Mule (shoe)

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A pair of heeled mules Mules-shoes-1.jpg
A pair of heeled mules

Mule is a style of shoe that has no back or constraint around the foot's heel. Mules have a history going back to Ancient Rome but were not popularly worn until sixteenth-century Europe.[ citation needed ] There, mules were bedroom slippers and not worn in public. Through the centuries, mules have changed in style and purpose and are no longer just boudoir shoes but are worn at any time, for any occasion. In addition to Western examples, mules come from cultures such as Turkey and Egypt, and appear in popular culture, from famous paintings to iconic celebrities' shoes.

Contents

Name

Renoir's "Still Life with Mullets", the fish ultimately responsible for the shoes' name Renoir Rougets.JPG
Renoir's "Still Life with Mullets", the fish ultimately responsible for the shoes' name

The English word muleoriginally written moylecomes from French, which was using it specifically for women's slippers with an open heel since at least 1556. [1] This sense seems to have been mixed at the time with the idea of any shoe with an especially thick sole. [2] Medieval Latin mule( [ˈmuːle] , MOO-lay) was a variant spelling of mulae, the plural of mula, used by c.700 for slippers generally. [1] This name in turn seems to have derived from the Classical calceus mulleus ("red calceus"), whose color name was taken from the much-prized red and striped red mullet fish. [1] It is much disputed whether the mulleus properly referred to the special senatorial shoe (calceus senatorius) or the older shoe particular to Rome's patrician class (calceus patricius) since they both seem to have usually been dyed, may have varied over time, [3] and Roman colorsparticularly around items dyed with Tyrian purple could encompass a large range of distinct shades. (The fish's name itself is cognate with the Greek mélas (μέλας), usually intending black.) [1] In any case, the connection to the later use of the name for slippers may have been that the aristocratic calceiparticularly the luxurious mulleusseem to have had a thicker-than-normal sole. [4]

History

The flying mule from Fragonard's Happy Accidents of the Swing (c. 1768) Fragonard, The Pump.jpg
The flying mule from Fragonard's Happy Accidents of the Swing (c.1768)

Mules of the 16th century to the 19th century were bedroom or boudoir slippers worn inside and not out in public. Accordingly, mules were worn with dressing gowns and typically matched the loose outfits by having the same comfort.[ citation needed ] The early mules did not have any distinguishable features. [5]

18th Century embroidered Mule Mules MET 54.61.101a-b CP4.jpg
18th Century embroidered Mule

This style of shoe has a storied history: when Comtesse d’Olonne, the risqué society beauty, wore a soft red pair of mules to church in 1694 – daringly peeping from beneath her richly-embellished skirt – it paved the way for the style. [6]

While mules have been worn since the 15th century to the present day, their popularity has not always been constant.[ citation needed ] They were typical indoor shoes for both men and women in the early 1700s. By the 1720s to the end of the century, mules were the most popular indoor slipper. Fashion plates that exist from the end of the 1790s describe women wearing mules but are not seen due to the long lengths of the contemporary petticoats. Therefore, they were popular by the end of the 1700 but not as visible. In the beginning of the 1800s mules went out of style. In the mid to early 1800s, they rose in popularity again. [7]

In the 1860s, prostitutes wore mules in the brothels. The public avoided wearing them. [8]

"Ballin' The Jack," also known as a Spring-o-Lator mule, attributed to the Herbert Levine Company, where an elastic strip in the footbed that bridged the ball of the foot to the arch, allowed the wearer to keep the shoes securely on while wearing stockings, despite the lack of any straps at the side or back of the shoes. [9] Through much of the 1950s and 1960s a wide range of shoe designers used Herbert Levine's Spring-o-Lator technology in their shoe lines.

In the late 20th century, mules were again in fashion as they embraced the trends. They were especially popular during the end of the 1990s in the high-fashion as elite designers put their own touch on the mule. [10]

The 21st century has both accepted and rejected the mule trend.[ clarification needed ] Most recently, Elle magazine called mules the shoe of 2017. [11]

Styles

18th Century high heel mules of Catherine the Great, 1770s Catherine great's shoes.jpg
18th Century high heel mules of Catherine the Great, 1770s

Mules have changed in style over time. In the fifteenth century mules from Venice were stilted and resembled chopines. [12] Their toes were of all shapes: round, square and forked. The heel similarly was not constrained in height. Heels ranged from 1 5/8 inches to 2 ½ inches. Mules were embroidered across centuries from 1550 to 1700. [13] For example, Florentine embroidery, which is a flame stitch of various lengths, was popular during the 18th century. [14] Throughout the 1700s, mules were regularly heeled and worn by both men and women. [5] Between 1720 and 1790 the shoe structure itself was relatively dull and boring not to distract from eye-catchy buckles. [7] By 1850s, heeled mules were less frequent for men. From 1885 to 1910, the trend of large buckles and elaborate trims was replaced by less decorated low heeled leather and felt shoes. [7]

