| Not to Be Reproduced(La reproduction interdite) | |
|---|---|
| |
| Artist | René Magritte |
| Year | 1937 |
| Medium | Oil on canvas |
| Dimensions | 81.3 cm× 65 cm(32.0 in× 26 in) |
| Location | Museum Boijmans Van Beuningen, Rotterdam |
Not to Be Reproduced (La reproduction interdite, 1937) is a painting by the Belgian surrealist René Magritte. It is currently owned by the Museum Boijmans Van Beuningen in Rotterdam. [1]
This painting was commissioned by poet and Magritte patron Edward James and is considered a portrait of James although James's face is not depicted. [2] : 106 This painting was one of three produced by Magritte for the ballroom of James's London home. The other two were The Red Model (1937) and Time Transfixed (1938). [3] [4]
The work depicts a man standing in front of a mirror, but whereas the book on the mantelpiece is reflected correctly, the man's reflection also shows him from behind.
The book on the mantel is a well-worn copy of Edgar Allan Poe's 1838 novel The Narrative of Arthur Gordon Pym of Nantucket (written here in French as Les aventures d'Arthur Gordon Pym). Poe was one of Magritte's favorite authors and he made other references to the author in his work. For example, the title of the 1938 painting The Domain of Arnheim was taken from the 1847 Poe short story of the same name. [5]
Magritte painted another portrait of Edward James titled The Pleasure Principle (1937). It depicts James from the front, sitting at a table, but his face is obscured by a bright light, such as that produced by a camera flash. [6] [7]
In 1977, Graham Hughes made a reference to the painting as the cover art for Roger Daltrey's third solo album One of the Boys .
In the 2003 novel Out Stealing Horses by Per Petterson the protagonist Trond makes a reference to the painting after a bad dream."I realised that what I was most afraid of in this world was to be the man in Magritte’s painting who looking at himself in the mirror sees only the back of his own head, again and again".
Loose recreations of the painting appeared in Bernardo Bertolucci's 1969 film The Spider's Stratagem, David Koepp's 2004 film Secret Window, in Richard Ayoade's 2013 film The Double, and Jordan Peele's 2019 film Us . A reproduction of the painting is a recurring object in Bernard Queysanne and Georges Perec's The Man Who Sleeps . It also appeared in the 2014 German movie Who Am I . The Japanese film Aru Otoko begins with an image of the painting and uses it to explore questions of identity.
Other references to the painting include a print of the painting helping to serve as a mood piece in John Kessel's short story Consolation in his 2022 anthology The Dark Ride .
René François Ghislain Magritte was a Belgian surrealist artist known for his depictions of familiar objects in unfamiliar, unexpected contexts, which often provoked questions about the nature and boundaries of reality and representation. His imagery has influenced pop art, minimalist art, and conceptual art.

The Narrative of Arthur Gordon Pym of Nantucket, written in 1838, is the only complete novel by American writer Edgar Allan Poe. The work relates the tale of the young Arthur Gordon Pym, who stows away aboard a whaler called the Grampus. Various adventures and misadventures befall Pym, including shipwreck, mutiny, and cannibalism, before he is saved by the crew of the Jane Guy. Aboard this vessel, Pym and a sailor named Dirk Peters continue their adventures farther south. Docking on land, they encounter hostile, black-skinned natives before escaping back to the ocean. The novel ends abruptly as Pym and Peters continue toward the South Pole.

Edward Frank Willis James was a British poet known for his patronage of the surrealist art movement.

Minotaure was a Surrealist-oriented magazine founded by Albert Skira and E. Tériade in Paris and published in French between 1933 and 1939. Minotaure published on the plastic arts, poetry, and literature, avant garde, as well as articles on esoteric and unusual aspects of literary and art history. Also included were psychoanalytical studies and artistic aspects of anthropology and ethnography. It was a lavish and extravagant magazine by the standards of the 1930s, profusely illustrated with high quality reproductions of art, often in color.

The Pleasure Principle is the debut solo studio album by the English new wave musician Gary Numan, released on 7 September 1979 by Beggars Banquet Records. The album came about six months after Replicas (1979), his second and final studio album with the band Tubeway Army. The Pleasure Principle peaked at No. 1 on the UK Albums Chart.
Municipal Museum Boijmans Van Beuningen is an art museum in Rotterdam in the Netherlands. The name of the museum is derived from its two most important donors, Frans Jacob Otto Boijmans and Daniël George van Beuningen. The museum is located at the Museumpark in the district Rotterdam Centrum, close to the Kunsthal and the Natural History Museum.

