This article needs additional citations for verification .(February 2017) |
Movers & Shakers | |
---|---|
Directed by | William Asher |
Written by | Charles Grodin |
Produced by | William Asher Charles Grodin |
Starring |
|
Cinematography | Robbie Greenberg |
Edited by | Tom Benko |
Music by | Ken Welch Mitzie Welch |
Production company | |
Distributed by | Metro-Goldwyn-Mayer |
Release date | May 3, 1985 |
Running time | 80 minutes |
Country | United States |
Language | English |
Budget | $3.5 million [1] |
Box office | $372,438 [2] |
Movers & Shakers is a 1985 American comedy film distributed by Metro-Goldwyn-Mayer, starring Walter Matthau and directed by William Asher.
The story follows the head of production at a Hollywood studio who wants to make a movie to fulfill a promise made to a dying friend.
The film was written by Charles Grodin, who also appears in the movie. The cast includes Tyne Daly, Gilda Radner, and Vincent Gardenia. Steve Martin makes a cameo appearance as Fabio Longio.
Hollywood studio mogul Joe Mulholland (Matthau) vows to produce the pet project of a dying acquaintance, who has been trying to find a way to make a film out of a best-selling sex manual. He and screenwriter Herb Derman (Grodin) try to make it happen, but fail in every possible way. Meanwhile, Herb is distracted by his own marital problems.
Charles Grodin recounted the making of this film in his autobiography, It Would Be So Nice if You Weren't Here: in the mid-1970s, Paramount Pictures paid a great amount of money to secure the rights to Alex Comfort's sex manual The Joy of Sex just so it could use the title, which studio executives thought to be highly commercial. In 1978, they hired Grodin to write a script, telling him the movie "could be about anything." Grodin decided to use this exact situation as the premise: a Hollywood writer struggles to write a script based on a sex manual after a big studio acquires the rights. When he finished his first draft, the studio passed and eventually released National Lampoon's Joy of Sex in 1984.
After Paramount put Grodin's script in turnaround in 1978, he was free to offer it to other studios. However, since Paramount held the rights to the title The Joy of Sex, the film was retitled Dreamers. Columbia Pictures showed interest in producing it with Peter Falk playing the leading role as the producer. But when the deal with Columbia fell through, Grodin ended up pitching his screenplay to every Hollywood studio several times over the course of the next seven years. Eventually, director William Asher agreed to make it with a budget of two million dollars if actors and crew would defer salaries. This is why Grodin and Asher share a producers credit on the finished film.
Grodin persuaded some of his actor friends to become involved. He, Steve Martin, Gilda Radner, Penny Marshall and Tyne Daly all agreed to work for the least amount of money the union allowed. Martin did so without even reading the script. When the film was finally green-lit, Grodin received no salary for writing or producing it, only the minimum for working five weeks as an actor: about $5,000 for two years of work (seven years in total since the inception of the project).
When the film was finally ready to go in front of the cameras, original lead actor Peter Falk was no longer available. An unnamed well-known comic actor had to drop out when he didn't pass his insurance physical. At the very last minute, Walter Matthau agreed to star, receiving $1 million, half his usual fee at the time for his work.
Following not very successful preview screenings, the son of MGM executive Greg Morrison suggested narration by Grodin be added to the picture.
MGM initially refused to pay for the picture nor release it, because "it was not of first-class technical quality" and "does not reflect the screenplay." The film finally got a limited release in several large cities across America. However, because of its relatively small budget ($3.5 million) and all-star cast, MGM expected to make money on home video, cable, regular television and foreign sales.
Grodin was extremely unhappy with MGM over their distribution of the picture and harshly criticized the studio during talk show appearances. Years later, on a depression-themed episode of his CNBC talk show, Grodin cited the failure of this film (along with the subsequent death of his father) as the cause of a long period of depression.
Gilda Susan Radner was an American comedian and actress, and one of the seven original cast members of the “Not Ready For Prime Time Players” on the NBC sketch comedy show Saturday Night Live (SNL). In her routines, Radner specialized in parodies of television stereotypes, such as advice specialists and news anchors. In 1978, she won an Emmy Award for her performances on the show. She also portrayed those characters in her highly successful one-woman show on Broadway in 1979. Radner's SNL work established her as an iconic figure in the history of American comedy.
Jerome Silberman, known professionally as Gene Wilder, was an American actor, comedian, writer and filmmaker. He is known mainly for his comedic roles, but also for his portrayal of Willy Wonka in Willy Wonka & the Chocolate Factory (1971). He is also known for his collaborations with Mel Brooks on the films The Producers (1967), Blazing Saddles (1974) and Young Frankenstein (1974), as well as Richard Pryor in the four films with Silver Streak (1976), Stir Crazy (1980), See No Evil, Hear No Evil (1989) and Another You (1991). He also starred in Woody Allen's Everything You Always Wanted to Know About Sex* (1972).
