The Victoria and Albert Museum in London is the world's largest museum of applied arts, decorative arts, and design, housing a permanent collection of over 2.27 million objects. It was founded in 1852 and named after Queen Victoria and Prince Albert.
Lacquer is a type of hard and potentially shiny coating or finish applied to materials such as wood or metal. The term originates from the Sanskrit word lākshā (लाक्षा), representing the number one hundred thousand (100,000), which was used for both the lac insect and the scarlet resinous secretion, rich in shellac that it produces, used as wood finish in ancient India and neighbouring areas.
The Walters Art Museum, located in Mount Vernon-Belvedere, Baltimore, Maryland, United States, is a public art museum founded and opened in 1934. It holds collections established during the mid-19th century. The Museum's collection was amassed substantially by major American art and sculpture collectors, a father and son: William Thompson Walters, (1819–1894), who began collecting when he moved to Paris as a nominal Southern/Confederate sympathizer at the outbreak of the American Civil War in 1861; and Henry Walters (1848–1931), who refined the collection and made arrangements for the construction of a later landmark building to rehouse it. After allowing the Baltimore public to occasionally view his father's and his growing added collections at his West Mount Vernon Place townhouse/mansion during the late 1800s, he arranged for an elaborate stone palazzo-styled structure built for that purpose in 1905–1909. Located across the back alley, a block south of the Walters mansion on West Monument Street/Mount Vernon Place, on the northwest corner of North Charles Street at West Centre Street.
Lacquerware are objects decoratively covered with lacquer. Lacquerware includes small or large containers, tableware, a variety of small objects carried by people, and larger objects such as furniture and even coffins painted with lacquer. Before lacquering, the surface is sometimes painted with pictures, inlaid with shell and other materials, or carved. The lacquer can be dusted with gold or silver and given further decorative treatments.
Chinoiserie is the European interpretation and imitation of Chinese and other East Asian artistic traditions, especially in the decorative arts, garden design, architecture, literature, theatre, and music. The aesthetic of Chinoiserie has been expressed in different ways depending on the region. Its acknowledgement derives from the current of Orientalism, which studied Far East cultures from a historical, philological, anthropological, philosophical and religious point of view. First appearing in the 17th century, this trend was popularized in the 18th century due to the rise in trade with China and the rest of East Asia.
Founded in 1951, the Birmingham Museum of Art in Birmingham, Alabama, today has one of the finest collections in the Southeastern United States, with more than 24,000 paintings, sculptures, prints, drawings, and decorative arts representing a numerous diverse cultures, including Asian, European, American, African, Pre-Columbian, and Native American. Among other highlights, the Museum’s collection of Asian art is considered the finest and most comprehensive in the Southeast, and its Vietnamese ceramics one of the finest in the U.S. The Museum also is home to a remarkable Kress Collection of Renaissance and Baroque paintings, sculpture, and decorative arts from the late 13th century to c.1750, and the 18th-century European decorative arts include superior examples of English ceramics and French furniture.
The Department of Asia in the British Museum holds one of the largest collections of historical objects from Asia. These collections comprise over 75,000 objects covering the material culture of the Asian continent, and dating from the Neolithic age up to the present day.
Lacquerware is a Japanese craft with a wide range of fine and decorative arts, as lacquer has been used in urushi-e, prints, and on a wide variety of objects from Buddha statues to bento boxes for food.
Museum of Art, Rhode Island School of Design is an art museum in Providence affiliated with the Rhode Island School of Design, in the U.S. state of Rhode Island. The museum was founded in 1877 and is the 20th largest art museum in the United States.
The Anglo-Japanese style developed in the United Kingdom though the Victorian period and early Edwardian period from approximately 1851 to the 1910s, when a new appreciation for Japanese design and culture influenced how designers and craftspeople made British art, especially the decorative arts and architecture of England, covering a vast array of art objects including ceramics, furniture and interior design. Important centres for design included London and Glasgow.
