Sir Nikolaus Pevsner
Nikolaus Bernhard Leon Pevsner
30 January 1902
|Died||18 August 1983 81) (aged|
|Resting place||Churchyard of St Peter, Clyffe Pypard, Wiltshire, England|
|Alma mater||Universities of Leipzig, Munich, Berlin, and Goethe University Frankfurt|
|Occupation||Art and architectural historian|
|The Buildings of England|
Lola Kurlbaum(m. 1923)
|Children||Uta Pevsner, Tom Pevsner, Dieter Pevsner|
|Parent(s)||Hugo and Anna Pevsner|
|Awards||Albert Medal (1975)|
Sir Nikolaus Bernhard Leon Pevsner(30 January 1902 – 18 August 1983) was a German-British art historian and architectural historian best known for his monumental 46-volume series of county-by-county guides, The Buildings of England (1951–74).
Nikolaus Pevsner was born in Leipzig, Saxony, the son of Anna and her husband Hugo Pevsner, a Russian-Jewish fur merchant. He attended St. Thomas School, Leipzig, and went on to study at several universities, Munich, Berlin, and Frankfurt am Main, before being awarded a doctorate by Leipzig in 1924 for a thesis on the Baroque architecture of Leipzig.In 1923, he married Carola ("Lola") Kurlbaum, the daughter of distinguished Leipzig lawyer, Alfred Kurlbaum. He worked as an assistant keeper at the Dresden Gallery (1924–28). He converted to Lutheranism early in life.
During this period he became interested in establishing the supremacy of German modernist architecture after becoming aware of Le Corbusier's Pavillon de l'Esprit Nouveau at the Paris Exhibition of 1925.
In 1928 he contributed the volume on Italian baroque painting to the Handbuch der Kunstwissenschaft, a multi-volume series providing an overview of the history of European art. He taught at the University of Göttingen (1929–33), offering a specialist course on English art and architecture.
According to biographer Stephen Games, Pevsner welcomed many of the economic and cultural policies of the early Hitler regime.However, due to Nazi race laws he was forced to resign his lectureship in 1933.
Later that year Pevsner moved to England, settling in Hampstead, where poet Geoffrey Grigson was his next-door neighbour in Wildwood Terrace.Pevsner's first post was an 18-month research fellowship at the University of Birmingham, found for him by friends in Birmingham and partly funded by the Academic Assistance Council. A study of the role of the designer in the industrial process, the research produced a generally critical account of design standards in Britain which he published as An Enquiry into Industrial Art in England (Cambridge University Press, 1937). He was subsequently employed as a buyer of modern textiles, glass and ceramics for the Gordon Russell furniture showrooms in London.
By this time Pevsner had also completed Pioneers of the Modern Movement: from William Morris to Walter Gropius, his influential pre-history of what he saw as Walter Gropius's dominance of contemporary design. Pioneers ardently championed Gropius's first two buildings (both pre–First World War) on the grounds that they summed up all the essential goals of 20th-century architecture; in England, however, it was widely taken to be the history of England's contribution to international modernism, and a manifesto for Bauhaus (i.e. Weimar) modernism, which it was not.[ citation needed ] In spite of that, the book remains an important point of reference in the teaching of the history of modern design, and helped lay the foundation of Pevsner's career in England as an architectural historian. Since its first publication by Faber & Faber in 1936, it has gone through several editions and been translated into many languages. The English-language edition has also been renamed Pioneers of Modern Design.
Pevsner was "more German than the Germans" to the extent that he supported "Goebbels in his drive for 'pure' non-decadent German art". ... There are things worse than Hitlerism." Nonetheless, he was included in the Nazi Black Book as hostile to the Hitler regime.He was reported as saying of the Nazis (in 1933): "I want this movement to succeed. There is no alternative but chaos.
In 1940, Pevsner was taken to the internment camp at Huyton, Liverpool, as an enemy alien. Geoffrey Grigson later wrote in his Recollections (1984): "When at last two hard-faced Bow Street runners arrived in the early hours of the morning to take [him] ... I managed, clutching my pyjama trousers, to catch them up with the best parting present I could quickly think of, which was an elegant little edition, a new edition, of Shakespeare's Sonnets."Pevsner was released after three months on the intervention of, among others, Frank Pick, then Director-General of the Ministry of Information. He spent some time in the months after the Blitz clearing bomb debris, and wrote reviews and art criticism for the Ministry of Information's Die Zeitung , an anti-Nazi publication for Germans living in England. He also completed for Penguin Books the Pelican paperback An Outline of European Architecture, which he had begun to develop while in internment. Outline would eventually go into seven editions, be translated into 16 languages, and sell more than half a million copies.
In 1942, Pevsner finally secured two regular positions. From 1936 onwards he had been a frequent contributor to the Architectural Review and from 1943 to 1945 he stood in as its acting editor while the regular editor J. M. Richards was on active service. Under the AR's influence, Pevsner's approach to modern architecture became more complex and more moderate. Early signs of a lifelong interest in Victorian architecture, also influenced by the Architectural Review , appeared in a series written under the pseudonym of "Peter F. R. Donner": Pevsner's "Treasure Hunts" guided readers down selected London streets, pointing out architectural treasures of the 19th century. He was also closely involved with the Review's proprietor, H. de C. Hastings, in evolving the magazine's theories on picturesque planning.
