|Mobius Final Fantasy|
The Japanese logo for Mobius Final Fantasy
|Developer(s)||Square Enix Business Division 1|
|Platform(s)||iOS, Android, Microsoft Windows|
Mobius Final Fantasy(Japanese:メビウスファイナルファンタジー Hepburn:Mebiusu Fainaru Fantajī) is an episodic role-playing video game developed and published by Square Enix for iOS, Android, and Microsoft Windows. It was released in Japan in June 2015, and released internationally in August 2016. The player controls Warrior of Light (Wol), a man who wakes with amnesia in the world of Palamecia, and must help conquer the dark forces attacking its people. The game features gameplay elements from previous Final Fantasy titles, including leveling, exploration via standard navigation and fast-travel systems, and turn-based combat tied to a job system. Common themes were also drawn from the original Final Fantasy title, such as "warriors of light" and their fight against chaos and darkness.
Japanese is an East Asian language spoken by about 128 million people, primarily in Japan, where it is the national language. It is a member of the Japonic language family, and its relation to other languages, such as Korean, is debated. Japanese has been grouped with language families such as Ainu, Austroasiatic, and the now-discredited Altaic, but none of these proposals has gained widespread acceptance.
Hepburn romanization is a system for the romanization of Japanese that uses the Latin alphabet to write the Japanese language. It is used by most foreigners learning to spell Japanese in the Latin alphabet and by the Japanese for romanizing personal names, geographical locations, and other information such as train tables, road signs, and official communications with foreign countries. Largely based on English writing conventions, consonants closely correspond to the English pronunciation and vowels approximate the Italian pronunciation.
A role-playing video game is a video game genre where the player controls the actions of a character immersed in some well-defined world. Many role-playing video games have origins in tabletop role-playing games and use much of the same terminology, settings and game mechanics. Other major similarities with pen-and-paper games include developed story-telling and narrative elements, player character development, complexity, as well as replayability and immersion. The electronic medium removes the necessity for a gamemaster and increases combat resolution speed. RPGs have evolved from simple text-based console-window games into visually rich 3D experiences.
The game, which began development in early 2014, was developed around the concept of a mobile game on a similar level to a home console game and "a rich gaming experience, anytime, anywhere". This prompted skepticism from both in-house staff and external sources. While some assets were outsourced, most of the development was done internally by Square Enix's Business Division 1. Multiple staff from previous Final Fantasy titles were involved in development, including producer Yoshinori Kitase; director Motomu Toriyama, project leader Naoki Hamaguchi, character designer Toshiyuki Itahana and composer Mitsuto Suzuki.
Yoshinori Kitase is a Japanese game director and producer working for Square Enix. He is known as the director of Final Fantasy VI, Chrono Trigger, Final Fantasy VII, Final Fantasy VIII and Final Fantasy X, and the producer of the Final Fantasy X and Final Fantasy XIII series. Kitase is an Executive Officer at Square Enix, the Head of Square Enix's Business Division 1 and part of the Final Fantasy Committee that is tasked with keeping the franchise's releases and content consistent.
Motomu Toriyama is a Japanese game director and scenario writer who has been working for Square Enix since 1994. He initially worked on cutscenes in Bahamut Lagoon and Final Fantasy VII. Toriyama started directing with Final Fantasy X-2 and has continued doing so with large-scale projects such as Final Fantasy XIII and its sequels Final Fantasy XIII-2 and Lightning Returns: Final Fantasy XIII. Since 2003, he has been directing his own team of scenario writers at the company. He is currently directing Mobius Final Fantasy and is a member of Square Enix's Business Division 1, and part of the Final Fantasy Committee that is tasked with keeping the franchise's releases and content consistent.
The game registered over two million players within the first few weeks of release. Square Enix cited Mobius Final Fantasy as one of the most successful mobile titles they released in 2015, having over three million downloads in Japan before the end of the year. The English version also reached one million downloads within a week, with over three million in under a month. The graphics and gameplay were praised by reviewers, although some called the overall combat experience "simple". It was awarded as one of the Apple App Store's best games of 2015 in Japan. It was also awarded for being the most beautiful game on the Google Play Store in 19 countries for 2016.Mobius surpassed 10 million downloads in January 2017 with millions more since. In May 2019 ahead of the Japanese version's 4th anniversary Square Enix announced that the game had reached 20 million downloads worldwide.
Mobius Final Fantasy is a role-playing game designed for mobile phones. The player controls the game's protagonist Warrior of Light (Wol) while navigating Palamecia.Players can customize settings, graphical quality, and adjust controls for their dominant hand. During local navigation on the field map, the player taps a location on a map and the character travels to that location. In some self-contained areas, the player can directly control the character. Along with standard navigation, the player can navigate the game world using a fast-travel system, progressively unlocked as the player progresses through the story. Many of the features in the game, such as the leveling system and exploration, are similar to those from previous home console Final Fantasy games.
