Music of Armenia

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The music of Armenia has its origins in the Armenian Highlands, where people traditionally sang popular folk songs. Armenia has a long musical tradition that was primarily collected and developed by Komitas, a prominent priest and musicologist, in the late nineteenth and early twentieth centuries. Armenian music has been presented internationally by composers Aram Khachaturian, Alexander Arutiunian, Arno Babadjanian, Karen Kavaleryan as well as by pop musicians and performers such as duduk player Djivan Gasparyan, composer/instrumentalist Ara Gevorgyan, singers Sirusho, Eva Rivas and many others.

Armenia Republic in South Caucasus in West Asia

Armenia, officially the Republic of Armenia, is a country in the South Caucasus region of Eurasia. Located in Western Asia on the Armenian Highlands, it is bordered by Turkey to the west, Georgia to the north, the de facto independent Republic of Artsakh and Azerbaijan to the east, and Iran and Azerbaijan's exclave of Nakhchivan to the south.

Armenian Highlands highland area in western Asia south of the Caucasus

The Armenian Highlands is the central-most and highest of three land-locked plateaus that together form the northern sector of the Middle East. To its west is the Anatolian plateau which rises slowly from the lowland coast of the Aegean Sea and converges with the Armenian Highlands to the east of Cappadocia. To its southeast is the Iranian plateau, where the elevation drops rapidly by about 600 metres (2,000 ft) to 1,500 metres (5,000 ft) above sea level. The Caucasus extends to the northeast of the Armenian Highlands. To the southwest of the Armenian Highlands is Upper Mesopotamia.

Folk music Music of the people

Folk music includes traditional folk music and the genre that evolved from it during the 20th-century folk revival. Some types of folk music may be called world music. Traditional folk music has been defined in several ways: as music transmitted orally, music with unknown composers, or music performed by custom over a long period of time. It has been contrasted with commercial and classical styles. The term originated in the 19th century, but folk music extends beyond that.


Melodic basis

Armenian scale.png

Traditional Armenian folk music as well as Armenian church music is not based on the European tonal system but on a system of Tetrachords. [1] The last note of one tetrachord also serves as the first note of the next tetrachord – which makes a lot of Armenian folk music more or less based on a theoretically endless scale.

In music theory, a tetrachord is a series of four notes separated by three smaller intervals. In traditional music theory, a tetrachord always spanned the interval of a perfect fourth, a 4:3 frequency proportion—but in modern use it means any four-note segment of a scale or tone row, not necessarily related to a particular tuning system.

Folk music

Armenians have had a long tradition of folk music from the antiquity. Under Soviet leadership, Armenian folk music was taught in state-sponsored conservatoires. Instruments played include qamancha (similar to violin), kanun (dulcimer), dhol (double-headed hand drum, see davul), oud (lute), duduk, zurna, blul (ney), shvi and to a lesser degree saz. Other instruments are often used such as violin and clarinet. The duduk is Armenia's national instrument, and among its well-known performers are Margar Margarian, Levon Madoyan, Saro Danielian, Vatche Hovsepian, Gevorg Dabaghyan and Yeghish Manoukian, as well as Armenia's most famous duduk player, Djivan Gasparyan. [2]

Soviet Union 1922–1991 country in Europe and Asia

The Soviet Union, officially the Union of Soviet Socialist Republics (USSR), was a socialist state in Eurasia that existed from 1922 to 1991. Nominally a union of multiple national Soviet republics, its government and economy were highly centralized. The country was a one-party state, governed by the Communist Party with Moscow as its capital in its largest republic, the Russian Soviet Federative Socialist Republic. Other major urban centres were Leningrad, Kiev, Minsk, Alma-Ata, and Novosibirsk. It spanned over 10,000 kilometres east to west across 11 time zones, and over 7,200 kilometres north to south. It had five climate zones: tundra, taiga, steppes, desert and mountains.

Kemenche or kemençe is a name used for various types of stringed bowed musical instruments having their origin in the Eastern Mediterranean, particularly in Greece, Iran, Turkey, Armenia, and regions adjacent to the Black Sea. These instruments are folk instruments, generally having three strings and played held upright with their tail on the knee of the musician. The name Kemençe derives from the Persian Kamancheh, and means merely "small bow".

