"Message from space" is a type of "first contact" theme in science fiction . Stories of this type involve receiving an interstellar message which reveals the existence of other intelligent life in the universe. [1]
An early short story, A Message from Space (Joseph Schlossel, Weird Tales , March 1926) tells of an amateur who builds a ham TV set and suddenly sees an alien on the screen. The alien realises it is being watched and tells its soap opera story. The verdict of Everett Franklin Bleiler: "original ideas, but clumsy handling". [2]
While the use of this trope does predate [1] the scientific Search for extraterrestrial intelligence ("SETI"), initiated with Project Ozma in 1960, the use of this as a plot element in science fiction greatly increased with the publicity given by various SETI projects. Classic examples of this trope include the 1961 television script and a novel A for Andromeda by Fred Hoyle and John Elliot, the 1968 novel His Master's Voice by Stanislaw Lem, The Listeners by James E. Gunn, and Carl Sagan's novel and subsequent film Contact . [3]
Mars, the fourth planet from the Sun, has appeared as a setting in works of fiction since at least the mid-1600s. Trends in the planet's portrayal have largely been influenced by advances in planetary science. It became the most popular celestial object in fiction in the late 1800s, when it became clear that there was no life on the Moon. The predominant genre depicting Mars at the time was utopian fiction. Around the same time, the mistaken belief that there are canals on Mars emerged and made its way into fiction, popularized by Percival Lowell's speculations of an ancient civilization having constructed them. The War of the Worlds, H. G. Wells's novel about an alien invasion of Earth by sinister Martians, was published in 1897 and went on to have a major influence on the science fiction genre.
Alien invasion or space invasion is a common feature in science fiction stories and film, in which extraterrestrial lifeforms invade the Earth to exterminate and supplant human life, enslave it, harvest people for food, steal the planet's resources, or destroy the planet altogether. It can be considered as a science-fiction subgenre of the invasion literature, expanded by H. G. Wells's seminal alien invasion novel The War of the Worlds, and is a type of "first contact" science fiction.
Contact is a 1985 hard science fiction novel by American scientist Carl Sagan. It deals with the theme of contact between humanity and a more technologically advanced extraterrestrial life form. It ranked No. 7 on the 1985 U.S. bestseller list. The only full work of fiction published by Sagan, the novel originated as a screenplay by Sagan and Ann Druyan in 1979; when development of the film stalled, Sagan decided to convert the stalled film into a novel. The film concept was subsequently revived and eventually released in 1997 as the film Contact starring Jodie Foster.
Extraterrestrial intelligence, or non-human intelligence (NHI), refers to hypothetical intelligent extraterrestrial life. No such life has ever been proven to exist in the Solar System except for humans on Earth, and its existence in other star systems is still speculative. The question of whether other inhabited worlds might exist has been debated since ancient times. The modern form of the concept emerged when the Copernican Revolution demonstrated that the Earth was a planet revolving around the Sun, and other planets were, conversely, other worlds. The question of whether other inhabited planets or moons exist was a natural consequence of this new understanding. It has become one of the most speculative questions in science and is a central theme of science fiction and popular culture.
An extraterrestrial or alien is any extraterrestrial lifeform: a lifeform that did not originate on Earth. The word extraterrestrial means "outside Earth". The first published use of extraterrestrial as a noun occurred in 1956, during the Golden Age of Science Fiction.
First contact is a common theme in science fiction about the first meeting between humans and extraterrestrial life, or of any sentient species' first encounter with another one, given they are from different planets or natural satellites. It is closely related to the anthropological idea of first contact
Jupiter, the largest planet in the Solar System, has appeared in works of fiction across several centuries. The way the planet has been depicted has evolved as more has become known about its composition; it was initially portrayed as being entirely solid, later as having a high-pressure atmosphere with a solid surface underneath, and finally as being entirely gaseous. It was a popular setting during the pulp era of science fiction. Life on the planet has variously been depicted as identical to humans, larger versions of humans, and non-human. Non-human life on Jupiter has been portrayed as primitive in some works and more advanced than humans in others.
Saturn has made appearances in fiction since the 1752 novel Micromégas by Voltaire. In the earliest depictions, it was portrayed as having a solid surface rather than its actual gaseous composition. In many of these works, the planet is inhabited by aliens that are usually portrayed as being more advanced than humans. In modern science fiction, the Saturnian atmosphere sometimes hosts floating settlements. The planet is occasionally visited by humans and its rings are sometimes mined for resources.
Pluto has appeared in fiction as a setting since shortly after its 1930 discovery, albeit infrequently. It was initially comparatively popular as it was newly discovered and thought to be the outermost object of the Solar System and made more fictional appearances than either Uranus or Neptune, though still far fewer than other planets. Alien life, sometimes intelligent life and occasionally an entire ecosphere, is a common motif in fictional depictions of Pluto. Human settlement appears only sporadically, but it is often either the starting or finishing point for a tour of the Solar System. It has variously been depicted as an originally extrasolar planet, the remnants of a destroyed planet, or entirely artificial. Its moon Charon has also appeared in a handful of works.
