Mikhail Baryshnikov

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Mikhail Baryshnikov
27.aprila Saeimas sede (34138762682).jpg
Mikhail Baryshnikov, 2017
Born
Mikhail Nikolayevich Baryshnikov

(1948-01-27) January 27, 1948 (age 71)
OccupationDancer, actor
Years active1968–present
Height1.65 m (5 ft 5 in)
Spouse(s)
Lisa Rinehart (m. 2006)
Partner(s) Jessica Lange (1976–82)
Children4 (including Shura and Anna)
Signature
Mikhail Baryshnikov autograph.jpg

Mikhail Nikolayevich Baryshnikov (Russian :Михаи́л Никола́евич Бары́шников,IPA:  [mʲɪxɐˈil bɐrɨʂˈnʲɪkəf] ; Latvian : Mihails Barišņikovs; born January 27, 1948), [1] nicknamed "Misha" (Russian diminutive of the name "Mikhail"), is a Soviet-born Russian and American dancer, choreographer, and actor. [2] He is often cited alongside Vaslav Nijinsky, Rudolf Nureyev and Vladimir Vasiliev as one of the greatest male ballet dancers in history.

Russian language East Slavic language

Russian is an East Slavic language, which is official in the Russian Federation, Belarus, Kazakhstan and Kyrgyzstan, as well as being widely used throughout Eastern Europe, the Baltic states, the Caucasus and Central Asia. It was the de facto language of the Soviet Union until its dissolution on 25 December 1991. Although nearly three decades have passed since the breakup of the Soviet Union, Russian is used in official capacity or in public life in all the post-Soviet nation-states, as well as in Israel and Mongolia.

Latvian language Baltic language, official in Latvia and the European Union

Latvian or Lettish is a Baltic language spoken in the Baltic region. It is the language of Latvians and the official language of Latvia as well as one of the official languages of the European Union. There are about 1.3 million native Latvian speakers in Latvia and 100,000 abroad. Altogether, 2 million, or 80% of the population of Latvia, speak Latvian. Of those, 1.16 million or 56% use it as their primary language at home. The use of the Latvian language in various areas of social life in Latvia is increasing.

Russians are an East Slavic ethnic group native to Eastern Europe, the most numerous ethnic group in Europe. The majority of ethnic Russians live in the Russian Federation, notable minorities exist in other former Soviet states such as Belarus, Kazakhstan, Moldova, Ukraine and the Baltic states. A large Russian diaspora also exists all over the world, with notable numbers in the United States, Germany, Brazil, and Canada. The culture of the ethnic Russian people has a long tradition and it is a foundation for the modern culture of the whole of Russia. The Russian language originally was the language of ethnic Russians. They are historically Orthodox Christians by religion.

Contents

Born in Riga, Latvian SSR, Baryshnikov had a promising start in the Kirov Ballet in Leningrad before defecting to Canada in 1974 for more opportunities in western dance. After freelancing with many companies, he joined the New York City Ballet as a principal dancer to learn George Balanchine's style of movement. He then danced with the American Ballet Theatre, where he later became artistic director. Baryshnikov has spearheaded many of his own artistic projects and has been associated in particular with promoting modern dance, premiering dozens of new works, including many of his own.[ citation needed ] His success as a dramatic actor on stage, cinema and television has helped him become probably the most widely recognized contemporary ballet dancer. Since his defection from the Soviet Union in 1974, Baryshnikov has never returned to Russia. [3]

Riga City in Latvia

Riga is the capital and largest city of Latvia. With 637,827 inhabitants (2018), it is also the largest city in the three Baltic states, home to one third of Latvia's population and one tenth of the three Baltic states' combined population. The city lies on the Gulf of Riga, at the mouth of the Daugava river. Riga's territory covers 307.17 km2 (118.60 sq mi) and lies 1–10 m above sea level, on a flat and sandy plain.

Latvian Soviet Socialist Republic union republic of the Soviet Union

The Latvian Soviet Socialist Republic, also known as Soviet Latvia or Latvia, was a republic of the Soviet Union.

The Mariinsky Ballet is the resident classical ballet company of the Mariinsky Theatre in Saint Petersburg, Russia. Founded in the 18th century and originally known as the Imperial Russian Ballet, the Mariinsky Ballet is one of the world's leading ballet companies. Internationally, the Mariinsky Ballet continues to be known by its former Soviet name the Kirov Ballet. The Mariinsky Ballet is the parent company of the Vaganova Ballet Academy, a leading international ballet school.

