The cut-up technique is an aleatory literary technique in which a written text is cut up and rearranged to create a new text. The concept can be traced to at least the Dadaists of the 1920s, but was popularized in the late 1950s and early 1960s by writer William S. Burroughs, and has since been used in a wide variety of contexts.
Edgar Rice Burroughs was an American speculative fiction writer, best known for his prolific output in the adventure, science fiction and fantasy genres. Among his most well-known creations include Tarzan of the Apes, Lord of the Jungle, John Carter of Mars and Carson Napier of Venus.
A fanzine is a non-professional and non-official publication produced by enthusiasts of a particular cultural phenomenon for the pleasure of others who share their interest. The term was coined in an October 1940 science fiction fanzine by Russ Chauvenet and first popularized within science fiction fandom, and from there it was adopted by other communities.
William Seward Burroughs II was an American writer and visual artist. Burroughs was a primary figure of the Beat Generation and a major postmodern author whose influence is considered to have affected a range of popular culture as well as literature. Burroughs wrote eighteen novels and novellas, six collections of short stories and four collections of essays. Five books have been published of his interviews and correspondences. He also collaborated on projects and recordings with numerous performers and musicians and made many appearances in films. He was also briefly known by the pen name William Lee. Burroughs created and exhibited thousands of paintings and other visual artworks, including his celebrated 'Gunshot Paintings'.
A zine is a small-circulation self-published work of original or appropriated texts and images, usually reproduced via photocopier. Zines are the product of either a single person or of a very small group, and are popularly photocopied into physical prints for circulation. A fanzine is a non-professional and non-official publication produced by enthusiasts of a particular cultural phenomenon for the pleasure of others who share their interest. The term was coined in an October 1940 science fiction fanzine by Russ Chauvenet and popularized within science fiction fandom, entering the Oxford English Dictionary in 1949.
Naked Lunch is a 1959 novel by American writer William S. Burroughs. The book is structured as a series of loosely connected vignettes. Burroughs stated that the chapters are intended to be read in any order. The reader follows the narration of junkie William Lee, who takes on various aliases, from the U.S. to Mexico, eventually to Tangier and the dreamlike Interzone.
Jeffrey Addison Nuttall was an English poet, publisher, actor, painter, sculptor, jazz trumpeter, anarchist and social commentator who was a key part of the British 1960s counter-culture. He was the brother of literary critic A. D. Nuttall.
Joan Vollmer was the most prominent female member of the early Beat Generation circle. While a student at Barnard College, she became the roommate of Edie Parker. Their apartment became a gathering place for the Beats during the 1940s, where Vollmer was often at the center of marathon, all night discussions. In 1946, she began a relationship with William S. Burroughs, later becoming his common-law wife. In 1951, Burroughs killed Vollmer in what he first admitted to and shortly thereafter denied as a drunken attempt at playing William Tell.
Scott Treleaven is a Canadian artist whose work employs a variety of media including collage, film, video, drawing, photography and installation.
The "Priest" They Called Him is a collaboration between the American novelist William S. Burroughs and musician Kurt Cobain. On the piece, Cobain provides noisy, discordant guitar backing based on "Silent Night" and "To Anacreon in Heaven" to Burroughs' deadpan reading. Originally released as a limited edition 10-inch picture disc on Tim/Kerr Records in 1993, it was subsequently re-released on CD and 10-inch vinyl.
RE/Search Publications is an American magazine and book publisher, based in San Francisco, founded by its editor V. Vale in 1980. In several issues, Andrea Juno was also credited as an editor. It was the successor to Vale's earlier punk rock fanzine Search & Destroy (1977–1979), which was started with small donations, provided to Vale by Allen Ginsberg and Lawrence Ferlinghetti. RE/Search has published tabloid-sized magazines and books.
Ben Is Dead was a Los Angeles-based zine published from 1988 through 1999. Its creator, Deborah "Darby" Romeo, got its name from a dream she had about her husband Ben, a Frenchman she divorced not long into the magazine's run. Romeo would later write that during the magazine's early days Ben found the title amusing, and would introduce himself to people as "Ben, from Ben is Dead."
Static Line was an email-based ASCII Ezine that focused on the PC demoscene. It was a monthly publication with strong roots in the music aspect of the demoscene. It ran for 52 issues starting in July 1998 and finishing in March 2004.
Ali's Smile: Naked Scientology is a collection of essays and a short story by American Beat writer William S. Burroughs (1914–97). First published in 1971 as the short story "Ali's Smile", the book eventually contained a group of previously published newspaper articles as well, all of which address Scientology. Burroughs had been interested in Scientology throughout the 1960s, believing that its methods might help combat a controlling society. He joined the Church of Scientology later in the decade. However, he became disenchanted with the authoritarian nature of the organization. In 1970 Burroughs had published a "considered statement" on Scientology's methods because he felt they were significant enough to warrant commentary. These pieces were later gathered together into Ali's Smile: Naked Scientology, which religious studies scholar Hugh B. Urban describes as a "nonscholarly popular exposé of Scientology". Burroughs's texts argue that while some of Scientology's therapies are worthwhile, the dogmatic nature of the group and its secrecy are harmful.
V. "Valhalla" Vale is an American editor, writer, interviewer, musician and, as Vale Hamanaka, was keyboardist for the initial configuration of Blue Cheer, before it became famous as a power trio. He is the publisher and primary contributor to books and magazines published by his company, RE/Search Publications. Vale is the host of the television talk show Counter Culture Hour on Public-access television cable TV channel 29 in San Francisco. The show is edited by his partner Marian Wallace. Vale is Japanese-American.
Venus Zine was a quarterly internationally circulated magazine covering women in music, film, art, entertainment, literature, fashion, indie culture and DIY culture. It was published from 1995 through 2010.
Davis Schneiderman is an American writer, academic, and higher-education administrator. He is a professor of English and Krebs Provost and Dean of the Faculty at Lake Forest College in Illinois. Prior to that appointment, he served as Associate Dean of the Faculty for Strategy and Innovation.
The nature fakers controversy was an early 20th-century American literary debate highlighting the conflict between science and sentiment in popular nature writing. The debate involved important American literary, environmental and political figures. Dubbed the "War of the Naturalists" by The New York Times, it revealed seemingly irreconcilable contemporary views of the natural world: while some nature writers of the day argued as to the veracity of their examples of anthropomorphic wild animals, others questioned an animal's ability to adapt, learn, teach, and reason.
James Dean Pruner was an American painter, printmaker, draftsman, zinemaker, sculptor, and poet. Born in Lyons, Kansas, he also lived in Hays, Ellinwood, St. John, and in rural Stafford County, Kansas, where he farmed and maintained a studio. His works include a diverse range of subjects and styles, but with several consistent themes, including human relationships, animals and the land, and problems he associated with modern life, nuclear warfare, and technology. He produced more than 300 paintings, thousands of ink drawings, prints and etchings, silk-screened cards and posters, and more than 50 sculpture and assemblage pieces during his lifetime. Pruner's works can be found in the collection of the Spencer Museum of Art at The University of Kansas, at The Stone Gallery in Hays, KS, and in numerous private collections.
Nomad was an avant garde literary magazine that Anthony Linick and Donald Factor edited and published in Los Angeles between 1959 and 1962. The first issue came out in the winter of 1959. Linick and Factor were particularly drawn to the poetry and writing of the Beat Generation, who wrote of their own, frequently chaotic, lives.
