The Ministry of Truth, the Ministry of Peace, the Ministry of Love, and the Ministry of Plenty are the four ministries of the government of Oceania in the 1949 dystopian novel Nineteen Eighty-Four , by George Orwell.
The Ministry of Peace concerns itself with war, the Ministry of Truth with lies, the Ministry of Love with torture and the Ministry of Plenty with starvation. These contradictions are not accidental, nor do they result from ordinary hypocrisy: they are deliberate exercises in doublethink.— Part II, Chapter IX
The use of contradictory names in this manner may have been inspired by the British and American governments; during the Second World War, the British Ministry of Food oversaw rationing (the name "Ministry of Food Control" was used in World War I) and the Ministry of Information restricted and controlled information, rather than supplying it; while, in the U.S., the War Department was abolished and replaced with the "National Military Establishment" in 1947 and then became the Department of Defense in 1949, right around the time that Nineteen Eighty-Four was published.
The Ministry of Truth (Newspeak: Minitrue) is the ministry of propaganda. As with the other ministries in the novel, the name Ministry of Truth is a misnomer because in reality it serves the opposite: it is responsible for any necessary falsification of historical events. However, like the other ministries, the name is also apt because it decides what "truth" is in Oceania.
As well as administering "truth", the ministry spreads a new language amongst the populace called Newspeak, in which, for example, "truth" is understood to mean statements like 2 + 2 = 5 when the situation warrants. In keeping with the concept of doublethink, the ministry is thus aptly named in that it creates/manufactures "truth" in the Newspeak sense of the word. The book describes the doctoring of historical records to show a government-approved version of events.
Winston Smith, the main character of the novel, works at the Ministry of Truth. ft) into the air, containing over 3000 rooms above ground. On the outside wall are the three slogans of the Party: "WAR IS PEACE," "FREEDOM IS SLAVERY," and "IGNORANCE IS STRENGTH." There is also a large part underground, probably containing huge incinerators where documents are destroyed after they are put down memory holes. For his description, Orwell was inspired by the Senate House at the University of London.It is an enormous pyramidal structure of glittering white concrete rising 300 metres (980
The Ministry of Truth is involved with news media, entertainment, the fine arts and educational books. Its purpose is to rewrite history to change the facts to fit Party doctrine for propaganda effect. For example, if Big Brother makes a prediction that turns out to be wrong, the employees of the Ministry of Truth correct the record to make it accurate. This is the "how" of the Ministry of Truth's existence. Within the novel, Orwell elaborates that the deeper reason for its existence, the "why", is to maintain the illusion that the Party is absolute. It cannot ever seem to change its mind (if, for instance, they perform one of their constant changes regarding enemies during war) or make a mistake (firing an official or making a grossly misjudged supply prediction), for that would imply weakness and to maintain power the Party must seem eternally right and strong.
Minitrue plays a role as the news media by changing history, and changing the words in articles about events current and past, so that Big Brother and his government are always seen in a good light and can never do any wrong. The content is more propaganda than actual news.
The following are the sections or departments of the ministry mentioned in the text:
The Ministry of Peace (Newspeak: Minipax) serves as the war ministry of Oceania's government, and is in charge of the armed forces, mostly the navy and army. The Ministry of Peace may be the most vital organ of Oceania, seeing as the nation is supposedly in an ongoing genocidal war with either Eurasia or Eastasia and requires the right amount of force not to win the war, but keep it in a state of equilibrium.
As explained in Emmanuel Goldstein's book, The Theory and Practice of Oligarchical Collectivism , the Ministry of Peace revolves around the principle of perpetual war. Perpetual war uses up all surplus resources, keeping most citizens in lives of constant hardship—and thus preventing them from learning enough to comprehend the true nature of their society. Perpetual warfare also "helps preserve the special mental atmosphere that a hierarchical society needs." Since that means the balance of the country rests in the war, the Ministry of Peace is in charge of fighting the war (mostly centred around Africa and India), but making sure to never tip the scales, in case the war should become one-sided. Oceanic telescreens usually broadcast news reports about how Oceania is continually winning every battle it fights, though these reports have little to no credibility.
As with all the other Nineteen Eighty-Four ministries, the Ministry of Peace is named the exact opposite of what it does, since the Ministry of Peace is in charge of maintaining a state of war. The meaning of peace has been equated with the meaning of war in the slogan of the party, "War is Peace". Like the names of other ministries, it also has a literal application: Perpetual war is what keeps the "peace" (the status quo) in Oceania and the balance of power in the world, and since the other major powers also use warfare as a means of maintaining the status quo, the two concepts are functionally identical.