In 1977, he received a nomination for the Academy Award for Best Supporting Actor and a Golden Globe nomination for his work as "Yuri Kopeikine" in the film The Turning Point . He also had a significant role in the last season of the television series Sex and the City and starred in the movie White Nights with Gregory Hines, Helen Mirren, and Isabella Rossellini.

Academy Award for Best Supporting Actor one of the Academy Awards of Merit

The Academy Award for Best Supporting Actor is an award presented annually by the Academy of Motion Picture Arts and Sciences (AMPAS). It is given in honor of an actor who has delivered an outstanding performance in a supporting role while working within the film industry. The award was traditionally presented by the previous year's Best Supporting Actress winner.

<i>The Turning Point</i> (1977 film) 1977 film by Herbert Ross

The Turning Point is a 1977 American drama film centered on the world of ballet in New York City, written by Arthur Laurents and directed by Herbert Ross. The film stars Shirley MacLaine and Anne Bancroft, along with Leslie Browne, Mikhail Baryshnikov, and Tom Skerritt. The film was nominated for eleven Academy Awards, including Best Picture. The script is a fictionalized version of the real-life Brown family and the friendship between ballerinas Isabel Mirrow Brown and Nora Kaye.

<i>Sex and the City</i> American TV series

Sex and the City is an American romantic comedy-drama television series created by Darren Star and produced by HBO. Broadcast from 1998 until 2004, the original run of the show had a total of 94 episodes. Throughout its six-year run, the show received contributions from various producers, writers, and directors, principally Michael Patrick King.

Early life

Mikhail Baryshnikov was born in Riga, then Latvian SSR, Soviet Union, now Latvia. [4] His parents were Russians: Alexandra (a dressmaker; née Kiselyova) and Nikolay Baryshnikov (an engineer). According to Baryshnikov, his father was a strict, nationalist military man and his mother was the one who introduced him to the theater, opera and ballet. [3] She committed suicide when he was 12. [3]

Soviet Union 1922–1991 country in Europe and Asia

The Soviet Union, officially the Union of Soviet Socialist Republics (USSR), was a socialist state in Eurasia that existed from 1922 to 1991. Nominally a union of multiple national Soviet republics, its government and economy were highly centralized. The country was a one-party state, governed by the Communist Party with Moscow as its capital in its largest republic, the Russian Soviet Federative Socialist Republic. Other major urban centres were Leningrad, Kiev, Minsk, Alma-Ata, and Novosibirsk. It spanned over 10,000 kilometres east to west across 11 time zones, and over 7,200 kilometres north to south. It had five climate zones: tundra, taiga, steppes, desert and mountains.

Dancing career

1960–1974: Early years

Baryshnikov by Irina Belotelkin Irina belotelkin art 0002.jpg
Baryshnikov by Irina Belotelkin

He began his ballet studies in Riga in 1960, at the age of 11. In 1964, he entered the Vaganova School, in what was then in Leningrad (now St. Petersburg). Baryshnikov soon won the top prize in the junior division of the Varna International Ballet Competition. He joined the Mariinsky Ballet, which was then called the Kirov Ballet, in 1967, dancing the "Peasant" pas de deux in Giselle . Recognizing Baryshnikov's talent, in particular the strength of his stage presence and purity of his classical technique, several Soviet choreographers, including Oleg Vinogradov, Konstantin Sergeyev, Igor Tchernichov, and Leonid Jakobson, choreographed ballets for him. Baryshnikov made signature roles of Jakobson's 1969 virtuosic Vestris along with an intensely emotional Albrecht in Giselle. [5] While still in the Soviet Union, he was called by New York Times critic Clive Barnes "the most perfect dancer I have ever seen."

The Varna International Ballet Competition is a biennial ballet competition held in Varna, Bulgaria. The competition was founded in 1964 and subsequently held in 1965 and 1966, and then every two years starting in 1968. Many dancers have gained their first international recognition at the competition.

Pas de deux ballet term

In ballet, a pas de deux[pɑ d(ə) dø] is a dance duet in which two dancers, typically a male and a female, perform ballet steps together. The pas de deux is characteristic of classical ballet and can be found in many well-known ballets, including Sleeping Beauty, Swan Lake, and Giselle. It is most often performed by a male and a female though there are exceptions, such as in the film White Nights, in which a pas de deux is performed by Mikhail Baryshnikov and Gregory Hines.