Asteroids have appeared in fiction since at least the late 1800s, the first one—Ceres—having been discovered in 1801. They were initially only used infrequently as writers preferred the planets as settings. The once-popular Phaëton hypothesis, which states that the asteroid belt consists of the remnants of the former fifth planet that existed in an orbit between Mars and Jupiter before somehow being destroyed, has been a recurring theme with various explanations for the planet's destruction proposed. This hypothetical former planet is in science fiction often called "Bodia" in reference to Johann Elert Bode, for whom the since-discredited Titius–Bode law that predicts the planet's existence is named.
Neptune has appeared in fiction since shortly after its 1846 discovery, albeit infrequently. It initially made appearances indirectly—e.g. through its inhabitants—rather than as a setting. The earliest stories set on Neptune itself portrayed it as a rocky planet rather than as having its actual gaseous composition; later works rectified this error. Extraterrestrial life on Neptune is uncommon in fiction, though the exceptions have ranged from humanoids to gaseous lifeforms. Neptune's largest moon Triton has also appeared in fiction, especially in the late 20th century onwards.
Uranus has been used as a setting in works of fiction since shortly after its 1781 discovery, albeit infrequently. The earliest depictions portrayed it as having a solid surface, whereas later stories portrayed it more accurately as a gaseous planet. Its moons have also appeared in a handful of works. Both the planet and its moons have experienced a slight trend of increased representation in fiction over time.
His Master's Voice is a 1960s science fiction novel written by Polish writer Stanisław Lem. It was first published in 1968 and translated into English by Michael Kandel in 1983. The book incorporates a "message from space" theme. It is a densely philosophical first contact story about an effort by scientists to decode, translate, and understand an extraterrestrial transmission. The novel critically approaches humanity's intelligence and intentions in deciphering and truly comprehending a message from outer space. It is considered to be one of the three best-known books by Lem, the other two being Solaris and The Cyberiad.
The fictional portrayal of the Solar System has often included planets, moons, and other celestial objects which do not actually exist. Some of these objects were, at one time, seriously considered as hypothetical planets which were either thought to have been observed, or were hypothesized to be orbiting the Sun in order to explain certain celestial phenomena. Often such objects continued to be used in literature long after the hypotheses upon which they were based had been abandoned.
The Tunguska event—an enormous explosion in a remote region of Siberia on 30 June 1908—has appeared in many works of fiction.
Active SETI is the attempt to send messages to intelligent extraterrestrial life. Active SETI messages are predominantly sent in the form of radio signals. Physical messages like that of the Pioneer plaque may also be considered an active SETI message. Active SETI is also known as METI.
Supernovae, extremely powerful explosions of stars, have been featured in works of fiction since at least the early 1900s.
The Listeners is a 1972 science fiction novel by American author James Gunn. It centers on the search for interstellar communication and the effect that receipt of a message has. Although the search and the message are the unifying background of the novel, the chapters explore the personal effect of these events have on the lives of the characters.
Comets have appeared in works of fiction since at least the 1830s. They primarily appear in science fiction as literal objects, but also make occasional symbolical appearances in other genres. In keeping with their traditional cultural associations as omens, they often threaten destruction to Earth. This commonly comes in the form of looming impact events, and occasionally through more novel means such as affecting Earth's atmosphere in different ways. In other stories, humans seek out and visit comets for purposes of research or resource extraction. Comets are inhabited by various forms of life ranging from microbes to vampires in different depictions, and are themselves living beings in some stories.
The Sun has appeared as a setting in fiction at least since classical antiquity, but for a long time it received relatively sporadic attention. Many of the early depictions viewed it as an essentially Earth-like and thus potentially habitable body—a once-common belief about celestial objects in general known as the plurality of worlds—and depicted various kinds of solar inhabitants. As more became known about the Sun through advances in astronomy, in particular its temperature, solar inhabitants fell out of favour save for the occasional more exotic alien lifeforms. Instead, many stories focused on the eventual death of the Sun and the havoc it would wreak upon life on Earth. Before it was understood that the Sun is powered by nuclear fusion, the prevailing assumption among writers was that combustion was the source of its heat and light, and it was expected to run out of fuel relatively soon. Even after the true source of the Sun's energy was determined in the 1920s, the dimming or extinction of the Sun remained a recurring theme in disaster stories, with occasional attempts at averting disaster by reigniting the Sun. Another common way for the Sun to cause destruction is by exploding, and other mechanisms such as solar flares also appear on occasion.