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Mohammed Adil Shah | |||||
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Sultan Shah | |||||
7th Sultan of Bijapur | |||||
Reign | 12 September 1627 – 4 November 1656 | ||||
Predecessor | Ibrahim Adil Shah II | ||||
Successor | Ali Adil Shah II | ||||
Born | Bijapur | ||||
Died | 4 November 1656 Bijapur | ||||
Burial | |||||
Spouse |
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Issue | Ali Adil Shah II | ||||
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Dynasty | Adil Shahi Empire | ||||
Father | Ibrahim Adil Shah II | ||||
Mother | Taaj Sultana or Badi Sahiba | ||||
Religion | Islam [1] [2] [3] |
Mohammed Adil Shah was the seventh sultan of Bijapur, ascending the throne in 1627. During his reign, he assisted the Mughals with their campaigns against the Ahmednagar Sultanate and signed a peace treaty with them in 1636. He died in 1656 and was buried in the Gol Gumbaz.
Although Darvesh Padshah was Ibrahim's eldest son, Mohammed Adil Shah was raised to the throne in 1627 on his father's death, at the age of fifteen. [4]
Mohammed Adil Shah of Bijapur partnered with the Mughals in their conquest of Ahmednagar. Mohammed maintained friendly relations with Shah Jahan and made a peace treaty of 1636, after the extinction of Ahmednagar. By a firman of Shah Jahan, he got assurances for the end of Mughal aggression against Bijapur and due to his good relations with the Mughals, Shah Jahan formally recognized Muhammad’s sovereignty and bestowed upon him the title of Shah in 1648, the only ruler of Bijapur to receive such recognition from the Mughals.
The Treaty of 1636 with the Mughals sealed the expansion of Bijapur in the north. So, Mohammed Adil Shah extended his dominations westwards into Konkan, Pune, Dhabul (present Mumbai), southwards into Mysore, and eastwards into Karnataka, present south Andhra Pradesh and Tamil Nadu. During his reign, the kingdom attained its greatest extent, power and magnificence, and his dominions stretched from the Arabian Sea to the Bay of Bengal.
Besides territorial expansions, Bijapur also attained peace and prosperity during Mohammed’s reign. His kingdom yielded an annual revenue of seven crore eighty four lakh rupees, besides the five and half crores of tributes that were from vassal rulers and zamindars. Cultural activities like poetry, painting and architecture also received a great impetus. Mohammed Adil Shah did his best to emulate the glorious traditions left to him by his versatile father. Diffusion of general education and religious teachings were one of his chief concerns, and he did his utmost to improve the socio-economic and educational standards of the people.
Mohammed continued his father's patronage of the arts, though on a lesser scale. He introduced fresco paintings and portraits, the examples of which are the walls of Asar Mahal, pavilion at Kumatgi and Sat Manzil.
Mohammed Adil Shah along with Golconda sultan was responsible for dissolution of already decaying Vijayanagar empire. This made him the most powerful ruler of Deccan region for a while. But as fate would always have its turn,marathas inspired by Vijayanagar's history of valour launched a series of battles and started capturing Bijapur terroritories during very same Muhamad's reign. Mohammad’s reign witnessed the revolt of the Maratha general Shahaji Bhosale and then, the rise of his son Chatrapati Shivaji Maharaj to eminence and his founding of an independent Maratha kingdom, which was initially carved out of the Bijapur Sultanate. Muhammed failed to check the rise of Marathas to independence.Mohamad Adil shah died a miserable death seeing his territories going into the hands of Marathas one by one. This victory over Bijapur Sultanate ensured Golconda would also come under the influence of Marathas. Thus Marathas became a formidable power of Deccan.[ citation needed ]
After an extended illness, Mohammad died and was succeeded by his son Ali Adil Shah II. [5]
He was buried in the Gol Gumbaz, near the tomb of his spiritual teacher Hashimpeer Dastageer. Hashimpeer arrived in Bijapur at the rule of Ibrahim Adil Shah II. Hashimpeer influenced the rulers of Bijapur to give up their un-Islamic and heretic practices. Gol Gumbaz, located near the shrine of Hashimpeer, owes its completion to the 10 years of life that Hashimpeer granted to his disciple Adil Shah.[ citation needed ]
The dome of the Gol Gumbaz is the second largest in the world, 44 m (124 ft) in diameter. [6] The Gol Gumbaz complex includes a mosque, a Naqqar Khana (a hall for the trumpeters, now it is used as museum) and the ruins of guest houses.
The Deccan Sultanates were five late-medieval Indian kingdoms—on the Deccan Plateau between the Krishna River and the Vindhya Range—that were ruled by Muslim dynasties: namely Ahmadnagar, Berar, Bidar, Bijapur, and Golconda. The sultanates had become independent during the break-up of the Bahmani Sultanate. The five sultanates owed their existence to the declaration of independence of Ahmadnagar in 1490, followed by Bijapur and Berar in the same year. Golconda became independent in 1518, and Bidar in 1528.
