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Music of Lithuania refers to all forms of music associated with Lithuania, which has a long history of the folk, popular and classical musical development. Music was an important part of polytheistic, pre-Christian Lithuania – rituals were accompanied by music instruments and singing, deeds of the heroes and those who didn't return from the war were celebrated in songs.
Lithuania, officially the Republic of Lithuania, is a country in the Baltic region of Europe. Lithuania is considered to be one of the Baltic states. It is situated along the southeastern shore of the Baltic Sea, to the east of Sweden and Denmark. It is bordered by Latvia to the north, Belarus to the east and south, Poland to the south, and Kaliningrad Oblast to the southwest. Lithuania has an estimated population of 2.8 million people as of 2019, and its capital and largest city is Vilnius. Other major cities are Kaunas and Klaipėda. Lithuanians are Baltic people. The official language, Lithuanian, is one of only two living languages in the Baltic branch of the Indo-European language family, the other being Latvian.
Music was very important part of ancient Lithuanian polytheistic belief. It is known that, at the start of the 2nd millennium, Baltic tribes had special funeral traditions in which the deeds of the dead were narrated using recitation, and ritual songs about war campaigns, heroes and rulers also existed.
The Balts or Baltic people are an Indo-European ethno-linguistic group who speak the Baltic languages, a branch of the Indo-European language family.
A recitation in a general sense is the act of reciting from memory, or a formal reading of verse or other writing before an audience.
First professional music was introduced to Lithuania with travelling monks in the 11th century. After the christianization of Lithuania in 1387, religious music started to spread, Gregorian chant was introduced. Travelling musicians arranged concerts in the manors and castles of the Lithuanian nobleman, local cappellas were founded.
The Christianization of Lithuania occurred in 1387, initiated by King of Poland and Grand Duke of Lithuania Władysław II Jagiełło and his cousin Vytautas the Great. It signified the official adoption of Christianity by Lithuanians, the last pagan nation in Europe. This event ended one of the most complicated and lengthiest processes of Christianization in European history.
Gregorian chant is the central tradition of Western plainchant, a form of monophonic, unaccompanied sacred song of the Roman Catholic Church. Gregorian chant developed mainly in western and central Europe during the 9th and 10th centuries, with later additions and redactions. Although popular legend credits Pope Gregory I with inventing Gregorian chant, scholars believe that it arose from a later Carolingian synthesis of Roman chant and Gallican chant.
It is known, that Anna, Grand Duchess of Lithuania, wife of Vytautas the Great which had diplomatic relationships with the Teutonic Knights, who sent her expensive gifts, including clavichord and portative organ in 1408.Daughter of Grand Duke of Lithuania Gediminas, Aldona, when married to Casimir III of Poland, 1325 took her palace orchestra to Cracow. It had musicians which played lute, zither and lyre.
Anna was Grand Duchess of Lithuania (1392–1418). She probably was the first wife of Vytautas the Great, Grand Duke of Lithuania. Anna was mother of Sophia of Lithuania, the only child of Vytautas and wife of Vasily I of Moscow. She is best remembered for helping Vytautas to escape from a prison in Kreva in 1382 and thus probably saving his life. Little is known about Anna's life and even her origins remain disputed by historians.
Vytautas, also known as Vytautas the Great from the 15th century onwards, was a ruler of the Grand Duchy of Lithuania, which chiefly encompassed the Lithuanians and Ruthenians. He was also the Prince of Hrodna (1370–1382), Prince of Lutsk (1387–1389), and the postulated king of the Hussites.
The clavichord is a European stringed rectangular keyboard instrument that was used largely in the Late Middle Ages, through the Renaissance, Baroque and Classical eras. Historically, it was mostly used as a practice instrument and as an aid to composition, not being loud enough for larger performances. The clavichord produces sound by striking brass or iron strings with small metal blades called tangents. Vibrations are transmitted through the bridge(s) to the soundboard.
The first opera ( Dramma per musica ) in Lithuania was staged in the Palace of the Grand Dukes of Lithuania in 1636. Marco Scacchi and Virgilio Puccitelli were the opera's impresarios. The appearance of the opera in Lithuania is quite early, especially considering the fact that Italian opera phenomena was formed at about 1600 and first opera staged in Paris was just before 1650.
Dramma per musica is a libretto. The term was used by dramatists in Italy and elsewhere between the late-17th and mid-19th centuries. In modern times the same meaning of drama for music was conveyed through the Italian Greek-rooted word melodramma. Dramma per musica never meant "drama through music", let alone music drama.
The Palace of the Grand Dukes of Lithuania is a palace in Vilnius, Lithuania. It was originally constructed in the 15th century for the rulers of the Grand Duchy of Lithuania and the future Kings of Poland. The palace, located in the lower castle of Vilnius, evolved over the years and prospered during the 16th and mid-17th centuries. For four centuries the palace was the political, administrative and cultural centre of the Polish–Lithuanian Commonwealth. It was demolished in 1801. Work on a new palace started in 2002 on the site of the original building and it took 16 years to complete it in 2018.
