The Musée national des Monuments Français (French pronunciation: [myzenɑsjɔnaldemɔnymɑ̃fʁɑ̃sɛ] ; transl. "National Museum of French Monuments") is today a museum of plaster casts of French monuments located in the Palais de Chaillot, 1, place du Trocadéro et du 11 Novembre, Paris, France. It now forms part of the Cité de l'Architecture et du Patrimoine, and is open daily except Tuesday. An admission fee is charged.
The museum's name evokes the earlier Musée des Monuments français opened in 1795 by Alexandre Lenoir, which displayed actual monuments of French Medieval and Renaissance art, removed from churches and châteaux after the French Revolution. Lenoir's museum remained open until the Bourbon Restoration of 1816, and was highly influential on French taste, making the medievalism of the Troubadour style popular, and providing inspiration to its artists.
The architect Eugène Viollet-le-Duc suggested gathering reproductions of French sculpture and architecture at a single site in the palais du Trocadéro in 1879, in buildings left vacant after the Exposition universelle in 1878. His proposal was accepted on 4 November. Edmond Du Sommerard would be designated on 20 December to form the musée de la Sculpture comparée. The institution opened its four rooms to the public on 28 May 1882, three more in 1886 and finally its library and foundational documents in 1889.
The palais du Trocadéro, refaced and widened by a second gallery but deprived of its central hemispherical hall, under the direction of architect Jacques Carlu for the Exposition universelle of 1937, became the palais de Chaillot. Wholly redesigned, the museum became the musée des Monuments français. Very avant-garde in terms of its museographic conception and intellectual experimentation, notably through the efforts of the archaeologist Paul Deschamps, it had to close down due to an insufficient budget. In July 1995, a fire partially destroyed the building. Its planned reopening in 1998 was pushed back to 15 September 2007 in connection with the creation of the Cité de l'Architecture et du Patrimoine.
It occupies the aile Paris of the Palais de Chaillot and is made up of three galleries. The galerie Davioud (1878) and galerie Carlu (1937) form a gallery of plaster casts. The upper gallery serves as an exhibition space for modern and contemporary architectural models. Wall paintings and stained glass windows are located at the end of the modern and contemporary architecture gallery; they are shown on two levels. There is also a library as well as rooms for temporary exhibitions.
It contains about 6,000 casts of sculptures of all periods including ancient Greece, Italy, Germany, and Switzerland, but with a strong emphasis on French sculptures of the Romanesque and Gothic periods. It also contains scale models of buildings, copies of architectural elements, sculpture, frescoes, and stained glass from French churches and châteaux, as well as a collection of about 200,000 photographs. Most casts were made in the late 19th and early 20th centuries.
Of particular interest is the Galerie Davioud, which displays casts of sculptures from Strasbourg Cathedral (13th century), Bourges Cathedral (late 13th century), and Notre-Dame de Reims. The museum also contains casts of elements from Angoulême Cathedral, Aulnay, Autun, Cluny, Conques, Jouarre, Moissac, Sainte-Marie-des-Dames at Saintes, Saint-Gilles-du-Gard, Saint-Trophime d'Arles, Saint-Génis-des-Fontaines, Saint-Sernin at Toulouse, and Notre-Dame du Port at Clermont-Ferrand.
The Trocadéro, site of the Palais de Chaillot, is an area of Paris, France, in the 16th arrondissement, across the Seine from the Eiffel Tower. It is also the name of the 1878 Trocadéro Palace which was demolished in 1937 to make way for the Palais de Chaillot. The hill of the Trocadéro is the hill of Chaillot, a former village.
Trocadéro is a station on Line 6 and Line 9 of the Paris Métro in the 16th arrondissement. It serves and is named after the Place du Trocadéro.
The Palais de Chaillot is a building at the top of the Chaillot hill in the Trocadéro area in the 16th arrondissement of Paris, France.
Jacques Carlu was a French architect and designer, working mostly in Art Deco style, active in France, Canada, and in the United States.
Jean-Antoine-Gabriel Davioud was a French architect. He worked closely with Baron Haussmann on the transformation of Paris under Napoleon III during the Second Empire. Davioud is remembered for his contributions to architecture, parks and urban amenities. These contributions now form an integral part of the style of Haussmann's Paris.