On the Threshold of Liberty refers to two oil on canvas paintings by the Belgian surrealist René Magritte. The work depicts a large room with the walls paneled with different scenes or windows. Each panel reveals a different subject: a sky, fire, wood, a forest, the front of a building, an ornamental pattern, a female torso and a strange metallic texture featuring spherical bells. Inside the room is a cannon.
Dick Ket was a Dutch painter noted for his still lifes and self-portraits in a style he referred to as New Realism.
The Wayfarer is an oil-on-panel painting by the Early Netherlandish artist Hieronymus Bosch, created c. 1500. It is now in Museum Boijmans Van Beuningen in Rotterdam. This painting is round and 71.5 cm (28.1 in) in diameter. It is one of the fragments of a partially lost triptych or diptych, which also included the Allegory of Gluttony and Lust, the Ship of Fools and Death and the Miser.
Lobster Telephone is a Surrealist object, created by Salvador Dalí in 1936 for the English poet Edward James (1907–1984), a leading collector of surrealist art. In his 1942 book The Secret Life of Salvador Dalí, Dalí wrote teasingly of his demand to know why, when he asked for a grilled lobster in a restaurant, he was never presented with a boiled telephone.

Time Transfixed is a 1938 oil on canvas painting by the Belgian surrealist René Magritte. It is part of the permanent collection of the Art Institute of Chicago and is usually on display in the museum's Modern Wing. It is not currently available for viewing.

The Difficult Crossing(La traversée difficile) is the name given to two oil-on-canvas paintings by the Belgian surrealist René Magritte. The original version was completed in 1926 during Magritte's early prolific years of surrealism and is currently held in a private collection. A later version was completed in 1963 and is also held in a private collection.

The Listening Room is an oil on canvas painting by the Belgian surrealist René Magritte which is currently part of the Menil Collection in Houston, Texas. A later version of the painting was made in 1958 and is held in a private collection.

The Human Condition is the title of four paintings by the Belgian surrealist René Magritte. One was completed in 1933 and is in the collection of the National Gallery of Art in Washington, D.C. Another one was completed in 1935 and is part of the Simon Spierer Collection in Geneva, Switzerland. A drawing with the same name is kept at the Cleveland Museum of Art and an other picture is part of the Norfolk Museum Collections.
The Aix Annunciation is a painting attributed to the Barthélemy d'Eyck or the so-called Master of the Annunciation of Aix-en-Provence. Executed in 1443-1445, it was originally placed in the Cathédrale Saint-Sauveur, Aix-en-Provence, southern France. Now it is divided between the Église de la Madeleine in the same city, the Museum Boijmans Van Beuningen at Rotterdam, the Rijksmuseum of Amsterdam, while the right panel is in the Royal Museum of Fine Arts of Belgium in Brussels. Side panels are painted on both sides, showing Christ on the right and Mary Magdalene on the left ; together they used to form a Noli me tangere scene when the triptych was folded shut.

The Empire of Light is the title of a succession of paintings by René Magritte. They depict the paradoxical image of a nocturnal landscape beneath a sunlit sky. He explored the theme in 27 paintings from the 1940s to the 1960s. The paintings were not planned as a formal series. They have never all been exhibited together and are rarely exhibited in smaller groups. The original French title, L'Empire des Lumieres is sometimes translated as singular, The Empire of Light,and sometimes as plural The Empire of Lights. Other translations include The Dominion of Light: making the distinction: "an empire exists in relation to a ruler, a dominion does not necessarily require this.”
The Goldweigher's Field is a 1651 etching by Rembrandt now held by many museums, including the British Museum, the Rijksmuseum, The Morgan Library & Museum, and the Metropolitan Museum of Art. It is based on a landscape drawing in the collection of the Museum Boijmans van Beuningen.
The False Mirror is a surrealist oil on canvas painting by René Magritte, from 1928. It depicts a human eye framing a cloudy, blue sky. In the depiction of the eye in the painting, the clouds take the place normally occupied by the iris. The painting's original French title is Le faux miroir.
Richard Edward Ion Calvocoressi is a British museum and gallery curator and art historian.
Late Visitors to Pompeii is a 1931 painting by Carel Willink. It depicts four modern men at the forum of Pompeii with Mount Vesuvius in the background. The painting belongs to the Museum Boijmans Van Beuningen since 1933. It has been interpreted in correlation with the cultural philosophy of Oswald Spengler, who is one of the men in the painting, and themes of civilisational crisis in the fiction of Ferdinand Bordewijk.