Marco Scacchi was an Italian composer and writer on music.
In the 17th century in Palace of the Grand Dukes of Lithuania, three Italian operas were staged – all by palace composer Marco Scacchi, to librettos by Virgilio Puccitelli - Il ratto d’Elena (The Elena Kidnapping) (1636), L'Andromeda (Andromeda) (1644), Circe Delusa (Disillusioned Circe) (1648). The scenography and stage machinery was made by Italian architects and engineers Agostino Locci, Bartolomeo Bolzoni and Giovanni Battista Gisleni. The cultural life of the Palace of the Grand Dukes of Lithuania was especially intense during the reign of Sigismund II Augustus. The Vilnius residence was a place to host many chamber concerts, music and dance festivities and carnivals, and music has become an integral part of the public life of the Palace. Musicians from other countries, especially from Italy, were invited to Vilnius. Among the most notable was Hungarian composer and lutenist Bálint Bakfark, who came to Vilnius from Rome, Italian composer Diomedes Cato.Composer and lutenist Michelagnolo Galilei, brother of Galileo Galilei was playing in the court of Radvila in Vilnius in the 17th century. Approximately 100 musicians worked in Vilnius at the court of Mikalojus Radvila Juodasis, the Protestant Grand Chancellor of the Grand Duchy of Lithuania and the Palatine of Vilnius (1515–1565).
Giovanni Battista Gisleni was an Italian Baroque architect, stage designer, theater director, singer, and musician at the Polish-Lithuanian royal court.
Sigismund II Augustus was the King of Poland and Grand Duke of Lithuania, the only son of Sigismund I the Old, whom Sigismund II succeeded in 1548.
Vilnius is the capital of Lithuania and its largest city, with a population of 570,806 as of 2019. The population of Vilnius functional urban area, that stretches beyond the city limits, is estimated at 697,691, while according to statistics of Vilnius territorial health insurance fund, there are 723,016 permanent inhabitants in Vilnius city and Vilnius district municipalities combined. Vilnius is in the southeast part of Lithuania and is the second largest city in the Baltic states. Vilnius is the seat of the main government institutions of Lithuania and the Vilnius District Municipality.
First printed Lithuanian book Catechismusa Prasty Szadei (The Simple Words of Catechism) in 1547 contained 11 religious hymns in Lithuanian with sheet music. Lithuanian jesuit Žygimantas Liauksminas (Sigismundus Lauxminus) published the first music handbook in Lithuania - Ars et praxis musica in 1667. It was a first book of the trilogy, devoted to Gregorian chant - other books include Graduale pro exercitatione studentium and Antifonale ad psalmos, iuxta ritum S. Romanae Ecclesiae, decantandos, necessarium. The books were published at the University of Vilnius - S.R.M. Academicis Societatis Jesu.
Recent findings - The Sapieha Album (Sapiegos albumas) and the Diary of the Kražiai Organist (Kražių vargoninko dienoraštis) demonstrated that the big part of the Lithuanian church music of the 17th century was directly influenced by the most prominent composers of Italy of that time - Girolamo Frescobaldi; Italian organ tablature notation prevailed, basso continuo was studied.
Lithuania and it's turbulent history was a subject of operas long before the appearance of the national opera in Lithuania. Everardo II, re di Lituania (Everardo II, King of Lithuania), music by João de Sousa Carvalho, libretto by Gaetano Martinelli was written in 1782 to celebrate the birth of Pedro III, King of Portugal. I Lituani (The Lithuanians) - is an opera consisting by Amilcare Ponchielli to an Italian libretto by Antonio Ghislanzoni, based on the historical poem Konrad Wallenrod written by Adam Mickiewicz. It premiered at La Scala in Milan on 7 March 1874.
One of the first professional Lithuanian musicians was Juozas Kalvaitis (1842-1900). He composed a four-voiced Mass in the Lithuanian language in Tilžė.First national opera Birutė by composer Mikas Petrauskas (1873-1937), libretto - Gabrielius Landsbergis-Žemkalnis (1852-1916) was staged in 1906.
Mikalojus Konstantinas Čiurlionis (1875-1911) is considered the greatest Lithuanian composer of his generation, and probably of all time.
Lithuanian folk music belongs to Baltic music branch which is connected with neolithic corded ware culture. In Lithuanian territory meets two musical cultures: stringed (kanklių) and wind instrument cultures. These instrumental cultures probably formed vocal traditions. Lithuanian folk music is archaic, mostly used for ritual purposes, containing elements of paganism faith.
There are three ancient styles of singing in Lithuania connected with ethnographical regions: monophony, multi-voiced homophony, heterophony and polyphony. Monophony mostly occurs in southern (Dzūkija), southwest (Suvalkija) and eastern (Aukštaitija) parts of Lithuania. Multi-voiced homophony, widespread in entire Lithuania, is the most archaic in Samogitia. Traditional vocal music is held in high esteem on a world scale: Lithuanian song fests and sutartinės multipart songs are on the UNESCO's representative list of the Masterpieces of the Oral and Intangible Heritage of Humanity.
