Donato di Niccolò di Betto Bardi, better known as Donatello, was an Italian sculptor of the Renaissance. Born in Florence, he studied classical sculpture and used this to develop a complete Renaissance style in sculpture, whose periods in Rome, Padua and Siena introduced to other parts of Italy a long and productive career. He worked with stone, bronze, wood, clay, stucco and wax, and had several assistants, with four perhaps being a typical number. Though his best-known works were mostly statues in the round, he developed a new, very shallow, type of bas-relief for small works, and a good deal of his output was larger architectural reliefs.
Bartolommeo Bandinelli, actually Bartolommeo Brandini, was a Renaissance Italian sculptor, draughtsman and painter.
Piero di Cosimo de' Medici , was the de facto ruler of Florence from 1464 to 1469, during the Italian Renaissance.
Bernardo di Matteo del Borra Gamberelli, better known as Bernardo Rossellino, was an Italian sculptor and architect, the elder brother of the sculptor Antonio Rossellino. As a member of the second generation of Renaissance artists, he helped to further define and popularize the revolution in artistic approach that characterized the new age.
The Basilica di Santa Croce is the principal Franciscan church in Florence, Italy, and a minor basilica of the Roman Catholic Church. It is situated on the Piazza di Santa Croce, about 800 meters south-east of the Duomo. The site, when first chosen, was in marshland outside the city walls. It is the burial place of some of the most illustrious Italians, such as Michelangelo, Galileo, Machiavelli, the poet Foscolo, the philosopher Gentile and the composer Rossini, thus it is known also as the Temple of the Italian Glories.
Fiesole is a town and comune of the Metropolitan City of Florence in the Italian region of Tuscany, on a scenic height above Florence, 5 km northeast of that city. Both Harvard University and Georgetown University have their centers of Italian Renaissance Studies domiciled in Fiesole. The Decameron by Giovanni Boccaccio is set in the slopes of Fiesole. The city was equally featured in the novels Peter Camenzind (1904) by Hermann Hesse and A Room with a View (1908) by E. M. Forster.
Settignano is a frazione on a hillside northeast of Florence, Italy, with views that have attracted American expatriates for generations. The little borgo of Settignano carries a familiar name for having produced three sculptors of the Florentine Renaissance, Desiderio da Settignano and the Gamberini brothers, better known as Bernardo Rossellino and Antonio Rossellino. The young Michelangelo lived with a sculptor and his wife in Settignano—in a farmhouse that is now the "Villa Michelangelo"— where his father owned a marble quarry. In 1511 another sculptor was born there, Bartolomeo Ammannati. The marble quarries of Settignano produced this series of sculptors.
Benedetto da Maiano was an Italian sculptor of the early Renaissance.
Giovanni di Cosimo de' Medici was an Italian banker and patron of arts.
Diotisalvi Neroni was an Italian politician.
The decade of the 1420s in art involved some significant events.
The decade of the 1430s in art involved some significant events.
Giovanni Bastianini was an Italian sculptor who began his career as a stonecutter in the quarries at Fiesole, and was sent by Francesco Inghirami to study in Florence, first with Pio Fedi and then with Girolamo Torrini, with whom he collaborated on a statue of Donatello for the portico of the Uffizi. Bastianini's name became famous in connection with his unmasking as the first widely publicized art forger.
Andrea Ferrucci, also known as Andrea di Piero Ferruzzi and as Andrea da Fiesole, was an Italian sculptor who was born in Fiesole, Tuscany, in 1465. He was a first cousin once removed of the artist Francesco di Simone Ferrucci (1437–1493), under whom he studied.
Piazzale Michelangelo is a square with a panoramic view of Florence, Italy, located in the Oltrarno district of the city.
The Master of the Marble Madonnas was the name given to an unidentified sculptor, or perhaps group of sculptors, active in the Tuscan region of Italy between c. 1470 and c.1500. He is thought to have been responsible for a group of stylistically related sculptures that is based mainly on their related compositions and drapery forms. Products of the Master's workshop include a large number of reliefs of the Virgin and Child; busts and reliefs depicting the suffering of Christ were also popular, as were busts of children. Various mannerisms can be seen in this group, as well; among these has been what is described as "a peculiar feline smile from heavy-lidded eyes and a taut jaw, at its best radiating inward joy but often acerbic or bordering on the manic"
Simone Ferrucci (1437-1493), also Francesco di Simone Ferrucci, was an Italian sculptor.
The Funerary Monument to Cardinal Niccolo Forteguerri is an assembly of mostly deep bas-relief sculptures installed posthumously on a wall of the Cathedral of Pistoia to memorialize the native Cardinal. While the initial design for this monument was completed by the Renaissance sculptor Andrea Verrochio, the present arrangement, completed centuries later, was assembled with substantial modifications by lesser-known artists.