Mules decorated in the fashion of the 1980s Flower mules.jpg
Mules decorated in the fashion of the 1980s

In the twentieth century wartime mules of the 1940s were made of lino, oilcloth, felt, compounds of raffia, rattan, bark or synthetic hemp. [15] 1950s mules were made from plastic and decorated with feathers. The marabou mule promoted the time periods "sex-kitten" ideals. [16] The styles for mules in the 1960s and in the 1980s mirrored the shoe trends of their respective decades. For the 1960s, mules had angular shapes and pointy toes. [17] In the 1980s, this meant that mules were colorful, opulent, and highly accessorized with jewels. [18]

Mules for men

Mules not only came in different styles and various decorations, but also can be categorized by distinct types. In the nineteenth century, two male slippers were very popular mules. In the late 1880s, a very popular version of the mule at the time in England was the Albert. [5] In addition to the Albert, the Alfred was also a man's boudoir, or morning slipper. This name comes from Daniel Green and Company 1892's "Alfred Dolge's Felt Slippers and Shoes." [5]

Mules in the East

Early 20th century mule by Pierre Yantorny inspired by "the east". Mules MET 53.267.17a-b CP4.jpg
Early 20th century mule by Pierre Yantorny inspired by "the east".

Mules also appear in eastern cultures. This history is similarly rich originating from the 800s and still present today. In eighth century Egypt, mules are depicted on gravestones and seem to be made of red kid. [12] Iranian mules from 1800 to 1889 were made of velvet, leather, silk, metal thread. They are shaped like a fish. [19] A mule from Turkey in the Metropolitan Museum's collection is made of wood, leather, metal, and silk. [20] Mules from India were made from cow, buffalo or goat hide, fur, silk, wool, or cotton fiber, velvets, brocade and reeds and grass. Similar to the European examples, mules in India were embroidered and embellished with tassels and appliqué. In South Asia, a jutti is a type of shoe that is similar to the mule because it does not have backs. [21] Sometimes, mules resemble Turkish babouche because of the use of Near Eastern fabrics. For example, Pierre Yantorny's mules designed for Rita de Acosta Lydig are made of an identical to other Near Eastern footwear. She potentially wore these shoes with a harem dress, further illustrating Eastern culture. [22]

Marabou mules, similar to those worn by Marilyn Monroe and other celebrities in the 1950s Marabou Mule.jpg
Marabou mules, similar to those worn by Marilyn Monroe and other celebrities in the 1950s
Manet's Olympia. The subject is wearing a pair of mules. Edouard Manet - Olympia - Google Art Project 3.jpg
Manet's Olympia. The subject is wearing a pair of mules.

Mules have been associated with several celebrities. Queen Henrietta Maria, wife of Charles I famously wore an embroidered pair of mules in the 17th century. [13] In Édouard Manet's 1863 painting Olympia, the central woman wears mules in bed. Her shoes connect to a type of slipper (chausson), which was slang for "old prostitute". [23] During the 1950s, iconic actresses like Marilyn Monroe, Joan Fontaine, and Jayne Russel wore the marabou mules in their films and daily lives. For example, Marilyn Monroe wore them in The Seven Year Itch. [24] Carrie Bradshaw from Sex and the City frequently wore mules. In Marie Claire's list of the top 32 Carrie Bradshaw shoes, six pairs are mules. [25]

In 2017, many celebrities and models were sighted wearing versions of the mules. Gigi Hadid designed a mule for Stuart Weitzman's spring 2017 collection. [26] Beyoncé's Instagram post of her wearing Givenchy mules received over 2 million likes. [27] Gucci's Princetown loafer is a version of a mule worn by both men and women. In 2015, a version of this shoe was lined with kangaroo fur, which stirred anti fur activists. These shoes were snapped on celebrities' social media platforms from Marc Jacobs to Leandra Medine of Man Repeller. [28]

Related Research Articles

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Footwear refers to garments worn on the feet, which typically serve the purpose of protection against adversities of the environment such as wear from rough ground; stability on slippery ground; and temperature.