<i>Giselle</i> Romantic ballet in two acts

Giselle is a romantic ballet in two acts. It was first performed by the Ballet du Théâtre de l'Académie Royale de Musique at the Salle Le Peletier in Paris, France on 28 June 1841, with Italian ballerina Carlotta Grisi as Giselle. The ballet was an unqualified triumph. Giselle became hugely popular and was staged at once across Europe, Russia, and the United States. The traditional choreography that has been passed down to the present day derives primarily from the revivals staged by Marius Petipa during the late 19th and early 20th centuries for the Imperial Ballet in St. Petersburg.

1974: Defection to Canada

Baryshnikov's talent was obvious from his youth, but being 5 ft 5in (165 cm) tall, [6] maybe 5 ft 6in (168 cm), [7] thus, shorter than most dancers, he could not tower over a ballerina en pointe and was therefore relegated to secondary parts. More frustrating to him, the Soviet dance world hewed closely to 19th-century traditions and deliberately shunned the creative choreographers of the West, whose work Baryshnikov glimpsed in occasional tours and films. Baryshnikov's main goal in leaving the Soviet Union was to work with these innovators.

On June 29, 1974, while on tour in Canada with the Mariinsky Ballet, Baryshnikov defected, requesting political asylum in Toronto, and joined the Royal Winnipeg Ballet. [8] [9] He also announced to the dance world that he would not go back to the USSR. He later stated that Christina Berlin, an American friend, helped engineer his defection during his 1970 tour of London. His first televised performance after coming out of temporary seclusion in Canada was with the National Ballet of Canada in La Sylphide . He then went on to the United States. [10] In December 1975, he and his dance partner Natalia Makarova featured prominently in an episode of the BBC television series Arena .

In the first two years after his defection, he danced for no fewer than 13 different choreographers, including Jerome Robbins, Glen Tetley, Alvin Ailey, and Twyla Tharp. "It doesn't matter if every ballet is a success or not," he told New York Times dance critic Anna Kisselgoff in 1976, "The new experience gives me a lot." He cited his fascination with the ways Ailey mixed classical and modern technique and his initial discomfort when Tharp insisted he incorporate eccentric personal gestures in the dance.

1974–1978: Principal dancer with the American Ballet Theatre

From 1974 to 1978, Baryshnikov was a principal dancer with the American Ballet Theatre (ABT), where he partnered with Gelsey Kirkland. [11]

1978–1979: Principal dancer with the New York City Ballet

Baryshnikov and Patricia McBride at an event in Buenos Aires, 1979. Baryshnikov.jpg
Baryshnikov and Patricia McBride at an event in Buenos Aires, 1979.

In 1978, he abandoned his freelance career to spend 18 months as a principal of the New York City Ballet, run by the legendary George Balanchine. "Mr. B," as Balanchine was known, rarely welcomed guest artists and had refused to work with both Nureyev and Makarova. Baryshnikov's decision to devote his full attentions to the New York company stunned the dance world. Balanchine never created a new work for Baryshnikov, though he did coach the young dancer in his distinctive style, and Baryshnikov triumphed in such signature roles as Apollo, The Prodigal Son, and Rubies. Jerome Robbins did, however, create Opus 19/The Dreamer for Baryshnikov and NYCB favorite Patricia McBride. [12] [13]

Baryshnikov performed with the New York City Ballet as a principal dancer for 15 months from 1978 to 1979. [14] On July 8, 1978, he made his debut with George Balanchine's and Lincoln Kirstein's company at Saratoga Springs, appearing as Franz in Coppélia.