Gol Gumbaz, also written Gol Gumbad, is a 17th-century mausoleum located in Bijapur, a city in Karnataka, India. It houses the remains of Mohammad Adil Shah, seventh sultan of the Adil Shahi dynasty, and some of his relatives. Begun in the mid-17th century, the structure never reached completion. The mausoleum is notable for its scale and exceptionally large dome. The structure is an important example of Adil Shahi architecture.
The Adil Shahi or Adilshahi, was a Shia, and later Sunni Muslim, dynasty founded by Yusuf Adil Shah, that ruled the Sultanate of Bijapur, centred on present-day Bijapur district, Karnataka in India, in the Western area of the Deccan region of Southern India from 1489 to 1686. Bijapur had been a province of the Bahmani Sultanate (1347–1518), and member of the Deccan Sultanates, before its political decline in the last quarter of the 15th century and eventual break-up in 1518. The Bijapur Sultanate was fully absorbed into the Mughal Empire on 12 September 1686, after its conquest by the Emperor Aurangzeb.
Shahaji Bhosale was a 17th century Indian military leader who served the Ahmadnagar Sultanate, the Bijapur Sultanate, and the Mughal Empire at various points in his career. As a member of the Bhonsle dynasty, Shahaji inherited the Pune and Supe jagirs (fiefs) from his father Maloji, who previously served the Ahmadnagar Sultanate. During the Mughal invasion of the Deccan, Shahaji joined the Mughal forces and served under Emperor Shah Jahan for a short period. After being deprived of his jagirs, he defected to the Bijapur Sultanate in 1632 and regained control over Pune and Supe. In 1638, he received the jagir of Bangalore after Bijapur's invasion of Kempe Gowda III's territories. Afterwards, he became the chief general of Bijapur and oversaw its expansion.
Ibrahim Adil Shah II was Sultan of the Sultanate of Bijapur and a member of the Adil Shahi dynasty. Under his reign the dynasty had its greatest period as he extended its frontier as far south as Mysore. He was a skilful administrator, artist, poet and a generous patron of the arts. He reverted to the Sunni orthodoxy of Islam, but remained tolerant of other religions, including Christianity. However, during his reign high-ranking Shiite immigrants became unwelcome and in 1590, he ordered the confinement of criers who read the khutba in the Shia form. After his reign, increasing weakness permitted Mughal encroachment and the successful revolt of the Maratha king Shivaji, who killed the Bijapur general Afzal Khan and scattered his army. The dynasty left a tradition of cosmopolitan culture and artistic patronage whose architectural remains are to be seen in the capital city of Bijapur.
Firishta or Ferešte, full name Muhammad Qasim Hindu Shah Astarabadi, was a Persian historian, who later settled in India and served the Deccan Sultans as their court historian. He was born in 1570 and died in 1620. The name Firishta means 'angel' in Persian.
Ismail Adil Shah was the Sultan of Bijapur who spent most of his time extending his territory. His short-lived reign helped the dynasty establish a stronghold in the Deccan.
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Sultana Chand Bibi was an Indian ruler and warrior. She acted as the Regent of Bijapur Sultanate during the minority of Ibrahim Adil Shah II in 1580-1590, and regent of Ahmednagar Sultanate during the minority of her great nephew Bahadur Shah in 1595-1600. Chand Bibi is best known for defending Ahmednagar against the Mughal forces of Emperor Akbar in 1595.
Ibrahim Adil Shah I was a Sultan and later Shah of the Indian kingdom of Bijapur. He succeeded his elder brother, Mallu Adil Shah, through the machinations of the Afaqi faction at the court. He was the first Adil Shahi ruler to assume the royal title of Shah.
Ali Adil Shah II was the 8th Sultan of Bijapur. He succeeded to the throne of Bijapur through the efforts of the Prime Minister Khan Muhammad and the Queen, Badi Sahiba, sister of Qutb Shah of Golkonda on the death of Mohammed Adil Shah, Sultan of Bijapur on 4 November 1656.
Sikandar Adil Shah was the last Sultan of Bijapur, who reigned between 1672 and 1686. Placed on the throne at five years of age, his reign was marked by the collapse of the Bijapur Sultanate.
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Deccan painting or Deccani painting is the form of Indian miniature painting produced in the Deccan region of Central India, in the various Muslim capitals of the Deccan sultanates that emerged from the break-up of the Bahmani Sultanate by 1520. These were Bijapur, Golkonda, Ahmadnagar, Bidar, and Berar. The main period was between the late 16th century and the mid-17th, with something of a revival in the mid-18th century, by then centred on Hyderabad.
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