Sutartinės (from the word sutarti—to be in concordance, in agreement, singular sutartinė) are highly unique examples of folk music. They are an ancient form of two and three voiced polyphony, based on the oldest principles of multivoiced vocal music: heterophony, parallelism, canon and free imitation. Most of the sutartinės' repertoire was recorded in the 19th and 20th centuries, but sources from the 16th century on show that they were significant along with monophonic songs. At present the sutartinės have almost become extinct as a genre among the population, but they are fostered by many Lithuanian folklore ensembles.
The topics and functions of sutartinės encompass all major Lithuanian folk song genres. Melodies of sutartinės are not complex, containing two to five pitches. The melodies are symmetrical, consisting of two equal-length parts; rhythms are typically syncopated, and the distinctly articulated refrains give them a driving quality.
Sutartinės can be classed into three groups according to performance practices and function:
Sutartinės are a localized phenomenon, found in the northwestern part of Lithuania. They were sung by women, but men performed instrumental versions on the kanklės (psaltery), on horns, and on the skudučiai (pan-pipes). The rich and thematically varied poetry of the sutartinės attests to their importance in the social fabric. Sutartinės were sung at festivals, gatherings, weddings, and while performing various chores. The poetic language while not being complex is very visual, expressive and sonorous. The rhythms are clear and accented. Dance sutartinės are humorous and spirited, despite the fact that the movements of the dance are quite reserved and slow. One of the most important characteristics of the sutartinės is the wide variety of vocables used in the refrains (sodauto, lylio, ratilio, tonarilio, dauno, kadujo, čiūto, etc.).
Different vocal and instrumental forms developed, such as lyrical, satirical, drinking and banqueting songs, musical dialogues, wedding laments, games, dances and marches. From an artistic standpoint the lyric songs are the most interesting. They reflect the entirety of the bride's life: her touching farewells to loved ones as she departs for the wedding ceremony or her husband's home, premonitions about the future, age-old questions about relationships between the mother-in-law and daughter-in-law, and the innermost thoughts and emotions of the would-be bride.
Chronicles and historical documents of the 13th through 16th centuries contain the first sources about songs relating the heroics of those fallen in battle against the Teutonic Knights. Later songs mention the Swedes, there are frequent references to Riga and Battle of Kircholm; songs collected in the early 19th century mention battles with the Tatars. Songs from uprisings and revolutions, as well as sonf of Lithuanian anti-Soviet guerrilla resistance in 1945-1952 and songs of the deportees are also classified as wartime historical songs.
They were sung at prescribed times of the year while performing the appropriate rituals. There are songs of Shrovetide and Lent, Easter swinging songs, and Easter songs called lalavimai. The Advent songs reflect the mood of staidness and reflection. Christmas songs contain vocables such as kalėda, lėliu kalėda; oi kalėda kalėdzieka, while Advent songs contain vocables such as leliumoj, aleliuma, aleliuma rūta, aleliuma loda and others. There are several typical melodic characteristics associated with Christmas ritual songs, such as a narrow range, three-measure phrases, dance rhythms, a controlled slow tempo, and a tonal structure based on phrygian, mixolydian or aeolian tetrachords. Polyphonic St. John's Feast songs are commonly called kupolinės, which include refrains and vocables such as kupolėle kupolio, kupolio kupolėlio, or kupole rože.
Work songs vary greatly in function and age. There are some very old examples, which have retained their direct relation with the rhythm and process of the work to be done. Later work songs sing more of a person's feelings, experiences and aspirations. The older work songs more accurately relate the various stages of the work to be done. They are categorized according to their purpose on the farm, in the home, and so on.
The rateliai (round dances) have long been a very important part of Lithuanian folk culture, traditionally performed without instrumental accompaniment. Since the 19th century, however, fiddle, basetle, lamzdeliai and kanklės came to accompany the dances, while modern groups also incorporate bandoneon, accordion, concertina, mandolin, clarinet, cornet, guitar and harmonica. During the Soviet occupation, dance ensembles used box kanklės and a modified clarinet called the birbynės ; although the ensembles were ostensibly folk-based, they were modernized and sanitized and used harmonized and denatured forms of traditional styles.
The most important Lithuanian popular folk music ensembles included Skriaudžių kanklės, formed in 1906, and Lietuva. Such ensembles were based on traditional music, but were modernized to be palatable to the masses; the early 20th century also saw the spread of traditional musical plays like The Kupiškėnai Wedding .
Some of the most prominent modern village ensembles: Marcinkonys (Varėna dst.), Žiūrai (Varėna dst.), Kalviai-Lieponys (Trakai dst.), Luokė (Telšiai dst.), Linkava (Linkuva, Pakruojis dst.), Šeduviai (Šeduva, Radviliškis dst.), Užušiliai (Biržai dst.), Lazdiniai-Adutiškis (Švenčionys dst.). Some of the most prominent town folklore groups: Ratilio , Ūla, Jievaras, Poringė (Vilnius), Kupolė (Kaunas), Verpeta (Kaišiadorys), Mėguva (Palanga), Insula (Telšiai), Gastauta (Rokiškis), Kupkiemis (Kupiškis), Levindra (Utena), Sūduviai (Vilkaviškis). Children folk groups: Čiučiuruks (Telšiai), Kukutis (Molėtai), Čirulis (Rokiškis), Antazavė (Zarasai dst.).
