Otto Heller

Last updated
Otto Heller
Album representantu vsech oboru verejneho zivota ceskoslovenskeho - 1927 - Otto Heller.png
Born
Otto Heller

(1896-03-08)8 March 1896
Died19 February 1970(1970-02-19) (aged 73)
London, United Kingdom
Occupation Cinematographer
Years active1919–1969

Otto Heller, B.S.C. (8 March 1896 – 19 February 1970) [1] was a Czech cinematographer long resident in the United Kingdom. He worked on more than 250 films, including Richard III (1955), The Ladykillers (1955) and Peeping Tom (1960).

Contents

Life

Otto Heller was born in a Jewish family in Prague on 8 March 1896. As a teenager, he became a projectionist in the Lucerna cinema. During World War I, he worked in a film laboratory in Vienna. After the war, he started to work as a documentary cameraman at Pragafilm. During the 1920s, he was the most requested cinematographer in Czechoslovakia. Together with Karel Lamač, Anny Ondra and Václav Wasserman, he made many movies both for domestic and international audience. He often worked with Svatopluk Innemann, Martin Frič and Jan S. Kolár. Because of the rise of Nazism, he left Czechoslovakia in 1938 with Lamač.

In an interview for the extra materials on the Blu-ray Disk version of The Ipcress File, Michael Caine recollects how Otto Heller told the story of leaving Nazi Germany in 1939. His camera crew were all Germans and they kept telling him to leave but he did not believe he neeeded to go and he would refuse, saying they were having a great time doing movies. Then one day his camera operator came dressed in an SS uniform and told to him that he has joined the SS and urged Heller to go "now". Heller told Michael Caine that he "went to the toilet, went out through the toilet window and I never stoppped running till I got to London". [2]

He became a British citizen in 1945. Heller continued to live and make movies in UK until his death. [1]

He died in London on 19 February 1970. [3]

Selected filmography

Related Research Articles

<span class="mw-page-title-main">Charles Rosher</span> English cinematographer (1885–1974)

Charles G. Rosher, A.S.C. was an English-born cinematographer who worked from the early days of silent films through the 1950s.

<span class="mw-page-title-main">Franz Planer</span> German-American cinematographer (1894–1963)

Franz F. Planer, A.S.C. was an Austrian-born cinematographer born in Karlsbad, Austria-Hungary.

<span class="mw-page-title-main">John F. Seitz</span> American cinematographer and inventor (1892–1979)

John Francis Seitz, A.S.C. was an American cinematographer and inventor.

<span class="mw-page-title-main">Classical Hollywood cinema</span> Style of filmmaking characteristic of American cinema (1910s –1960s)

Classical Hollywood cinema is a term used in film criticism to describe both a narrative and visual style of filmmaking which became characteristic of American cinema between 1915 and the early 1960s, but can stretch as far as the early 1970s, until the introduction of Dolby sound. It eventually became the most powerful and pervasive style of filmmaking worldwide.

<span class="mw-page-title-main">Arthur Edeson</span> American cinematographer (1891–1970)

Arthur Edeson, A.S.C. was a film cinematographer, born in New York City. His career ran from the formative years of the film industry in New York, through the silent era in Hollywood, and the sound era there in the 1930s and 1940s. His work included many landmarks in film history, including The Thief of Bagdad (1924), All Quiet on the Western Front (1930), Frankenstein (1931), The Maltese Falcon (1941), and Casablanca (1942).

Mutz Greenbaum, sometimes credited as Max Greene or Max Greenbaum, was a German film cinematographer.

Sidney Hickox, A.S.C. was an American film and television cinematographer.

George Joseph Folsey, A.S.C., was an American cinematographer who worked on 162 films between 1919 and his retirement in 1976.

<span class="mw-page-title-main">Ted Tetzlaff</span>

Dale H. "Ted" Tetzlaff was an Academy Award-nominated Hollywood cinematographer active in the 1930s and 1940s.

<span class="mw-page-title-main">Fred Kohler</span> American actor (1888–1938)

Fredrick Louis Kohler was an American actor.

Julius von Borsody was an Austrian film architect and one of the most employed set designers in the Austrian and German cinemas of the late silent and early sound film periods. His younger brother, Eduard von Borsody, was a film director in Austria and Germany. He is also the great-uncle of German actress Suzanne von Borsody.

<span class="mw-page-title-main">Karel Lamač</span> Czech film director

Karel Lamač was a Czech film director, actor, screenwriter, producer and singer. He directed more than 100 films in Czechoslovakia, Austria, Germany, the Netherlands and the United Kingdom.

André Roanne was a French actor. He began his career playing in short films, and acted in 91 films in total, most notably those of Fernandel. Most of his films were French; he did, however, also appear in German and Italian works, especially co-productions with French companies. He also served occasionally as an assistant director, screenwriter, technician, and film editor.

Fritz Arno Wagner is considered one of the most acclaimed German cinematographers from the 1920s to the 1950s. He played a key role in the Expressionist film movement during the Weimar period and is perhaps best known for excelling "in the portrayal of horror" according to noted film critic Lotte H. Eisner.

Geoffrey Faithfull B.S.C., was a British cinematographer who worked on more than 190 feature films from starting in the industry in the 1910s. Faithfull also directed two films: For You Alone (1945) and I'll Turn to You (1946). He worked on several films with Michael Powell and among his later work was responsible for the 1960 SF classic Village of the Damned.

Basil Emmott, BSC was a prolific English cinematographer with 190 films to his credit, active from the 1920s to the 1960s. Emmott's career started in the silent era and continued through to the mid-1960s. His most prolific decade was the 1930s, when he was involved with almost 120 films, many of which were produced by noted documentary film-maker John Grierson.

Benjamin Harrison Kline was an American cinematographer and film director. He was the father of Richard H. Kline.

William Nobles was an American cinematographer.

George Robinson was an American cinematographer.

References

  1. 1 2 "Otto Heller". csfd.cz. Retrieved 2011-01-24.
  2. Interview - Sir Michael Caine (Bonus Material on The Ipcress File film Blu-ray disk). 2006.
  3. "Otto Heller Biography". Screenonline. BFI.