| Murder in Pacot | |
|---|---|
| Poster for world premiere at 2014 Toronto International Film Festival | |
| Directed by | Raoul Peck |
| Written by |
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| Based on | Teorema by Pier Paolo Pasolini |
| Starring | |
| Cinematography | Éric Guichard |
| Edited by | Alexandra Strauss |
| Music by | Alexeï Aïgui |
Production companies |
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| Distributed by | Doc&Film International |
Release date |
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Running time | 130 minutes |
| Country | Haiti |
| Languages | French Haitian Creole |
Murder in Pacot (French : Meurtre à Pacot, German : Mord in Haiti) is a feature film by Haitian film director Raoul Peck. The film stars Joy Olasunmibo Ogunmakin, Alex Descas, Thibault Vinçon, and Lovely Kermonde Fifi and is a continuation of the theme Peck featured in his last documentary, Assistance Mortelle (Fatal Assistance), on international aid to Haiti following the earthquake of 12 January 2010 which opened at New York's Film Society of Lincoln Center in February 2014. [1] The lead producers of the joint Haitian, French and Norwegian production were Peck and Remi Grellety. [2]
The story, a traditional stranger-comes-to-town plot line examining how the earthquake upended Haiti's strongly divided class system, is loosely inspired by the 1968 mystery Teorema by Italian director Pier Paolo Pasolini. In that screenplay, which Pasolini adapted from his own novel, a mysterious stranger, played by Terence Stamp, intrudes an Italian family and seduces every member of the household before leaving as suddenly and mysterious as he came. [3]
The shooting location of Peck's film, a three level villa, lies in the already completely rebuild neighbourhood Pacot in Port-au-Prince. The first ideas for the film came when Peck drove daily through that wealthy area while shooting the documentary Assistance Mortelle seeing that the rich were equally affected by the earthquake. [3] [4]
By mid-May 2014 the film was ready for editing and according to director Peck is expected to finish by September to be announced at the Toronto International Film Festival or the Venice Film Festival [4] and released end of 2014. [5] The film made its world premier at the 2014 Toronto International Film Festival [6] [7] where it is a Masters selection [8] [9] and was shown on 5 September 2014 at the Isabel Bader Theatre. [10]
The film was shown in the Panorama category of the 65th Berlin International Film Festival and its European premiere was on 7 February 2015 at the CUBIX cinema at Alexanderplatz. [11] [12] Director Raoul Peck, producer Remi Grellety and the leading actors attended the second screening at the Zoo Palast [13] on 10 February after a photocall and press conference at the Grand Hyatt hotel. [14]
The international sales of the film are handled by Doc&Film. [15] [16]
An upper middle class affluent couple in Port-au-Prince, Haïti, tries to rebuild their lives after the earthquake of 2010. They live in the ruins of their luxury home which was almost completely destroyed, in the district Pacot. The tension is even greater because their young adopted son is also missing. [17] Shortly after the earthquake they are visited by a team of foreign experts which tell them to repair the house or it will be razed. In order to earn some money for the repair they move to the previous servants' quarters and rent out the only still-intact room to Alex a foreign aid worker of unspecified nationality. The tenant, who came with good intentions to Haiti, meets soon a beautiful and naive 17-year-old Haitian girl, Andrémise, from a modest background who lives in the neighbourhood. To the couples surprise he moves in together with this sassy and enterprising young woman, who calls herself Jennifer to attract foreign men. They forge a relationship but soon her maliciousness comes to light and someone gets killed. The once privileged and now helpless and defenseless owners are for the first time faced with the rigid contradictions of Haitian society. [4] [18] [19] [20]
Peck stated that he wanted to approach the serious consequences of the disaster in another way than the usual images of slums and homeless camps. He was struck by seeing the collapsed homes of the prosperous class, the amazing visual of wealth in ruins.
Raoul Peck remarks in an interview:
- Visually it was incredible, this image of wealth, totally crumbled. That story didn't interest many people, because you could do better images in the slums, in the camps, in downtown Port-au-Prince. [21] (Visuellement, c’était incroyable, cette image de la richesse en ruines. Cette histoire n’a pas intéressé beaucoup de gens parce qu’il était possible de faire de meilleures images dans les bidonvilles, les camps et le centre-ville de Port-au-Prince.) [22]
The film production was supported by the French TV channel Arte, [23] the World Cinema Support (Aide aux cinémas du monde), [24] [25] SØRFOND (Norwegian South Film Fund), [26] the Organisation internationale de la Francophonie [27] [18] and the European Union. [19] The EU ACPCultures+ Programme awarded a grant in 2012 for the film project [28] [29] whose goal was described in the proposal as "to reinforce the Haitian film industry, notably in terms of their technical skills, and to reach a wider, international audience". The applicant was Peck's French production company Velvet Film partnering with Figuier Productions from Haiti and Producciones Testimonio from the Dominican Republic. [30] [31] The film, produced by Peck's own production company, is with less than one million dollar costs considered 'low budget' compared to international standards, although Peck paid the production team, people who worked with him already on his previous films, at a "very high level". The relative low funding also allowed Peck "to work freely without having to answer to anyone". [4]
In early March the casting started and young Haitian women and men between 18–27 years were invited to apply to participate in trials in order to obtain one of the main roles in the film. Lovely Kermonde Fifi, a young debutant actress and poet, [32] was the successful contender to play beside French actors Alex Descas and Thibault Vinçon and the German-Nigerian Joy Olasunmibo Ogunmakin, a singer-songwriter who performs under the name Ayọ, [33] also appearing for the first time in a lead role. [34] [35]
According to Raoul Peck the script was written by 'three hands'. [4] Haitian novelist and poet Lyonel Trouillot [36] and French screenwriter Pascal Bonitzer offered to collaborate with Peck to work on the script. [3] [34]
The music for the film was composed by Alexeï Aïgui and the soundtrack was released together with other film music by the composer on a CD (MEURTRE À PACOT (2014) 18. Meurtre à Pacot (suite) (06:49)). [37] Sound was created by Eric Boisteau and Benjamin Laurent.