On October 12, 1979, he danced the role of the Poet in Balanchine's ballet, "La Sonnambula" with the City Ballet at the Kennedy Center in Washington. This was Baryshnikov's last performance with New York City Ballet due to a tendinitis and other injuries. His tenure there coincided with a period of ill health for Mr. Balanchine that followed an earlier heart attack and culminated in successful heart surgery in June 1979. Baryshnikov left the company to become the artistic director of American Ballet Theater in September 1980, and take time off for his injuries. [14]

1980–2002: Artistic director with the American Ballet Theatre and White Oak Dance Project

Baryshnikov returned to the American Ballet Theatre in September 1980 as an artistic director, a position he held until 1989. He also performed as a dancer with ABT. [14] Baryshnikov's fascination with the new has stood him in good stead. As he observed, "It doesn't matter how high you lift your leg. The technique is about transparency, simplicity and making an earnest attempt." [15] Baryshnikov also toured with ballet and modern dance companies around the world for fifteen months. Several roles were created for him, including roles in Opus 19: The Dreamer (1979), by Jerome Robbins, Rhapsody (1980), by Frederick Ashton, and Other Dances with Natalia Makarova by Jerome Robbins.

External video
Nuvola apps kaboodle.svg Baryshnikov dancing Pergolesi as choreographed for him by Twyla Tharp while touring with the White Oak Dance Project in 1995

From 1990 to 2002, Baryshnikov was artistic director of the White Oak Dance Project, a touring company he co-founded with Mark Morris. The White Oak Project was formed to create original work for older dancers. In a run ending just short of his 60th birthday in 2007, he appeared in a production of four short plays by Samuel Beckett staged by avant-garde director JoAnne Akalaitis.

Baryshnikov was elected a Fellow of the American Academy of Arts and Sciences in 1999. [16] In 2000, he was awarded the National Medal of Arts. [17]

2002–present: Baryshnikov Arts Center and awards

In 2003, he won the Prix Benois de la Danse for lifetime achievement.

In 2005 he launched the Baryshnikov Arts Center in New York. For the duration of the 2006 Summer, Baryshnikov went on tour with Hell's Kitchen Dance, which was sponsored by the Baryshnikov Arts Center. Featuring works by Baryshnikov Arts Center residents Azsure Barton and Benjamin Millepied, the company toured the United States and Brazil. He has received three Honorary Degrees: on May 11, 2006, from New York University; on September 28, 2007, from Shenandoah Conservatory of Shenandoah University; and on May 23, 2008, from Montclair State University. In late August 2007, Baryshnikov performed Mats Ek's Place (original Swedish title, Ställe) with Ana Laguna at Dansens Hus in Stockholm. In 2012, Baryshnikov received the Vilcek Prize in Dance. [18]

Baryshnikov has performed in Israel three times: in 1996, when he appeared with the White Oak Dance Project at the Roman amphitheater in Caesarea; in 2010, when he performed with Ana Laguna; and in 2011, when he starred in nine performances of "In Paris" at the Suzanne Dellal Center in Tel Aviv. In an interview to Haaretz newspaper in 2011, he expressed his opposition to artistic boycotts of Israel and described the enthusiasm of Israeli contemporary dance as astounding. [3]

Repertoire

Baryshnikov worked with George Balanchine and as a regular guest artist with the Royal Ballet.

Film, television and theater

With Liza Minnelli in Baryshnikov on Broadway, 1980 Baryshnikov - Minnelli 1981 TV.jpg
With Liza Minnelli in Baryshnikov on Broadway, 1980

Baryshnikov made his American television dancing debut in 1976, on the PBS program In Performance Live from Wolf Trap . The program is currently distributed on DVD by Kultur Video.

During the Christmas season of 1977, CBS brought his highly acclaimed American Ballet Theatre production of Tchaikovsky's classic ballet The Nutcracker to television, and it has remained to this day the most popular and most often shown television production of the work, at least in the US. In addition to Baryshnikov in the title role, Gelsey Kirkland, Alexander Minz, and many members of the American Ballet Theatre also starred. The production was videotaped in Canada. After being shown a few times by CBS, it moved to PBS, where it was shown annually every Christmas season for many years, and still is by some PBS stations. It was first released on DVD by MGM/UA. [19] The remastered DVD of the performance, issued by Kultur Video in 2004, [20] is a bestseller during the Christmas season. The DVD has now been released in the UK by Digital Classics. [21]

Although Tchaikovsky's ballet has been presented on TV many times in many different versions, the Baryshnikov version is one of only two to be nominated for an Emmy Award. The other one was Mark Morris' "The Hard Nut", Morris's intentionally exaggerated and satirical version of the ballet.

Baryshnikov also performed in two Emmy-winning television specials, one on ABC and one on CBS, in which he danced to music from Broadway and Hollywood, respectively. During the 1970s and 1980s, he appeared many times with American Ballet Theatre on Live from Lincoln Center and Great Performances . Over the years, he has also appeared on several telecasts of the Kennedy Center Honors.