In 1942, Pevsner was also appointed a part-time lecturer at Birkbeck College, London; he would eventually retire from the college in 1969 as its first professor of art history. He lectured at Cambridge University for almost 30 years, having been Slade professor there for a record six years from 1949 to 1955, and would also become the Slade professorship at Oxford in 1968.
Framing all this was his career as a writer and editor. After moving to England, Pevsner had found that the study of architectural history had little status in academic circles, and the amount of information available, especially to travellers wanting to inform themselves about the architecture of a particular district, was limited. Invited by Allen Lane, founder of Penguin Books, for whom he had written his Outline and also edited the King Penguin series,to suggest ideas for future publications, he proposed a series of comprehensive county guides to rectify this shortcoming.
Work on the Buildings of England series began in 1945, and the first volume was published in 1951. Pevsner wrote 32 of the books himself and 10 with collaborators, with a further four of the original series written by others. Since his death, work has continued on the series, which has been extended to cover the rest of the United Kingdom, under the title Pevsner Architectural Guides (now published by Yale University Press).After updating and correcting London 1: the Cities of London and Westminster for its reissue in 1962, Pevsner delegated the revision and expansion of further volumes to others, beginning with Enid Radcliffe for Essex (1965). The gazetteer descriptions of revised volumes do not routinely distinguish between Pevsner's original text and any new writing, but more recent books sometimes supply his words in quotation when the revising author's judgement differs, where a building has since been altered, or where the old text is no longer topical.
As well as The Buildings of England, Pevsner proposed the Pelican History of Art series (began 1953), a multi-volume survey on the model of the German Handbuch der Kunstwissenschaft, which he would himself edit. Many individual volumes are regarded as classics.
In 1946, Pevsner made the first of several broadcasts on the BBC Third Programme, presenting nine talks in all up to 1950, examining painters and European art eras. By 1977 he had presented 78 talks for the BBC, including the Reith Lectures in 1955 – a series of six broadcasts, entitled The Englishness of English Art,for which he explored the qualities of art which he regarded as particularly English, and what they said about the English national character. His A. W. Mellon lectures in Fine Art at the National Gallery of Art, Washington, D.C., were published in 1976 as A History of Building Types.
Pevsner was a founding member in 1957 of the Victorian Society, the national charity for the study and protection of Victorian and Edwardian architecture and other arts. In 1964 he was invited to become its chairman, and steered it through its formative years, fighting alongside John Betjeman, Hugh Casson and others to save houses, churches, railway stations and other monuments of the Victorian age. He served for ten years (1960–70) as a member of the National Advisory Council on Art Education (or Coldstream Committee), campaigning for art history to be a compulsory element in the curriculum of art schools. He was elected a Fellow of the British Academy in 1965 and awarded the Gold Medal of the Royal Institute of British Architects in 1967.
Having assumed British citizenship in 1946, Pevsner was appointed a CBE in 1953 and was knighted in 1969 "for services to art and architecture".
Pevsner also received an Honorary Doctorate from Heriot-Watt University in 1975.
Pevsner died at home in Wildwood Terrace,Hampstead, London, in August 1983. His wife predeceased him by 20 years.
His memorial service was held at the Church of Christ the King, Bloomsbury, the following December, with the memorial address being given by Alec Clifton-Taylor, a friend of 50 years. He is buried in the churchyard of St Peter, Clyffe Pypard, in Wiltshire. His elder son, Dieter, was an editor at Penguin Books and co-founder with Oliver Caldecott of the publishing company Wildwood House in the 1970s.His younger son, Tom, was a film producer and director who went on to work on several James Bond films.
In 2007, a blue plaque was erected by English Heritage at the house that had been Pevsner's home since 1936.
Although Pevsner oversaw the publication of the initial volumes of the Scottish, Welsh and Irish counterparts of The Buildings of England (and in each was credited as "Editor-in-Chief", "Founding Editor" and "Editorial Adviser" respectively) he did not write any of them. As with the revisions of his earlier works, many of these volumes were the work of several contributors. Coverage of the whole of Great Britain was completed in 2016, with the Irish series still in progress.
A fictionalised Pevsner appears in the 1998 novel The Spell by Alan Hollinghurst.
In 1984 the Getty Research Institute acquired the Nikolaus Pevsner Papers,an archive that includes 143 boxes of typed and handwritten notes, clippings, photographs, books, lecture notes, and manuscripts.
Penguin Books is a British publishing house. It was co-founded in 1935 by Sir Allen Lane with his brothers Richard and John, as a line of the publishers The Bodley Head, only becoming a separate company the following year. Penguin revolutionised publishing in the 1930s through its inexpensive paperbacks, sold through Woolworths and other high street stores for sixpence, bringing high-quality paperback fiction and non-fiction to the mass market. Penguin's success demonstrated that large audiences existed for serious books. Penguin also had a significant impact on public debate in Britain, through its books on British culture, politics, the arts, and science.
