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French art consists of the visual and plastic arts originating from the geographical area of France. Modern France was the main centre for the European art of the Upper Paleolithic, then left many megalithic monuments, and in the Iron Age many of the most impressive finds of early Celtic art. The Gallo-Roman period left a distinctive provincial style of sculpture, and the region around the modern Franco-German border led the empire in the mass production of finely decorated Ancient Roman pottery, which was exported to Italy and elsewhere on a large scale. With Merovingian art the story of French styles as a distinct and influential element in the wider development of the art of Christian Europe begins.
Fernand Leduc was a Canadian abstract expressionist painter and a major figure in the Quebec contemporary art scene in the 1940s and 1950s. During his 50-year career, Leduc participated in many expositions in Canada and France. He was born in Viauville, Montreal, Quebec.
Jean Le Moal was a French painter of the new Paris school, designer of stained glass windows, and one of the founder members of the Salon de Mai.
Fernand Toupin was a Québécois abstract painter best known as a member of the avant-garde movement Les Plasticiens. His work is in the collection of the National Gallery of Canada.
René Laubies (1917–2006) was a Colonial French painter, translator, traveler and writer associated with the Lyrical Abstraction, Arte Informale and Tachism movements though particularly linked to the Nuagisme (Cloudism) painters.
Julien Alvard (1916–1974) was a French art critic known for having launched a modern art movement that he baptized Nuagisme in which young French and foreign painters participated in France. Nuagisme lasted between 1955 and 1973.
Julien Le Blant was a French painter of military subjects who specialized in the scenes of the Vendée Wars of 1793–1799 that occurred during the French Revolution. Because he came from a family from the Bas-Poitou, part of the old province of Poitou, Le Blant was descended from the French "Blancs" who had opposed the French Revolution and was thus in sympathy with those who rose up and formed the Grand Catholic Army of the Vendée. He spent his artistic career commemorating the events of the rebellion in large works that were exhibited in the annual Paris Salon. Le Blant was a much honored painter and he won a Bronze Medal at the Salon in 1878, a Silver Medal in 1880 and a Gold Medal at the 1889 Exposition Universelle, the Paris World's Fair that commemorated the centennial of the beginning of the French Revolution. Le Blant was also a prolific illustrator, contributing more than five hundred illustrations to dozens of books. Le Blant's last major accomplishment was a large series of drawings, watercolors and paintings of French soldiers on their way home from and departing to the front during the First World War. His work is in a number of public collections, but primarily in France because the subjects he specialized in did not command great popularity abroad.
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Jean Messagier was a French painter, sculptor, printmaker and poet. Jean Messagier had his first solo exhibition in Paris at Galerie Arc-en-Ciel in 1947. From 1945 to 1949 the artist worked under the influence of Pablo Picasso, André Masson, Paul Klee and François Desnoyer, his professor at École nationale supérieure des arts décoratifs in Paris. Messagier again was revealed to the public at an exhibition organized by Charles Estienne at the Galerie de Babylone in 1952, entitled "La Nouvelle École de Paris". The following year, Messagier deliberately broke away from his expressionistic form of Post-Cubism; his inspirations now focused on Jean Fautrier and Pierre Tal-Coat to develop a personal vision in which he renders "light...approached abstractly." Jean Messagier is often associated with Lyrical abstraction, Tachisme, Nuagisme, Art informel and paysagisme abstrait, though the artist himself had never accepted any labels, and had always refused the distinction between abstraction and figuration. From 1962 until the year of his death Jean Messagier exhibited in France and abroad, taking part in some major international events as a representative of new trends in French painting.
Henri Clément Serveau, also known as Clément-Serveau, was a French painter, designer, engraver and illustrator. Clément-Serveau produced works in a realist manner early on, but soon became interested in the new movements. He was influenced by his friend Louis Marcoussis and experimented with Cubism, utilising geometric patterns to give the illusion of form and space. Later in his career he turned toward abstraction with a post-cubist stance. He designed banknotes for the Banque de France and produced large murals and participated in numerous French and international exhibitions.