Hammered dulcimer string instrument played with hammers

The hammered dulcimer is a percussion-stringed instrument which consists of strings typically stretched over a trapezoidal resonant sound board. The hammered dulcimer is set before the musician, who in more traditional styles may sit cross-legged on the floor, or in a more modern style may stand or sit at a wooden support with legs. The player holds a small spoon-shaped mallet hammer in each hand to strike the strings. The Graeco-Roman dulcimer derives from the Latin dulcis (sweet) and the Greek melos (song). The dulcimer, in which the strings are beaten with small hammers, originated from the psaltery, in which the strings are plucked.

Armenian folk musicians Armenian folk music 3.JPG
Armenian folk musicians

Earlier in Armenian history, instruments like the kamancha were played by popular, travelling musicians called ashoughs. Sayat Nova , an 18th-century Ashough, is revered in Armenia. Performers such as Armenak Shahmuradian, Vagharshak Sahakian, Norayr Mnatsakanyan, Hovhannes Badalyan, Hayrik Muradyan, Raffi Hovhannisyan, Avak Petrosyan, Papin Poghosian, and Hamlet Gevorgyan have been famous in Armenia and are still acclaimed. The most notable female vocalists in the Armenian folk genre have been Araksia Gyulzadyan, Ophelia Hambardzumyan, Varduhi Khachatrian, Valya Samvelyan, Rima Saribekyan, Susanna Safarian, Manik Grigoryan, and Flora Martirosian.

Ashik Saz poets

An Ashik was traditionally a singer who accompanied his song— be it a dastan or a shorter original composition—with a long necked lute (bağlama) in Turkish culture and related Turkic cultures. The modern Azerbaijani ashik is a professional musician who usually serves an apprenticeship, masters playing the bağlama, and builds up a varied but individual repertoire of Turkic folk songs. The word ashiq عاشق is subjective forms derives from ishq عشق (love), related to Avestan iš- "to wish, desire, search". The Turkish term that ashik superseded was ozan. In the early armies of the Turks, as far back as that of Attila, the ruler was invariably accompanied by an ozan. The heroic poems, which they recited to the accompaniment of the kopuz, flattered the sensibilities of an entire people.

Norayr Mnatsakanyan Meritorious Artist of Armenian Soviet Socialist Republic

Norayr Mnatsakanyan was a Meritorious Artist of the Armenian Soviet Socialist Republic (1965).

Valya Samvelyan Armenian singer

Valya Samvelyan was a popular Armenian female folk-singer.

Armenian emigrants from other parts of the Middle East settled in various countries, especially in the California Central Valley, and the second- and third-generation have kept their folk traditions alive, such as Richard Hagopian, a famous oud-player. Another oud player, John Berberian, is noted in particular for his fusions of traditional music with jazz and rock in the 1960s. From Lebanon and Syria, George Tutunjian, Karnig Sarkissian and others performed Armenian Revolutionary Songs which quickly became popular among the Armenian Diaspora, notably ARF supporters. In Tehran Iran the folk music of the Armenian community is characterized by the work of Nikol Galanderian (1881–1946) and the Goghtan choir.

Richard Avedis Hagopian is an Armenian-American oud player and a traditional Armenian musician. Hagopian achieved popularity in the 1960s and 70s as a member of the Kef Time Band, performing kef music, a dance-oriented style of Armenian folk music popular with diaspora communities.

Oud pear-shaped stringed instrument

The oud is a short-neck lute-type, pear-shaped stringed instrument with 11 or 13 strings grouped in 5 or 6 courses, commonly used predominantly in Western Asia and North Africa: in Egypt, Syria, Sudan, Palestine, Lebanon, Iraq, Kurdistan, Yemen, Arabia, Iran, Greece, Armenia, Turkey, Azerbaijan, and other ethnic music like Jewish music, North African Chaabi, Classical, and Spanish Andalusian.

John Berberian is an American musician known for his virtuosity on the oud, the Middle Eastern stringed instrument.

Other Armenian musicians include Ara Topouzian who performs on the kanun and VANArmenya, [3] who sings both folk, children's and patriotic songs, performs on keyboards, and promotes the music of "the other Gomidas," Grikor Mirzaian. [4]

Ara Topouzian

Ara Topouzian is an Armenian musician who began playing Armenian and Middle Eastern music in 1991. He plays the kanon.

