp, he had studied English and had an advantage over other French artists. He went to London, where he found new success at the Palace Theatre, even though he still sang in French.
After the war, Chevalier went back to Paris and created several songs still known today, such as "Valentine" (1924). He played in a few pictures, including Chaplin's A Woman of Paris (a rare drama for Chaplin, in which his character of The Tramp does not appear) and made a huge impression in the operetta Dédé . He met the American composers George Gershwin and Irving Berlin and brought Dédé to Broadway in 1922. The same year he met Yvonne Vallée, a young dancer, who became his wife in 1927.
When Douglas Fairbanks was on honeymoon in Paris in 1920, he offered him star billing with his new wife Mary Pickford, but Chevalier doubted his own talent for silent movies (his previous ones had largely failed).When sound arrived, he made his Hollywood debut in 1928. He signed a contract with Paramount Pictures and played his first American role in Innocents of Paris . In 1930, he was nominated for the Academy Award for Best Actor for his roles in The Love Parade (1929) and The Big Pond (1930). The Big Pond gave Chevalier his first big American hit songs: "Livin' in the Sunlight, Lovin' in the Moonlight" with words and music by Al Lewis and Al Sherman, plus "A New Kind of Love" (or "The Nightingales"). He collaborated with film director Ernst Lubitsch. He appeared in Paramount's all-star revue film Paramount on Parade (1930).
While Chevalier was under contract with Paramount, his name was so recognized that his passport was featured in the Marx Brothers film Monkey Business (1931). In this sequence, each brother uses Chevalier's passport, and tries to sneak off the ocean liner where they were stowaways by claiming to be the singer—with unique renditions of "You Brought a New Kind of Love to Me" with its line "If the nightingales could sing like you". In 1931, Chevalier starred in a musical called The Smiling Lieutenant with Claudette Colbert and Miriam Hopkins. Despite the disdain audiences held for musicals in 1931,it proved a successful film.
In 1932, he starred with Jeanette MacDonald in Paramount's film musical One Hour With You which became a success and one of the films instrumental in making musicals popular again. Due to its popularity, Paramount starred Maurice Chevalier in another musical called Love Me Tonight (also 1932), and again co-starring Jeanette MacDonald. It is about a tailor who falls in love with a princess when he goes to a castle to collect a debt and is mistaken for a baron. Featuring songs by Richard Rodgers and Lorenz Hart, it was directed by Rouben Mamoulian, who, with the help of the songwriters, was able to put into the score his ideas of the integrated musical (a musical which blends songs and dialogue so the songs advance the plot). It is considered one of the greatest film musicals of all time.
In 1934, he starred in the first sound film of the Franz Lehár operetta The Merry Widow , one of his best-known films, though he felt his role was too narrow and repetitive. He then signed with MGM for The Man from the Folies Bergère , his own favourite of his films. After a disagreement over his star-billing, he returned to France in 1935 to resume his music-hall career.
Even when he was the highest-paid star in Hollywood, Chevalier had a reputation as a penny-pincher. When filming at Paramount, he balked at parking his car in the Paramount lot at ten cents a day. After bargaining, he managed to get five cents per day. Another story is told of Chevalier (a smoker) having a conversation with someone who offered him a cigarette. He took it, said "Thank you", put it in his pocket, and continued with the conversation. But in Hollywood he seemed to be a divided character. When not playing around with young chorus-girls, he actually felt quite lonely, and sought the company of Adolphe Menjou and Charles Boyer, also French, but both much better educated than Chevalier. Boyer in particular introduced him to art galleries and good literature, and Chevalier would try to copy him as the man of taste. But at other times, he would 'revert to type' as the bitter and impoverished street-kid he basically was. When performing in English, he always put on a heavy French accent, although his normal spoken English was quite fluent and sounded more American.
In 1937, Chevalier married the dancer Nita Raya. He had several successes, such as his revue Paris en Joie in the Casino de Paris. A year later, he performed in Amours de Paris. His songs remained big hits, such as Prosper (1935), Ma Pomme (1936) and Ça fait d'excellents français (1939).
During World War II, Chevalier kept performing on the stage in France. In 1941, he appeared in a successful revue in the Casino de Paris, Bonjour Paris, which was Nazi propaganda, reassuring the public that nothing had basically changed under the occupation. Songs like "Ça sent si bon la France" and "La Chanson du maçon" became hits. The Nazis knew that he was harbouring a Jewish family in the south of France, and put pressure on him to perform in Berlin and sing for the collaborating radio station Radio Paris. He refused, but did perform for prisoners of war in Germany at the same camp where he had been held captive in World War I, and succeeded in getting ten French soldiers freed in exchange.