Richard Quine was an American director, actor, and singer.
Midnight Run is a 1988 American action comedy film directed by Martin Brest and starring Robert De Niro and Charles Grodin. Yaphet Kotto, John Ashton, Dennis Farina, Joe Pantoliano, and Philip Baker Hall play supporting roles.
Popeye is a 1980 American musical comedy film directed by Robert Altman and produced by Paramount Pictures and Walt Disney Productions. It is based on E. C. Segar's comics character of the same name. The script was written by Jules Feiffer, and it featured Robin Williams as Popeye the Sailor Man and Shelley Duvall as Olive Oyl. Its story follows Popeye's adventures as he arrives in the town of Sweethaven.
Peter Benton Bart is an American journalist and film producer, writing a column for Deadline Hollywood since 2015. He is perhaps best known for his lengthy tenure (1989–2009) as the editor in chief of Variety, an entertainment-trade magazine.
Seems Like Old Times is a 1980 American comedy film starring Chevy Chase, Goldie Hawn, and Charles Grodin, directed by Jay Sandrich and written by Neil Simon. It is the only film directed by Sandrich.
Haunted Honeymoon is a 1986 American comedy horror film starring Gene Wilder, Gilda Radner, Dom DeLuise and Jonathan Pryce. Wilder also served as writer and director. The film also marked Radner's final appearance in a movie prior to her death of ovarian cancer in 1989. The title Haunted Honeymoon was previously used for the 1940 U.S. release of Busman's Honeymoon based on the stage play by Dorothy L. Sayers.
William Milton Asher was an American television and film producer, film director, and screenwriter. He was one of the most prolific early television directors, producing or directing over two dozen series.
A studio system is a method of filmmaking wherein the production and distribution of films is dominated by a small number of large movie studios. It is most often used in reference to Hollywood motion picture studios during the Golden Age of Hollywood from the 1920s to 1960s, wherein studios produced films primarily on their own filmmaking lots with creative personnel under often long-term contract, and dominated exhibition through vertical integration, i.e., the ownership or effective control of distributors and exhibition, guaranteeing additional sales of films through manipulative booking techniques such as block booking.
The Woman in Red is a 1984 American romantic comedy film directed by and starring Gene Wilder. Wilder also wrote the script, adapting it from the Yves Robert film Pardon Mon Affaire. It co-stars Charles Grodin, Gilda Radner, Joseph Bologna, Judith Ivey, and Kelly LeBrock. The film won an Academy Award for Best Original Song for "I Just Called to Say I Love You", written and performed by Stevie Wonder.
Susanna Foster was an American film actress best known for her leading role as Christine in the 1943 film version of Phantom of the Opera.
Thieves is a play by Herb Gardner.
Buddy Buddy is a 1981 American comedy film based on Francis Veber's play Le contrat and Édouard Molinaro's film L'emmerdeur. It was the final film directed and written by Billy Wilder.
Patrick S. Fischler is an American character actor known for his roles as Jimmy Barrett on the drama series Mad Men, Dharma Initiative worker Phil on the drama series Lost and Detective Kenny No-Gun on the police drama Southland. He has more than sixty film and television credits, including the films Mulholland Drive (2001), Ghost World (2001), Old School (2003), The Black Dahlia (2006), and Dinner for Schmucks (2010).
Design for Living is a 1933 American pre-Code comedy film directed by Ernst Lubitsch from a screenplay by Ben Hecht, based on the 1932 play of the same name by Noël Coward. Starring Fredric March, Gary Cooper, and Miriam Hopkins, the film is about a woman who cannot decide between two men who love her, and the trio agree to try living together in a platonic friendly relationship.
Joy of Sex is a 1984 film directed by Martha Coolidge. It was written by Kathleen Rowell and J.J. Salter, based on the sex manual by Alex Comfort.
Neil Simon's I Ought to Be in Pictures is a 1982 American comedy-drama film directed by Herbert Ross and based on Neil Simon's 1980 play of the same name. The film stars Walter Matthau, Ann-Margret, and Dinah Manoff. Other actors who have supporting roles are Lance Guest, Eugene Butler, David Faustino, Martin Ferrero and Michael Dudikoff.
The War Against Mrs. Hadley is a 1942 American drama film directed by Harold S. Bucquet and starring Fay Bainter and Edward Arnold. The plot depicts how wealthy society matron Stella Hadley selfishly refuses to sacrifice her family or material comforts during World War II, until tragedy strikes an old rival. The script by George Oppenheimer was nominated for an Academy Award for Best Original Screenplay.
Events in 1946 in animation.