Baryshnikov performed in his first film role soon after arriving in New York. He portrayed the character Yuri Kopeikine, a famous Russian womanizing ballet dancer, in the 1977 film The Turning Point , for which he received an Oscar nomination. He co-starred with Gregory Hines and Isabella Rossellini in the 1985 film White Nights , choreographed by Twyla Tharp; and he was featured in the 1987 film Dancers. On television, in the last season of Sex and the City , he played a Russian artist, Aleksandr Petrovsky, who woos Carrie Bradshaw relentlessly and takes her to Paris. He co-starred in Company Business (1991) with Gene Hackman.

On November 2, 2006, Baryshnikov and chef Alice Waters were featured on an episode of the Sundance Channel's original series Iconoclasts . The two have a long friendship. They discussed their lifestyles, sources of inspiration, and social projects that make them unique. During the program, Alice Waters visited Baryshnikov's Arts Center in New York City. The Hell's Kitchen Dance tour brought him to Berkeley to visit Alice Waters' restaurant Chez Panisse. On July 17, 2007, the PBS News Hour with Jim Lehrer featured a profile of Baryshnikov and his Arts Center. Baryshnikov appears, uncredited, in the 2014 film Jack Ryan: Shadow Recruit as Interior Minister Sorokin. [22]

In a continuation of his interest in modern dance, Baryshnikov appeared in 2015 in a three-and-a-half minute commercial for the clothing designer Rag & Bone along with the street dance artist Lil Buck with both performing dance roles. [23]

On stage as an actor

Baryshnikov is a performer in avant-garde theater. His breakthrough performance in Broadway was back in 1989 when he played Gregor Samsa in Metamorphosis, an adaption of Franz Kafka's novel by the same name. His debut earned him a Tony nomination. [24]

In 2004, he appeared in Forbidden Christmas or The Doctor And The Patient at New York City's Lincoln Center, and in 2007 in Beckett Shorts at New York Theatre Workshop. [25]

On April 11–21, 2012, Baryshnikov starred in a new play directed by Dmitry Krymov, titled In Paris. The play was presented in the Santa Monica College Performing Arts Center, at the Broad Stage. His co-star was Anna Sinyakina.

He then appeared in the stage adaptation of Anton Chekhov's Man in a Case. [26] As he said:

I grew up reading Chekhov's stories and plays. I have wanted to explore a Chekhov story for the stage for some time and I'm delighted to bring Man in a Case to Berkeley Rep. Both tales are about solitary men and their self-imposed restrictions. We know very little about the character in the first story, 'Man in a Case,' except that he teaches classical Greek and he's kind of eccentric and conservative. But then something happens to him that is unexpected. The second story, 'About Love,' provides an arresting contrast to the first work. At their core both stories are about love. And I think it's a romantic show in many respects that is perfect for Berkeley Rep's audience.

Mikhail Baryshnikov. [27]

On April 21, 2015, The New York Times reported that Baryshnikov was scheduled to perform a reading of the Nobel Laureate poet Joseph Brodsky in Riga in 2015. [28] The performance was called "Brodsky/Baryshnikov," was performed in the original Russian, and had its premiere on October 15, 2015. Its international tour began in Tel Aviv in January 2016 and it was later staged in New York City in March 2016, still in the original Russian. (Baryshnikov met Brodsky in 1974, soon after the poet had been forced by the Soviet authorities to leave his home country and had moved to the United States. They remained friends until Brodsky's death in 1996.) [28]

Personal life

Baryshnikov receiving his Latvian citizenship passport on April 27, 2017. Sviniga Latvijas pilsona pases pasniegsana Mihailam Barisnikovam (34143597282).jpg
Baryshnikov receiving his Latvian citizenship passport on April 27, 2017.