Albert-Ernest Carrier-Belleuse was a French sculptor. He was one of the founding members of the Société Nationale des Beaux-Arts, and was made an officer of the Legion of Honour.
Henri Bouchard, was a French sculptor. His work was part of the sculpture event in the art competition at the 1924 Summer Olympics.
The Musée de la cinémathèque, formerly known as Musée du cinéma Henri-Langlois, is a museum of cinema history located in the Cinémathèque française, 51 rue de Bercy in the 12th arrondissement of Paris. It presents the living history of moving pictures and pre-cinema, from their origins to the present day and in all countries, with collections of more than 5,000 movie-related objects including cameras, movie scripts and sets, photographic stills, costumes worn by actors like Rudolph Valentino and Marilyn Monroe, and showed several early movies from the important collection of the Cinémathèque.
The Cité de l'architecture et du patrimoine is a museum of architecture and monumental sculpture located in the Palais de Chaillot (Trocadéro), in Paris, France. Its permanent collection is also known as Musée national des monuments français. It was established in 1879 by Eugène Viollet-le-Duc. The museum was renovated in 2007 and covers 9,000 square meters of gallery space. As a whole, the Cité de l'architecture et du patrimoine spreads across 22,000 square meters, which makes it the largest museum devoted to architecture in the world, even surpassing the Design Museum of London.
The Musée d'Ethnographie du Trocadéro was the first anthropological museum in Paris, founded in 1878. It closed in 1935 when the building that housed it, the Trocadéro Palace, was demolished; its descendant is the Musée de l'Homme, housed in the Palais de Chaillot on the same site, and its French collections formed the nucleus of the Musée National des Arts et Traditions Populaires, also in the Palais de Chaillot. Numerous modern artists visited it and were influenced by its "primitive" art, in particular Picasso during the period when he was working on Les Demoiselles d'Avignon (1907).
Louis Delaporte was a French explorer and artist, whose collection and documentation of Khmer art formed the nucleus of exhibitions in Paris, originally at the 1878 Paris Exposition and later at the Palais du Trocadéro, where he became chief curator of the Musée Indochinois. In 1927, after his death, his collection was moved to the Guimet Museum.
Charles Louis Ferdinand Dutert was a French architect.

Léon-Emile Bazin (1900–1976) was a French architect.
The city of Paris has notable examples of architecture from the Middle Ages to the 21st century. It was the birthplace of the Gothic style, and has important monuments of the French Renaissance, Classical revival, the Flamboyant style of the reign of Napoleon III, the Belle Époque, and the Art Nouveau style. The great Exposition Universelle (1889) and 1900 added Paris landmarks, including the Eiffel Tower and Grand Palais. In the 20th century, the Art Deco style of architecture first appeared in Paris, and Paris architects also influenced the postmodern architecture of the second half of the century.
Nathalie Bondil is a French and Canadian art historian and curator. She served as director general and chief curator of the Montreal Museum of Fine Arts from 2007 to 2020. Bondil joined the museum in 1999 and is the first woman to be the museum's director. In 2019, she was awarded the Legion of Honour.
The Art Deco movement of architecture and design appeared in Paris in about 1910–12, and continued until the beginning of World War II in 1939. It took its name from the International Exposition of Modern Decorative and Industrial Arts held in Paris in 1925. It was characterized by bold geometric forms, bright colors, and highly stylized decoration, and it symbolized modernity and luxury. Art Deco architecture, sculpture, and decoration reached its peak at 1939 Exposition Internationale des Arts et Techniques dans la Vie Moderne, and in movie theaters, department stores, other public buildings. It also featured in the work of Paris jewelers, graphic artists, furniture craftsmen, and jewelers, and glass and metal design. Many Art Deco landmarks, including the Théâtre des Champs-Élysées and the Palais de Chaillot, can be seen today in Paris.
Louis-Emile Durandelle was a French architectural photographer. Durandelle is best known for his documentary photographs of the construction of Parisian buildings, including the Eiffel Tower and the Paris Opera.
The Trocadéro Palace was an eclectic building of Moorish and neo-Byzantine inspiration dating from the second half of the 19th century. Located in the 16th arrondissement of Paris, on the Convent of the Visitandines de Chaillot between the Place du Trocadéro and the gardens of the same name, it comprised a 4,600-seat auditorium extended on either side by two curved wings, each housing a museum, as well as conference rooms.