Mikalojus Konstantinas Čiurlionis (September 22 [ O.S. September 10] 1875 in Varėna—April 10 [ O.S. March 28] 1911 in Pustelnik near Warsaw) was a Lithuanian painter and composer. During his short life he created about 200 pieces of music. His works have had profound influence on modern Lithuanian culture.
Čiurlionis studied piano and composition at the Warsaw Conservatory (1894–1899). Later he attended composition lectures at the Leipzig Conservatory (1901–1902). His symphonic poems In the Forest (Miške) and The Sea (Jūra) were performed only posthumously.
The Čiurlionis String Quartet performs in Lithuania and abroad. Every several years junior performers from Lithuania and neighbouring countries take part in The Čiurlionis Competition.
Modern classical composers emerged in seventies - Bronius Kutavičius, Feliksas Bajoras, Osvaldas Balakauskas, Onutė Narbutaitė, Vidmantas Bartulis and others. Most of those composers explored archaic Lithuanian music and its harmonic combination with modern minimalism and neoromanticism.
Osvaldas Balakauskas (born 1937, Miliūnai) Graduated from the Vilnius Pedagogical Institute in 1961, attended Boris Lyatoshinsky's composition class at Kiev Conservatory in 1969. From 1992 to 1994 Balakauskas was ambassador of Lithuania and in 1996 he was awarded with the Lithuanian National Award, the highest artistic and cultural distinction in Lithuania. He is currently head of the Composition Department of the Lithuanian Academy of Music and Theatre. His output consists of symphonies, concertos, chamber and instrumental music.
Conductor and music director of City of Birmingham Symphony Orchestra, Mirga Gražinytė-Tyla is known for her flamboyance and steely poise.She is also in top 5 of woman conductors.
The New Ideas Chamber Orchestra NICO and Synaesthesis playing new academic music.
In 1996 Music Information Centre Lithuania (MICL) was founded. It collects, promotes and shares information on Lithuanian musical culture.
Although the first opera in Lithuania was staged just 30 years later after it appeared in Italy, the musical and cultural development was constantly interrupted with historical turmoils. The Russian invasion in 1655 was especially grueling - many manors were destroyed, Vilnius was looted and demolished. The war with Sweden was started as well. The period was called Tvanas (The Deluge). Eventually it led to a partition of Polish-Lithuanian Commonwealth.
In 1785 in Vilnius was the first city theatre created, which hosted operas as well. Musical life continued in the saloons of the aristocrats and nobleman. The house of singer Kristina Gerhardi-Frank and physician Joseph Frank was especially well known in Vilnius.
Development of national Lithuanian opera is related with national revival in the 20th century. Themes of the operas were taken from the national history or mythology. Lithuanian language was considered as language of singing. First Lithuanian national opera Birutė by composer Mikas Petrauskas was staged in 1906 in Vilnius City Concert Hall. After regaining the Independence of Lithuania in 1918 opera Gražina (1933) by composer Jurgis Karnavičius (1884 - 1941) was the first staged in a new Kaunas State Musical Theatre. It was followed in 1937 by the next opera of J.Karnavičius Radvila Perkūnas .
In Boston in 1924 Lithuanian emigrants music lovers staged opera by M.Petrauskas Eglė žalčių karalienė ( Eglė the Queen of Serpents ). Vytautas Klova (1926 - 2006) created mostly national operas - ( Pilėnai 1955, Vaiva 1957, Duktė (The Daughter) 1960, Du kalavijai (Two Swords) 1965, Amerikietiškoji tragedija ( An American Tragedy ), 1968, Ave vita, 1974). Operas based on historical thematic were created by Julius Juzeliūnas (1916 - 2001) (Sukilėliai (The Rebels) 1957, banned by soviet censorship, staged only in 1977), B. Dvarionas (Dalia, 1958).
Bronius Kutavičius wrote operas Kaulo senis ant geležinio kalno (The Old Man of Bone on the Iron Hill, 1976), Strazdas – žalias paukštis (Thrush, the Green Bird, 1981), Lokys (The Bear, 2000), Ignes et fides (Fire and Faith, 2003),combining opera, ballet and oratorio.
Most notable Lithuanian opera singers: Kipras Petrauskas (1885 - 1968), Virgilijus Noreika (1935 - 2018), Vaclovas Daunoras (b. 1937), Irena Milkevičiūtė (b. 1947), Violeta Urmana (b. 1961). Other singers performing on international scenes are: Aušrinė Stundytė, Asmik Grigorian, Vaidas Vyšniauskas (Kristian Benedikt), Edgaras Montvidas, Justina Gringytė, Indre Viskontas. Liudas Truikys (1904 - 1987) was a renown scenic designer. Prominent theatre director Eimuntas Nekrošius has staged several operas in Lithuania (Otello) and Italy (Macbeth). Fashion designer Juozas Statkevičius (b. 1968) created costumes for numerous operas.