The Ministry of Love (Newspeak: Miniluv) serves as Oceania's interior ministry. It enforces loyalty to Big Brother through fear, buttressed through a massive apparatus of security and repression, as well as systematic brainwashing. The Ministry of Love building has no windows and is surrounded by barbed wire entanglements, steel doors, hidden machine-gun nests, and guards armed with "jointed truncheons". Referred to as "the place where there is no darkness", its interior lights are never turned off. It is arguably the most powerful ministry, controlling the will of the population. The Thought Police are a part of Miniluv.
The Ministry of Love, like the other ministries, is misnamed, since it is responsible for the practice and infliction of misery, fear, suffering and torture. In a sense, however, the name is apt, since its ultimate purpose is to instill love of Big Brother—the only form of love permitted in Oceania—in the minds of thoughtcriminals as part of the process of reverting them to orthodox thought. This is typical of the language of Newspeak, in which words and names frequently contain both an idea and its opposite; the orthodox party member is nonetheless able to resolve these contradictions through the disciplined use of doublethink.
Room 101, introduced in the climax of the novel, is the basement torture chamber in the Ministry of Love, in which the Party attempts to subject a prisoner to their own worst nightmare, fear or phobia, with the objective of breaking down their resistance.
You asked me once, what was in Room 101. I told you that you knew the answer already. Everyone knows it. The thing that is in Room 101 is the worst thing in the world.— O'Brien, Part III, Chapter V
Such is the purported omniscience of the state in the society of Nineteen Eighty-Four that even a citizen's nightmares are known to the Party. The nightmare, and therefore the threatened punishment, of the protagonist Winston Smith is to be attacked by rats. This is manifested in Room 101 by confronting Smith with a wire cage that contains two large rats. The front of the cage is shaped so that it can fit over a person's face. A trap-door is then opened, allowing the rats to devour the victim's face. This cage is fitted over Smith's face, but he saves himself by begging the authorities to let his lover, Julia, suffer this torture instead of him. The threatened torture, and what Winston does to escape it, breaks his last promise to himself and to Julia: never to betray her. (Even though he had confessed to their actions, he still loved her until this point.) The book suggests that Julia is likewise subjected to her own worst fear (although it is not revealed what that fear is), and when she and Winston later meet in a park, he notices a scar on her forehead. The intent of threatening Winston with the rats was to force him into betraying the only person he loved and therefore to break his spirit.
Orwell named Room 101 after a conference room at Broadcasting House where he used to sit through tedious meetings.When the original room 101 at the BBC was due to be demolished, a plaster cast of it was made by artist Rachel Whiteread and displayed in the cast courts of the Victoria and Albert Museum from November 2003 until June 2004.
The Ministry of Plenty (Newspeak: Miniplenty) is in control of Oceania's command economy. It oversees rationing of food, supplies, and goods. As told in Goldstein's book, the economy of Oceania is very important, and it is necessary to have the public continually create useless and synthetic supplies or weapons for use in the war, while they have no access to the means of production. This is the central theme of Oceania's idea that a poor, ignorant populace is easier to rule over than a wealthy, well-informed one. Telescreens often make reports on how Big Brother has been able to increase economic production, even when production has actually gone down (see § Ministry of Truth).
The Ministry hands out statistics which are "nonsense". When Winston is adjusting some Ministry of Plenty's figures, he explains this:
But actually, he thought as he readjusted the Ministry of Plenty's figures, it was not even forgery. It was merely the substitution of one piece of nonsense for another. Most of the material that you were dealing with had no connection with anything in the real world, not even the kind of connection that is contained in a direct lie. Statistics were just as much a fantasy in their original version as in their rectified version. A great deal of the time you were expected to make them up out of your head.
Like the other ministries, the Ministry of Plenty seems to be entirely misnamed, since it is, in fact, responsible for maintaining a state of perpetual poverty, scarcity and financial shortages. However, the name is also apt, because, along with the Ministry of Truth, the Ministry of Plenty's other purpose is to convince the populace that they are living in a state of perpetual prosperity. Orwell made a similar reference to the Ministry of Plenty in his allegorical work Animal Farm when, in the midst of a blight upon the farm, Napoleon the pig orders the silo to be filled with sand, then to place a thin sprinkling of grain on top, which fools human visitors into being dazzled about Napoleon's boasting of the farm's superior economy.
A department of the Ministry of Plenty is charged with organizing state lotteries. These are very popular among the proles, who buy tickets and hope to win the big prizes—a completely vain hope as the big prizes are in fact not awarded at all, the Ministry of Truth participating in the scam and publishing every week the names of non-existent big winners.