Qanun (instrument) traditional Middle Eastern stringed instrument

The qanun, kanun, ganoun or kanoon is a string instrument played either solo, or more often as part of an ensemble, in much of the Middle East, Maghreb, West Africa, Central Asia, and southeastern regions of Europe. The name derives from the Arabic word qanun, meaning "rule, law, norm, principle", which is borrowed from the ancient Greek word and musical instrument κανών (rule), which in Latin was called canon. Traditional and Classical musics executed on the qanun are based on Maqamat or Makamlar. As the historical relative of santur from the same geography, qanun is thought to trace its origins back to Assyria, where an ancestral homologue might have been used in Mesopotamian royal courts and religious ceremonies. The instrument today is a type of large zither with a thin trapezoidal soundboard that is famous for its unique melodramatic sound.

There are several folk ensembles from Armenia, the Shoghaken Folk Ensemble, founded in 1995 in Yerevan, [5] has worldwide popularity, [6] and others such as the Arev Armenian Folk Ensemble.

Arto Tunçboyacıyan is a well known Turkish musician of Armenian descent, who is famous in Turkey and worldwide, and currently has his own jazz club in Yerevan, Armenia. He was the founder of the Armenian Navy Band.

Ruben Hakobyan (Ruben Sasuntsi) is a well recognized Armenian ethnographic and patriotic folk singer who has achieved widespread national recognition due to his devotion to Armenian folk music and exceptional talent.

Classical music

Armenian classical composers include Kemani Tatyos Ekserciyan, one of the best-remembered composers of Ottoman classical music. Alexander Spendiarov (1871–1928), Armen Tigranian (1879–1950), and Haro Stepanian are best known for their Armenian operas. Sargis Barkhudaryan (1887–1973) and Caro Zakarian (1895–1967) are representative composers of the pre- and early Soviet Armenian era. The most famous, however, was Aram Khatchaturian (1903–1978), internationally well known especially for his music for various ballets and the immortal Sabre Dance from his composition for the ballet Gayane . Gevorg Armenian (1920– ), Anahit Tsitsikian (1926–1999), Arno Babadjanyan (1921–1983), Barseg Kanatchian (1885–1967), Edward Mirzoyan (1921–2012), Boris Parsadanian (1925–1997), Ashot Zohrabyan (1945 -), and Aram Satian (1947 –) represent other Soviet era Armenian composers. Iosif Andriasov's (1933–2000) music and ethics made him internationally recognized as one of the most important figures in contemporary culture. Alexander Arutiunian (1920–2012) is best known for his Trumpet Concerto in A-flat major. Alexander Dolukhanian (1910–1968) composed/arranged numerous Armenian songs including the well-known "Swallow". Alexander Adgemian (1925–1987), Ashot Satian (1906–1958) and Vagarshak Kotoyan (1921–1992) are known for their contributions to Armenian choral and vocal music. Eduard Abramian (1923–1986) wrote songs on the poetry of Armenian poets Hovhannes Tumanyan and Avetik Isahakian which are now part of the standard repertoire. Artemi Ayvazyan (1902–1975) wrote the first Soviet musical comedies, including the popular "Dentist from the Orient". In recent years, Avet Terterian (1929–1994), Tigran Mansurian (1939– ), Vache Sharafyan (1966) and Aram Petrosyan (1972– ) have achieved global success. Another acclaimed, more recent, classical composer is Khachatur Avetissian (1926–1996), many of whose compositions are based on traditional folklore themes. Uruguayan-Armenian composer Coriún Aharonián (1940-2017), besides a notable body of avant-garde compositions has done extensive musicological and political work. The Armenian nationalist composer Alexander Kaloian (1962– ) is known for his overtly nationalistic works for Military Band and Orchestra including Marches, Tone Poems and Symphonies immediately recognizable as "Armenian" in their colour. [7]

In classical music, many Armenian singers have gained worldwide recognition: sopranos Gohar Gasparyan, Sona Ghazarian, Arpine Pehlivanian, Lucine Amara, Cathy Berberian and, more recently, Isabel Bayrakdarian and Anna Kasyan, tenors Tigran Levonyan, Gegham Grigoryan, and Vahan Mirakyan; basses Ara Berberian, and Henrik Alaverdian, as well as the bass-baritone Barsegh Toumanian.

In the Diaspora, famous Armenian musicians such as pianist Şahan Arzruni and violinist Levon Chilingirian, and composers such as Alan Hovhaness have reached international fame.