George Frederick Bodley was an English Gothic Revival architect. He was a pupil of Sir George Gilbert Scott, and worked in partnership with Thomas Garner for much of his career. He was one of the founders of Watts & Co.
Richard Norman Shaw RA, sometimes known as Norman Shaw, was a British architect who worked from the 1870s to the 1900s, known for his country houses and for commercial buildings. He is considered to be among the greatest of British architects; his influence on architectural style was strongest in the 1880s and 1890s.
Peter Reyner Banham, FRIBA was an English architectural critic and writer best known for his theoretical treatise Theory and Design in the First Machine Age (1960) and for his 1971 book Los Angeles: The Architecture of Four Ecologies. In the latter he categorized the Los Angeles experience into four ecological models and explored the distinct architectural cultures of each. Banham worked in London, but lived primarily in the United States from the late 1960s until the end of his life.
Samuel Sanders Teulon was a 19th-century English Gothic Revival architect, noted for his use of polychrome brickwork and the complex planning of his buildings.
Ian Douglas Nairn was a British architectural critic who coined the word "Subtopia" to indicate drab suburbs that look identical through unimaginative town-planning. He published two strongly personalised critiques of London and Paris, and collaborated with Sir Nikolaus Pevsner, who considered his reports to be too subjective, but acknowledged him as the better writer.
Ewan Christian (1814–95) was a British architect. He is most notable for the restorations of Southwell Minster and Carlisle Cathedral, and the design of the National Portrait Gallery. He was Architect to the Ecclesiastical Commissioners from 1851 to 1895. Christian was elected A RIBA in 1840, FRIBA in 1850, RIBA President 1884–86 and was awarded the Royal Gold Medal in 1887.
David John Watkin, FRIBA FSA was a British architectural historian. He was an emeritus fellow of Peterhouse, Cambridge, and professor emeritus of History of Architecture in the Department of History of Art at the University of Cambridge. He also taught at the Prince of Wales's Institute of Architecture.
Robert Kerr was a British architect, architectural writer and co-founder of the Architectural Association.
Alec Clifton-Taylor was an English architectural historian, writer and TV broadcaster.
The Pevsner Architectural Guides are a series of guide books to the architecture of Great Britain and Ireland. Begun in the 1940s by the art historian Sir Nikolaus Pevsner, the 46 volumes of the original Buildings of England series were published between 1951 and 1974. The series was then extended to Scotland, Wales and Ireland in the late 1970s. Most of the English volumes have had second editions, chiefly by other authors.
Edward Horton Hubbard was an English architectural historian who worked with Nikolaus Pevsner in compiling volumes of the Buildings of England. He also wrote the definitive biography of John Douglas, and played a part in the preservation of Albert Dock in Liverpool.
Charles Hodgson Fowler was a prolific English ecclesiastical architect who specialised in building and, especially, restoring churches.
Charles Fitzroy Doll JP, FRIBA (1850–1929), was an English architect of the Victorian and Edwardian eras who specialised in designing hotels. He also designed the dining room on the RMS Titanic, which was based on his design for that in the Hotel Russell in Bloomsbury.
Thomas Lawrence Dale, FRIBA, FSA was an English architect. Until the First World War he concentrated on designing houses for private clients. From the 1930s Dale was the Oxford Diocesan Surveyor and was most noted for designing, restoring, and furnishing Church of England parish churches.
James Austin is an Australian fine-art and architectural photographer.
Lady Alexandra Mary Wedgwood FSA is an English architectural historian and expert on the work of Augustus Pugin. She is the patron of the Pugin Society and the former architectural archivist of the House of Lords.
John Arthur Newman is an English architectural historian. He is the author of several of the Pevsner Architectural Guides and is the advisory editor to the series.
The Church of St Luke, Sheen, Staffordshire is a Grade II* listed Anglican church. Its origins are of the 14th century, but it was largely rebuilt in the mid-19th century, firstly by C. W. Burleigh, and then by William Butterfield. The church, and its associated parsonage, were the last buildings recorded by Nikolaus Pevsner in his Buildings of England series, when he concluded the series in 1974 with his Staffordshire volume, finishing a project begun in 1945.
Review of Pevsner – the Early Life, by Stephen Games
includes "An appreciation of Sir Nikolaus Pevsner", by John Newman).
Papers relating to Pevsner's departure from Germany and efforts to obtain work in England are contained within the archives of the Society for the Protection of Science and Learning (now the Council for At-Risk Academics) in the Bodleian Library. Index to the Catalogue of the SPSL.
A substantial collection of his papers is held at the Pevsner archive in the Getty Research Institute, Los Angeles. Nikolaus Pevsner papers, 1919–1979. Research Library at the Getty Research Institute, Los Angeles, California.
Documents relating to his various projects for Penguin, including the King Penguin series, the Pelican History of Art and the Buildings of England, are held by the Penguin Archive at the University of Bristol.
Papers relating to the work of the Victorian Society during his years as chairman are held by the Victorian Society themselves and the London Metropolitan Archives. (Victorian Society archives)
|Wikiquote has quotations related to: Nikolaus Pevsner|