In the Michael Radford film adaptation, the ministry is renamed the Ministry of Production, or MiniProd.
The novel's popularity has resulted in the term "Room 101" being used to represent a place where unpleasant things are done.
Writer Josh Wilbur proposed a "Ministry of Truth" to combat internet deepfakes and misinformation.
In The Ricky Gervais Show , Ricky Gervais and Stephen Merchant play a game called "Room 102", based on the concept of "Room 101", in which Karl Pilkington has to decide what things he dislikes enough to put in Room 102. This would result, according to their game, in these things being erased from existence.
In 1992 cartoon Batman: The Animated Series , the episode "What Is Reality?" had Batman solving one of the Riddler's riddles as taking place in "Room 101" of the police headquarters. There, Batman finds Commissioner Gordon tortured in a virtual reality simulator, and must solve riddles to free him.[ citation needed ]
In the 2011 Doctor Who episode "The God Complex", The Doctor and his companions find themselves in a hotel full of their own personal Room 101s, each with their greatest fear in it.
Big Brother is a fictional character and symbol in George Orwell's dystopian 1949 novel Nineteen Eighty-Four. He is ostensibly the leader of Oceania, a totalitarian state wherein the ruling party, Ingsoc, wields total power "for its own sake" over the inhabitants. In the society that Orwell describes, every citizen is under constant surveillance by the authorities, mainly by telescreens. The people are constantly reminded of this by the slogan "Big Brother is watching you": a maxim that is ubiquitously on display.
Doublespeak is language that deliberately obscures, disguises, distorts, or reverses the meaning of words. Doublespeak may take the form of euphemisms, in which case it is primarily meant to make the truth sound more palatable. It may also refer to intentional ambiguity in language or to actual inversions of meaning. In such cases, doublespeak disguises the nature of the truth.
Thoughtcrime is a word coined by George Orwell in his 1949 dystopian novel Nineteen Eighty-Four. It describes a person's politically unorthodox thoughts, such as unspoken beliefs and doubts that contradict the tenets of Ingsoc, the dominant ideology of Oceania. In the official language of Newspeak, the word crimethink describes the intellectual actions of a person who entertains and holds politically unacceptable thoughts; thus the government of the Party controls the speech, the actions, and the thoughts of the citizens of Oceania. In contemporary English usage, the word thoughtcrime describes beliefs that are contrary to accepted norms of society, and is used to describe theological concepts, such as disbelief and idolatry, and the rejection of an ideology.
The mathematically incorrect phrase "two plus two equals five" is best known in English for its use in the 1949 dystopian novel Nineteen Eighty-Four by George Orwell, as a possible statement of Ingsoc philosophy, like the dogma "War is Peace", which the Party expects the citizens of Oceania to believe is true. In writing his secret diary in the year 1984, the protagonist Winston Smith ponders if the Inner Party might declare that "two plus two equals five" is a fact. Smith further ponders whether or not belief in such a consensus reality makes the lie true.
The Theory and Practice of Oligarchical Collectivism is a fictional book in George Orwell's dystopian novel Nineteen Eighty-Four (1949). The book was supposedly written by Emmanuel Goldstein, the principal enemy of the state of Oceania's ruling party. The Party portrays Goldstein as a former member of the Inner Party who continually conspired to depose Big Brother and overthrow the government. In the novel, the book is read by the protagonist, Winston Smith who recalls that "There were ... whispered stories of a terrible book, a compendium of all the heresies, of which Goldstein was the author, and which circulated clandestinely here and there. It was a book without a title. People referred to it, if at all, simply as The Book."
A memory hole is any mechanism for the deliberate alteration or disappearance of inconvenient or embarrassing documents, photographs, transcripts or other records, such as from a website or other archive, particularly as part of an attempt to give the impression that something never happened. The concept was first popularized by George Orwell's 1949 dystopian novel Nineteen Eighty-Four, where the Party's Ministry of Truth systematically re-created all potentially embarrassing historical documents, in effect, re-writing all of history to match the often-changing state propaganda. These changes were complete and undetectable.
In the 1949 dystopian novel Nineteen Eighty-Four, by George Orwell, the Two Minutes Hate is the daily, public period during which members of the Outer Party of Oceania must watch a film depicting the enemies of the state, specifically Emmanuel Goldstein and his followers, to openly and loudly express hatred for them.