Armenian-American composer John Hodian created "Songs of Exile," new music based on poetry by the medieval Armenian painter, poet and priest Mkrtich Naghash. With three female vocalists, duduk, oud, dhol and piano, The Naghash Ensemble has been touring internationally since 2014. Their music has been described as a hybrid of "classical music, jazz, folk and post-minimalism" by the German radio station BR Klassik.

Scott Giles (1965–) is an Armenian-American known for his many symphonies and concertos. Armenian-Canadian composer Vahram Sargsyan (1981– ) represents the younger generation of Armenian contemporary music composers who is mostly known for his choral compositions. [8]

Religious music

Armenian chant, composed in one of eight modes, is the most common kind of religious music in Armenia. It is written in khaz , a form of indigenous musical notation. Many of these chants are ancient in origin, extending to pre-Christian times, while others are relatively modern, including several composed by Saint Mesrop Mashtots, who re-introduced the Armenian alphabet. Some of the best performers of these chants or sharakans, are at the Holy Cathedral of Etchmiadzin, and include the late soprano Lusine Zakaryan.

Armenian religious music remained liturgical until Komitas Vardapet introduced polyphony in the end of the 19th century. Apart from his contribution to religious music, Komitas may be considered the founder of modern classical Armenian music. From 1899 to 1910, he travelled through the Armenian highlands and collected more than 3,000 folk tunes many of which he harmonized and transformed into Lieder.

American composer Daniel Decker has achieved critical acclaim for his collaborations with Armenian composer Ara Gevorgian. "Noah's Prayer" (originally entitled "Mush") chronicles Noah's journey to Mount Ararat. "Noah's Prayer" was debuted in 2002 in Sardarapat, Armenia to celebrate Armenian Independence day in the presence of Armenian President Robert Kocharyan, and His Holiness Karekin II, Supreme Patriarch and Catholicos of All Armenians (head of the Armenian Apostolic Church). A second collaboration called "Adana" tells the story of the Armenian Genocide, during which soldiers of the Ottoman Empire forced 1.5 million Armenians into starvation, torture and extermination. As with their first collaboration, Decker wrote the song's epic lyrics to complement the musical landscape of Ara Gevorgian. Cross Rhythms , Europe's leading religious magazine and web portal said of "Adana", “seldom has a disaster of untold suffering produced such a magnificent piece of art.”


The first jazz-band of Yerevan was founded in 1936. Soviet Jazz was developed by Armenians such as Artemi Ayvazyan, who founded the Armenian State Estrada Orchestra in 1938. The conventional performers in the vocal genre have been: Georgi Minasian, Artashes Avetyan, and Levon Sevan. There are Jazz influenced singers who are popular in Armenia such as Aramo.

Pop music

Armenian traditional songs can be associated with famous performers such as Rouben Matevosian, Ophelia Hambardzumyan, Varduhi Khachatrian, and Papin Poghosian. In pop music, Suzan Yakar and Udi Hrant Kenkulian were famous cabaret singers in Turkey during the 1920s and 1930s. Other female representatives of modern Armenian pop music include Bella Darbinyan, Raisa Mkrtchyan, and the more contemporary vocal performers such as Elvina Makaryan, Erna Yuzbashian, Nadezhda Sargsian, Zara Tonikyan, Suzan Margaryan, Tatevik Hovhannisyan. The Armenian male pop performers include Rouben Hakhverdian and in the diaspora are Adiss Harmandian, Paul Baghdadlian, Forsh.

Rabiz music

Rabiz is a genre of Armenian popular music. Rabiz music is distinguished by lyrics and music with elements of Armenian folk music.

Despite wide use the term Rabiz is not clearly defined. According to some sources it stems from Russian phrase "рабочее исскуство"(raboche'e iskustvo) used during Soviet times, literally meaning "labour's art". But even in this case it lost initial meaning. Though large group of singers and their listeners refer to Rabiz as a music genre, the term is also used widely to refer to a lifestyle. Rabiz refers not only to taste of music, but also to fashion and lifestyle. [9] Although the meaning of this use is largely dependent on personal taste and/or musical preferences of the speaker.

It is listened widely throughout the youth of Armenians in Los Angeles, Armenia, and Russia called rabiz. Rabiz music is music mostly played by musicians such as Tatoul Avoyan and Hayko Ghevondyan. It has taken the face of Armenian music due to its catchy beats and dance type music. Rabiz music is mostly about love or partying called "kef" but also about love to family or Armenia.