The diversity of the modern national opera is represented by: Lokys (The Bear, 2000),Geros dienos (Have a Godd Day!, 2011), Cornet (2014), Post Futurum (2018), Prūsai (The Prussians, 2018) Modern opera Sun & Sea (2019) was presented at Venice Biennale, Lithuanian pavilion and was awarded The Golden Lion for best national participation.
Currently operas are staged in Lithuanian National Opera and Ballet Theatre, Vilnius City Opera, Kaunas State Musical Theatre, Klaipėda State Musical Theatre and by company Operomanija and by Lithuanian Opera Company of Chicago. Opera is a highly popular genre in Lithuania, collecting full halls. The annual NOA (New Opera Action)- contemporary alternative opera and multidisciplinary art festival is being organized in Vilnius.
In 1971, despite being behind the Iron Curtain in Soviet occupied Lithuania Kęstutis Antanėlis has staged a rock opera Jesus Christ Superstar - just one year after its album release. In 1973 composer Viačeslavas Ganelinas and a poet Sigitas Geda created a film musical Velnio nuotaka ( Devil's bride ). It is considered the first Lithuanian musical. In 1974 a musical Ugnies medžioklė su varovais (Fire Hunt and Beaters) (composer - Giedrius Kuprevičius, libretto - Saulius Šaltenis, Liudas Jacinevičius) was staged.
In Lithuania choral music is very important. Only in Vilnius city there are three choirs laureates at the European Grand Prix for Choral Singing. Vytautas Miškinis (born 1954) is a composer and choir director who is very popular in Lithuania and abroad. He has written over 400 secular and about 150 religious works.
The Communist government of the Lithuanian SSR criticized rock music, which was considered a decadent and corrupting cultural invasion from the West. The first local rock bands started to emerge around 1965 and included Kertukai, Aitvarai and Nuogi ant slenksčio in Kaunas, and Kęstutis Antanėlis, Vienuoliai, and Gėlių Vaikai in Vilnius, among others.
Radio Luxembourg was the most important source of information about the music on other side of the Iron Curtain. It was very common for Lithuanian hippies or band players to listen to this radio. Radio Luxemburg bears strong associations in Lithuania with the Romas Kalanta generation (Kalantos karta). Another means was to smuggle LPs of popular Western bands into Lithuania and copy them onto magnetic tape. The records then spread further by making recordings to the friends, classmates.
Unable to express their opinions directly, the Lithuanian artists began organizing patriotic Roko Maršai and were using metaphors in their songs' lyrics, which were easily identified for their true meanings by the locals.Postmodernist rock band Antis and its vocalist Algirdas Kaušpėdas were one of the most active performers who mocked the Soviet regime by using metaphors. For example, in the song Zombiai (Zombies), the band indirectly sang about the Red Army soldiers who occupied the state and its military base in Ukmergė. Vytautas Kernagis' song Kolorado vabalai (Colorado beetles) was also a favorite due to its lyrics in which true meaning of the Colorado beetles was intended to be the Soviets decorated with the Ribbons of Saint George.
In the early independence years, rock band Foje was particularly popular and gathered tens of thousands of spectators to the concerts.After disbanding in 1997, Foje vocalist Andrius Mamontovas remained one of the most prominent Lithuanian performers and an active participant in various charity events. Marijonas Mikutavičius is famous for creating unofficial Lithuania sport anthem Trys milijonai (Three million) and official anthem of the EuroBasket 2011 Nebetyli sirgaliai (English version was named Celebrate Basketball).
In the 1980s, rock bands Foje, Antis, and Bix made a big impact in Lithuania. Short-lived alternative rock group Šiaurės kryptis (The Northern Direction, 1986 - 1995) issued only one album Netiekto, but still considered one of the best groups of that time.
In 1987, 1988 and 1989 Lithuania saw several big rock festivals, such as Roko Maršas (Rock March). Roko Maršas was connected to the ideology of Sąjūdis and independence movement of Lithuania.
1986–1987 marked the appearance of the punk scene in Lithuania. Bands like Už Tėvynę (For the Fatherland), Genocidas Raudonajam Interventui (A Genocide for The Red Intervents), SKAT, and Erkė maiše were leaning towards the classic punk rock of the 1970s, while others like 33% kiaulių pakeliui į Vatikaną and Turboreanimacija were more inclined towards hardcore punk (HC) stylistics. Turboreanimacija can be regarded as the most influential hardcore punk band of Lithuania, which in its time was well received by fanzines such as Maximumrocknroll in the United States. Their first up-tempo albums reminded listeners of early records from Scottish hardcore punk legends The Exploited , while later Turboreanimacija embarked on the power-punk road. Turboreanimacija disbanded in 1997 after granting a cult status among the Lithuanian underground. Post-punk group Kardiofonas (1986-1989) was highly popular with its hit Kalėdinė eglutė (Christmas tree).