In the dystopian novel Nineteen Eighty-Four (1949), by George Orwell, the Thought Police (Thinkpol) are the secret police of the superstate of Oceania, who discover and punish thoughtcrime, personal and political thoughts unapproved by Ingsoc's regime. The Thinkpol use criminal psychology and omnipresent surveillance via informers, telescreens, cameras, and microphones, to monitor the citizens of Oceania and arrest all those who have committed thoughtcrime in challenge to the status quo authority of the Party and the regime of Big Brother. Orwell's concept of "policing thought" derived from the intellectual self-honesty shown by a person's "power of facing unpleasant facts"; thus, criticising the dominant ideology of British society often placed Orwell in conflict with ideologues, people advocating "smelly little orthodoxies".
Julia is a fictional character in George Orwell's 1949 dystopian novel Nineteen Eighty-Four. Her last name is not revealed in the novel but she is called Dixon in the 1954 BBC TV production.
1984 is a 1956 British black-and-white science fiction film, based on the 1949 novel Nineteen Eighty-Four by George Orwell, depicting a totalitarian future of a dystopian society.
1984 is a soundtrack album by British pop duo Eurythmics. It was released on 12 November 1984 by Virgin Records and contains music recorded by the duo for the 1984 film Nineteen Eighty-Four, based on George Orwell's dystopian novel of the same name. Virgin Films produced the film for release in its namesake year, and commissioned Eurythmics to write a soundtrack.
References to George Orwell's 1949 dystopian political novel Nineteen Eighty-Four themes, concepts and plot elements are also frequent in other works, particularly popular music and video entertainment.
Nineteen Eighty-Four, also known as 1984, is a 1984 British dystopian science fiction film written and directed by Michael Radford, based upon George Orwell's 1949 novel of the same name. Starring John Hurt, Richard Burton, Suzanna Hamilton, and Cyril Cusack, the film follows the life of Winston Smith, a low-ranking civil servant in a war-torn London ruled by Oceania, a totalitarian superstate. Smith (Hurt) struggles to maintain his sanity and his grip on reality as the regime's overwhelming power and influence persecutes individualism and individual thinking on both a political and personal level.
Oceania, Eurasia and Eastasia are the three fictional superstates in George Orwell's 1949 dystopian novel Nineteen Eighty-Four. All that Oceania's citizens know about the world is whatever the Party wants them to know, so how the world evolved into the three states is unknown; and it is also unknown to the reader whether they actually exist in the novel's reality, or whether they are a storyline invented by the Party to advance social control. The nations, so far as can be inferred, appear to have emerged from nuclear warfare and civil dissolution over 20 years between 1945 and 1965.
Winston Smith is a fictional character and the main protagonist of George Orwell's dystopian 1949 novel Nineteen Eighty-Four. The character was employed by Orwell as an everyman in the setting of the novel, a "central eye ... [the reader] can readily identify with."
Emmanuel Goldstein is a fictional character in George Orwell's 1949 dystopian novel Nineteen Eighty-Four. He is the principal enemy of the state according to the Party of the totalitarian Oceania. He is depicted as the head of a mysterious and possibly fictitious dissident organization called "The Brotherhood" and as having written the book The Theory and Practice of Oligarchical Collectivism. He is only seen and heard on telescreen, and may be a fabrication of the Ministry of Truth, the State's propaganda department.
Doublethink is a process of indoctrination whereby the subject is expected to simultaneously accept two mutually contradictory beliefs as correct, often in contravention to one's own memories or sense of reality. Doublethink is related to, but differs from, hypocrisy.
Newspeak is the fictional language of Oceania, a totalitarian superstate that is the setting of the 1949 dystopian novel Nineteen Eighty-Four, by George Orwell. In the novel, the Party created Newspeak to meet the ideological requirements of Ingsoc in Oceania. Newspeak is a controlled language of simplified grammar and restricted vocabulary designed to limit the individual's ability to think and articulate "subversive" concepts such as personal identity, self-expression and free will. Such concepts are criminalized as thoughtcrime since they contradict the prevailing Ingsoc orthodoxy.
Nineteen Eighty-Four is a dystopian social science fiction novel and cautionary tale written by English writer George Orwell. It was published on 8 June 1949 by Secker & Warburg as Orwell's ninth and final book completed in his lifetime. Thematically, it centres on the consequences of totalitarianism, mass surveillance and repressive regimentation of people and behaviours within society. Orwell, a democratic socialist, modelled the totalitarian government in the novel after Stalinist Russia and Nazi Germany. More broadly, the novel examines the role of truth and facts within politics and the ways in which they are manipulated.
O'Brien is a fictional character and the main antagonist in George Orwell's 1949 novel Nineteen Eighty-Four. The protagonist Winston Smith, living in a dystopian society governed by the Party, feels strangely drawn to Inner Party member O'Brien. Orwell never reveals O'Brien's first name. The name indicates that O'Brien is of Irish origin, but this background is never shown to have any significance.