Minimal

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Minimal may refer to:

Minimal music is a form of art music that employs limited or minimal musical materials. In the Western art music tradition the American composers La Monte Young, Terry Riley, Steve Reich, and Philip Glass are credited with being among the first to develop compositional techniques that exploit a minimal approach. It originated in the New York Downtown scene of the 1960s and was initially viewed as a form of experimental music called the New York Hypnotic School. As an aesthetic, it is marked by a non-narrative, non-teleological, and non-representational conception of a work in progress, and represents a new approach to the activity of listening to music by focusing on the internal processes of the music, which lack goals or motion toward those goals. Prominent features of the technique include consonant harmony, steady pulse, stasis or gradual transformation, and often reiteration of musical phrases or smaller units such as figures, motifs, and cells. It may include features such as additive process and phase shifting. Phase shifting leads to what has been termed phase music. Minimal compositions that rely heavily on process techniques that follow strict rules are usually described as process music.

Minimal techno is a minimalist subgenre of techno music. It is characterized by a stripped-down aesthetics that exploits the use of repetition and understated development. Minimal techno is thought to have been originally developed in the early 1990s by Detroit-based producers Robert Hood and Daniel Bell. By the early 2000s the term 'minimal' generally described a style of techno that was popularised in Germany by labels such as Kompakt, Perlon, and Richie Hawtin's M-nus, among others.

Minimalism movements in various forms of art and design

In visual arts, music, and other mediums, minimalism is an art movement that began in post–World War II Western art, most strongly with American visual arts in the 1960s and early 1970s. Prominent artists associated with minimalism include Donald Judd, John McCracken, Agnes Martin, Dan Flavin, Robert Morris, Anne Truitt, and Frank Stella. It derives from the reductive aspects of modernism and is often interpreted as a reaction against abstract expressionism and a bridge to postminimal art practices.

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