A role-playing game is a game in which players assume the roles of characters in a fictional setting. Players take responsibility for acting out these roles within a narrative, either through literal acting, or through a process of structured decision-making regarding character development. Actions taken within many games succeed or fail according to a formal system of rules and guidelines.
Mobius features a tactics-focused, turn-based battle system, with players able to activate attacks by tapping enemies on screen. Players can use standard melee attacks with close-range weapons such as swords, and magical attacks.During combat the player accumulates Elements, which are necessary to activate Abilities, the game's form of summoned monsters. When ready for activation, a tile appears on-screen that the player touches to activate the Ability. Abilities have different attributes: the Shiva Ability unleashes an ice attack, while the Fat Chocobo Ability raises defense for eight turns while automatically healing the player. Elements can also be used by the player to strengthen their resistance to elemental attacks. If an enemy's weakness is struck enough times, their "break gauge" meter will be drained and they will be left weakened, allowing the player to attack freely. A job system and character abilities related to them form a key part of the system.
The player starts off with the Onion Knight job.Each job can be leveled up using special "seed" items collected in battle to fill in a skill panel. Once the panel is complete, the job will evolve, such as the Onion Knight evolving into the pure Warrior class. As jobs change or evolve, the character's appearance will be altered to a degree. In the Chapter Two content update, Samurai, Assassin, and Red Mage jobs were added. In February 2016, multiplayer functionality was added, enabling up to four players to take on bosses.
Wol, the main protagonist, awakes stricken with amnesia in the foreign world of Palamecia.He is one of multiple "Blanks", people brought to Palamecia from other worlds and suffering from amnesia. Palamecia is under attack from the armies of "Chaos", and Wol must fulfill a prophecy in Palamecia that one of the Blanks is a "Warrior of Light" who will free the world from its darkness. Wol is aided on his journey by Princess Sarah Lotte Cornelia, the princess of a kingdom of Palamecia, and Mog, a moogle who volunteers to help in Wol's quest.
Chapter 2, entitled "Prediction and Hope", includes Wol and Mog adventuring through the Ishtar desert and Rune Temple.A side quest was also included, entitled "El Dorado of the Oblivion", which is set in the ruins of "Gold Volost of El Dorado". In chapter 3, Wol is traveling to see Princess Sarah, who is waiting at her castle when she is attacked and held captive by the armies of chaos. Wol is then tasked with saving the princess and fighting against the overwhelming power of the Chaos giants.
In the chapter 4 prologue, Wol and Sarah begin an adventure to find the "Rune of Earth" to keep it out of the hands of chaos, and later in chapter 4 the story continues through new lands.In chapter 5, Wol journeys to find the source of the light that may give him the strength to conquer chaos. The sixth chapter shifted focus onto a different character, the heretic sorceress Meia.
The concept behind Mobius was for a mobile experience comparable with console gamesand "a rich gaming experience, anytime, anywhere". Though it was possible to make a smartphone game equivalent to console games, it had yet to be done, so game producer Yoshinori Kitase sought to fill this perceived gap in the market. It was called the first Final Fantasy mobile game of this scale. While creation of some artwork and graphics was outsourced, most of the concept work and development was done in-house by Square Enix's Business Division 1. Instead of a new development team dedicated to mobiles, the production team was largely made up of veterans from the console Final Fantasy titles. The staff included scenario supervisor Kazushige Nojima and producer Yoshinori Kitase. The story is connected to the original Final Fantasy only thematically through its focus on "warriors of light" fighting against chaos and darkness: it is not a remake or directly related to the plot of the original. It is also considered by the team behind the game as a full entry in the series rather than a spin-off. Speaking after the game's initial release, Nojima stated that he felt his scenario was too bulky for a mobile experience.
Development began in early 2014, and prompted skepticism from both Square Enix staff and its prospective platform managers, who were more used to the dominant 2D-based mobile games. One of the problems cited by project leader Naoki Hamaguchi was creating realistic facial expressions equivalent to those used in the 2013 film Frozen . For development, the team used the Unity game engine. The development team built a relationship with the team at Unity Technologies very early in the development of Unity 5 and this allowed them to have their opinions included in the engine. Despite being dependent on the Unity 5 engine, the team also customised the game editor portion themselves. The team needed to take differences between different phone models into account to allow high performance. To help with development and overcome potential difficulties handling the Unity engine, a special development environment and structure was created. The team used physically based rendering to create realistic lighting and environmental effects. The budget was far lower than graphically equivalent console titles, so the team were reluctant to buy in helping tools and had restrictions on staff numbers: one person was working on all the game's backgrounds, while three were in charge of character designs. Using experience from the development of Final Fantasy XIII , the team were able to create high-end graphics within mobile restrictions.