This carved lacquerware table in the Victoria and Albert Museum in London is from the Ming dynasty (1368–1644). It is unique in shape and decoration and is one of the most important objects from the period. It is one of the few surviving examples in the world of a major piece of furniture produced in the 'Orchard Workshop', the Imperial lacquer workshop set up in the early Ming period and situated to the north-west of the 'Forbidden City' compound in Peking.
The Museum of Oriental Art is a museum located in a 17th-century palazzo in the city of Turin, Italy.
Herbol is one of the oldest German brands for professional coatings. It has its origins in the Lackfabrik Herbig-Haarhaus that was founded in Cologne in 1844. The product range contains façade paints, interior wall paints, lacquers and glazing, crack reinforcement as well as concrete and floor system. The coatings systems are used for renovation, maintenance and new constructions. Since 1999 the brand Herbol is part of the Akzo Nobel Deco GmbH, an affiliate of the Dutch concern AkzoNobel, the world's biggest coatings manufacturer.
Lacquer painting is a form of painting with lacquer which was practised in East Asia for decoration on lacquerware, and found its way to Europe and the Western World both via Persia and the Middle East and by direct contact with Continental Asia. The artistic form was revived and developed as a distinct genre of fine art painting by Vietnamese artists in the 1930s; the genre is known in Vietnamese as "sơn mài."
Mexican lacquerware is one of the country's oldest crafts, having independent origins from Asian lacquerware. In the pre-Hispanic period, a greasy substance from the aje larvae and/or oil from the chia seed were mixed with powdered minerals to create protective coatings and decorative designs. During this period, the process was almost always applied to dried gourds, especially to make the cups that Mesoamerican nobility drank chocolate from. After the Conquest, the Spanish had indigenous craftsmen apply the technique to European style furniture and other items, changing the decorative motifs and color schemes, but the process and materials remained mostly the same. In the 19th and 20th centuries, the craft waned during armed conflicts and returned, both times with changes to the decorative styles and especially in the 20th century, to production techniques. Today, workshops creating these works are limited to Olinalá, Temalacatzingo and Acapetlahuaya in the state of Guerrero, Uruapan and Pátzcuaro in Michoacán and Chiapa de Corzo in Chiapas.
The Art Deco Museum is a museum in Moscow, Russia. It is one of the newest museums in the city, opening in 2014.
The Khalili Collections are eight distinct art collections assembled by Nasser D. Khalili over five decades. Together, the collections include some 35,000 works of art, and each is considered among the most important in its field.
The Khalili Collection of Japanese Art is a private collection of decorative art from Meiji-era (1868–1912) Japan, assembled by the British-Iranian scholar, collector and philanthropist Nasser D. Khalili. Its 1,400 art works include metalwork, enamels, ceramics, lacquered objects, and textile art, making it comparable only to the collection of the Japanese imperial family in terms of size and quality. The Meiji era was a time when Japan absorbed some Western cultural influences and used international events to promote its art, which became very influential in Europe. Rather than covering the whole range of Meiji-era decorative art, Khalili has focused on objects of the highest technical and artistic quality. Some of the works were made by artists of the imperial court for the Great Exhibitions of the late 19th century. The collection is one of eight assembled, published, and exhibited by Khalili.
The Nasser D. Khalili Collection of Islamic Art includes 28,000 objects documenting Islamic art over a period of almost 1400 years, from 700 AD to the end of the twentieth century. It is the largest of the Khalili Collections: eight collections assembled, conserved, published and exhibited by the British-Iranian scholar, collector and philanthropist Nasser David Khalili, each of which is considered among the most important in its field. Khalili's collection is one of the most comprehensive Islamic art collections in the world and the largest in private hands.
Auguste Majorelle was a French art dealer, decorator, ceramicist and cabinet-maker, who established the Atelier d’Art de Decoration in Nancy, France. His son, Louis Majorelle, became one of the earliest modernist cabinet-makers and his grand-son, Jacques Majorelle, was a noted modernist-Orientalist painter.