In 1942 Chevalier was named on a list of French collaborators with Germany to be killed during the war, or tried after it.That year he returned to La Bocca, near Cannes, but returned to the capital city in September. In 1944 when Allied forces freed France, Chevalier was accused of collaboration. The August 28, 1944, issue of Stars and Stripes , the daily newspaper of U.S. armed forces in the European Theater of Operations, reported in error that "Maurice Chevalier Slain By Maquis, Patriots Say". Even though he was acquitted by a French convened court, the English-speaking press remained hostile and he was refused a visa for several years.
In his own country, however, he was still popular. In 1946, he split from Nita Ray and started writing his memoirs, which took many years to complete.
He started to collect and paint art, and acted in Le silence est d'or (Man About Town) (1946) by René Clair. He still toured throughout the United States and other parts of the world, then returned to France in 1948.
In 1944, he had already participated in a Communist demonstration in Paris. He was therefore even less popular in the U.S. during the McCarthyism period; in 1951, he was refused re-entry into the U.S. because he had signed the Stockholm Appeal.
In 1949, he performed in Stockholm in a Communist benefit against nuclear arms. Also in 1949, Chevalier was the subject of the first official roast at the New York Friars' Club, although celebrities had been informally "roasted" at banquets since 1910.
In 1952, he bought a large property in Marnes-la-Coquette, near Paris, and named it "La Louque",as a homage to his mother's nickname. He started a relationship in 1952 with Janie Michels, a young divorcee with three children. In 1954, after the McCarthy era abated Chevalier was welcomed back in the United States. His first full American tour was in 1955, with Vic Schoen as arranger and musical director. The Billy Wilder film Love in the Afternoon (1957) with Audrey Hepburn and Gary Cooper was his first Hollywood film in more than 20 years.
In 1957, Chevalier was awarded The George Eastman Award, given by George Eastman House for distinguished contribution to the art of film.
Chevalier appeared in the movie musical Gigi (1958) with Leslie Caron and Hermione Gingold, with whom he shared the song "I Remember It Well", and several Walt Disney films. The success of Gigi prompted Hollywood to give him an Academy Honorary Award that year for achievements in entertainment. In 1957, he appeared as himself in an episode of The Jack Benny Program titled "Jack In Paris". He also appeared as himself in the 1958 Lucy Goes to Mexico television episode of The Lucy-Desi Comedy Hour .
In the early 1960s, he toured the United States and between 1960 and 1963 made eight films, including Can-Can (1960) with Frank Sinatra. In 1961, he starred in the drama Fanny with Leslie Caron and Charles Boyer, an updated version of Marcel Pagnol's "Marseilles Trilogy." In 1962, he filmed Panic Button (not released until 1964), playing opposite blonde bombshell/sex symbol Jayne Mansfield. In 1965, at 77, he made another world tour. In 1967 he toured in Latin America, again, the US, Europe and Canada. The following year, on October 1, 1968, he announced his farewell tour.
Historical newsreel footage of Chevalier appeared in the Marcel Ophüls documentary The Sorrow and the Pity . In a wartime short film near the end of the film's second part, he explained his disappearance during World War II (see the "World War II" section in this entry), as rumors of his death lingered at that time, and emphatically denied any collaboration with the Nazis. His theme song, "Sweepin' the Clouds Away," from the film Paramount on Parade (1930), was one of its theme songs and was played in the end credits of the film's second part.
In 1970, several years after his retirement, songwriters Richard M. and Robert B. Sherman got him to sing the title song of the Disney film The Aristocats , which ended up being his final contribution to the film industry.
He died in Paris of kidney failure, on New Year's Day 1972, aged 83, and was interred in the cemetery of Marnes-la-Coquette in Hauts-de-Seine, outside Paris, France.
Chevalier was a member of the Grand Order of Water Rats and has a star on the Hollywood Walk of Fame at 1651 Vine Street.[ citation needed ]
Musical film is a film genre in which songs sung by the characters are interwoven into the narrative, sometimes accompanied by dancing.
The Smiling Lieutenant is a 1931 American pre-Code musical comedy film directed by Ernst Lubitsch, starring Maurice Chevalier, Claudette Colbert and Miriam Hopkins, and released by Paramount Pictures.
The Love Parade is a 1929 American pre-Code musical comedy film, directed by Ernst Lubitsch and starring Maurice Chevalier and Jeanette MacDonald, involving the marital difficulties of Queen Louise of Sylvania (MacDonald) and her consort, Count Alfred Renard (Chevalier). Despite his love for Louise and his promise to be an obedient husband, Count Alfred finds his role as a figurehead unbearable. The supporting cast features Lupino Lane, Lillian Roth and Eugene Pallette.