More recent acts of this genre are ska-punk band Dr.Green (who are famous for their numerous DIY activities and intensive touring through the punk scenes of Europe), street-punkers Toro Bravo and hardcorists Bora and Mountainside.
Origins of Lithuanian pop music are in music of the cafes and restaurants of temporary capital of Lithuania - Kaunas in the 1930s. It was called estradinė muzika (estrade-music), lengvoji muzika (light music) and the phenomena sometimes named as mažoji scena (the little stage). Pop music bands Kopų balsai(Sounds of the dunes)(in the beginning influenced by Juozas Tiškus orchestra), created in 1957 and band Nerija, which started activity in 1970 became very popular in Lithuania.
From the 2000s on, the most popular band in Lithuania is SKAMP [ citation needed ]. Happyendless, Freaks on Floor, Ten Walls, Jurga and Leon Somov & Jazzu became internationally popular[ citation needed ] and put Lithuania spot on the map for quality music[ citation needed ]. Although some pop groups sing in English, pop music in Lithuanian language is very popular.
The group Saulės laikrodis created in 1976, Argo - in 1979, and D.A.17 created in 1986, considered the pioneers of electronic music in Lithuania. Classical composer Teisutis Makačinas issued his album Disko muzika (Disko music) in 1982 playfully using Moog synthesizer. Sound director of Argo, Orūnas Urbonas constructed sound synthesizers (quasi-moog) for the group needs.In 2002-2010 Pieno lazeriai (Milky lasers), produced by De-Phazz leader Pit Baumgartner, played in nu jazz style. Since 2004 RyRalio Djs became famous for quality house music.
Jazz was quite often mentioned in the press of Lithuania before the WWII. Back in Lithuania's first period of independence (1918-1940), the country was part of swinging Europe. Nearly every Lithuanian town had its own jazz band, and traditional jazz repertoire was performed by prestigious orchestras under the leadership of Mykolas Hofmekleris (violinist),Abraomas Stupelis (violinist), Danielius Pomerancas (violinist). Jazz was played in the modern cafés and restaurants of interbellum Kaunas - Konradas, Monika, Aldona, Versalis, Metropolis. In 1935 in the cinema Metropolitain, first concert of jazz orchestra took place. The jazz orchestra was assembled from leading musicians of Kaunas, most likely the basis was a band which played in the Konradas café in the Laisvės Alley. In 1940 in Kaunas Radio (Kauno radiofonas) was the first official jazz orchestra launched and led by Abraomas Stupelis. He is considered the pioneer of the Lithuanian big band. Mykolas Hofmekleris in 1932 was decorated with the Order of the Lithuanian Grand Duke Gediminas for his activity in the field of music.
Soviet occupation destroyed much of the vibrant cultural life, cafes were closed, jazz was considered as an ideologically and politically charged music of the West. Jazz scene was active even during the years of Soviet occupation. First sign of revival was an orchestra of Kaunas Polytechnic Institute led by Juozas Tiškus. Juozas Tiškus formed a professional swing orchestra of 28 members. Juozas Tiškus is also considered one of the instigators of popular Lithuanian music. The real breakthrough would occur in 1970-71 with the coming together of the Ganelin/Tarasov/Chekasin trio, the alleged instigators of the Vilnius Jazz School.The trio, known also as Ganelin Trio or GTCh combined free jazz with elements of Lithuanian folk and classic music. Café Neringa in Vilnius and café Tulpė (former Konradas) in Kaunas became places for jazz lovers and players.
Almost anything can be found on the jazz scene in Lithuania today, from Dixieland and a cappella groups, to all kinds of jazz fusion, nu-jazz and jazzcore.
There are quite a few international jazz festivals in Lithuania:
and some other.
Jazz bands and performers:
1924 saw the first Dainų šventė (The Lithuanian Song Festival), song festivals which were state-supported and helped to keep folk traditions alive; these were held every five years (every four since 1990). Similar festivals take place in Estonia and Latvia since the 1870s. The 1960s saw people rebelling against Soviet-controlled traditions, and led a roots revival that soon led to celebrations of Lithuanian identity in festivals and celebrations.
Lithuania is home to many folk music festivals. The Dainų šventė song festival is perhaps the most famous; it was first held in 1924, and has continued every five years since. Other major folk festivals include the Skamba skamba kankliai and the Atataria trimitai , both held annually; of historical importance is the Ant marių krantelio , which was held in the 1980s and was the first major festival of its kind. The Baltica International Folklore Festival is held in one of the Baltic states every year.
The GAIDA Festival, organised in Vilnius since 1991 is the largest and the most prominent festival of modern music in Lithuania and in all Baltic countries.
Kaunas is the second-largest city in Lithuania after Vilnius and the historical centre of Lithuanian economic, academic, and cultural life. Kaunas was the biggest city and the centre of a county in the Duchy of Trakai of the Grand Duchy of Lithuania and Trakai Palatinate since 1413. In the Russian Empire, it was the capital of the Kaunas Governorate from 1843 to 1915.