The musical language of the rabiz, being a blend of several musical traditions (primarily Armenian national, ashug. [bard-style] and Eastern in the style of the makam [classical court music]), is marked by delicate Eastern harmony and an abundance of melisinas, which allow the musician to achieve the desired effect by purely musical means. [10]

Rabiz music has recently seen unexpected success in Turkey, with the hit "Mi Gna" by Super Sako and Hayko Ghevondyan (also known as Spitakci Hayko) hitting #1 on a Shazam Top 100 list and its video garnering over 120M views on YouTube as of September 14, 2017. [11] [12] This success is thought to be a result of the similarity between Armenian and Turkish rhythms and melodies.


Among the rock bands of the old generation were the "Apostles" of Arthur Meschian, [13] "Vostan Hayots", "Ayas" and Arevatsaq. Interest in young rock bands as Sard, Bambir 2 is increasing, especially after videos for their new songs were shown on local television. Some groups such as Road Movie, Dogma remain in underground, playing concerts in rock clubs.

One of the most popular Alternative Metal bands in the United States is System of a Down, formed by Daron Malakian, Serj Tankian, Shavo Odadjian and John Dolmayan, all of them of Armenian descent. Serj Tankian has released several solo albums with political and socially conscious content. In addition, the most popular Alternative Rock band in the world from Armenia is The Beautified Project. Since its formation the band has won several awards in Armenia, United States and Moscow and has been aired by international channels such as MTV, BBC, PMC, KCAL, etc. [14] The band has played concerts in Armenia, UK, Austria, Germany, France, Russia and Georgia. [15]


Hip-Hop music in Armenia is gradually having notoriety amongst the youth. One of the notable bands was Hay Tgheq (Հայ տղեք) founded in 2001. Later band members Misho and HT Hayko started their own solo careers. One notable rapper in the United States is R-Mean from Glendale, California. R-Mean gained popularity amongst the Armenian Community with the song Open Wounds which commemorates the Armenian Genocide and started a movement "Open Wounds 1915". The song was recently released with a new video and gained over 260.000 views on YouTube alone. R-Mean has also made songs with multiplatinum rapper Game and Slaughterhouse members Crooked I and Joe Budden. Other Hip-Hop groups were formed in Germany such as Armenios, which was founded in Germany by A-Shot, ArmoX & 15Volt, and Super Sako in the United States.

Armenian musicians from the Diaspora

There is a large number of musicians of Armenian descent or origin but living (or born) outside of Armenia. Some of them are famous all over the world. In France Armenian descent artist Charles Aznavour (born Aznavourian) is much celebrated show and song-stars for decades. [16] In 2009 Armenian-American singer and songwriter Serj Tankian along with his father Khatchadour Tankian sang their rendition of "Bari Arakel" on an Armenian charity telethon. Armenian-American pop artists include Cher, whose real name is Cherylin Sarkissian and all the members of the popular heavy metal band System of a Down. Keyboardist Derek Sherinian is a worldwide rock keyboard legend who has played with Alice Cooper, Kiss, Dream Theater amongst many others. Andy Madadian is a legendary artist who is Armenian-Iranian, and Vigen Derderian is an Armenian-Iranian legendary jazz and pop artist. Vahe Mardirossian another well known guitarist, composer and luthier of Armenian descent, plays flamenco style music on his own custom made, hand crafted flamenco guitars. Armik, an Armenian-Iranian flamenco guitarist and composer. As a guitarist, he is one of the most adulated virtuosos of the Nuevo Flamenco genre, having appeared in Billboard Magazine's Top Ten New Age Artists in 2004, 2005, 2006 and 2008. Armenian-American Pianist/Keyboardist/Composer/Vocalist Danny Bedrosian has been the main keyboardist for Rock and Roll hall of Fame inducted band, George Clinton and Parliament Funkadelic (also known as P-Funk) since 2003. He has played with the band at over 850 shows and counting, on all six liveable continents and in over thirty five nations worldwide. Bedrosian has played before crowds as big as almost half a million people. He has likewise appeared on several live and studio albums by the group since his induction in P-Funk; Bedrosian's ancestors hail from Kharpert province, his family descending from Genocide survivors in Kharpert City and Habousi Village. George Mgrdichian, an Armenian musician, played several instruments in the jazz genre. He preferred the clarinet, but also learned the oud while joined with an American band. He died at 71 in 2006. [17]


See also

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