Charles Boyer was a French-American actor who appeared in more than 80 films between 1920 and 1976. After receiving an education in drama, Boyer started on the stage, but he found his success in American films during the 1930s. His memorable performances were among the era's most highly praised, in romantic dramas such as The Garden of Allah (1936), Algiers (1938), and Love Affair (1939), as well as the mystery-thriller Gaslight (1944). He received four Academy Award nominations for Best Actor.
The Big Pond is a 1930 American Pre-Code romantic comedy film based on a 1928 play of the same name by George Middleton and A.E. Thomas. The film was written by Garrett Fort, Robert Presnell Sr. and Preston Sturges, who provided the dialogue in his first Hollywood assignment, and was directed by Hobart Henley. The film stars Maurice Chevalier and Claudette Colbert, and features George Barbier, Marion Ballou, and Andrée Corday, and was released by Paramount Pictures.
Robert Florey was a French-American director, screenwriter, film journalist and actor.
Grace Moore was an American operatic soprano and actress in musical theatre and film. She was nicknamed the "Tennessee Nightingale." Her films helped to popularize opera by bringing it to a larger audience. She was nominated for the Academy Award for Best Actress for her performance in One Night of Love.
Arthur Freed was an American lyricist and Hollywood film producer. He won the Academy Award for Best Picture twice, in 1951 for An American in Paris and in 1958 for Gigi Both films were musicals. In addition, he produced and was also a co-lyricist for the now-iconic film Singin' in the Rain.
Jeanette Anna MacDonald was an American singer and actress best remembered for her musical films of the 1930s with Maurice Chevalier and Nelson Eddy. During the 1930s and 1940s she starred in 29 feature films, four nominated for Best Picture Oscars, and recorded extensively, earning three gold records. She later appeared in opera, concerts, radio, and television. MacDonald was one of the most influential sopranos of the 20th century, introducing opera to film-going audiences and inspiring a generation of singers.
Sam Coslow was an American songwriter, singer, film producer, publisher, and market analyst. Coslow was born in New York City. He began writing songs as a teenager. He contributed songs to Broadway revues, formed the music publishing company Spier and Coslow with Larry Spier and made a number of recordings as a performer.
Mischa Auer was a Russian-born American actor who moved to Hollywood in the late 1920s. He first appeared in film in 1928. Auer had a long career playing in many of the era's best known films. He was nominated for the Academy Award for Best Supporting Actor in 1936 for his performance in the screwball comedy My Man Godfrey, which led to further zany comedy roles. He later moved into television and acted in films again in France and Italy well into the 1960s.
Gigi is a 1958 American musical-romance film directed by Vincente Minnelli and processed using Metro-Goldwyn-Mayer's color film process Metrocolor. The screenplay by Alan Jay Lerner is based on the 1944 novella of the same name by Colette. The film features songs with lyrics by Lerner and music by Frederick Loewe, arranged and conducted by André Previn.
John Boles was an American singer and actor best known for playing Victor Moritz in the 1931 film Frankenstein.
Albert Willemetz was a French librettist.
Paramount on Parade is a 1930 all-star American pre-Code revue released by Paramount Pictures, directed by several directors including Edmund Goulding, Dorothy Arzner, Ernst Lubitsch, Rowland V. Lee, A. Edward Sutherland, Lothar Mendes, Otto Brower, Edwin H. Knopf, Frank Tuttle, and Victor Schertzinger—all supervised by the production supervisor, singer, actress, and songwriter Elsie Janis.
Dédé is an opérette or musical comedy in three acts with music by Henri Christiné and a French libretto by Albert Willemetz. It marked an important milestone in developing the career of Maurice Chevalier.
Playboy of Paris is a 1930 American pre-Code musical comedy film directed by Ludwig Berger and starring Maurice Chevalier, Frances Dee, and O.P. Heggie. It was based on a 1911 play The Little Cafe by Tristan Bernard which had previously been adapted into a 1919 French silent film. Paramount produced a separate French-language version Le Petit Café, also starring Chevalier, which broke records for an opening-day attendance in Paris.
The Little Cafe is a French comedy play written by Tristan Bernard which was first performed in 1911. An English-language musical version The Little Cafe was successfully staged in the United States in 1913.
Maurice Yvain was a French composer, noted for his operettas of the 1920s and 1930s, some of which were written for Mistinguett, at one time the best-paid female entertainer in the world. In the 1930s and 1940s he became a major success in the United States and several of his pieces appeared in the famous Ziegfeld Follies on Broadway. He also composed music for several films of notable directors such as Anatole Litvak, Julien Duvivier and Henri-Georges Clouzot and his music blended with the then "spirit of Paris".
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