Rock music has been performed and heard in Lithuania since the mid-1960s. At first, repression by the Soviet authorities meant that rock was performed only at illegal gatherings, while music from the West was available on Radio Luxembourg or smuggled records. As pressure eased somewhat, rock musicals began to be released, such as Velnio nuotaka and Ugnies medžioklė su varovais.
Balys Dvarionas, 19 June [O.S. 6 June] 1904 in Liepāja — 23 August 1972 in Vilnius), was a Lithuanian composer, pianist, conductor and educator. Dvarionas first became known as a composer after World War II. His works are in a romantic vein, with roots in folk song.
Bronius Kutavičius is a Lithuanian composer. From 1959 to 1964 Kutavičius studied Music Composition at the Lithuanian State Conservatory in lt:Antanas Račiūnas's composition class in Vilnius. He has written numerous oratorios and operas, among them The Last Pagan Rites, Lokys the Bear and The Gates of Jerusalem. He won the Lithuanian State Prize in 1995, and the prize of the Probaltica Festival in Toruń (Poland) in 1996. Most of the works of B. Kutavičius are inspired by ancient Lithuanian polytheistic belief and music.
Daina Society was a Lithuanian cultural organization promoting Lithuanian folk traditions and songs. It was established as an illegal cultural society by the composer Juozas Naujalis and officially registered with the Tsarist authorities in 1905. Active from 1899 to 1944 in Kaunas, the society organized various events, concerts, amateur theater performances. In 1924, it initiated the first Lithuanian Song Festival.
Juozas Rimas is a Lithuanian oboist and professor at the Lithuanian Academy of Music and Theatre who has recorded over 150 pieces and played for a number of regional orchestras.
The culture of Lithuania combines an indigenous heritage, represented by the unique Lithuanian language, with Nordic cultural aspects and Christian traditions resulting from historical ties with Poland. Although linguistic resemblances represent strong cultural ties with Latvia in various historical moments Lithuania was influenced by Nordic, Germanic and Slavic cultures. Various cultural changes occurred throughout Lithuania's transformation from a country occupied by the Soviet Union to an independent Baltic state.
Lithuanian National Opera and Ballet Theatre (LNOBT) is an opera house and ballet theatre in Vilnius, Lithuania, founded 1920, new opera palace was built in 1974. Apart from standard Western and Russian repertory works, the opera also performs national operas. Vytautas Klova's opera Pilėnai (1956), has since 2001 been performed outdoors during the summer at Trakai Island Castle. Bronius Kutavičius' opera Lokys (2000), after Prosper Mérimée's short story Lokis the bear, was commissioned by the Vilnius Festival. The ballet has performed several productions by Russian choreographer Boris Eifman, among them Red Giselle.
Vytautas Valius was a Lithuanian painter and graphic designer.
Nadezhda Dukstulskaite [alternative spelling Nadežda Dukstulskaitė; surname also written Dukshtulsky or Dukstulsky] was a pianist whose concerts and recordings promoted international awareness of Lithuanian composers, and who influenced several generations of Lithuanian pianists, singers and other musicians. She was one of the few survivors of the Kovno Ghetto.
Giedrius Antanas Kuprevičius is a Lithuanian composer and music educator.
The Lithuania Song Festival is a massive traditional song and dance festival. Since regaining the Independence in 1990, the event has gained the status of the national celebration. The most recent event took place between 30 June and 6 July, 2018. The 2018 edition of the Song Celebration was dedicated to the Centenary of the Restoration of the independent state of Lithuania and took place in Kaunas and Vilnius. The main event has been hosted in Vingis Park in Vilnius.
The 2016 Karaliaus Mindaugo taurė, also known as KIDY Tour – Karaliaus Mindaugo taurė for sponsorship purposes, was the first edition of the newly formed Lithuanian King Mindaugas Cup. It's managed by the Lithuanian Basketball League and the Lithuanian Basketball Federation. The competition was held in Vilnius, in the Siemens Arena on February 19–21, 2016.
Pranas Puskunigis was a Lithuanian musician, one of the first and most influential proponents of kanklės. During his life, he taught about 120 people how to play kanklės and established several ensembles, one of which is still active. He laid the groundwork for kanklės education and adapted numerous folk and professional songs to the instrument, but did not attempt to modify its design.
Ieva Zasimauskaitė-Kiltinavičienė is a Lithuanian singer who represented Lithuania in the Eurovision Song Contest 2018 with her song "When We're Old". She had previously participated in the Lithuanian national selection for the Eurovision in 2013, 2014, 2016, and 2017.
Tauta was a Lithuanian-language newspaper published by the Party of National Progress in Kaunas, Lithuania from 19 November 1919 to 5 November 1920. It was a four-page newspaper published once or twice a week. In total, 65 issues appeared.
Pavasarininkai was the informal name for members of Pavasaris, a Lithuanian Catholic youth organization. It was active from 1912 to the Soviet occupation in 1940. It grew from various informal groups established around the Pavasaris magazine first published in May 1912. It was based in Kaunas, but most members were active in various rural location across Lithuania. With more than 90,000 members and 1,200 groups in 1940, it was one of the largest and most popular organizations in interwar Lithuania. Its motto was "For God and Fatherland" and it organized various events to educate the youth in the Catholic spirit and develop their national pride. Pavasarininkai were supported by local clergy and the Catholic hierarchy, but were frowned upon by the authoritarian regime of President Antanas Smetona. It was similar to and closely cooperated with the Catholic Youth Federation Ateitis.
