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The term offscreen describes fictional events in theatre, television, or film that do not occur directly on stage or in frame.
Offscreen, off camera, and offstage refer to fictional events in theatre, television, or film which are not seen on stage or in frame, but are merely heard by the audience or described by the characters. Offscreen action often leaves much to the audience's imagination. As a narrative mode and stylistic device, it may be used for a number of dramatic effects. It may also be used to save time in storytelling, to circumvent technical or financial constraints of a production, or to meet standards set out by a content rating scheme.
Offscreen or off screen may also refer to:
Offscreen is a 2006 Danish film directed by Christoffer Boe, who also wrote the screenplay together with Knud Romer Jørgensen. With an odd mixture of fiction and reality, it tells the peculiar story of a man who films himself for a whole year in a quest for invisibility.
Off Screen is a 2005 Dutch thriller directed by Pieter Kuijpers.
The Offscreen Film Festival started in 2008, as an annual international non-competitive film festival organized in Brussels. The festival is intended to create an acquisition, media and exhibition platform for undistributed or rarely screened films and give audiences a chance to (re)discover repertory films, independent audio-visual creations and outsider cinema. New and sometimes unexpected associations between contemporary film and film history are explored by way of thematic programming modules.
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Pan and scan is a method of adjusting widescreen film images so that they can be shown in fullscreen proportions of a standard definition 4:3 aspect ratio television screen, often cropping off the sides of the original widescreen image to focus on the composition's most important aspects.
The Hong Kong International Film Festival is one of Asia’s oldest international film festival. Founded in 1976, the festival features different movies, filmmakers from different countries in Hong Kong.
The Busan International Film Festival, held annually in Haeundae-gu, Busan, South Korea, is one of the most significant film festivals in Asia. The first festival, held from 13 to 21 September 1996, was also the first international film festival in Korea. The focus of the BIFF is introducing new films and first-time directors, especially those from Asian countries. Another notable feature is the appeal of the festival to young people, both in terms of the large youthful audience it attracts and through its efforts to develop and promote young talent. In 1999, the Pusan Promotion Plan was established to connect new directors to funding sources. The 16th BIFF in 2011 saw the festival move to a new permanent home, the Busan Cinema Center in Centum City. The Busan Cinema Center is an about USD 150 million structure designed by Austria-based architecture collective Coop Himmelblau. The about 30,000 m² Cinema Center includes a 4,000-seat outdoor theatre; four indoor screens under an LED-covered roof; media centre; archive space; and conference rooms; allowing the festival to include industry forums and educational activities.
Suicide Club, known in Japan as Suicide Circle is a 2001 Japanese independent satirical horror film written and directed by Sion Sono. The film explores a wave of seemingly unconnected suicides that strikes Japan and the efforts of the police to determine the reasons behind the strange behavior.
Structural film was an experimental film movement prominent in the United States in the 1960s and which developed into the Structural/materialist films in the United Kingdom in the 1970s.
"Redundant" is a song by American punk rock band Green Day. It was released as the third single from their fifth album, Nimrod (1997). The song failed to match the chart positions of its predecessors but did reach number two in Australia when it was reissued as a double A-side with "Good Riddance ", becoming the band's highest-charting single there.
Subconscious Cruelty is a 2000 Canadian independent experimental anthology horror film written and directed by Karim Hussain and produced by Mitch Davis. It was filmed over a long period of time, from February 1994 to December 1999, and debuted at the Festival de Cine de Sitges in Sitges, Spain, on October 12, 2000. The film went on to screen at several other festivals, including the Stockholm International Film Festival and Amsterdam Fantastic Film Festival before being released on DVD on April 18, 2005. The film was first released in Canada on Friday, April 13, 2001. It screened at Cinema Du Parc in Montreal, Quebec, Canada for two weeks from April 13 to the 28th of 2001. It was again screened at the same theater for a single weekend in November 2001, and one last time in June 2003. It has not been screened publicly in Canada since then.
The Showroom Cinema is an independent cinema, café bar and creative workspace in Sheffield, England.
Oliver Lee is a British actor first known for his role as gay teenager Josh Jones in the television series Hollyoaks: In the City (2006). He was born in Manchester, Greater Manchester, England.
Tony Nardi is a Canadian actor, playwright, director and producer.
Christoffer Boe is a Danish film director and screenwriter. He is an established and well-known not only in Denmark, but all through the world. Among his international awards there are FIPRESCI Director of the Year at San Sebastián International Film Festival and Golden Camera at Cannes Film Festival in 2003. He is also co-founder and director of the film production company AlphaVille Pictures Copenhagen.
Jakob Cedergren is a Swedish-born Danish actor. He has appeared in more than 40 films and television shows since 1998. He starred in the film Dark Horse, which was screened in the Un Certain Regard section at the 2005 Cannes Film Festival.
Omar is a 2013 Palestinian drama film directed by Hany Abu-Assad. It was screened in the Un Certain Regard section at the 2013 Cannes Film Festival where it won the Special Jury Prize. It was shown at the 2013 Toronto International Film Festival. The film was nominated for the Best Foreign Language Film at the 86th Academy Awards. It won Best Feature Film at the 2013 Asia Pacific Screen Awards. The film was screened at the United Nations in New York on 1 May 2014.
Cannibal is a 2013 Spanish-Romanian thriller film directed by Manuel Martín Cuenca. It was screened in the Special Presentation section at the 2013 Toronto International Film Festival.
Lady Terminator is a 1988 Indonesian horror-fantasy action film directed by H. Tjut Djalil, also credited under the pseudonym of Jalil Jackson. The film stars Barbara Anne Constable, Christopher J. Hart, and Claudia Angelique Rademaker, and is considered to be a mockbuster of the 1984 American film The Terminator.
Sofia Bohdanowicz is a Canadian film director. She is most noted for her 2017 documentary film Maison du Bonheur, which was a finalist for the Rogers Best Canadian Film Award at the Toronto Film Critics Association Awards 2018, and her 2018 short film Veslemøy's Song, which was named to the Toronto International Film Festival's annual Canada's Top Ten list in 2018.
Oh What a Wonderful Feeling is a Canadian short drama film, directed by François Jaros and released in 2016. The film, an experimental drama described by Jaros as one in which he wanted "to have the narrative just outside of the frame; to suggest that there’s a bigger world, a bigger thing and something maybe meaner, more strange happening", largely depicts actions driven by offscreen events and features very little spoken dialogue.