Our Band Could Be Your Life: A Tribute to D Boon and the Minutemen | |
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Compilation album by Various Artists | |
Released | February 23, 1996 |
Recorded | April 15, 1985 – August 1994 |
Length | 73:34 |
Label | Little Brother Records |
Our Band Could Be Your Life: A Tribute to D Boon and the Minutemen was a tribute album for the band The Minutemen released in 1996. It contains 35 tracks of alternative bands covering songs by The Minutemen.
(All songs written by D. Boon unless otherwise noted)
Firehose was an American alternative rock band consisting of Mike Watt, Ed Crawford, and George Hurley (drums). They were initially active from 1986 to 1994, and briefly reunited in 2012.
Dennes Dale Boon, also known as D. Boon, was an American musician, best as the guitarist, singer and songwriter of the punk rock trio Minutemen.
George Hurley is a drummer noted for his work with Minutemen and fIREHOSE.
Double Nickels on the Dime is the third album by American punk trio Minutemen, released on the California independent record label SST Records in 1984. A double album containing 45 songs, Double Nickels on the Dime combines elements of punk rock, funk, country, spoken word and jazz, and references a variety of themes, from the Vietnam War and racism in America, to working-class experience and linguistics.
D. Boon and Friends is a compilation album of home recordings featuring American musician D Boon, of the band Minutemen. The album is the inaugural release of the Hermosa Beach, California-based label Box-O-Plenty Records, started by Boon's one-time roommate Richard Derrick. Most of the tracks are living-room jam sessions done by Boon, Derrick, and Crane, who had previously contributed backing vocals and trumpet parts to Minutemen's Buzz or Howl Under the Influence of Heat and Project: Mersh EP's.
Paranoid Time is the debut EP by American hardcore punk band Minutemen. It is also the second ever release by the SST record label, founded by Black Flag's Greg Ginn and Chuck Dukowski. The album cover is a drawing by the American artist Raymond Pettibon.
The Reactionaries were an American punk rock band formed in San Pedro, Los Angeles, California, in 1978. The band's continual members were lead vocalist Martin Tamburovich, guitarist D. Boon, bassist Mike Watt, and drummer George Hurley. The Reactionaries existed for most of 1978 and 1979, practicing regularly but rarely if ever performing live. After their breakup in late 1979, Watt and Boon formed Minutemen with drummer Frank Tonche and Hurley joined Hey Taxi!; Hurley joined Minutemen soon afterwards, replacing Tonche.
What Makes a Man Start Fires? is the second studio album and fifth release by American punk rock band Minutemen.
Buzz or Howl Under the Influence of Heat is the sixth overall release from American hardcore punk band Minutemen. It was released by SST Records in 1983. It is noted for featuring tracks with greater depth and more conventional song structure than on the band's previous releases.
The Politics of Time is the seventh overall release, third album-length release, and first compilation by American hardcore punk band the Minutemen.
"Ballot Result" is a posthumous live album by Minutemen.
The Way Things Work is the debut album by American improvisational band Unknown Instructors, featuring Mike Watt, George Hurley, Joe Baiza, Jack Brewer, and poet Dan McGuire.
We Jam Econo: The Story of the Minutemen, is a full-length documentary about the influential 1980s punk rock band Minutemen, created by director Tim Irwin and producer Keith Schieron in association with Rocket Fuel Films. The film premiered on February 25, 2005 at the historic Warner Grand Theatre in San Pedro, California, after two years in production.
Contemplating the Engine Room is a punk rock opera by Minutemen veteran Mike Watt. Released in 1997, the album is a punk rock song cycle that uses navy life as an extended metaphor for both Watt's family history and his first band, the Minutemen. The album was greeted with a positive response. The cover art features a picture of Watt's father in his Navy uniform.
3-Way Tie is the fourth and final full-length album recorded by the American punk band Minutemen. It is notable for featuring several covers of songs by the Urinals, Meat Puppets, Blue Öyster Cult, Creedence Clearwater Revival, and Roky Erickson. The last song, a cover of Erickson's "Bermuda", was sung over the phone by Mike Watt.
Martin Tamburovich was the co-founder of New Alliance Records and vocalist for the short-lived punk/new wave band The Reactionaries. Tamburovich, along with his San Pedro High School classmates D. Boon, Mike Watt, and George Hurley, formed the band in 1978; they disbanded a year later. Boon and Watt then formed Minutemen, and Hurley joined them soon after, but Tamburovich would continue to collaborate with his former band members. Since then, he played with such bands as The Slivers and later The Plebs. He resided near San Francisco and still kept in touch with the surviving members of The Reactionaries.
Project: Mersh is the final extended play, or EP release from the American punk rock trio Minutemen. It is their penultimate release, before D. Boon's death later that year in an auto accident.
Introducing the Minutemen is a retrospective and relatively comprehensive compilation of songs by influential punk/alternative trio the Minutemen, compiled by bassist and notable solo artist Mike Watt twelve years after the untimely demise of the band. The album is made up of tracks spanning the band's entire career, sampling tracks from all of their studio releases with the exception of the Tour-Spiel EP and the Black Flag-Minutemen collaboration Minuteflag. Due to the comprehensive and wide-spanning nature of the collection, it is generally perceived to be an effective introduction to The Minutemen and their music.
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Minutemen were an American punk rock band formed in San Pedro, California, in 1980. Composed of guitarist/vocalist D. Boon, bassist/vocalist Mike Watt, and drummer George Hurley, Minutemen recorded four albums and eight EPs before Boon's death in an automobile accident in 1985; the band broke up shortly thereafter. They were noted in the California punk community for a philosophy of "jamming econo"—a sense of thriftiness reflected in their touring and short, tight songs, and for their eclectic style, drawing on hardcore punk, funk, jazz, and other sources.