For example, approximately 100 musicians worked in Vilnius at the court of Mikalojus Radvila Juodasis (Mikołaj “The Black” Radziwiłł), the Protestant Grand Chancellor of the Grand Duchy of Lithuania and the Palatine of Vilnius (1515–1565)
Sutartinės (from the word sutarti – to be in concordance) is a form of polyphonic music performed by female singers in north-east Lithuania. The songs have simple melodies, with two to five pitches, and comprise two distinct parts: a meaningful main text and a refrain that may include nonce words.
On the podium she is a combination of flamboyance and steely poise. In person, Mirga Gražinytė-Tyla is just the same. When I meet the music director of the City of Birmingham Symphony Orchestra, she fills the room with her dynamism, punctuating our conversation with sudden bellows of laughter and effusive hand gestures. But there’s also a cool self-possession, a sense that this petite, immaculately turned-out Lithuanian conductor would never speak without careful deliberation. At just 31, Gražinytė-Tyla has the air of a veteran.
Lithuanian opera soprano Asmik Grigorian has won an International Opera Award as the best female singer of 2019 for her role in Salome at the Salzburg Festival.
Over the years, Bronius Kutavičius' ability to create an acoustic image of history has become widely acknowledged. It is therefore no coincidence that he was commissioned by the state to write a large-scale work commemorating the 750th anniversary of the coronation of Lithuania's first and only king, Mindaugas. The composer wrote Ignis et fides (Fire and Faith) for solo voices, reciters, choir and symphony orchestra, plus some folk instruments. This diptych will unite two dates of importance for Lithuania: the first mention of the name of Lithuania in historical sources, and the coronation of King Mindaugas.
On evidence here, Lithuanian composer Bronius Kutavicius (b. 1932) stands with the finest exponents of contemporary music from the Baltic republics and Scandinavia. His opera Lokys (The Bear) mixes the timeless atmosphere of Pelléas et Mélisande with the expressionist extremes of Wozzeck, if you can imagine such a thing, and does so with complete success.
HAVE A GOOD DAY! Opera for 10 cashiers, supermarket sounds and piano by Vaiva Grainytė, Lina Lapelytė, Rugilė Barzdžiukaitė
Vasario 21 ir 22 d. LNOBT įvyks pasaulyje plačiai pripažintos lietuvių kompozitorės Onutės Narbutaitės operos „Kornetas“ premjera. Operą kompozitorė sukūrė pagal Rainerio Maria Rilke’s poemą „Sakmė apie korneto Kristupo Rilkės meilę ir mirtį“, kuri buvo ypač populiari Pirmojo pasaulinio karo metais.
Gintaras Sodeika’s innovative new opera delights in the surreal, painting an unconventional picture of Lithuania’s history through opposing forces of Good and Evil, drawing together some highly original musical and dramatic ideas
Prussia is a land, southeast of the Baltic Sea, that was inhabited by Prussians and western Lithuanians. Today, this part of East Prussia is sometimes called Lithuania Minor. The Prussians were one of the Baltic nations. For thousands of years the Balts formed a strong community bound together by ties of blood and kinship. From these Baltic tribes, at the end of the first millennium and the beginning of the second, there began to evolve the Prussian, Yotvingian, Lithuanian, and Latvian nations, of which only the last two were fated to survive. The Prussians were pagans who worshiped their own god, who lived in the sky, Perkunas the Thunderer, as well as the Sun, the Moon, and other deities. For religious rites they gathered at altars in groves.
The Golden Lion for best national participation at the 58th Biennale went to Lithuania, which presented Sun & Sea (Marina), an opera about climate change by Rugilė Barzdžiukaitė, Vaiva Grainytė, and Lina Lapelytė that is set on a manmade beach in a building on the outskirts of the Arsenale. It was selected from among about 90 national pavilions.
„O. Urbonas dirbo radijo gamykloje Kaune, todėl jam nebuvo sunku gauti įvairiausių detalių, reikalingų šiam instrumentui sukurti. Tai buvo vienbalsis sintezatorius (kvazimugas) su dviem generatoriais, juo negalėjai groti trumpesnių ar ilgesnių natų“, – pasakoja kompozitorius.
Smuikininkas Mykolas Hofmekleris vasario 2 d. atsiskyrė su šiuo pasauliu, sulaukęs 67 metų amžiaus. Kaip žinome, jis buvo vienas populiariausių kapelos vedėjų ir dažnai grodavo Lietuvos kariuomenei. Jis buvo apdovanotas DLK Gedimino or-denu. Prieš kiek laiko jis įgrojo Londone apie 40 lietuviškų plokštelių, nacių valdymo laikais buvo Dachau KZ stovykloje. Kilimo buvo iš Vilniaus krašto.