Related Research Articles
This is a list of films directed by Ernst Lubitsch. He made a total of 72 films in a career that spanned 4 decades.
Stella Arbenina, Baroness Meyendorff was a Russian-born English actress.
The Transformation of Dr. Bessel is a 1927 German silent film directed by Richard Oswald and starring Jakob Tiedtke, Sophie Pagay and Hans Stüwe. The film was based on a novel by Ludwig Wolff. It premiered at the Ufa-Palast am Zoo. It has thematic similarities with Ernst Lubitsch's 1932 film The Man I Killed. Whereas that film featured a French soldier partially assuming the identity of a dead German, in Oswald's film a German is able to survive by pretending to be French.
Chased by the Devil is a 1950 West German crime film directed by Viktor Tourjansky and starring Hans Albers, Willy Birgel and Lil Dagover. A doctor discovers a new medical cure with dangerous side effects, and takes the drug himself to test its limitations.
The Opera Ball is a 1931 German musical comedy film directed by Max Neufeld and starring Iván Petrovich, Liane Haid and Georg Alexander. It was shot at the Halensee Studios in Berlin. The film's sets were designed by the art directors Karl Weber and Erich Zander. It was part of a large group of operetta films made during the decade, although he film is not based on the operetta Der Opernball. The following year it was remade in French as Beauty Spot. A 1932 British remake After the Ball was also made.
Marriage with Limited Liability is a 1931 Austrian-German comedy film directed by Franz Wenzler and starring Charlotte Susa, Georg Alexander and Paul Morgan. It was released by the German subsidiary of Universal Pictures.
Madame Wants No Children is a 1933 Austrian-German comedy film directed by Hans Steinhoff and starring Liane Haid, Georg Alexander and Lucie Mannheim. It is a remake of the 1926 silent film Madame Wants No Children.
Hooray, It's a Boy! is a 1931 German comedy film directed by Georg Jacoby and starring Lucie Englisch, Max Adalbert and Ida Wüst. It is based on the 1926 play of the same name.
Hussar Fever is a 1925 German silent comedy film directed by Georg Jacoby and starring Max Hansen, Georg Alexander and Jakob Tiedtke.
The Castle in Flanders is a 1936 German drama film directed by Géza von Bolváry and starring Mártha Eggerth, Paul Hartmann, and Georg Alexander. It was shot at the Johannisthal Studios in Berlin. The film's sets were designed by the art directors Emil Hasler and Arthur Schwarz.
What Does Brigitte Want? is a 1941 German comedy film directed by Paul Martin and starring Leny Marenbach, Albert Matterstock and Fita Benkhoff.
Carousel is a 1937 German musical film directed by Alwin Elling and starring Marika Rökk, Georg Alexander, and Paul Henckels.
The Money Devil is a 1923 German silent drama film directed by Heinz Goldberg and starring Stella Arbenina, Karl Forest and Otto Gebühr.
King of Women is a 1923 German silent comedy film directed by Jaap Speyer and starring Georg Alexander, Stella Arbenina, and Ralph Arthur Roberts.
His Excellency from Madagascar is a 1922 German silent thriller film directed by Georg Jacoby and starring Paul Otto, Eva May, and Georg Alexander. It was released in two parts Das Mädchen aus der Fremde and Stubbs, der Detektiv.
Peter Voss, Thief of Millions or The Man Without a Name is a 1921 German silent adventure film directed by Georg Jacoby and starring Harry Liedtke, Paul Otto, and Mady Christians. It was released in six separate parts. A number of such serials were made during the early Weimar Republic, including Joe May's The Mistress of the World.
The Flight into Marriage is a 1922 German silent film directed by Artur Retzbach and starring Gunnar Tolnæs, Carola Toelle and Albert Steinrück.
The Secret of the Duchess is a 1923 German silent drama film directed by Klaus Albrecht and starring Nils Asther, Stella Arbenina and Arnold Korff.
Snow White and the Seven Jugglers is a 1962 Swiss-West German musical comedy film directed by Kurt Hoffmann and starring Caterina Valente, Walter Giller and Georg Thomalla.
References
- ↑ Hake, Sabine. The Cinema's Third Machine: Writing on Film in Germany, 1907–1933. University of Nebraska Press, 1993. p. 169. ISBN 080322365X.