The filming started on 12 April 2014 and ended 9 May 2014 [5] although shooting was originally scheduled until 14 May, a date chosen for the official opening ceremony of the 67th Cannes Film Festival. [34] The filming took place in Port-au-Prince. [38] [39] It had to be stopped for one or two days as a few team members had been affected by the ongoing outbreak of chikungunya. At times between 60 and 100 technicians, actors and extras were on scene mostly from Haiti but also from the Dominican Republic, Cuba and France. [4]
The German DVD label 'Filmgalerie 451' from Berlin released on 3 June 2016 a double DVD with the film. The DVDs contain the following extras: on DVD 1 the press conference at the Berlinale 2015 with the director and the actors (42 minutes), the cinema trailer and a booklet, on DVD 2 the documentary 'Fatal Assistance' by Raoul Peck (100 minutes). [42]

Salò, or the 120 Days of Sodom, billed on-screen as Pasolini's 120 Days of Sodom on English-language prints and commonly referred to as simply Salò, is a 1975 political art horror film directed and co-written by Pier Paolo Pasolini. The film is a loose adaptation of the 1785 novel The 120 Days of Sodom by Marquis de Sade, updating the story's setting to the World War II era. It was Pasolini's final film, released three weeks after his murder.
Port-au-Prince is the capital and most populous city of Haiti. The city's population was estimated at 1,200,000 in 2022 with the metropolitan area estimated at a population of 2,618,894. The metropolitan area is defined by the IHSI as including the communes of Port-au-Prince, Delmas, Cité Soleil, Tabarre, Carrefour, and Pétion-Ville.
Pier Paolo Pasolini was an Italian poet, film director, writer, actor and playwright. He is considered one of the defining public intellectuals in 20th-century Italian history, influential both as an artist and a political figure. He is known for directing the movies from Trilogy of Life.

Teorema, known as Theorem in the United Kingdom, is a 1968 Italian surrealist psychological drama film written and directed by Pier Paolo Pasolini and starring Silvana Mangano, Terence Stamp and Massimo Girotti, with Anne Wiazemsky, Laura Betti, Andrés José Cruz Soublette, Alfonso Gatto and Carlo De Mejo. Pasolini's sixth film, it was the first time he worked primarily with professional actors. In this film, an upper-class Milanese family is introduced to, and then abandoned by, an otherworldly man with a mysterious divine force. Themes include the timelessness of divinity and the spiritual corruption of the bourgeoisie.
Raúl Ernesto Ruiz Pino was an experimental Chilean filmmaker, writer and teacher whose work is best known in France. He directed more than 100 films.
Joy Olasunmibo Ogunmakin, known professionally as Ayọ, is a German singer, songwriter and actress. She uses the Yoruba translation Ayọ or Ayo. of her first name Joy.
Raoul Peck is a Haitian filmmaker of both documentary and feature films. He is known for using historical, political, and personal characters to tackle and recount societal issues and historical events. Peck was Haiti's Minister of Culture from 1996 to September 1997. His film I Am Not Your Negro (2016), about the life of James Baldwin and race relations in the United States, was nominated for an Oscar in January 2017 and won a César Award in France. Peck's HBO documentary miniseries, Exterminate All the Brutes (2021), received a Peabody Award.
Arnold Antonin is a Haitian film director. A man of diverse careers, Arnold Antonin is known both inside and outside Haiti for his social, political and cultural commitment. He was honored for lifetime achievement with the Djibril Diop Mambety award at the International Film Cannes Festival in 2002. He received the Paul Robeson African Diaspora best film award at FESPACO in Ouagadougou in 2007, 2009, and 2011. He also received numerous awards and accolades at festivals for his documentaries and fiction movies. He was president of the Haitian Filmmakers Association (AHC) from 2005 to 2009.
Haitian cinema includes the films and filmmakers of Haiti. The Haitian diaspora is active in the industry. Oppressive dictators and economic struggles have limited production.
The 29th annual Venice International Film Festival was held from 25 August to 7 September 1968.
Lyonel Trouillot is a novelist and poet in French and Haitian Creole, a journalist and a professor of French and Creole literature in Port-au-Prince.
Thibault Vinçon is a French film and theater actor.
Velvet Film is a film production company. It was created 1986 in Berlin, Germany by the Haitian filmmaker and political activist Raoul Peck as Velvet Film GmbH. The company is now based in France, Haiti and in the United States of America. Lumumba, la mort d'un prophète was 1991 the first feature film produced by the company. The film was successfully shown all over Europe and North America and so enabled the partnership of Velvet Film in future production with JBA Production (France), Arte, HBO (USA) and others. All later documentaries, feature films and TV dramas of Peck have been produced or co-produced by Velvet Film.
Éric Guichard is a French cinematographer.
Hugues Gentillon is a Haitian film director, screenwriter, producer, and scientist. He is the founder of Yugy Pictures Entertainment, a film production company based in the United States.
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The Haiti women's national under-17 football team represents Haiti in international football for women at this age level and is controlled by the Fédération Haïtienne de Football (FHF).
Murders in... is a French television series. It has been distributed since 2013 on France 3 (France). Each episode centers around a mystery in a different city or region, often at a famous landmark. While some investigator pairings are repeated, usually each episode has an entirely new cast. The series is a huge success and one of France 3's biggest programs, followed by an average of 4 million viewers.