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Music of Italy | ||||||||
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Gregorian chant | ||||||||
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Nationalistic and patriotic songs | ||||||||
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Regional music | ||||||||
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The musical fortunes of Friuli-Venezia Giulia (Furlanija – Julijska krajina) are closely tied to its political fortunes over the course of centuries, all having to do with proximity to the great maritime Republic of Venice as well as to the Austro-Hungarian empire and the vicissitudes of being a heavily contested area during the first World War. The vast comings and goings of various ethnic groups through this section of Italy have led to cultural and musical variety for diversity.
Furlana was a dance that was named from Friuli that became very popular in Venice, then was adopted by French royal court and then it spread all over Europe, being used by Johann Sebastian Bach and many other musicians. It could have a Slav origin, though.
The most prominent musical theater in the region was built in 1801 in Trieste and was named the Teatro Giuseppe Verdi in 1901. The city is the site of the Giuseppe Tartini music conservatory. It is also the home base for the internationally acclaimed Trieste Trio chamber music ensemble.
Elsewhere in the region, the province of Gorizia has at least five spacious auditoriums and hosts a number of music events during the year, including the international Rudolfo Lipizer violin competition as well as various popular music festivals. The province of Pordenone hosts an international organ festival and competition as well as sponsoring an event dedicated to the Renaissance organ. Various musical associations in Pordenone include:
An additional music conservatory, named for Jacopo Tomadini, is located in the city of Udine.
Friuli-Venezia Giulia is one of the 20 regions of Italy and one of five autonomous regions with special statute. The regional capital is Trieste on the Gulf of Trieste, a bay of the Adriatic Sea.
Pordenone is a city and comune (municipality) in the Italian region of Friuli-Venezia Giulia, the capital of the Regional decentralization entity of Pordenone.
The music of Sicily is created by peoples from the isle of Sicily. It was shaped by the island's history, from the island's great presence as part of Magna Grecia 2,500 years ago, through various historical incarnations as a part of the Roman Empire, then as an independent state as the Emirate of Sicily then as an integral part of the Kingdom of Sicily and later the Kingdom of the Two Sicilies, and, finally, as an autonomous region of the modern nation state of Italy.
As one moves away from Naples in almost any direction, there is prominent musical activity to be found. These include, for example, the restoration and use of a number of the so-called "Vesuvian villas" in and near Ercolano, a string of once luxurious villas built in the 18th century and severely damaged by aerial bombardment in World War II. The most prominent of these is the Villa Campolieto, already restored, open and the site of chamber concerts by the Alessandro Scarlatti association.
The Piedmont has played an important role in the development of music, in general, in Italy, due to the presence of medieval monasteries in that area, institutions that were great preservers of manuscripts in the Middle Ages as well as being geographically well located to connect to musical influences from northern Europe. As well, the political dominance of the Royal House of Savoy leading up to its eventual installation as the ruling dynasty of united Italy was important.
Veneto is one of the 20 regions of Italy. The music of Veneto.
The Music of Apulia has had some glorious history as well as some very hard times. Located along the southern Adriatic, the area was part of Magna Grecia and certainly one of the centers of Ancient Greek music. And 1,000 years ago, Bari, on the coast, was a privileged sanctuary for pilgrims and Crusaders on their way to the Holy Land. Yet, the only musical relic that remains from the period is the Excultet, a representation from the 11th century of two angels playing trumpets that is preserved in the Basilica of San Nicola in Bari. Later, as part of the Kingdom of Naples, Apulia produced many memorable names in music, but like elsewhere in the south, many of them gravitated to Naples, the capital of the kingdom.
There are 70 community bands, 110 community choirs, and about 20 secondary music schools. The region is famous for its music festivals, including the Festival dei Due Mondi in Spoleto and the Umbria Jazz Festival.
The Music of Emilia-Romagna has the reputation of being one of the richest in Europe; there are six music conservatories alone in the region, and the sheer number of other musical venues and activities is astounding. The region, as the name implies, combines the traditions of two different, contiguous areas—Emilia and Romagna—and it is perhaps this blend that contributes to the wealth of musical culture.
Beyond Florence, there are nine other provinces in the region of Tuscany, named for the largest city in, and capital of, the respective province. Taken together, they offer an intense musical life.
Besides Milan, the region of Lombardy has 10 other provinces, each named for the largest city and capital of the respective province: Bergamo, Brescia, Como, Cremona, Lecco, Lodi, Mantova, Pavia, Sondrio, and Varese. Musically, they offer:
The music of Milan has ancient roots. The Ambrosian chants are among the first codified music in Western culture, which fact led to the later development of its concept of scales, for example. In more recent history, the city of Milan has been an important social, cultural, political and commercial center not just in Italy, but in all of Europe.
Cordenons is a comune (municipality) in the Regional decentralization entity of Pordenone in the Italian region of Friuli Venezia Giulia, located about 90 kilometres (56 mi) northwest of Trieste and about 4 kilometres (2.5 mi) northeast of Pordenone. As of 31 December 2004, it had a population of 17,738 and an area of 56.8 square kilometres (21.9 sq mi).
Elio Battaglia, is an Italian baritone, singing teacher, and author and lecturer in music. He was the founder and director of the course entitled, Il Lied Tedesco, which ran in Acquasparta, Italy, from 1973 to 2005, and then in Turin from 2007 to 2008.
Daniele Zanettovich is an Italian composer and conductor.
Giampaolo Coral was an Italian composer.
The following is a compilation of memorials to the composer Giuseppe Verdi in the form of physical monuments and institutions and other entities named after him.
Elvina Ramella was an Italian operatic soprano.
Maria Cecilia Fusco was an Italian operatic soprano and voice teacher. In a long career, she appeared regularly at La Scala in Milan, and leading opera houses in Italy and abroad. Her broad repertoire included works from early Italian opera to premieres of contemporary opera.
Franco Venturini is an Italian musician based in Paris. From the earliest age he demonstrated an uncommon attitude towards classical music, which led him to pursue a musical career. He started as a pianist, later devoting himself to composition mainly in the fields of contemporary classical music and electronic music.