Baryshnikov has a daughter, Aleksandra 'Shura' Baryshnikova (born 1981), from his relationship with actress Jessica Lange. When Baryshnikov and Lange met, he spoke very little English; they communicated in French instead.[ citation needed ] He eventually learned English by watching television. [29]

Baryshnikov has had a long-term relationship with former ballerina Lisa Rinehart. They had three children together: Peter (born July 7, 1989), Anna (born May 22, 1992), and Sofia (born May 24, 1994). Though he told Larry King in 2002 that he did not "believe in marriage in the conventional way", [29] he and Rinehart married in 2006. [30]

Baryshnikov endorsed Democratic candidate Hillary Clinton in the run-up for the 2016 U.S. presidential election. [31]

Citizenship

On July 3, 1986, Baryshnikov became a naturalized citizen of the United States. [32] Asked if he feels like an American, he said, "I like to think like I'm a man of the world. I feel totally Parisian in Paris. Totally Parisian. I have my place here, a lot of close friends and collaborators here, whom I can really feel like I can talk serious business with them. Human business, not 'business' business. Paris was always the dream of my childhood. We grew up on French art, like all Russians. America, United States, North America - it's a new country. Of course, if somebody would ask me to choose 'either Paris or New York,' I would choose New York. But spiritually, somehow, I love Europe." [3]

On April 27, 2017, Baryshnikov was granted citizenship by the Republic of Latvia for extraordinary merits. [33] The application to the Latvian parliament along with a letter from Baryshnikov in which he expressed his wish to become a citizen of what today constitutes his native country was submitted on December 21, 2016. He stated that the decision was based on memories of his first 16 years living in Latvia, which provided the basis for the rest of his life. "It was there that my exposure to the arts led me to discover my future destiny as a performer. Riga still serves as a place where I find artistic inspiration," Baryshnikov wrote in the letter to the Latvian parliament. [34]

Awards

Baryshnikov wearing the Kennedy Center Honors, 2000 Mikhail Baryshnikov 2000.jpg
Baryshnikov wearing the Kennedy Center Honors, 2000

Filmography

Film appearances

  • Yuri Kopeikine, The Turning Point, Twentieth Century-Fox, 1977 [37]
  • When I Think of Russia, 1980
  • Narrator, That's Dancing!, Metro-Goldwyn-Mayer/United Artists, 1985
  • Nikolai 'Kolya' Rodchenko, White Nights, Columbia, 1985
  • Anton Sergeyev, Dancers (also known as Giselle), Golan-Globus/Cannon, 1987
  • Pyotr Grushenko, Company Business, Metro-Goldwyn-Mayer/Pathe, 1991
  • Cesar, The Cabinet of Dr. Ramirez, 1991
  • Russian Holiday (also known as Russian Roulette, Video, 1994), 1992
  • Le mystere Babilee, 2001

Film choreographer

  • "Aurora's Wedding" and "Le corsaire" segments, The Turning Point, Twentieth Century-Fox, 1977
  • Additional choreography, White Nights, Columbia, 1985
  • "Giselle" segments, Dancers (also known as Giselle), Golan-Globus/Cannon, 1987

