Music of Niger |
Genres |
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Specific forms |
Regional music |
Rap Nigerien is a hip hop music style that first appeared in Niamey, Niger, at the end of 1998.
Rap Nigerien is a mélange of different languages spoken in Niger. Sampled music is often mellow, and is mixed with the traditional music, although more aggressive dance styles have been mixed in, reflecting influences of French, American, and other West African hip hop styles (especially Ivorian hip hop). Niger's hip hop scene grew from humble beginnings to dominate much of Niger's musical market. Young, dissatisfied Nigeriens have used the form to talk about things which anger them - forced marriages, child labor, corruption, poverty and other problems. [1] Local recordings are mostly sold on cassette tapes and compact discs, as with most forms of contemporary West African popular music.
Hip hop groups began to appear and perform in Niamey in 1998. The first known Nigerien hip hop album was Lakal Kaney's 2000 "La voix du Ténéré". [2]
Rap Nigerien began to appear in UNICEF cultural center music programmes as bands performed in benefit shows and contests. In August 2004, UNICEF opened its "Scene Ouverte Rap", where 45 new groups entered selections among an informal count of 300 existing groups. Shows took place at Niamey's Jean Rouch Centre Culturel Franco – Nigerien (CCFN) in August 2004.[ citation needed ]
The CCFN remains a major venue for Nigerien hip hop through 2008, hosting a regular competition series called the "Clash Party".[ citation needed ]
Many of these first groups are still active, including Tchakey, Kaidan Gaskya, Almamy Koye & WassWong, and Goro G. Diara Z, an Ivorian hip hop artist, was also living in Niamey at the time and was influential in the Niamey rap scene. Other successful groups include Black Daps, Berey Koy, Federal Terminus Clan, Haskey Klan, Kamikaz, Rass Idris, 3STM (Sols, Tataf et Mamoud), PCV (puissance, connaissance et verité) and Metafor.[ citation needed ]
French hip hop or commonly French rap, is the hip hop music style developed in French-speaking countries. France is the second largest hip-hop market in the world after the United States.
Claude Honoré M'Barali, professionally known as MC Solaar, is a French rapper of Senegalese and Chadian origin. He is one of France's most famous and influential hip hop artists. Some consider him the best French rapper of all time.
Hip hop music has been popular in Africa since the early 1980s due to widespread African American influence. In 1985, hip hop reached Senegal, a French-speaking country in West Africa. Some of the first Senegalese rappers were Munyaradzi Nhidza Lida, M.C. Solaar, and Positive Black Soul.
The music of Burkina Faso includes the folk music of 60 different ethnic groups. The Mossi people, centrally located around the capital, Ouagadougou, account for 40% of the population while, to the south, Gurunsi, Gurma, Dagaaba and Lobi populations, speaking Gur languages closely related to the Mossi language, extend into the coastal states. In the north and east the Fulani of the Sahel preponderate, while in the south and west the Mande languages are common; Samo, Bissa, Bobo, Senufo and Marka. Burkinabé traditional music has continued to thrive and musical output remains quite diverse. Popular music is mostly in French: Burkina Faso has yet to produce a major pan-African success.
The music of Ivory Coast includes music genres of many ethnic communities, often characterised by vocal polyphony especially among the Baoulé, talking drums especially among the Nzema people and by the characteristic polyrhythms found in rhythm in Sub-Saharan Africa.
The music of Niger has developed from the musical traditions of a mix of ethnic groups; Hausa, the Zarma-Songhai, Tuareg, Fula, Kanuri, Toubou, Diffa Arabs and Gurma and the Boudouma from Lac Chad.
IAM is a French hip hop band from Marseille. Formed in 1989, it comprises Akhenaton, Shurik'n, Khéops, Imhotep and Kephren. IAM has several meanings, including Invasion Arrivée de Mars. Another meaning is Imperial Asian Man, while AKH often refers to L'homme Impérial Asiatique.
The Ministère AMER is a French hip hop group from Sarcelles, consisting of the rappers Passi and Stomy Bugsy, DJ Ghetch, and the producer/manager Kenzy. The group is also associated with other major French hip hop artists such as Doc Gyneco and Hamed Daye. The group's name means 'ministry of action, music and rap'. Also 'amer' means 'bitter'.
The government and people of Niger observe twelve official public holidays. These include international commemorations, the commemoration of important dates in the history of Niger, and religious holidays. Both Christian and Muslim holidays are observed as official public holidays.
Moroccan rap music is a Moroccan musical style related to rap and hip hop culture.
The Cinema of Niger began in the 1940s with the ethnographical documentary of French director Jean Rouch, before growing to become one of the most active national film cultures in Francophone Africa in the 1960s-70s with the work of filmmakers such as Oumarou Ganda, Moustapha Alassane and Gatta Abdourahamne. The industry has slowed somewhat since the 1980s, though films continue to be made in the country, with notable directors of recent decades including Mahamane Bakabe, Inoussa Ousseini, Mariama Hima, Moustapha Diop and Rahmatou Keïta. Unlike neighbouring Nigeria, with its thriving Hausa and English-language film industries, most Nigerien films are made in French with Francophone countries as their major market, whilst action and light entertainment films from Nigeria or dubbed western films fill most Nigerien theatres.
Dabaga is a town and rural commune in the Agadez Region of northern Niger. The town is situated around 50 kilometers north of the regional capital, Agadez, on the main road leading north into the Aïr Mountains and the town of Elmeki. Like the nearby communities of Azel, Elmeki and Egandawel, Dabaga is an oasis in the Aïr Massif valleys, populated by both sedentary and semi-nomadic Tuaregs and small numbers of Hausa and other groups. According to the census 2012, Dabaga had a permanent population of 23,969, mostly families of Tuareg pastoralists, where the adult males traveled with their herds.
Mass media in Niger is a diverse collection of public and private entities, both print and broadcast, centered in the capital of Niamey, but with vibrant regional centers. The media has historically been state funded, and focused on radio broadcast media, as the nation's population is spread over great distances. Niamey boasts scores of newspapers and magazines, many of which are fiercely critical of the government. These papers though have very small circulations, and almost none outside the cities.
Ousmane Issoufou Oubandawaki is a Nigerien politician. An engineer by profession, specializing in civil aviation, Oubandawaki held various posts at ASECNA and served in the government of Niger under President Ibrahim Baré Mainassara, first as Minister of National Defense from 1996 to 1997 and then as Minister of Transport from 1997 to 1998. He was Director-General of ASECNA from January 1999 to December 2004.
The following is a timeline of the history of the city of Niamey, Niger.
Zara Moussa is a Nigerien singer and rapper, performing under the name ZM.
Abdoulaye Boureima, popularly known as Mali Yaro, is a Nigerien Songhai musician. He began his artistic career as a young goumbé player. Then, together with friends, formed in 1996 a music group, the Goumbé Stars. Mali Yaro songs were about love, rejoicing and a call for cohesion. Mali Yaro has produced 9 albums.
Sogha is a Nigerien neo-traditional music group that combines traditional and modern instruments in its music. The word Sogha means “beauty” in the Zarma-Songhay language. The group is composed of ten members, five instrumentalists, three singers, and two dancers.
Mamman Sani is a Nigerien-Ghanaian musician. He first recorded his electronic organ music in 1978 but it remained largely obscure and undiscovered until 2013. He is considered to be an early pioneer of synth music in Niger. Sani found unlikely fame in Denmark, regularly appearing in the playlist of Copenhagen bars.