<span class="mw-page-title-main">Platform shoe</span> Footwear with a thick platform sole

Platform shoes are shoes, boots, or sandals with a thick sole, usually in the range of 3–10 cm (1–4 in). Platform shoes may also be high heels, in which case the heel is raised significantly higher than the ball of the foot. Extreme heights, of both the sole and heel, can be found in fetish footwear such as ballet boots, where the sole may be up to 20 cm (8 in) high and the heels up to 40 cm (16 in) or more. The sole of a platform shoe can have a continuous uniform thickness, have a wedge, a separate block or a stiletto heel. Raising the ankle increases the risk of a sprained ankle.

<span class="mw-page-title-main">Sandal</span> Type of footwear with an open upper

Sandals are an open type of shoe, consisting of a sole held to the wearer's foot by straps going over the instep and around the ankle. Sandals can also have a heel. While the distinction between sandals and other types of footwear can sometimes be blurry, the common understanding is that a sandal leaves all or most of the foot exposed. People may choose to wear sandals for several reasons, among them comfort in warm weather, economy, and as a fashion choice. Usually, people wear sandals in warmer climates or during warmer parts of the year in order to keep their feet cool and dry. The risk of developing athlete's foot is lower than with enclosed shoes, and the wearing of sandals may be part of the treatment regimen for such an infection.

<span class="mw-page-title-main">Slide (footwear)</span> Open-toed slip-on sandal

Slides or sliders are a type of light footwear that are characterized by having a loose heel that holds on to the foot from the front. Like flip-flops, they are typically employed in casual situations, in addition to being a unisex footgear worn by both sexes. Sliders are distinguished from flip-flops by their vamp strap which does not separate the big toe from the rest of the toes.

<span class="mw-page-title-main">High-heeled shoe</span> Footwear that raises the heel of the wearers foot significantly higher than the toes

High-heeled shoes, also known as high heels or pumps, are a type of shoe with an upward-angled sole. The heel in such shoes is raised above the ball of the foot. High heels cause the legs to appear longer, make the wearer appear taller, and accentuate the calf muscle.

<span class="mw-page-title-main">Mary Jane (shoe)</span> Closed, low-cut shoe with one or more straps

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<span class="mw-page-title-main">Court shoe</span> Type of shoe with low-cut front

A court shoe or pump is a shoe with a low-cut front, or vamp, with either a shoe buckle or a black bow as ostensible fastening. Deriving from the 17th- and 18th-century dress shoes with shoe buckles, the vamped pump shape emerged in the late 18th century. By the turn of the 19th century, shoe buckles were increasingly replaced by black bows, which has remained the contemporary style for men's formal wear, leather or patent leather evening pumps ever since. This latter style is sometimes also called an opera pump or opera slipper.


The ballet boot is a contemporary style of fetish footwear that merges the look of the pointe shoe with a high heel. The idea is to restrict the wearer's feet almost en pointe, like those of a ballerina, with the aid of long, slender heels. When upright, the feet are held nearly vertical by the shoe, thus putting nearly all of the body's weight on the tips of the toes. However, a properly tight fit will hold the shoe to the wearer's instep and heel, thereby reducing the weight on the wearer's toes.

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<span class="mw-page-title-main">Dress shoe</span> Shoe worn for formal or business dress

A dress shoe is a shoe to be worn at smart casual or more formal events. A dress shoe is typically contrasted to an athletic shoe.

<span class="mw-page-title-main">1700–1750 in Western fashion</span> Clothing in Europe and areas under its influence from 1700-1750

Fashion in the period 1700–1750 in European and European-influenced countries is characterized by a widening silhouette for both men and women following the tall, narrow look of the 1680s and 90s. This era is defined as late Baroque/Rococo style. The new fashion trends introduced during this era had a greater impact on society, affecting not only royalty and aristocrats, but also middle and even lower classes. Clothing during this time can be characterized by soft pastels, light, airy, and asymmetrical designs, and playful styles. Wigs remained essential for men and women of substance, and were often white; natural hair was powdered to achieve the fashionable look. The costume of the eighteenth century, if lacking in the refinement and grace of earlier times, was distinctly quaint and picturesque.

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Fashion in the period 1900–1909 in the Western world continued the severe, long and elegant lines of the late 1890s. Tall, stiff collars characterize the period, as do women's broad hats and full "Gibson Girl" hairstyles. A new, columnar silhouette introduced by the couturiers of Paris late in the decade signaled the approaching abandonment of the corset as an indispensable garment.

<span class="mw-page-title-main">Ballet flat</span> Type of womens shoe similar to ballet shoes

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<span class="mw-page-title-main">Fashion boot</span> Boot worn for style rather for utilitarian purposes

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References

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  23. Dolan, Therese. "Fringe Benefits: Manet's Olympia and Her Shawl" The Art Bulletin, 97:4, 2015 409–429. doi : 10.1080/00043079.2015.1043828
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