The team originally wanted to release the global version at the same as the Japanese version. However, since they also wanted to maintain a direct level of control over the development and operation of the title rather than outsourcing it like Square Enix usually does, the global version was delayed by a year. Direct operation allows them to ensure quality and directly take player feedback and reflect it into the service.
The characters were designed by Toshiyuki Itahana. In common with his typical drawing style for characters, Itahana created Wol to be a heroic fantasy character that both fitted within and did not conform to earlier Final Fantasy titles. He and other designers created the multiple job outfits to further convey the fantasy setting.After its reveal, some changes were made to the character's initial costume: due to negative player feedback about the amount of skin shown, the Onion Swordsman outfit was adjusted to be more covering. The game's environments were designed by Takako Miyake, who had previously worked on console Final Fantasy titles. She did not change her working style for Mobius Final Fantasy: all the assets were designed in high definition, and only adjusted slightly when they were brought into the mobile environment. The visual effects were handled by company veteran Shintaro Takai, whose main preoccupation was to make sure the game did not slow down during the flashier visual combat effects due to hardware constraints. The cutscenes were not affected by these issues.
The music for Mobius Final Fantasy was composed by Mitsuto Suzuki, whose previous work includes The 3rd Birthday , Final Fantasy XIII-2 and Lightning Returns: Final Fantasy XIII . When he was first asked to compose for the title, his impression was of a whole new setting that retained nostalgic elements from earlier games in the series, which he sought to incorporate into the score: a piece that encompassed this was his reorchestration of "Prelude". As part of writing for the game, he needed to create new tracks for game updates, which put added pressure on him to create music that would appeal to players. A concept present from an early stage was changing the battle music depending on what job was equipped by the player: Suzuki created an initial battle theme that acted as a base for other themes, then added elements like electronic elements and vocal work to give derivative tracks variety. The majority of the game's choral work, such as with the game's main theme, was done using synthesizers. Suzuki also needed to do remixes of earlier Final Fantasy music, such as the "Chocobo" theme, and pieces from other Final Fantasy games that would appear in special in-game events. Suzuki estimated that he created between 40-50 songs for the game.The music was recorded at the Red Bull Studios in Tokyo.
An official 2-CD soundtrack album for the game, Mobius Final Fantasy Original Soundtrack, was released through Square Enix's music label on February 26, 2015 under the catalog number SQEX-10534-5.The music on the album covers Chapters 1 to 3. According to Suzuki, this was due to the music feeling like it had reached a natural transition point by that stage of the game.
A second soundtrack album for the game was released on August 2, 2017. It features all of the music from chapters 4 to 8 along with music from the special events.
A trademark for its original title, "Mevius Final Fantasy", was filed by Square Enix in October 2014.The game was officially announced in Famitsu two months later under the same name. Two days later, a teaser site was opened in both English and Japanese with a message from Kitase about the team's vision for the game. Its final name was announced during a livestream by the company dedicated to the game. Both titles, along with the logo artwork, took inspiration from the concept of the Möbius strip. Because of its origin, the title was changed from Mevius to Mobius. It was also apparently done in preparation for an international release. Pre-registration for Mobius opened on April 27, 2015, with a special weapon and item available to those who registered. In late 2015, no localization had been officially announced, though Kitase revealed through the Final Fantasy Portal App that it was under consideration. In a later post on the app during first anniversary celebrations for the game, Kitase confirmed that a global version was in development. The global version was released on August 3, 2016 for iOS and Android in English, Traditional Chinese and Korean. It would later be released for Microsoft Windows via Steam (software) in Japan on November 1, 2016 and worldwide on February 6, 2017 in English, Traditional Chinese and Korean. French and German support was added to the global version via iOS, Android and Steam on February 6, 2017.