Television appearances

Specials

  • In Performance at Wolf Trap, An Evening with Mikhail Baryshnikov, PBS, 1976
  • Albrecht, "Giselle," Live from Lincoln Center, PBS, 1977
  • Title role, The Nutcracker, CBS, 1977
  • The 32nd Annual Tony Awards, 1978
  • "Theme and Variations," Live from Lincoln Center, PBS, 1978
  • Don Quixote, PBS, 1978
  • "American Ballet Theatre at the Metropolitan Opera House," Live from Lincoln Center, 1978
  • "Choreography by Balanchine: Part IV," Dance in America, 1979
  • Baryshnikov at the White House, PBS, 1979
  • Bob Hope Special: Bob Hope on the Road to China, NBC, 1979
  • Host, IBM Presents Baryshnikov on Broadway, ABC and PBS, 1980
  • The Kennedy Center Honors, 1980, 1981, 1983
  • Walt Disney ... One Man's Dream, 1981
  • "An Evening with American Ballet Theatre," Live from Lincoln Center, 1981
  • The American Film Institute Salute to Fred Astaire, 1981
  • Host, Baryshnikov in Hollywood, CBS, 1982
  • Dance in America: Baryshnikov by Tharp with American Ballet Theatre, PBS, 1984
  • Basilio, Don Quixote, 1984
  • The Kennedy Center Honors: A Celebration of the Performing Arts, CBS, 1985
  • The American Film Institute Salute to Gene Kelly, CBS, 1985
  • The 50th Presidential Inaugural Gala, ABC, 1985
  • "Live from Lincoln Center," Great Performances, PBS, 1985
  • Liberty Weekend, ABC, 1986
  • The 58th Annual Academy Awards Presentation, ABC, 1986
  • "Celebrating Gershwin," Great Performances, PBS, 1987
  • "Dance in America: David Gordon's Made in U.S.A.," Great Performances, PBS, 1987
  • All-Star Gala at Ford's Theater, ABC, 1987
  • Poet, "La sonnambula," "Balanchine and Cunningham: An Evening at AmericanBallet Theatre," Great Performances, PBS, 1988
  • The Presidential Inaugural Gala, CBS, 1989
  • From the Heart ... The First International Very Special Arts Festival, NBC, 1989
  • Dancer, "Who Cares?" and "Apollo," "Dance in America: Baryshnikov DancesBalanchine with American Ballet Theatre," Great Performances, PBS, 1989
  • American Tribute to Vaclav Havel and a Celebration of Democracy in Czechoslovakia, PBS, 1990
  • The Nicholas Brothers: We Sing and We Dance, Arts and Entertainment, 1992
  • Dancer, "Zoetrope," "Great Performances' 20th Anniversary Special," Great Performances, PBS, 1992
  • "Martha Graham: The Dancer Revealed," American Masters, PBS, 1994
  • Interviewee, "Danny Kaye: A Legacy of Laughter," American Masters, PBS, 1996
  • 53rd Presidential Inaugural Gala, CBS, 1997
  • Honoree, The Kennedy Center Honors: A Celebration of the Performing Arts, CBS, 2000
  • Merce Cunningham: A Lifetime of Dance (documentary), PBS, 2001
  • (In archive footage) Bourne to Dance (documentary), Channel 4, 2001

Also appeared in "Prodigal Son," "The Steadfast Tin Soldier," "Tchaikovsky Pas de Deux," and "Other Dances," all Dance in America, PBS; Baryshnikov: The Dancer and the Dance, PBS; and Carmen, on French television.

Series

Television work

Series

Television artistic director

Specials

Television choreographer

Specials

See also

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Patricia McBride is a ballerina who spent nearly 30 years dancing with the New York City Ballet. McBride joined the New York City Ballet in 1959. She became a principal in 1961, becoming the company’s youngest principal. She danced with the company for 30 years, including roles created for her by choreographers George Balanchine and Jerome Robbins.

The Prodigal Son, or Le Fils prodigue, Op. 46 is a ballet created for Diaghilev's Ballets Russes by George Balanchine to music by Sergei Prokofiev (1928–29). The libretto, based on the parable in the Gospel of Luke, was by Boris Kochno, who added a good deal of drama and emphasized the theme of sin and redemption ending with the Prodigal Son's return.

Patrick Bissell ballet dancer

Walter Patrick Bissell was an American danseur. He was a leading principal dancer with the American Ballet Theatre. On his death at age 30 from a drug overdose, he was described by the artistic director of the American Ballet Theatre and personal ballet eminence Mikhail Baryshnikov as "without a doubt one of the brightest lights in American Ballet Theater's history, or, for that matter, in the entire ballet world". Bissell was noted for his height and athleticism. His most famous rôle was as Solor in La Bayadère. His death prompted investigations into the alleged widespread drug use within the American Ballet Theatre.

Los Angeles Ballet (LAB) located in Los Angeles, California is a ballet company founded and co-directed by husband and wife team Thordal Christensen and Colleen Neary. The company debuted December 2006 with an original performance of The Nutcracker. LAB has staged the Balanchine repertory, classical ballets and new works.

Choreographer George Balanchine's production of Tchaikovsky's ballet The Nutcracker has become the most famous stage production of the ballet performed in the U.S. It uses the plot of the Alexandre Dumas, père, version of E.T.A. Hoffmann's tale, The Nutcracker and the Mouse King (1816). Its premiere took place on February 2, 1954, at City Center, New York, with costumes by Karinska and sets by Horace Armistead. It has been staged in New York every year since 1954, and many other productions throughout the United States either imitate it, or directly use the Balanchine staging. However, although it is often cited as being the production that made the ballet famous in the U.S., it was Willam Christensen's 1944 production for the San Francisco Ballet which first introduced the complete work to the United States.

Nina Alovert American photographer

Nina Alovert is a ballet photographer and writer. She lives in the United States, following her emigration from Russia in 1977.

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