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Albert Lebourg, birth name Albert-Marie Lebourg, also called Albert-Charles Lebourg and Charles Albert Lebourg, was a French Impressionist and Post-Impressionist landscape painter of the Rouen School. Member of the Société des Artistes Français, he actively worked in a luminous Impressionist style, creating more than 2,000 landscapes during his lifetime. The artist was represented by Galerie Mancini in Paris in 1896, in 1899 and 1910 by : Galerie Bernheim-Jeune, 1903 and 1906 at the Galerie Paul Rosenberg, and 1918 and 1923 at Galerie Georges Petit.
Germain David-Nillet is a French painter born 4 December 1861 in Paris and died on 12 October 1932 in Paris.
Henri Beau was a French-Canadian Impressionist painter. He is noted for Chemin en été, La dispersion des Acadiens, L'arrivée de Champlain à Québec, and Les Noces de Cana. Beau is a largely forgotten artist due to his long absence from Canada. His widow Marie Beau worked towards establishing his reputation as an artist in Canada after his death. He was only recognized as a notable artist decades later, with major retrospectives of his paintings celebrating his career by the Galerie Bernard Desroches in Montréal in 1974, and at the Musée du Québec in Québec City in 1987.
Pierre Gaudibert was a French art curator and critic. He was the inaugural curator of the contemporary art section at the Musée d'Art Moderne de la Ville de Paris, where he exhibited left-wing artists. He was also the curator of the Museum of Grenoble and the Musée national des Arts d'Afrique et d'Océanie. He was the author of eight books about art and culture.
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Pierre Roy was a French surrealist painter. He is known for his realistically painted compositions of ordinary objects in unexpected arrangements.
The Musée des Beaux-Arts de Brest is the main art museum in the city of Brest, Brittany, France, housing French and Italian old masters as well as more modern art. It and most of the city were destroyed by Allied bombing during the Second World War and the building and its collections both had to be recreated in the post-war period,making it what one author has called "the largest collection [of old masters] to have been formed in France since 1945". The museum building was completed in 1968 and is typical of Brest's functional post-war architecture.
Jean Degottex was a French abstract painter, known in particular for his initial proximity with the lyrical abstraction movement of the 1950s and 1960s. He is considered an important artist of the abstraction movement in the second half of the twentieth century and a significant inspiration for contemporary art. Degottex was particularly inspired by East Asian calligraphy and Zen philosophy in achieving the erasure of the creative subject.
Maurice Paul Jean Asselin was a French painter, watercolourist, printmaker, lithographer, engraver and illustrator, associated with the School of Paris. He is best known for still lifes and nudes. Other recurring themes in his work are motherhood, and the landscapes and seascapes of Brittany. He also worked as a book illustrator, particularly in the 1920s. His personal style was characterised by subdued colours, sensitive brushwork and a strong sense of composition and design.
References
- Alvard Julien, Témoignages pour l'art abstrait, Paris, Editions Art d'aujourd'hui, 1952
- Alvard Julien, L'Art moral ou la répétition punie, Imprimerie Le soleil, 1957
- M. A.-L, Une jeune femme, deux Américains, un nuagiste, in Les Lettres françaises no 1118 du 16 au 16 février 1966, p. 29
- Benrath Frédéric, Catalogue de l'exposition Le nuagisme même, Musée des Beaux-arts de Lyon, 1973
- Bonnefoi Geneviève, Les années fertiles 1940-1960, Paris, Mouvements Editions, 1988
- Brichet Isabelle, Le Nuagisme, Paris, Université de Paris IV Sorbonne, 2006
- Calmon Michel, Catalogue de l'exposition au musée des Beaux-arts de Chartres, Chartres, Musée des Beaux-arts de Chartres, 2008
- Calmon Michel, Nuages-nuagisme, Area Revue, no 22, 2010
- Alvard Julien, D'une nature sans limites à une peinture sans bornes, Art d'aujourd'hui, July 1953
- Gassiot-Talabot Gérald, Le nuage crève, Cimaise, Jully 1964
- Gassiot-Talabot Gérald, Les nuagistes, Opus International, November 2011
- Grenier Jean, Le nuagisme, Chefs-d'œuvre de l'art, September 1963
- Rey Jean-Dominique, Le nuagisme, Jardin des arts, 1965