|Act 1||Release date|
|Chapter 1: Blank Slate(第1章 空白の運命Dai Isshō: Kūhaku no Unmei, lit. "Chapter 1: The Fate of the Blank")|
|Chapter 2: Hope and Prophecy(第2章 予言と希望Dai Nishō: Yogen to Kibō, lit. "Chapter 2: Prophecy and Hope")|
|Chapter 3: Chaos and the Crown(第3章 戦場の王女Dai Sanshō: Senjō no Ōjo, lit. "Chapter 3: The Princess of the Battlefield")||Part I|
|Chapter 4 Prologue: A New Light(第4章プロローグ 新たなる輝きDai Yonshō Purorōgu: Aratanaru Kagayaki, lit. "Chapter 4 Prologue: A New Glow")|
|Chapter 4: Doubt and Illusion(第4章 幻想と疑問Dai Yonshō: Gensō to Gimon, lit. "Chapter 4: Illusion and Doubt")||Part I|
|Chapter 5: The First Warrior(第5章 はじまりの戦士Dai Goshō: Hajimari no Senshi, lit. "Chapter 5: The Warrior of the Beginning")||Part I|
|Chapter 6: Bewitching Memories(第6章 追憶の魔女Dai Rokushō: Tsuioku no Majo, lit. "Chapter 6: The Witch of Reminiscence")||Part I|
|Chapter 7: The Light of Hope(第7章 希望の光Dai Nanashō: Kibō no Hikari, lit. "Chapter 7: The Light of Hope")||Part I|
|Final Chapter: Closing the Loop(最終章 終極のメビウスSai Shūshō: Shūkyoku no Mebiusu, lit. "Final Chapter: The Last Mobius")||Part I|
|Act 2||Release date|
|Warrior of Despair: Prologue - The Slumbering Warriors(破滅の戦士篇 プロローグ 眠れる戦士たちHametsu no Senshi-hen: Purorōgu - Nemureru Senshi-tachi, lit. "Warrior of Ruin Act: Prologue - The Sleeping Warriors")|
|Warrior of Despair - Chapter 1: A World Adrift(破滅の戦士篇 第１章 予言なき世界Hametsu no Senshi-hen - Dai Isshō: Yogen Naki Sekai, lit. "Warrior of Ruin Act - Chapter 1: A World Without Prophecy")||Part I|
|Warrior of Despair - Chapter 2: The Calm(破滅の戦士篇 第２章 凪の日常Hametsu no Senshi-hen - Dai Nishō: Nagi no Nichijō)||Part I|
|Warrior of Despair - Chapter 3: A Step into the Unknown(破滅の戦士 第３章 未知なる一歩Hametsu no Senshi - Michinaru Ippo)||Sophie|
|Warrior of Despair - Chapter 4: One Small Pebble(破滅の戦士 第４章 転がる石のようにHametsu no Senshi - Korogaruishi no yō ni)||Sophie & Graff|
|Warrior of Despair - Chapter 5: Entwined Fates(破滅の戦士 第５章 運命の乱流Hametsu no Senshi - Unmei no Ranryū)||Sophie|
Collaboration events with Final Fantasy Record Keeper , Final Fantasy X , Final Fantasy Type-0 , Final Fantasy VII Remake , Terra Battle , Final Fantasy XII , Final Fantasy XIII , Hoshi No Dragon Quest , Final Fantasy XV , Final Fantasy VII and Final Fantasy XIV have also occurred in the game.
Final Fantasy VII Remake, Final Fantasy XIII, Final Fantasy VII and Final Fantasy X have had original stories told alongside their respective games' stories with Final Fantasy XIII set between Final Fantasy XIII-2 and Lightning Returns: Final Fantasy XIII and Final Fantasy X between it and Final Fantasy X-2 .
During its pre-registration period, the game received 200,000 registered users.By July 12, just over a week after release, the game had one million registered players in Japan. This number had expanded to over two million by the following month. Speaking after release, Kitase said that Square Enix considered the game a success as it introduced the mobile community to AAA-style graphics. In Square Enix's 2015 annual report, Mobius was noted as one of their successful mobile titles for the year, stating that the higher production values when compared to other mobile games on the market had contributed to its popularity. In addition, Mobius was among the finalists for the 2015 Unity Awards for mobile games in the "Best 3D Visual Experience" category, and was named among Japan's "iTune's Best of 2015" by Apple Inc..
Dengeki Mobile, in a pre-release review, praised the gameplay and strategy present in early random encounters and boss battles, although the reviewer had minor reservations about the quality of the entire game as they were not able to play through all of it. They also stated that players might encounter difficulties during some boss battles. The reviewer summed up the experience as "simple, yet engaging". 's compliments. One thing they noted was that the performance needed to be adjusted for different mobiles as running the game rapidly drained the phones batteries when on its highest settings. The reviewer also recommended tablets over mobile phones as a means of playing the game. Western reviews were similarly mixed, with TouchArcade praising the games visuals but calling the user interface an "overly busy nightmare". Kotaku examined the game in July 2015 and called the gameplay "monotonous" and lacking in plot, though it noted that many chapters were still to be released.Famitsu , in a similar feature, praised the gameplay and presentation, echoing many of Dengeki
For the Western release of Mobius, the pre-registration exceeded 125,000 registered users.
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