Paul Samuel Whiteman was an American bandleader, composer, orchestral director, and violinist.
"In the Mood" is a popular big band-era jazz standard recorded by American bandleader Glenn Miller. "In the Mood" is based on the composition "Tar Paper Stomp" by Wingy Manone. The first recording under the name "In the Mood" was released by Edgar Hayes & His Orchestra in 1938.
Nathaniel Davis Ayer was an American composer, pianist, singer and actor. He made most of his career composing and performing in England in Edwardian musical comedy and revue. He also contributed songs to Broadway shows, including some of the Ziegfeld Follies.
Douglas Coy Byng was an English comic singer and songwriter in West End theatre, revue and cabaret. Billed as "Bawdy but British", Byng was famous for his female impersonations. His songs are full of sexual innuendo and double entendres. Due to the prejudices of the law and of the public at that time, Byng was a closeted gay performer. To have been out, would have been social and professional suicide. He was noted for his camp performances in the music halls and in cabaret. Byng made a large number of recordings, many of which have been transferred to CD. Byng was also a noted pantomime dame and appeared in over 30 pantomimes.
"September Song" is an American standard popular song composed by Kurt Weill with lyrics by Maxwell Anderson. It was introduced by Walter Huston in the 1938 Broadway musical production Knickerbocker Holiday. The song has been recorded by numerous singers and instrumentalists.
John Serry Sr. was an American concert accordionist, arranger, composer, organist, and educator. He performed on the CBS Radio and Television networks and contributed to Voice of America's cultural diplomacy initiatives during the Golden Age of Radio. He also concertized on the accordion as a member of several orchestras and jazz ensembles for nearly forty years between the 1930s and 1960s.
John Frederick Coots was an American songwriter. He composed over 700 popular songs and over a dozen Broadway shows. In 1934, Coots wrote the melody with his then chief collaborator, lyricist Haven Gillespie, for the biggest hit of either man's career, "Santa Claus Is Comin' to Town." The song became one of the biggest sellers in American history.
Nadine Dana Suesse was an American musician, composer and lyricist.
"The Man I Love" is a popular standard with music by George Gershwin and lyrics by his brother Ira. Part of the 1924 score for the Gershwin musical comedy Lady, Be Good, the song was deleted from that show and put into the Gershwins' 1927 government satire Strike Up the Band, which closed out-of-town. It was considered for, then rejected from, the 1928 Ziegfeld hit Rosalie.
London Calling! was a musical revue, produced by André Charlot with music and lyrics by Noël Coward, which opened at London's Duke of York's Theatre on 4 September 1923. It is famous for being Noël Coward's first publicly produced musical work and for the use of a 3-D stereoscopic shadowgraph as part of its opening act. The revue's song "Parisian Pierrot", sung by Gertrude Lawrence, was Coward's first big hit and became one of his signature tunes.
Sir Noël Peirce Coward was an English playwright, composer, director, actor, and singer, known for his wit, flamboyance, and what Time magazine called "a sense of personal style, a combination of cheek and chic, pose and poise".
W. Augustus Barratt was a Scottish-born, later American, songwriter and musician.
Richard Noel Marshall Armitage was a talent agent, active in England in the 1950s–1980s.
Amy Ashmore Clark was a Canadian-born American songwriter, composer, and businesswoman, "equally popular and successful as a writer of lyrics for other people's music, and a writer music for other people's lyrics", despite being unable to read or write music. She also appeared in musical comedy and vaudeville, worked in music publishing, and at several magazines.
Lola Carrier Worrell was an American composer who wrote instrumental music, songs, and at least one piece for musical theatre. Born in St. Johns, Michigan, she studied music with Carlos Sobimo, Francis Hendricks and Horace E Tureman. Lola married Edward S Worrell Jr. on January 12, 1891, and they had three daughters. The family maintained homes in New York and Colorado, where Lola founded the Denver American Music Society and served as its first president. She also organized and served as the pianist for the Chamber Music Quintet of Denver. Along with other musicians such as Caroline Holme Walker, Lola maintained a studio at Brinton Terrace in Denver, where she coached pianists, singers, and young composers. She gave recitals with contralto Louis Merten, whom she accompanied on piano. In addition to her work as a musician, Lola filed patents for dolls she developed in 1922, 1924, and 1925. The 1925 patent application described the doll as a "flapper doll." Her compositions included:
Isidore Lillian was an actor, songwriter, playwright, and composer who was a leading figure in the New York Yiddish Theatre for the first half of the twentieth century. He wrote hundreds of songs for the theatre which were performed by such actors as Boris Thomashefsky, David Kessler, and Jacob Adler, as well as by Lillian himself.
Percy Huntley Trevor was an English songwriter. Generally known as Huntley Trevor, he sometimes published music under the pseudonyms Raymond Wallace, Chester Wallace, and Slade Williams.
Jane Douglass White, born Ruby Jane Douglass, was an American Women's Army Corps officer, music educator and songwriter. A University of Oklahoma graduate, she wrote several songs during World War II to promote the corps; Captain Douglass was selected in 1944 to command the first all-woman Special Service company.
Ottalie Mark was an American musicologist, copyright consultant, composer, and music editor.
